HALO A 23+ Stereo Power Amplifier User Guide
- June 4, 2024
- HALO
Table of Contents
- HALO A 23+ Stereo Power Amplifier
- Important Safety Instructions
- Introduction
- Unpacking Your A 23+ & Placement Guidelines
- AC Mains Voltage
- Rack Mounting Your Parasound A 23+
- Audio Input Connections
- Bridged Mode
- Bi-Amping is Often Superior to Bridged Mode
- Speaker Connections
- Turn On Options
- Front Panel Operation
- Technically Speaking
- Parasound A 23+ Design Overview
- Problems and Remedies
- Are You Having Difficulty?
- Specifications
- References
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
HALO A 23+ Stereo Power Amplifier
Important Safety Instructions
The lightning flash with the arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of “dangerous voltage” inside the product that may constitute a risk of electric shock. The exclamation point within an equilateral triangle is intended to alert the user to the presence of important operating and maintenance instructions in the literature accompanying the product. TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT REMOVE COVER. NO USER-SERVICEABLE PARTS INSIDE. REFER SERVICING TO QUALIFIED SERVICE PERSONNEL
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Read Instructions — Read all the safety and operating instructions before operating this product.
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Retain Instructions — Retain safety and operating instructions for future reference.
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Heed Warnings — Adhere to all warnings on the product and in the operating instructions.
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Follow Instructions — Follow all operating and use instructions.
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Cleaning — Unplug this product from the wall outlet before cleaning. Use a damp cloth for cleaning. Clean the outside of the product only.
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Attachments — Do not use attachments that are not recommended by the product manufacturer; they may be hazardous.
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Water and Moisture — Do not use this product near water.
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Accessories — Do not place this product on an unstable cart or stand. The product may fall, causing bodily injury and damage to the product. A product and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the product and cart to overturn.
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Ventilation — Slots and openings in the cabinet are provided for ventilation to ensure reliable operation of the product and to protect it from overheating. These openings must not be blocked or covered. This product should not be placed in a built-in installation such as a bookcase or rack unless proper ventilation is provided.
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Power Sources — Operate this product only from the type of power source indicated on the label. If you are not sure of the type of power supply to your home, consult your dealer or local power company. This product is equipped with a three-prong grounding plug. This plug will only fit into a grounding power outlet. If you are unable to insert the plug into the outlet, contact your electrician to replace your obsolete outlet. Do not defeat the safety purpose of the grounding plug.
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Power Cord Protection — Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them.
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Lightning — Unplug the unit from the wall outlet for added protection during a lightning storm and when it is left unattended and unused for long periods of time. This will prevent damage to the product due to lightning and power line surges.
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Overloading — Do not overload wall outlets or extension cords. This can result in a fire or electric shock.
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Inserting Objects into Unit — Never push objects of any kind into this product through any openings; they may touch dangerous voltage points or short out parts that could result in fire or electric shock.
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Servicing — Do not attempt to repair or service this product yourself. Opening or removing covers may expose you to dangerous voltage and other hazards. Refer all servicing to qualified service personnel.
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Damage Requiring Service — Unplug this product from the wall outlet and refer servicing to qualified service personnel under the following conditions: a) If the power-supply cord or plug is damaged.
b) If liquid has been spilled into the product. c) If the product has been exposed to rain or water. d) If the product does not operate normally by following the operating instructions. e) If the product has been dropped or damaged in any way. f) If the product exhibits a distinct change in performance. -
Replacement Parts — When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer. Unauthorized substitutions may result in fire, electric shock, and other hazards.
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Safety Check — Upon completion of any service or repairs to this product, ask the service technician to perform safety checks to determine that the product is in proper operating condition.
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Wall or Ceiling Mounting — Mount the product to a wall or ceiling only as recommended.
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Heat — The product should be situated away from heat sources such as radiators, heat registers, stoves, and other products (including amplifiers) that produce heat.
Introduction
Thank You for Choosing Parasound
Your new Parasound P 6 is an advanced 2.1 channel preamplifier that has been
designed for the highest performance for serious two channel music listening
and ease of integration with a surround sound system. The P 6 is built to the
extremely strict quality and performance standards for which Parasound is
renowned. We’re proud to offer you this exceptional audio component that will
bring you many years of enjoyment and dependability. Because your new P 6
preamplifier performs at a higher level of sonic performance than you may have
expected we encourage you to read this entire manual to maximize your
enjoyment. We wish you many years of listening enjoyment.
The Parasound Staff
Keeping Records for Future Reference
Record the serial number located on the back panel or bottom of your P 6 in
the space below. Also note your Parasound Dealer’s name and telephone number.
Your purchase receipt/bill of sale is required to determine if your P 6 is
eligible for Parasound warranty service. We recommend that you make an extra
copy of your original purchase receipt/bill of sale and store it inside the P
6’s carton.
- P 6 Serial #: _____ (5 digit number below the bar code on the chassis bottom)
- Parasound Dealer: ___
- Parasound Dealer Phone Number: ___
- Date of Purchase: __
Important Warranty information
- There is no Parasound warranty for this unit if it was not purchased from an Authorized Parasound Dealer. Investigate warranty coverage statements made by an
- unauthorized dealer very carefully, as you will need to depend entirely upon your dealer, and NOT upon Parasound. Unauthorized dealers lack the capability to make repairs
- or arrange for repairs of Parasound equipment. A list of Authorized Parasound Dealers and detailed warranty information is available at www.parasound.com or you can
- call 415-397-7100 between 9:00 am and 4 pm Pacific time. A missing or altered serial number could indicate that this unit was re-sold by an unauthorized dealer or is stolen
- merchandise. If this unit is missing its serial number or the serial number has been altered, you should return it to your dealer immediately for a full refund.
Unpacking Your A 23+ & Placement Guidelines
Unpacking Your A 23+
Carefully remove your A 23+ from its shipping carton and locate the enclosed
accessories:
- AC power cord
- A 12V trigger wire for auto turn on. It has a mono 3.5 mm mini plug at each end.
While you are unpacking your A 23+, inspect it thoroughly for possible shipping damage and tell your Parasound dealer immediately if you find any evidence of shipping damage. This would be a good time to make a copy of your sales receipt to store with the A 23+’s original packing.
Note : Please save and store both the inner and outer cartons and, most
especially, the foam
packing inserts to protect the A 23+ if you have to move it or ship it. You
may wish to flatten the
cardboard cartons to save room in storage after cutting the taped seams on the
bottom flaps.
Placement Guidelines
The A 23+ will be easier to use and will last longer if you follow these
simple guidelines:
- Place the A 23+ on a surface that will adequately support its weight.
- Use input and output cables that are long enough to leave some slack; that will enable you to pull the A 23+ out of a cabinet to check or to change connections without inadvertently disconnecting cables.
- The A 23+ should never be placed in a completely enclosed cabinet.
- Place your A 23+ where you can route input and output signal cables as far as possible from any AC cords.
- Where input interconnects must cross AC cords they should do so only at a 90° right angle.
Ventilation Requirements
- Always position the A 23+ horizontally.
- The A 23+ should never be stacked directly above another power amplifier or directly below another component.
- Do not install the A 23+ in an unventilated equipment cabinet or compartment. Pockets of stagnant hot air can build up even in a cabinet with an open front and back. A ventilation fan is recommended to prevent “hot spots” in confined spaces.
AC Mains Voltage
Make sure the 115 V/230 V Voltage Selector switch on the A 23+’s back panel is set for the correct AC line (mains) voltage before you plug in the power cord. It can be seriously damaged if this switch is set for the wrong AC mains voltage.
In the 115 V position the A 23+ can safely operate with AC Line voltages
between 110-125 V which is correct for North America, Mexico, and Taiwan. In
some countries, such as Brazil, AC voltages differ by region. Most other
countries require setting it to 230 V. With the 230 V setting the A 23+ can
operate safely with AC line voltages between 220-250 V. If the AC Voltage
Selector is changed the rear panel fuse value must also be changed. The A 23+
operates on 50Hz or 60Hz AC.
Note: An A 23+ that has been damaged by connection to the incorrect AC
mains voltage is not covered by the Parasound warranty.
AC Power Cord
The AC cord supplied with your A 23+ is a high quality IEC type cord. Please
connect it directly to an AC wall outlet or power conditioner that is always
“live.” If possible, plug your A 23+ into the same AC outlet that your
preamplifier is plugged into. If different AC outlets are used for the A 23+
and other components, (including a TV or video projector) the ground potential
may be higher or lower between the outlets, resulting in audible hum.
Rack Mounting Your Parasound A 23+
With its four feet removed, the A 23+’s front panel height occupies two rack spaces: 3.5” or 88.2 mm. (A single standard rack space occupies 1.75” vertical space.) For mounting in a standard 19” equipment rack, you must use the Parasound HRA 2 rack mount kit (purchased separately). The HRA 2 kit includes four bolts and plastic washers with raised “shoulders.” Slide one washer onto each mounting bolt with its raised shoulder pointing toward the panel hole. Insert the bolt through the hole and slide the other washer on the bolt with its raised shoulder facing the rear side of the panel. The washers will sandwich the A 23+ panel and the four mounting bolts to prevent metal-to-metal contact between the A 23+ chassis, the equipment rack, and the other components mounted in the rack.
Warning : Do not put the screws for the feet back into the bottom of the A 23+ without the feet. Doing so could cause the screws to touch electrical components and cause a short circuit.
Audio Connections
Always disconnect the AC cord to your A 23+ before making or changing any
input, output or trigger wire connections. Inserting or removing an input or
output cable while the A 23+ is turned on can result in a blast of sound that
can damage your loudspeakers. Make sure there is no strain or tension on any
cables that could cause them to pull loose.
Audio Input Connections
Balanced XLR Input Jacks
Note: The Balanced/Unbalanced switch is not an input selector. Its function is
to optimize the signal-to-noise ratio for each type of input. You should not
connect both the Balanced and Unbalanced jacks at the same time with the
expectation of switching between two different devices such as a preamp and
surround processor.
In most systems balanced XLR connections will give you the best sound. If your
stereo preamplifier has balanced XLR output jacks, we recommend that you
connect them to the A 23+ XLR inputs. Refer to the Balanced and Unbalanced
Lines in the Technically Speaking section for additional information about why
we recommend using balanced lines.
Note : Using balanced XLR input connectors results in a 6 dB higher volume level compared with using the RCA input jacks. This is a noticeable increase.
Unbalanced RCA Input Jacks
Use these inputs if your preamplifier doesn’t have balanced XLR output
connections or if you simply prefer to use unbalanced connections.
Balanced/Unbalanced Selector Switch
Place the switch in the position for the input type you will be using.
Note : The Balanced/Unbalanced switch is not an input selector. Its function is to optimize the signal to noise ratio for each type of input. You should not connect both the Balanced and Unbalanced jacks at the same time with the expectation of switching between two different devices such as a preamp and surround processor.
Balanced XLR Pin Configuration
The A 23+ XLR jacks conform to the industry standard of:
Pin 1: Ground Pin 2: Positive (+) Pin 3: Negative (–).
Loop Output Jacks
These jacks enable the incoming audio signal to pass along or “daisy chain”
from the Left and Right Input jacks to an additional amplifier or powered
subwoofer. The Loop Out jacks are not affected by the Gain control settings.
If you connect the preamp to the A 23+ with balanced XLR input jacks the RCA
Loop Out jack functions normally.
Bridged Mode
Bridged operation configures the Left and Right channels to function as a single channel higher power amplifier to drive a single speaker. When an A 23+ is in Bridged Mode it provides far greater power output than the sum of its left and right channels’ power output. Please note that in bridged operation the minimum speaker impedance is 8 ohms. We do not recommend using the A 23+ with a 4 ohm speaker while set to bridged mode.
Bridged/Stereo Mode Selector Switch
Select Stereo for normal operation when the A 23+ will be powering two
speakers. Only select Bridged when an A 23+ will be powering a single 8 ohm
speaker.
Note: If the Bridge Mode switch is accidentally set to Bridge while you are using the A 23+ as a stereo amplifier the sound will become very weak and thin.
Speaker Connections for Bridged Mode
When operating in bridged mono mode an A 23+ should only power a single 8 ohm
speaker. Connect the speaker’s positive (+) speaker wire to the A 23+’s right
channel positive (+) speaker terminal. Connect the speaker’s negative (-) wire
to the A 23+’s left channel positive (+) speaker terminal. Correct + and –
speaker polarity for bridged mode is shown below the A 23+ speaker terminals.
Bi-Amping is Often Superior to Bridged Mode
Bridging offers a massive power increase but It is often more power than your speakers need or can safely handle. Bi-amping is an alternative to bridging and many people report greater sonic improvements. Like bridging, bi-amping will require an A 23+ amplifier for each speaker.
Note : Bi-amping in this context is technically “passive bi-amping” so an external electronic crossover is not required. The speaker LF and HF terminals still connect to the speaker’s passive crossover circuits, the difference being that with passive bi-amping the LF and HF crossovers are powered separately.
Connecting speaker wires for Bi-amping
Bi-amping requires speakers with separate LF (Low Frequency) and HF (High
Frequency) input terminals with removable metal straps or wires. (Some KEF
speakers use a rotary switch to join or separate the HF and LF sections). The
left channel of the first A 23+ will power the LF section of one speaker and
this same A 23+’s right channel will power the HF section of the same speaker.
The second A 23+ will connect the same way to the right channel speaker’s LF
and HF inputs. When bi-amping both A 23+’s Bridged switches must be set to
their Normal (Stereo) position.
Setting up the input wires for Bi-amping
The A 23+ has an RCA Loop Output jack for each channel. These looping outputs
allow the input signal from one channel to be daisy-chained to the other
channel’s RCA Input jack. When bi-amping you will connect a standard RCA cable
from the loop output of the Left channel to the Input RCA jack of the right
channel. If you wish to connect your preamp with balanced XLR connections you
will need to purchase a pair of XLR “Y” cables. You cannot use a combination
of a balanced XLR input and RCA Loop Out to the other channel’s input because
the balanced connections will play 6dB louder than the RCA connections.
Note : Both amplifiers left and right channel gain controls should be set at the same position.
Speaker Connections
Speaker Terminals
The A 23+ speaker terminals accept speaker wires terminated with banana plugs,
spade connectors or up to 10 AWG bare wire.
Bare Speaker Wire Ends
If you plan to connect your speaker cables with bare wire ends, use a wire
stripper to remove just enough insulation to expose a 1⁄2″ (13 mm) length of
bare wire. You can insert the stripped wire into the hole that goes vertically
through each terminal’s metal post. Before inserting the wire, twist its bare
strands tightly to prevent any of the individual strands from making contact
across the red plus and black minus speaker terminals. If you have a soldering
iron, you can “tin” (apply a small amount of molten solder) to each stripped
bare wire to prevent it from unraveling, fraying and oxidizing.
Correct Speaker Polarity is Important
Polarity refers to + and – connections. Speaker wires are coded with color,
printing or a ridge on the insulation on one of the leads so you know which
lead was connected to the + and – terminals at the other end. This coding will
help you keep the + and – polarity consistent for all channels. If one speaker
is wired with incorrect polarity it will significantly impair sound quality.
Speaker Wire Length and Gauge (thickness)
When selecting speaker wire, follow these guidelines:
- Keep the length of your speaker wire as short as possible.
- Use the thickest wire practical. For lengths greater than 50 feet, use speaker wire with an
AWG (gauge) of 14 or lower. The smaller the AWG number, the thicker the wire.
Turn On Options
The setting of the rear panel Turn On Options switch determines how the amplifier turns on and off. Setting the Turn On Options switch to Audio or 12 V disables the A 23+’s front panel Power button. There are three positions for this switch:
Manual:
When the Turn On Options switch is set to Manual the A 23+ is turned on and
off manually only by pressing the Power button on its front panel every time
you want to listen to music.
Audio:
When the Turn On Options switch is set to the Audio position, the A 23+ will
be turned on automatically when an audio signal is present at the L or R Input
jacks. After the audio signal ceases the amplifier will remain on for about 10
minutes before shutting itself off. This prevents unintended turn-off during
pauses in your music…
12 V Trigger:
When the Turn On Options switch is set to its 12 V position, the A 23+ is
turned on and off only with an external +9 V to +12 V DC voltage. When the
external voltage ceases the amp will turn off within a few seconds. The 12 V
turn on trigger circuit in the A 23+ requires a mere 5mA from the 12 V trigger
source.
Turn On Threshold
This knob sets the audio signal level required for the A 23+ to automatically
turn on when the Turn On Options switch is set to the Audio position. Fully
counter-clockwise is the most sensitive setting and therefore is labeled
“Quieter.” Fully clockwise requires a higher audio signal voltage and is
therefore labeled “Louder.” In most systems the best results will be with the
Turn On Threshold knob set at or towards the Quieter position. In some systems
the A 23+ might turn itself on if there is a transient noise in the AC power
line, even when an audio signal is not present. Similarly, the A 23+ might
never shut off even after waiting more than 10 minutes. In this case, try
rotating the knob towards the Louder position.
12 V In Jack
The A 23+ 12 V input uses a 3.5 mm jack (mono). To use the 12 V trigger,
insert the trigger wire plug into this jack and the plug at the wire’s other
end into your preamplifier’s 12 V output jack. For your convenience we have
included a 12 V trigger wire with mono 3.5 mm plugs at both ends. The A 23+ 12
V trigger circuit draws a negligible 5 mA.
Note: If your preamplifier’s 12 V trigger output is terminal with + and –
screws terminal, you can cut the 3.5 mm plug off one end of the included
trigger wire and attach the bare wires to these terminals. The lead with the
white stripe on it corresponds to the plug’s tip and the unmarked lead
corresponds to the sleeve of the plug. The trigger plug tip is + (positive)
and its sleeve – (negative).
12 V Loop Out Jack
The Trigger Out jack lets you loop or “daisy-chain” the incoming trigger
voltage to an additional A 23+ or other component(s). The total load on your
triggering device’s 12 V output is the sum of the trigger current drawn by
each of the components you plan to loop together. Check the maximum capacity
of your preamplifier’s trigger output so you do not overload it by connecting
too many power amplifiers. Typical triggering devices are rated to handle 50
mA to 100 mA.
3.5 mm vs. 2.5 mm jacks
Some other Parasound power amplifiers and preamplifiers might use a 2.5 mm
“sub-mini” (mono) trigger jack. To use the A 23+ trigger with products that
use a 2.5mm jack you will need a 3.5 mm to 2.5 mm mono adapter
for one of the plugs on the included trigger wire.
Front Panel Operation
On-Off Button
Push once to turn on the A 23+. When the A 23+ is turned on the dim blue glow
around the On-Off button will become brighter and the two blue channel
indicators will illuminate. Push the button again to turn off the A 23+. The
front panel On-Off button will be disabled when the Turn On Options switch is
set to Audio or 12 V.
Whenever the A 23+ is turned on, the soft blue glow behind its On-Off button
changes to red for a few seconds until its internal circuits have stabilized.
Then the red glow is replaced by a brighter blue glow to indicate normal
operation. If the glow remains red after turn on or while the amp is playing,
it indicates activation of the A 23+’s protection circuits and no sound will
be heard from the speakers. The A 23+ protects itself from external conditions
such as excessive heat, load impedance that is too low, or a short-circuited
speaker connection or wire. After you correct the fault, the A 23+ will resume
operation. If the A 23+ remains in “protection mode” after it has cooled down
and you’ve confirmed there are no external faults, it could indicate an
internal problem. Please contact Parasound’s Technical Service Department.
Channel Indicators
When the two blue channel indicators are lit, the A 23+ is operating normally.
If one or both of the indicators does not light, even though the amp is turned
on, there is a fault in your system. In the case of a fault first check that
there is no short circuit with your speaker wire or speakers.
Hi Temp Indicator
This indicator is near the right side of the panel recess. It will glow red if
any channel overheats. The On-Off button will also glow red if the A 23+
overheats. If such a condition occurs you must provide for better ventilation
around the amplifier or check speakers for faulty operation that is causing
the A 23+ to overheat.
Technically Speaking
Balanced and Unbalanced Lines
Recording and broadcast studios use balanced connections exclusively because
of their inherent ability to reject noise and hum, thus assuring the best
sound. Certain high quality preamplifiers and surround controllers built for
residential use utilize balanced connections with XLR jacks for the same
reasons. All Parasound Halo series power amplifiers have balanced inputs with
XLR jacks so you can take full advantage of their inherent noise reduction
capability and superior sound quality. Unbalanced connections with RCA jacks
are found on all home audio equipment. RCA jacks and two-conductor wires are
less costly than the additional circuitry, higher priced XLR connectors and
three-conductor differential balanced circuitry required for balanced
connections. In an unbalanced line, the positive audio signal is conducted
through the center pin of an RCA plug and jack and the negative signal on the
outer shield wire, which also functions as the ground connection. Unbalanced
interconnect cables are vulnerable to hum from an AC line or other noise, such
as broadcast RF (Radio Frequency), which can be reproduced through your
loudspeakers. Since the unbalanced line’s ground also carries the audio
signal, there is no way for the connected amplifier or preamplifier to
distinguish between the audio signals you want and unwanted noise emanating
from external sources.
Balanced lines are superior because they utilize separate conductors for the
audio and the ground: two inner conductors carry the positive and negative
audio signal, and a third outer wire connects the grounds and also shields the
two signal conductors. When the positive and negative signals appear at the
component receiving the signal they are equal, but 180 degrees out of phase
with each other with respect to ground. To send and receive balanced signals
requires special differential circuitry.
A differential input circuit amplifies only the difference between the
positive and negative signals. For example, when a 1 Volt signal arrives at a
balanced input stage, the differential input “sees” a positive +1 Volt minus a
negative -1 Volt, or 2 Volts total. External hum and noise that somehow gets
into a balanced line is common to both its positive and negative conductors
with respect to ground. Therefore, it is canceled or rejected by the
differential input circuit.
This phenomenon of rejecting noise signals common to both positive and
negative conductors is called common mode rejection. Differential inputs are
specified according to how well they reject signals common to both conductors.
This is measured in dB and is called the common mode rejection ratio or CMRR.
Note: Balanced XLR connections result in a 6 dB higher gain, compared with the
unbalanced RCA input jacks. In other words, the sound will be noticeably
louder when you use balanced instead of unbalanced connections.
Ground Loops – Eliminating Hum and Buzz
Audible hum and buzzing noises in a system are usually related to issues with
the component grounds. Ground (sometimes called “common”) is a point of
reference for voltages in virtually all audio and video components. Ground is
supposed to remain at zero volts while the audio signal voltage swings
positive
(voltage above ground) and negative (voltage below ground). If ground isn’t at
zero, there can be an audible 60 Hz hum (or 50 Hz hum in regions with 50 Hz
AC). The harmonics of these frequencies (120 Hz, 240 Hz, 480 Hz or 100 Hz, 200
Hz, 400 Hz) may add a raspy “buzzing” noise to the hum. The most common cause
of a ground loop in an audio system is from cable TV. If disconnecting the
cable line stops the hum then you might need a cable TV ground loop isolator.
The ideal of zero voltage ground for all the components in a system is
practically impossible, because some resistance between the ground points of
different components is inevitable. By keeping components close together with
their power cords plugged into a common AC outlet or power strip, you’ll avoid
the problems created by resistance in the house’s wiring.
Hum and buzz is also caused when unwanted voltage flows through multiple component ground points called ground loops. Here are three tips to avoid ground loops:
- Your Cable TV or Satellite receiver box might require a Cable TV Ground Isolator.
- Use balanced input cables with your Parasound A 23+. (See Balanced & Unbalanced Lines in this section).
- When rack mounting, always use the insulated “shoulder” washers on both the front and rear sides of the rack mount before attaching its bolts to the equipment rack rails. These break the ground loops caused by metal-to-metal contact between the rack, the components, and their rack-mount bolts.
Parasound A 23+ Design Overview
Circuit Designed by John Curl
Parasound design consultant John Curl has been a legend among audiophiles and
electronic engineers for decades. He pioneered measurements to correlate
musical accuracy with the materials used in parts, worked with world-class
touring companies, has designed highly coveted audio classics, including the
original Mark Levinson JC-2, Denneson JC-80, Vendetta Phono Preamplifier, and
CTC Blowtorch preamplifiers; master recorders for Wilson Audio and Mobile
Fidelity; and the mixing consoles used in live concerts by The Grateful Dead
and the Montreux Jazz Festival in Switzerland.
As our featured amplifier designer since 1990, he has created many products
that have earned Parasound worldwide acclaim, including the Parasound Halo JC
1, JC 2 and JC 2 BP, JC 3, JC 3+ and JC 3 Jr. and JC 5. John is particularly
proud of what he and Parasound have accomplished together: “The circuits I
design for Parasound are extremely sophisticated and are typical of products
that are far more expensive. I can’t think of any other audio products that
offer nearly as much bang for the buck.”
Parts Selection
Every part within the A 23+ is carefully chosen for its accuracy and
reliability. Metal film resistors with 1% tolerance are selected for their
precision and because their values don’t drift as they heat up during
operation. Polypropylene and mica capacitors are used extensively for their
superior linearity and low dielectric absorption. Semiconductors are selected
for superior performance in their specific roles in the circuit. Gold has the
best conductivity and corrosion resistance of any metal, so we use high
quality gold-plated input connectors and speaker terminals. The double-sided
circuit boards are FR4 glass epoxy for long-term durability. The chassis is
made of heavy gauge steel to safely house the internal circuitry. This
attention to detail when selecting parts makes the difference between a very
good amplifier and an outstanding amplifier.
The Power Supply
The heart of the power supply is a 1.3 kVA toroid power transformer, chosen
for its efficiency, low hum field, and high power rating. Encapsulating this
massive power transformer in an epoxy-filled steel canister assures ultra-
quiet performance.
The A 23+ power transformer employs multiple independent secondary windings so
that each amplifier channel has its own power supply, assuring more than ample
DC voltage at all times and under all conditions. It also reduces inter-
channel crosstalk that can blur the sound and impair the correct sense of
where instruments, dialogue and effects are positioned.
Each channel’s B+ and B- supply rails use high-speed rectifier diodes and four
6,800uF electrolytic filter capacitors (8 total), chosen for their low
Equivalent Series Resistance (ESR), dielectric absorption and resistance to
high temperature. In addition, these filter capacitors are bypassed with
smaller polypropylene capacitors to reduce AC ripple in the DC supply and to
further eliminate noise and interference that is generated in AC power lines
from computers and other appliances in the home.
Relay-Bypassed Soft Start Circuit
When the A 23+ is first turned on, there is a significant amount of in-rush
current required to charge the enormous power supply capacitors. We employ a
NTC (negative temperature coefficient) thermistor order to slow down and
suppress this in-rush current and to prevent nuisance tripping of a household
circuit breaker. A thermistor cuts the in-rush current by approximately 50%.
In a few seconds as it heats up to its operating temperature it it’s
essentially a jumper wire with zero ohms resistance. However, the A 23+ goes
one step further for this circuit. After the NTC resistor has done its job of
suppressing in-rush current a relay with gold contacts automatically activates
to jump across it to completely bypass it. This extra step insures that the
thermistor does not restrict any current whatsoever when the A 23+ is in full
operation.
Audio Circuit Path Topology
Parasound’s circuit topology is a hybrid of carefully chosen discrete
transistors that result in superior performance at each stage. We use JFETs
(Junction Field Effect Transistors) for the input voltage amplifier stage;
MOSFETs (Metal Oxide Field Effect Transistors) for the drivers of a second
voltage amplifier stage and bipolar transistors for the current amplifier
output stage. Discrete transistors are more sonically accurate than integrated
circuits commonly used by other brands.
Complementary Configuration
Each stage of amplification has transistors fed by the positive DC power
supply and complementary transistors fed by the negative DC power supply.
Thus, half of the devices amplify the positive half of the musical waveform
while the other half of the devices amplify the negative half. This
complementary topology is inherently linear, which reduces distortion and
improves sonic accuracy.
The Input Stage
The A 23+’s input stage uses matched pairs of discrete JFETs arranged in a
differential configuration. JFETs are ideal for the input stage because their
inherently high impedance is unaffected by the impedance of source components.
(Ordinary bi-polar transistors are low impedance devices) Differential
configuration provides superior noise reduction. These precision input JFETs
are also cascaded to produce the current necessary to drive the MOSFET drivers
in the following stage.
The Driver Stage
The driver stage provides critical amplification for which we employ a
complementary matched pair of MOSFETs selected for their tube-like sonic
qualities. MOSFETs tend to generate less odd-order higher harmonic distortion
than bipolar transistors. This is important because odd-order distortion
sounds unnatural and fatiguing to the human ear, whereas even-order distortion
is less offensive because it is consonant, rather than dissonant. Our MOSFET
driver stage prevents the harshness and brittle sound so often found in other
solid state amplifiers.
The Output Stage
The amplifier’s sonic characteristics are established by its input and driver
stages. Now, the sole job of its output stage is to deliver the enormous
current and voltage from its power supply to the speakers. Bipolar output
transistors are better than MOSFETS in the output stage because of their
higher safe operating area (SOA) and inherent ruggedness. Each channel’s
output stage employs three pairs of high current (15-amp) bipolar transistors
to insure long-term reliability, even with continuous high power operation and
challenging speaker loads. Lightning-fast (60 MHz) transistors respond
instantly to complex demands in the musical signal, virtually eliminating
distortions that occur with “slower” transistors. Slew rate limiting and
Transient Intermodulation Distortion (TIM) are simply not an issue in the A
23+.
Class A-A/B Operation
Pure class A operation provides the purest sound. However, an amplifier
operating entirely in class A would be enormous, highly inefficient, and
generate far too much heat. Class A/B combines the main advantage of Class A
with the efficiency of Class B operation. It is a compromise that reduces the
heat generated in pure class A operation and the higher-order odd harmonic
distortions created in class B. In class AB, the driver and output stages are
always partially turned on, which provides a nominal amount of pure class A
operation. At higher power levels, when the musical waveform swings from
positive to negative and vice versa, each bank of transistors is allowed to
rest momentarily. This resting, or quiescent time, makes it possible to
deliver high amounts of power without overheating. It also makes possible the
use of passive cooling and avoid fans, whose noise can be heard over the
music. The A 23+ input and driver stages employ pure Class A while its output
stage operates with higher level of pure Class A power than many amplifiers
selling for twice or three times its price. The result is less fatiguing, more
natural sound.
Total Protection – DC Servos
Even a miniscule amount of Direct Current (DC) will burn out speakers without
any warning. Every power amplifier must have some way to insure that DC from
its power supply never reaches its + or – speaker terminals. Most amplifiers
simply use adjustable trim controls to reduce their DC offset or capacitors to
block DC. Unfortunately, trim controls can allow DC offset to increase over
time, and even the most expensive capacitors in the audio signal path will
“veil” sonic clarity and attenuate bass response.
Parasound power amplifiers incorporate ingenious and fast-acting DC servo
circuits, completely eliminating the need for coupling and blocking
capacitors. The A 23+ is direct (DC) coupled from its input jacks to its
speaker terminals. This advanced circuitry never needs adjustment or
maintenance. It operates outside the audio signal path to keep the DC offset
at the output of the A 23+ at a constant 0.00 Vdc. The results are startling
clarity, freedom from listening fatigue, and formidable bass response.
Total Protection – Relays
Each channel of the A 23+ has a high-quality protection relay with gold-plated
contacts for long-term reliability. These relays function to protect either
the amplifier, the speakers, or both. When the A 23+ is first powered on,
these relays remain open for approximately three seconds as the positive and
negative power supplies stabilize and reach equilibrium with no DC offset at
the speaker terminals. This prevents annoying popping or other transient
noises. Relay protection also prevents damage to your speakers in case of a
catastrophic amplifier failure. Any amplifier that doesn’t use relay
protection for its speaker outputs compromises the safety of the amplifier and
your speakers.
Total Protection – Current Overload
Specialized current-sensing transistors are connected to the output stages of
the A 23+ to constantly monitor the current flow through the output
transistors. If the current drawn by this stage exceeds a predetermined safe
level due to a load impedance below 1 ohm or a short circuit at the speaker
terminals, the output relay will open immediately to prevent the output
transistors or other parts from failing.
Total Protection – Fuses
In addition to the main fuse on the rear panel each channel of the amplifier
has four internal fuses for the positive and negative DC voltage rails of
input stage and two for the output stage These fuses provide backup protection
in case the over-current protection does not work in time, or if an internal
part fails. In the event of a part failure, these fuses halt operation to
minimize damage to additional parts.
Problems and Remedies
Unit will not turn on
- Check the setting of the Turn On Options switch. (The front panel On-Off button will be disabled if this switch is set to Audio or 12 V)
- If using Audio Turn on, try increasing the sensitivity of the audio trigger by turning the audio threshold knob to the “Quieter” position.
- Check that the rear panel power switch is on and that the AC power is live.
No sound from speakers
- Check that input cables and speaker wires are secure at both ends.
- Make sure the preamplifier is switched to the correct input.
- Is the Hi-Temp light illuminated? Both blue channel indicators should be illuminated. Check for excessive temperature, short-circuited speaker wires, very low impedance speaker load, and inadequate ventilation.
Overheating
- Remove any nearby external sources of heat such other audio equipment or heaters.
- Increase ventilation around the A 23+.
- Check speakers for faults.
Background Hum or Hiss
- If you have cable or satellite TV, try disconnecting the incoming TV or satellite cable; if the hum is eliminated you will need a Cable TV Ground Isolator which can be purchased online.
- Light dimmers can cause noise in your audio system. Try turning lights that are controlled by dimmers all the way off. If the hum goes away the problem is electrical noise the dimmers introduce into your home’s AC power.
- Ground loops are also a common cause of hum and buzzing noise. Finding a ground loop requires a patient process of elimination. Unplug your source components one at a time. When the hum goes away you’ve identified the source of the ground loop. You might be able to stop the hum by attaching a wire from the chassis of the offending component to the chassis or ground screw of your preamplifier.
- Move audio cables and AC cords apart from each other.
- Try different routes for the audio cables and AC cords.
- Make sure plastic insulating shoulder washers are used if unit is rack mounted.
Are You Having Difficulty?
Repair or Service
Call your Parasound dealer first. If the dealer can’t help you with your
problem we encourage you to call Parasound’s Technical Service Department at
415-397-7100, Monday – Friday, 8am –
4pm Pacific Time. We can suggest other diagnostic tests you can easily
perform.
If we determine that your A 23+ should be returned to Parasound or an
Authorized Parasound Warranty Center for inspection and possible servicing, we
will provide the location of a warranty center near you or shipping
instructions for the unit’s return to Parasound.
Before You Return Any Unit to Parasound for Service
Before you send your unit to Parasound, you will need to obtain a specific
Return Authorization (RA) number and shipping instructions from Parasound’s
Technical Department. The RA number must be clearly marked on the outer
carton. Use the original factory packing materials and arrange adequate
insurance to cover its value. You must include a copy of your purchase
receipt, since this document establishes the validity of this unit’s warranty.
Warranty repairs are only performed by Parasound or Parasound Authorized
warranty centers when your purchase receipt is from a Parasound Authorized
Dealer or Parasound Authorized Reseller.
Shipments Will Be Refused by Parasound Under the Following Conditions:
- Unit was sent without the Parasound-assigned RA number marked on the carton.
- Unit was sent in an unsuitable shipping carton and packing inserts and was likely to have been damaged in transit.
- Unit has inadequate packing materials and is likely to have been damaged in transit. Wrapping the A 23+ with bubble wrap will not protect it during shipment.
- Unit was shipped collect for shipping charges. We do not accept collect shipments.
- Unit was shipped via USPS, the US Postal Service. We do not accept USPS shipments.
- Unit was sent to an address other than the address instructed by our Technical Department.
Warranty Repair-USA
Please read the Parasound Limited Warranty carefully to understand the
applicable rights and limitations. This section provides instructions for
obtaining repairs, both for units covered under the Parasound Limited Warranty
and for units or situations which are outside the Warranty. The complete
warranty can be found at
www.parasound.com.
Unit is not eligible for repair under the terms of the Parasound warranty if:
- Unit was not purchased from a Parasound Authorized Dealer.
- You do not have the original bill of sale receipt from the Parasound Authorized Dealer.
- You are not the original owner. The Parasound warranty is not transferable.
- Unit’s original serial number was removed, modified, or defaced.
- Unit shows evidence of abuse and/or misuse.
- Unit was altered in any way.
- A prior repair was attempted by an unauthorized repair station.
Warranty for products purchased outside the USA Please refer to www.parasound.com
Specifications
- Frequency Response
- 10 Hz – 100 kHz, +0/-3 dB
- 20 Hz – 20 kHz, +0/-0.5 dB
- Total Harmonic Distortion (THD)
- < 0.01 %
- Interchannel Crosstalk
-
70 dB at 20 kHz
-
78 dB at 1 kHz
- Preamplifier Stage Input Sensitivity
- 300 mV in for 1 V
- Total Gain : 10 dB
- Max Output : 7.5V
- S/N Ratio – Line Inputs 1- 5
-
108 dB (shorted, IHF A-weighted)
-
88 dB (shorted, unweighted)
- S/N Ratio – DAC Inputs
-
108 dB (IHF A-weighted)
-
88 dB (unweighted)
- S/N Ratio – Phono Input
- MM > 80 dB (shorted, IHF A-weighted)
- MM > 70 dB (shorted, unweighted)
- MC > 67 dB (shorted, IHF A-weighted)
- MC > 55 dB (shorted, unweighted)
- Phono Stage Sensitivity / Input Impedance
- MM: 38 dB / 47 k Ω
- MC: 52 dB / 47 k Ω or 100 Ω
- Input Impedance
- Unbalanced: 24 k Ω
- Balanced: 100 k Ω per leg
- Preamplifier Output Impedance
- Unbalanced: 100 Ω
- Balanced: 470 Ω per leg
- High & Low Pass Crossover Slope
- 12 dB per octave
- Supported DAC Sampling Rates
- USB: up to 384 kHz / 32-bit PCM
- DSD Native: DSD 64, DSD 128, DSD 256
- DSD over PCM (DoP) at 384 kHz
- Coax/Optical: up to 192 kHz / 24-bit PCM
- Digital to Analog Converter
- ESS Sabre32 Reference ES9018K2M
- 384 kHz / 32-bit
- USB 2.0 Controller
- Savitech SA9227, 384 kHz / 32-bit
- Headphone Amplifier
- Texas Instruments TPA6120A
- Output Impedance 10 ohms
- XLR Pin Identification
- 1 = Ground (Shield)
- 2 = Positive
- 3 = Negative (Return)
- Dimensions
- Width: 17-1/4” (437 mm)
- Depth: 15” (381 mm)
- Depth, with cables 17” (432 mm)
- Height, with feet: 4-1/8” (105 mm)
- Height, without feet: 3-1/2” (89 mm), 3U
- Net Weight
- 14 lb. (6.3 kg)
- Shipping Weight
- 21 lb. (9.5 kg)
- Power Requirement
- Standby: 0.5 watts
- Power On: 15 watts
- 100-250 VAC 50/60 Hz (automatic)
Specifications and features subject to change or improvement without notice. Copyright Parasound Products Inc., 2018, Rev 1.0
Parasound Products , Inc. 2250 McKinnon Ave, San Francisco , CA 94124 415-397-7100 / Fax 415-397-0144 www.parasound.com
References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>