BLIZZARD 23535 Hotbox RGBW and RGBA Lighting User Guide
- June 6, 2024
- blizzard
Table of Contents
- GETTING STARTED
- MEET THE HOTBOxTM LED PAR
- SETUP
- OPERATING ADJUSTMENTS
- The Control Panel
- Control Panel Menu Structure
- DMX Mode
- Stand-Alone, Master/Slave, Sound Active Modes:
- Sound Active Mode:
- Standalone (Program) Mode:
- Manual Color Adjustment:
- DMX Values In-Depth (9-Channel Mode, A or B)
- DMX Values In-Depth (8-Channel Mode, A or B)
- DMX Values In-Depth (HSV Mode)
- DMX Values In-Depth (4/5-Channel Mode)
- Troubleshooting
- APPENDIx
- Documents / Resources
Blizzard Lighting, LLC
www.blizzardlighting.com
Waukesha, WI USA
Copyright (c) 2013
GETTING STARTED
What’s In The Box?
- 1 x HotBoxTM Professional LED PAR Fixture
- A totally rockin’ DMX Cable
- This Lovely User Manual
Getting It Out Of The Box
Congratulations on purchasing one of the most rocking box-shaped PAR fixtures anywhere! Now that you’ve got your HotBoxTM (or hopefully, HotBoxes!), you should carefully unpack the box and check the contents to ensure that all parts are present and in good condition. If anything looks as if it has been damaged in transit, notify the shipper immediately and keep the packing material for inspection. Again, please save the carton and all packing materials. If a fixture must be returned to the factory, it is important that the fixture be returned in the original factory box and packing.
Powering Up!
All fixtures must be powered directly off a switched circuit and cannot be run off a rheostat (variable resistor) or dimmer circuit, even if the rheostat or dimmer channel is used solely for a 0% to 100% switch.
AC Voltage Switch – Not all fixtures have a voltage select switch, so please
verify that the fixture you receive is suitable for your local power supply.
See the label on the fixture or refer to the fixture’s specifications chart
for more information. A fixture’s listed current rating is its average current
draw under normal conditions. Check the fixture or device carefully to make
sure that if a voltage selection switch exists that it is set to the correct
line voltage you will use.
Warning! Verify that the voltage select switch on your unit matches the
line voltage applied. Damage to your fixture may result if the line voltage
applied does not match the voltage indicated on the voltage selector switch.
All fixtures must be connected to circuits with a suitable Ground
(Earthing).
Getting A Hold Of Us
If something is wrong, just give us a call or send an email. We’ll be happy to help, honest.
Blizzard Lighting
N16 W23390 Stoneridge Dr. Suite E
Waukesha, WI 53188 USA
www.blizzardlighting.com
414-395-8365
Email: support@blizzardlighting.com
Disclaimer: The information and specifications contained in this document are subject to change without notice. Blizzard LightingTM assumes no responsibility or liability for any errors or omissions that may appear in this user manual. Blizzard LightingTM reserves the right to update the existing document or to create a new document to correct any errors or omissions at any time. You can download the latest version of this document from www.blizzardlighting.com.
Author: | Date: | Last Edited: | Date: |
---|---|---|---|
J. Thomas | 2/26/2013 | J. Thomas | 08-07-13 |
SAFETY INSTRUCTIONS
Please read these instructions carefully. They include important information about the installation, usage and maintenance of this product.
- Please keep this User Guide for future use. If you sell the unit to someone else, be sure that they also receive this User Guide.
- ALWAYS make sure that you are connecting to the proper voltage, and that the line voltage you are connecting to is not higher than that stated on the decal or rear panel of the fixture.
- This product is intended for indoor use only.
- To prevent risk of fire or shock, do not expose fixture to rain or moisture.
- Make sure there are no flammable materials close to the unit while operating.
- The unit must be installed in a location with adequate ventilation, at least 20in (50cm) from adjacent surfaces. Be sure that no ventilation slots are blocked.
- ALWAYS disconnect from the power source before servicing or replacing fuse and be sure to replace with same fuse size and type.
- ALWAYS secure fixture using a safety chain. NEVER carry the fixture by its cord. Use its carrying handles.
- DO NOT operate at ambient temperatures higher than 104°F (40°C).
- In the event of a serious operating problem, stop using the unit immediately. NEVER try to repair the unit by yourself. Repairs carried out by unskilled people can lead to damage or malfunction. Please contact the nearest authorized technical assistance center. Always use the same type spare parts.
- NEVER connect the device to a dimmer pack.
- Make sure the power cord is never crimped or damaged.
- Never disconnect the power cord by pulling or tugging on the cord.
- Avoid direct eye exposure to the light source while it is on.
Caution! There are no user serviceable parts inside the unit. Do not open the housing or attempt any repairs yourself. In the unlikely event your unit may require service, please contact Blizzard Lighting at support@blizzardlighting.com.
MEET THE HOTBOxTM LED PAR
CONTROL FEATURES
- RGBW color mixing via 7x 10W Red/Green/Blue/White 4-in-1 LEDs
- Variable electronic dimming & strobe
- Built-in color & chase macros via DMX
- Built-in automated programs via master/slave
- Built-in sound active programs
- RGBW color mixing ability in standalone mode
- HSV (3-Ch), RGBW (4-Ch), RGBW + Dimmer (5-Ch), Extended (8Ch), and Extended plus 32-bit Dimming (10-Ch) DMX Profiles
ADDITIONAL FEATURES
- Rugged and well-built (It hits the gym regularly)
- Super-quiet variable-speed internal Fan Cooling
- Dual mounting brackets for positioning flexibility
- Flicker-free constant-current 400hz LED driver
- 3-pin male input and 3-pin female output
- PowerConTM compatible AC power In/Out connectors
**DMX Quick Reference – 8 (a/b) / 9 (a/b) Channel Modes
**
Channel | 8 Channel | 9 Channel |
---|---|---|
1 | Dimmer | Dimmer |
2 | Red Intensity | Red Intensity |
3 | Green Intensity | Green Intensity |
4 | Blue Intensity | Blue Intensity |
5 | White Intensity | White Intensity |
6 | Strobe | 8a: 0-12 fps |
8b: 0-20 fps | 9b: 0-20 fps | |
7 | Built-in Programs | Built-in Programs |
8 | Program Speed | Program Speed |
9 | 32-Bit Dimmer |
**DMX Quick Reference – 3 (HSV) / 4 / 5 Channel Modes
**
Channel | HSV | 4 Channel | 5 Channel |
---|---|---|---|
1 | Hue | Red Intensity | Dimmer |
2 | Saturation | Green Intensity | Red Intensity |
3 | Value | Blue Intensity | Green Intensity |
4 | — | White Intensity | Blue Intensity |
5 | — | — | White Intensity |
Figure 1: The HotBox™ Pin-Up Picture
Figure 2: The Rear Connections
SETUP
Before replacing a fuse, disconnect power cord. ALAYS replace with the same type and rating of fuse.
Fuse Replacement
CAUTION! The HotBoxTM utilizes a high-output switch-mode power supply with an internal fuse. Under normal operating conditions, the fuse should not require replacement. The fuse is field replaceable, however it is an advanced procedure suited to qualified individuals. Should your HotBoxTM fuse require replacement, please contact Blizzard Lighting for instructions, or to return your unit for service.
Connecting A Bunch of HotBoxTM Fixtures
You will need a serial data link to run light shows using a DMX-512 controller
or to run shows on two or more fixtures set to sync in master/slave operating
mode. The combined number of channels required by all the fixtures on a serial
data link determines the number of fixtures the data link can support.
Fixtures on a serial data link must be daisy chained in one single line. Also,
connecting more than 32 fixtures on one serial data link without the use of a
DMX optically-isolated splitter may result in deterioration of the digital DMX
signal. The maximum recommended cable-run distance is 500 meters (1640 ft).
The maximum recommended number of fixtures on a serial data link is 32
fixtures.
Data/DMX Cabling
To link fixtures together you’ll need data cables. You should use datagrade
cables that can carry a high quality signal and are less prone to
electromagnetic interference.
For instance, Belden© 9841 meets the specifications for EIA RS-485
applications. Standard microphone cables will “probably” be OK, but note that
they cannot transmit DMX data as reliably over long distances. In any event,
the cable should have the following characteristics:
2-conductor twisted pair plus a shield
Maximum capacitance between conductors 30 pF/ft.
Maximum capacitance between conductor & shield 55 pF/ft.
Maximum resistance of 20 ohms / 1000 ft.
Nominal impedance 100 140 ohms
USING THIS FIxTURE WITH THE wiCICLE® WIRELESS DMx SYSTEM
In addition to the unbridled thrill you already received the first time you plugged in your fixture, you’ll be delighted to know that This fixture also works seamlessly with our wiCICLE® Wireless DMX system, without additional power.
- ONLY fixtures bearing this logo are certified for use with the wiCICLE® without external power.
- Unauthorized modification and/or using the wiCICLE® with unapproved fixtures may cause damage to the wiCICLE® or fixture. UNDER NO CIRCUMSTANCES IS BLIZZARD LIGHTING RESPONSIBLE FOR ANY DAMAGE FROM SUCH OPERATION.
- Fixtures bearing the above logo MUST only use cable and connectors which separate chassis/case ground from cable shielding. Cabling with the shield connected to the connector’s case/chassis may cause malfunction and damage to the wiCICLE® or fixture.
- wiCICLE® transmitters have additional power requirements and therefore cannot be powered directly from the fixture. You will need to utilize the supplied AC/DC adaptor to drive wiCICLE® transmitters in your system.
WE HAD THIS SPACE, SO WE FIGURED WE’D DRAW YOU A PICTURE:
Each wiCICLE® acts as both a transmitter and a receiver, depending on whether a DMX source is applied to the integral XLR connector. This is an extremely powerful feature of the system, however, it also requires 1 piece of due dilligence, and that is the removal of extraneous DMX signals from your lighting rig BEFORE proceeding.
SO: BEFORE DOING ANYTHING ELSE, YOU SHOULD DISABLE ANY BUILT-IN PROGRAMS IN THE FIXTURES YOU WISH TO CONNECT AND/ OR SET THEM AS SLAVES PRIOR TO RETURNING THEM TO DMX MODE (IF APPLICABLE). Most fixtures contain a built-in automatic, sound active or custom program which is designed to operate with the fixture NOT connected to a DMX chain.
Some of these programs will automatically run unless the fixture is set to slave mode. These fixtures typically sense DMX automatically and switch to DMX mode upon receiving DMX signal (our Pucks do that!)
If you plug a wiCICLE® “receiver” into an autosensing fixture set as a “master, “chances are good that the wiCICLE® “receiver” will begin transmitting the master program. Most times, this is undesirable, and taking the two seconds to switch these programs off will solve a lot of ails.
Got that done? Good! Then let’s proceed!
- Plug the wiCICLE® Receiver into the “DMX IN” connector of the fixture and verify it is receiving power (the STATUS LED should illuminate.)
- Connect the AC/DC adaptor to the the wiCICLE® Transmitter and verify it is receiving power (the STATUS LED should illuminate.)
- Press the RECESSED SELECTOR BUTTON on the Transmitter to select the operating channel group. (The system will store this setting for future use)
The 7-Color Status LED will change color to indicate the current channel group:
NOTE: “GROUP” number also corresponds to the “GROUP” setting on our LightCasterTM wireless DMX Transceiver.
- Follow the same procedure on the Receiver to select the channel group.
- Once both the transmitter and receiver(s) are both set to the same channel group, connect the transmitter to the DMX controller or the DMX out of a fixture on your DMX chain.
- Once a DMX signal is provided to the transmitter, the status LED will blink RED slowly until communication is established with the receiver. The status LED on the receiver(s) will flash GREEN slowly until communication is established.
- Once the clearest channel is auto-selected, the status LEDs will blink quickly on both the transmitter and receiver. NOTE: The color of the LED DURING operation does not indicate channel group, instead it indicates whether the unit is transmitting or receiving. That’s It!
**Cable Connectors
**
Cables must have a male XLR connector on one end and a female XLR connector on the other end. (Duh!)
A Word on Termination: DMX is a resilient communication protocol, however errors still occasionally occur. Termination reduces signal errors, and therefore best practices include use of a terminator in all circumstances. If you are experiencing problems with erratic fixture behavior, especially over long signal cable runs, a terminator may help improve performance.
To build your own DMX Terminator:
Obtain a 120-ohm, 1/4-watt resistor, and wire it between pins 2 & 3 of the
last fixture. They are also readily available from specialty retailers.
CAUTION: Do not allow contact between the common and the fixture’s chassis ground. Grounding the common can cause a ground loop, and your fixture may perform erratically. Test cables with an ohm meter to verify correct polarity and to make sure the pins are not grounded or shorted to the shield or each other.
**3-Pin??? 5-Pin??? Huh?!?
**
If you use a controller with a 5 pin DMX output connector, you will need to use a 5 pin to 3 pin adapter. They are widely available over the internet and from specialty retailers If you’d like to build your own, the chart below details a proper cable conversion:
Conductor | 3-Pin Female (Output) | 5-Pin Male (Input) |
---|---|---|
Ground/Shield | Pin 1 | Pin 1 |
DMX Data (-) | Pin 2 | Pin 2 |
DMX Data (+) | Pin 3 | Pin 3 |
Not Used. | No Connection. | No Connection. |
Not Used. | No Connection. | No Connection. |
Take It To The Next Level: Setting Up DMX Control
Step 1: Connect the male connector of the DMX cable to the female
connector (output) on the controller.
Step 2: Connect the female connector of the DMX cable to the first
fixture’s male connector (input). Note: It doesn’t matter which fixture
address is the first one connected. We recommend connecting the fixtures in
terms of their proximity to the controller, rather than connecting the lowest
fixture number first, and so on.
Step 3: Connect other fixtures in the chain from output to input as
above. Place a DMX terminator on the output of the final fixture to ensure
best communication.
Fixture Linking (Master/Slave Mode)
- Connect the (male) 3 pin connector side of the DMX cable to the output (female) 3 pin connector of the first fixture.
- Connect the end of the cable coming from the first fixture which will have a (female) 3 pin connector to the input connector of the next fixture consisting of a (male) 3 pin connector. Then, proceed to connect from the output as stated above to the input of the following fixture and so on.
A quick note: Often, the setup for MasterSlave and Standalone operation
requires that the first fixture in the chain be initialized for this purpose
via either settings in the control panel or DIP-switches. Secondarily, the
fixtures that follow may also require a slave setting.
Check the “Operating Adjustments” section in this manual for complete
instructions for this type of setup and configuration.
Mounting & Rigging
This fixture may be mounted in any SAFE position provided there is enough room
for ventilation.
It is important never to obstruct the fan or vents pathway. Mount the fixture
using a suitable “C” or “O” type clamp. The clamp should be rated to hold at
least 10x the fixture’s weight to ensure structural stability. Do not mount to
surfaces with unknown strength, and ensure properly “rated” rigging is used
when mounting fixutres overhead.
Adjust the angle of the fixture by loosening both knobs and tilting the
fixture. After finding the desired position, retighten both knobs.
- When selecting installation location, take into consideration lamp replacement access (if applicable) and routine maintenance.
- Safety cables MUST ALWAYS be used.
- Never mount in places where the fixture will be exposed to rain, high humidity, extreme temperature changes or restricted ventilation.
OPERATING ADJUSTMENTS
The Control Panel
All the goodies and different modes possible with the HotBoxTM LED are
accessed by using the control panel on the rear of the fixture. There are 4
control buttons below the LED display which allow you to navigate through the
various control panel menus.
< MENU> Is used to navigate to the previous higher-level menu item.
< UP> Scrolls through menu items and numbers in ascending order.
< DOWN> Scrolls through menu items and numbers in descending order.
< ENTER> Is used to select and confirm/store the current selection.
The Control Panel LED Display shows the menu items you select from the menu
map on page #11. When a menu function is selected, the display will show
immediately the first available option for the selected menu function. To
select a menu item, press < ENTER>.
Press the button repeatedly until you reach the desired menu
function. Use the < UP> and < DOWN> buttons to navigate the menu
options. Press the
Control Panel Menu Structure
| To choose the DMX address
---|---
To run the fixture in slave mode
9 channel DMX mode (with 0-12 fps strobe)
9 channel DMX mode (with 0-20 fps strobe)
8 channel DMX mode (with 0-12 fps strobe)
8 channel DMX mode (with 0-20 fps strobe)
5 channel DMX mode
4 channel DMX mode
3 channel DMX mode
| Speed adjustments (0-15)
Built-in programs (0-30)
Auto mode (0-15)
Fade settings (0-15)
Flash / strobe speed (0-15)
Red dimmer (0% <–> 100%)
Green dimmer (0% <–> 100%)
Blue dimmer (0% <–> 100%)
White dimmer (0% <–> 100%)
Sound active mode
Display menu on/off
Dimming mode (0-4)
Software version
DMX Mode
Allows the unit to be controlled by any universal DMX controller.
- The default mode for the fixture is DMX, which appears as on the LED Readout. To Addr select a different DMX address, using the < MENU> button, select ,then hit < ENTER>. Use the buttons to select the correct address, then hit < ENTER> to confirm.
Setting the DMX Channel Mode:
- To select a DMX channel mode, press the < MENU> button, then use the < UP> or Chnd < DOWN> buttons until the display reads and press the < MENU> button. Then use the < UP> or < DOWN> buttons until the display reaches your desired channel mode. Press the < MENU> button to confirm.
Stand-Alone, Master/Slave, Sound Active Modes:
Allows a single or Master/Slaved units to run factory installed programs at user selectable speeds.
- To set the fixture in Flash/Fade mode, select To confirm, press the < ENTER> button.
- Now, you can adjust the flash settings from or the fade settings from Then press the
button to confirm. - To use the fixture in automatic mode, select , and press the < ENTER> button. Then use the < UP/DOWN> to choose from then press the < ENTER> button to confirm.
- Adjust the speed of the chase as above using (slowest) to (fastest) then press the < ENTER> button to confirm.
- To set the fixture as a slave unit, select and hit < ENTER>. The unit will display a flashing to indicate it is in slave mode.
Sound Active Mode:
- To use sound active mode, select then press the < ENTER> button to confirm.
Standalone (Program) Mode:
Allows a single unit to display a variety of colors and programs without a DMX controller.
-
To set the fixture in manual mode, select
To confirm, press thebutton. -
Now, select the program by using the < UP> and < DOWN> buttons to select – To confirm, press the < ENTER> button.
Manual Color Adjustment:
Allows the user to adjust the color balance of the fixture. These settings are global, they will effect all modes.
- Use the < MENU> and < UP/DOWN> button to select (Red Level), (Green Level), (Blue Level) or (White Level), then hit < ENTER>.
- Using the < UP/DOWN> buttons, select the maximum level for each color between (000=off), then hit < ENTER> to confirm.
DMX Values In-Depth (9-Channel Mode, A or B)
Channel | Value | What It Does |
---|---|---|
1 | 000 <–> 255 | Dimmer (0% <–> 100%) |
2 | 000 <–> 255 | Red Intensity (0% <–> 100%) |
3 | 000 <–> 255 | Green Intensity (0% <–> 100%) |
4 | 000 <–> 255 | Blue Intensity (0% <–> 100%) |
5 | 000 <–> 255 | White Intensity (0% <–> 100%) |
6 | 000 <–> 014 | |
015 <–> 255 | Strobe |
Dimming
Strobe (Slow <–> Fast)
7|
000 <–> 031
032 <–> 063
064 <–> 095
096 <–> 127
128 <–> 159
160 <–> 191
192 <–> 223
224 <–> 255
| Fade, Color Change, Sound Active
No Function
Fade In (Ch. 8 Controls Speed)
Fade Out (Ch. 8 Controls Speed)
Fade In / Fade Out (Ch. 8 Controls Speed)
Multicolor Fade (Ch. 8 Controls Speed)
Fade In / Fade Out, Auto Run
Color Jump (Ch. 8 Controls Speed)
Sound Active, Multicolor (Ch. 8 Controls Speed)
8| 0 <–> 255| Fade Speed
Fade Speed (Slow <–> Fast)
9| 000 <–> 005
006 <–> 055
056 <–> 105
106 <–> 155
156 <–> 205
206 <–> 255| 32-Bit Dimmer
As set in the control menu display
Mode 0 = 8-bit, 256 dimming steps
Mode 1 = 32-bit, 0-25% intensity range
Mode 2 = 32-bit, 0-50% intensity range
Mode 3 = 32-bit, 0-75% intensity range
Mode 4 = 32-bit, full intensity dimming
DMX Values In-Depth (8-Channel Mode, A or B)
Channel | Value | What It Does |
---|---|---|
1 | 000 <–> 255 | Dimmer (0% <–> 100%) |
2 | 000 <–> 255 | Red Intensity (0% <–> 100%) |
3 | 000 <–> 255 | Green Intensity (0% <–> 100%) |
4 | 000 <–> 255 | Blue Intensity (0% <–> 100%) |
5 | 000 <–> 255 | White Intensity (0% <–> 100%) |
6 | 000 <–> 014 | |
000 <–> 255 | Strobe |
Strobe Off
Strobe (Slow <–> Fast)
7| 000 <–> 031
032 <–> 063
064 <–> 095
096 <–> 127
128 <–> 159
160 <–> 191
192 <–> 223
224 <–> 255| Fade, Color Change, Sound Active
No Function
Fade In (Ch. 8 Controls Speed)
Fade Out (Ch. 8 Controls Speed)
Fade In / Fade Out (Ch. 8 Controls Speed)
Multicolor Fade (Ch. 8 Controls Speed)
Fade In / Fade Out, Auto Run
Color Jump (Ch. 8 Controls Speed)
Sound Active, Multicolor (Ch. 8 Controls Speed)
8| 0 <–> 255| Fade Speed
Fade Speed (Slow <–> Fast)
DMX Values In-Depth (HSV Mode)
Ch. | Value | What It Does |
---|---|---|
1 | 000 <–> 255 | Hue |
2 | 000 <–> 255 | Saturation |
3 | 000 <–> 255 | Value |
DMX Values In-Depth (4/5-Channel Mode)
Ch. | Ch. | What It Does (5 Ch.) | What It Does (4 Ch.) |
---|---|---|---|
1 | 1 | Dimmer (0% <–> 100%) | Red Intensity |
2 | 2 | Red Intensity | Green Intensity |
3 | 3 | Green Intensity | Blue Intensity |
4 | 4 | Blue Intensity | White Intensity |
5 | 5 | White Intensity | — |
Troubleshooting
Symptom | Solution |
---|---|
Fixture Auto-Shut Off | Check the fan in the fixture. If it is stopped or |
moving slower than normal, the unit may have shut itself off due to high heat.
This is to protect the fixture from overheating. Clear the fan of
obstructions, or return the unit for service.
Beam is Dim| Check optical system and clean excess dust/grime. Also ensure
that the 220V/110V switch is in the correct position, if applicable.
No Light Output| Check to ensure fixture is operating under correct mode, IE
sound active/auto/DMX/Etc., if applicable.
Chase Speed Too Fast/Slow| Check to ensure proper setup of speed adjustment.
No Power| Check fuse, AC cord and circuit for malfunction.
Blown Fuse| Check AC cord and circuit for damage, verify that moving parts are
not restricted and that unit’s ventilation is not obstructed
Slow Movement| Verify that 220V/110V switch is in the correct position, if
applicable. Also check that speed channels are set appropriately.
No Response to Audio| Verify that the fixture is in “Sound Active” mode.
Adjust Audio Sensitivity, If Applicable.
Fixture Not Responding / Responding Er- raticly| Make sure all connectors are
seated properly and securely. Use Only DMX Cables and/or check cables for
defects Install a Terminator.
Reset fixture(s).
Intermittent Lamp| Check lamp for properly Installation. Relamp, lamp may have
reached end of life.
Remote Doesn’t Work| Verify remote control cable is installed properly and
securely. Verify remote is correct type (CA-9 or other as applicable.)
Fixture Moving On Its Own| Verify proper mode of operation. Is the fixture in
“Auto” mode?
If your problem persists or isn’t listed contact support@blizzardlighting.com.
APPENDIx
A Quick Lesson On DMX
DMX (aka DMX-512) was created in 1986 by the United States Institute for
Theatre Technology (USITT) as a standardized method for connecting lighting
consoles to lighting dimmer modules. It was revised in 1990 and again in 2000
to allow more flexibility. The Entertainment Services and Technology
Association (ESTA) has since assumed control over the DMX512 standard. It has
also been approved and recognized for ANSI standard classification.
DMX covers (and is an abbreviation for) Digital MultipleXed signals. It is the
most common communications standard used by lighting and related stage
equipment.
DMX provides up to 512 control “channels” per data link. Each of these
channels was originally intended to control lamp dimmer levels. You can think
of it as 512 faders on a lighting console, connected to 512 light bulbs. Each
slider’s position is sent over the data link as an 8-bit number having a value
between 0 and 255. The value 0 corresponds to the light bulb being completely
off while 255 corresponds to the light bulb being fully on.
DMX data is transmitted at 250,000 bits per second using the RS-485
transmission standard over two wires. As with microphone cables, a grounded
cable shield is used to prevent interference with other signals.
There are five pins on a DMX connector: a wire for ground (cable shield), two
wires for “Primary” communication which goes from a DMX source to a DMX
receiver, and two wires for a “Secondary” communication which goes from a DMX
receiver back to a DMX source. Generally, the “Secondary” channel is not used
so data flows only from sources to receivers. Hence, most of us are most
familiar with DMX-512 as being employer over typical 3-pin “mic cables,”
although this does not conform to the defined standard.
DMX is connected using a daisy-chain configuration where the source connects
to the input of the first device, the output of the first device connects to
the input of the next device, and so on. The standard allows for up to 32
devices on a single DMX link.
Each receiving device typically has a means for setting the “starting channel
number” that it will respond to. For example, if two 6-channel fixtures are
used, the first fixture might be set to start at channel 1 so it would respond
to DMX channels 1 through 6, and the next fixture would be set to start at
channel 7 so it would respond to channels 7 through 12.
The greatest strength of the DMX communications protocol is that it is very
simple and robust. It involves transmitting a reset condition (indicating the
start of a new “packet”), a start code, and up to 512 bytes of data. Data
packets are transmitted continuously. As soon as one packet is finished,
another can begin with no delay if desired (usually another follows within 1
ms). If nothing is changing (i.e. no lamp levels change) the same data will be
sent out over and over again. This is a great feature of DMX — if for some
reason the data is not interpreted the first time around, it will be re-sent
shortly.
Not all 512 channels need to be output per packet, and in fact, it is very
uncommon to find all 512 used. The fewer channels are used, the higher the
“refresh” rate. It is possible to get DMX refreshes at around 1000 times per
second if only 24 channels are being transmitted. If all 512 channels are
being transmitted, the refresh rate is around 44 times per second.
In summary, since its design and evolution in the 1980’s DMX has become the
standard for lighting control. It is flexible, robust, and scalable, and its
ability to control everything from dimmer packs to moving lights to foggers to
lasers makes it an indispensable tool for any lighting designer or lighting
performer.
Keeping Your HotBoxTM As Good As New
The fixture you’ve received is a rugged, tough piece of pro lighting
equipment, and as long as you take care of it, it will take care of you. That
said, like anything, you’ll need to take care of it if you want it to operate
as designed. You should absolutely keep the fixture clean, especially if you
are using it in an environment with a lot of dust, fog, haze, wild animals,
wild teenagers or spilled drinks.
Cleaning the optics routinely with a suitable glass cleaner will greatly
improve the quality of light output. Keeping the fans free of dust and debris
will keep the fixture running cool and prevent damage from overheating.
In transit, keep the fixtures in cases. You wouldn’t throw a prized guitar,
drumset, or other piece of expensive gear into a gear trailer without a case,
and similarly, you shouldn’t even think about doing it with your shiny new
light fixtures.
Common sense and taking care of your fixtures will be the single biggest thing
you can do to keep them running at peak performance and let you worry about
designing a great light show, putting on a great concert, or maximizing your
client’s satisfaction and “wow factor.” That’s what it’s all about, after all!
Returns (Gasp!)
We’ve taken a lot of precautions to make sure you never even have to worry
about sending a defective unit back, or sending a unit in for service. But,
like any complex piece of equipment designed and built by humans, once in a
while, something doesn’t go as planned. If you find yourself with a fixture
that isn’t behaving like a good little fixture should, you’ll need to obtain a
Return Authorization (RA).
Don’t worry, this is easy. Just send an email to support@blizzardlighting.com,
and we’ll issue you an RA. Then, you’ll need to send the unit to us using a
trackable, pre-paid freight method. We suggest using USPS Priority or UPS.
Make sure you carefully pack the fixture for transit, and whenever possible,
use the original box & packing for shipping.
When returning your fixture for service, be sure to include the following:
- Your contact information (Name, Address, Phone Number, Email address).
- The RA# issued to you
- A brief description of the problem/symptoms.
We will, at our discretion, repair or replace the fixture. Please remember that any shipping damage which occurs in transit to us is the customer’s responsibility, so pack it well!
Shipping Issues
Damage incurred in shipping is the responsibility of the shipper, and must be reported to the carrier immediately upon receipt of the items. Claims must be made within seven (7) days of receipt.
Tech Specs!
Weight & Dimensions
Length| 4 inches (102 mm)
Width| 5 inches (127 mm)
Height| 5 inches (127 mm)
Weight| 3.5 lbs (1.60 kg)
Power
Operating Voltage| 100-250VAC, 40-60 Hertz
Fuse| 2A 250V
Power Consumption| 47W
Light Source
LED| 17x lOW 4-in-1 LEDs 100,000 hours.
Optical
Beam Angle| 25 degree optics standard
26 degree beam
30 degree field
Thermal
Max. Operating Temp.| 1104 degrees F (40 degrees C) ambient
Control
Protocol| USITT DMX-512
DMX Channels| 3/ 4/ 5/ 8/ 9
Input| 3-pin XLR Male
Output| 3-pin XLR Female
Other Operating Modes| Standalone, Master/Slave, Sound Active, Color Preset
Random Fact
Polar Bears Are Left Handed
Warranty| 2-year limited warranty, does not cover malfunction caused by
damage to LED’s.
DISCLAIMER:
The power connector fitted to the fixture and fixture cord are designed for
compatibility with products manufactured by Neutrik AG, Neutrik USA and their
related entities, however they are not manufactured by, affiliated with or
endorsed by Neutrik AG, Neutrik USA, or any related entity. Neutrik® and
powerCON® are registered trademarks of Neutrik AG.
Enjoy your product!
Our sincerest thanks for your purchase!
The team @ Blizzard Lighting
Documents / Resources
|
BLIZZARD 23535 Hotbox RGBW and RGBA
Lighting
[pdf] User Guide
23535, Hotbox RGBW and RGBA Lighting
---|---
References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>