FLUX Alchemist V3 Dynamic Processor User Guide

Alchemist
FLUX:: Immersive
2023-02-06

Alchemist – The Alchemist concept

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At first, the wideband signal is split into frequency bands by a slope adjustable cross-over.
Each band is individually processed for dynamic. For every frequency band, every dynamic processing section, the compressor, the de- compressor, the expander and the de-expander features its own envelop generator including Dynamic Ratio, Peak amount parameters, L.I.D. (Level independent Detector) and its threshold adjustment. For every frequency band, a transient manager can be inserted pre or post dynamic processing. To achieve a total control on the audio signal, a MS management is available on every frequency band.
Then all the frequency bands are summed to rebuild a wideband processed signal. A soft clipper featuring a threshold for soft knee, and a dry mix control are available.
Alchemist gathers in a single plug-in all the Flux science about filtering and dynamic processing.

General Settings and Display

This section manages the wide band behavior of the Alchemist plug-in. It also controls the number of band of the processing (27) and the selection of the band setting panel (22).

2 General Settings
2.1 Input Gain (1)
Unit: dB
Value Range: -48 / +48
Step: 0.
Default Value: 0 dB
Sets the gain applied to the dynamic processing input.
2.2 Dry Mix (2)
Default Value: -144 dB
This slider controls the amount of the original signal that can be added to the processed audio.
This feature is dedicated to mastering works requiring both heavy processing and subtle control.
The mix is done before the output gain.
2.3 Output Gain (3)
Unit: dB
Value Range: -48 / +48
Step: 0.
Default Value: 0 dB
Sets the global gain applied to the dynamic processing output before the soft clipper.
2.4 Invert Phase (4)
Default Value: Off
When this button is engaged, the phase of the processed signal is inverted.
2.5 Enable Clipper (5)
The Clipper is the very last stage of the processing chain.
2.6 Clipper Knee (6)
Unit: dB
Value Range: 0 / +3
Step: 0.
Default Value: 1 dB
Sets the smoothness of the transmission curve.
2.7 Clipper Ceiling (7)
2.8 Bypass (8)
It’s a global bypass.
2.9 Channel Processing Selector (9)
When operating on a multi-channel (surround) bus, all channels are processed by default, but it can be useful to remove some channels from the processing for some reasons. This selector allows to keep the unchecked channels untouched. This feature may be used if different settings are required. Several instancies of a plug-in can be used in series, each one processing a particular channel with its own settings.
2.10 Channel Side Chain Routing (10)
When operating on a multi-channel bus, all channels are feeding the side chain by default, but it can be useful to prevent some channels feeding the side chain for some reasons.
2.11 Band Selector (11)
The frequency band selection is done here.
It can also be done from the main display area.
2.12 Number of Band Control (12)
The Minus and Plus buttons allow to specify the number of frequency bands of the Alchemist from 1 to 5.
2.13 Reset Solo (13)
This button disables all engaged band solo.

General Display

Windows :
Right-Click on the selected band accesses a specific contextual menu allowing to reset band(s) or copy the band parameters to another band. An Auto Solo feature can be accessed when pressing the Ctrl key + Click on the desired band.
MacOS :
Right-Click or Ctrl + Click on the selected band accesses a specific contextual menu allowing to reset band(s) or copy the band parameters to another band. An Auto Solo feature can be accessed when pressing the Command (Apple) Key+ Click on the desired band.
3.1 Input Peak Meter (14)
3.2 Output Peak Meter (15)
3.3 Link display (16)
The bands can have their parameters linked. Right-Click on the main display allows access to a contextual menu. Modifying a setting of a linked band also modifies this setting for all linked bands.
3.4 Band Gain Handle (17)
The band display reflects both input and out gains.
The handle trims the output gain.
Shift + Click trims the input gain.
Double-Click reset the output gain to the default value.
3.5 Band Frequency Handle (18)
Shift + Click enables fine trimming
Right-Click changes the filter slope
Double-Click resets the frequencies to the default values.
3.6 Global Band Handle (19)
Double-Click resets the frequencies to the default values.
Ctrl + Click auto-solos the selected band.
3.7 Band Activity (20)
It reflects the applied gain but also take account of the gain modification introduced by the Bitter Sweet section.
3.8 Low Pass Filter Frequency (21)
The value can be entered using the keyboard or the slider control.
Dragging the band handles is also possible from the main display.
3.9 Low Pass Filter Slope (22)
The value can be entered using the keyboard or the slider control.
Shift + Dragging the band handles is also possible from the main display.
3.10 Hi Pass Filter Slope (23)
The value can be entered using the keyboard or the slider control.
Shift + Dragging the band handles is also possible from the main display.
3.11 Hi Pass Filter Frequency (24)
The value can be entered using the keyboard or the slider control.
Dragging the band handles is also possible from the main display.
3.12 Preset Manager Access (25)
Access to the preset manager’s window.
3.13 Loaded Preset Display (26)
A star signals a modified preset.
3.14 Save (27)
Save replaces the selected preset by a new one under the same name featuring the current settings. If you want to keep an existing preset without your new modifications, just select an empty place into the preset list, enter a new name for this modified preset featuring the current settings and press Save.
3.15 Recall (28)
Once a preset is selected from the preset list it must be explicitly loaded into section A or the section B by using the recall button. A preset is effective only after it has been recalled.
3.16 Copy A / Copy B (29)
The current parameters of a section are copied to the other one. The section A or B is re-initialized with the current values and the morphing slider is parked at 100% of the corresponding section.
3.17 Morphing Slider (30)
This horizontal slider has no unity nor specific value display. It allows to morph current settings between two loaded presets. Double-click on one side of the slider area toggles between full A and full B settings.
The results of an in-between setting can be saved as a new preset.
A global preset including the two loaded presets and the morphing slider position can also be saved from preset management window.
3.18 Automation Control of the Morphing Slider (31)
Default Value: Off
When this button is disabled, all the plug-in parameters values are recorded when writing automation. The morphing slider is ignored.
When reading automation, if this button is disabled, all the plug-in parameters are controlled by the host automation except the morphing slider.
When this button is engaged, all parameters are recorded when writing automation uncluding the morphing slider.
When this button is engaged, ONLY the morphing slider value is applied when reading automation.
The Automation button must be engaged if the morphing slider has to be mapped on a control surface.

Bands Settings and Display

The main parameters of the band are gathered on this panel. Alt + Click temporarily unlink the control when the band is linked.

4 Band Settings
4.1 Band Solo (32)
Solo the selected band(s)
4.2 Selected Band Reminder (33)
4.3 Band Bypass (34)
Bypass the selected band.
4.4 Link (35)
Default: Enabled
By default the maximum value issued from all channels feeding the side chain is retained as source for processing. This manner, the space information is kept for the processed multichannel signals.
When disabled, every channel uses its own value for individual processing. This configuration may be used in conjunction with the MS width section which encode the signal in MS before processing, and decode at the output. This manner, the M signal can be processed while keeping the S channel untouched.
4.5 Input Gain (36)
Unit: dB
Value Range: -12 / +12
Step: 0.01
Default Value: 0 dB
Sets the gain applied to the dynamic processing input of the selected band.
4.6 Output Gain (37)
Unit: dB
Value Range: -12 / +12
Step: 0.01
Default Value: 0 dB
Sets the global gain applied to the dynamic processing output of the selected band.
4.7 Bitter Sweet On/Off (38)
When engaged, the Bitter Sweet processing is active.
4.8 Transient Amount (39)
Unit: %
Value Range: -100 to +100
Default Value: 0
On the Sweet side (left), transients are reduced. It usually decreases percussive instruments in the mix.
On the Bitter side (right), transients are magnified. It usually increases the percussive instruments in the mix.
4.9 Post Band Processing (40)
When engaged, the Bitter Sweet processing is done after the dynamic processing. Otherwise, it’s done before the other processing sections which are working in parallel.
4.10 Auto Gain Compensation (41)
When engaged, the output gain is compensated depending of the transient amount to produce an almost unity gain.
4.11 Bitter Sweet Sustain Release (42)
This control sets the release time for the transient envelop.
4.12 Operation Mode Selector (43)
Main processes using regular stereo signal scheme and it is the only available mode for multichannels operations. Center engages internal MS encoder and processes only the Mid channel. After processing the sound is decoded back to stereo. Since the M channel usually features more enregy than the S channel, this mode allows to easily control the impact of the sound.
Stereo engages internal MS encoder and processes only the Side channel. After processing the sound is decoded back to stereo. Since the S channel contains the spatial information, this mode allows to easily control the stereo imaging.
4.13 Bitter Sweet Period (44)
Unit: ms
Value Range: 3 to 450 ms
Default Value: 42 ms
This control sets the range of the time window used to detect transients that will be processed.
4.14 MS Width Control (45)
Unit: dB
Value Range: -6 / +6
Step: 0.01
Default Value: 0
Sets the stereo width of the processed signal. A -6 dB value deceases the stereo width. A +6 dB value increases the wideness of the stereo mix but can produce phase issue.
4.15 MS Mode On/Off (46)
Default Value: Off
Enables one MS encoding matrix at the input and one MS decoding matrix at the output of the dynamic processing in order to control the stereo width of the mix. When engaged, the side chain is fed by a MS encoded signal that is reflected in the display section. The M channel corresponds to the normal left channel. And the S channel corresponds to the normal right channel This feature is only available when two channels (no more, no less) are processed.

5 Time Related Settings
5.1 Delay (47)
Unit: ms
Value Range: 0 to 50.0 ms
Default Value: 0 ms
A delay reflecting the attack time can be introduced into the signal path in order to produce a zero attack time for the dynamic processing. Shifting the delay value from the attack time allows to control transients. A delay value inferior to the attack value lets peaks untouched by the processing.
Note
Note that the different delay values of every band are automatically compensated. Solera can’t be used to produce delay based special effects.
Warning
Warning: Morphing between presets with different delay values produces sound artefacts.
Of course this delay introduces latency in the processing.
5.2 Auto Delay (48)
Default Value: Off
When enabled, the delay value is linked to the attack value. Be aware that the latency introduced by this function is now equal to your attack time dived by 2.
5.3 Mode (49)
Default Value: Solera
8 different detection modes are available: – Solera: The Attack setting also controls the integration time for RMS detection. When “Auto” is engaged for the delay value, the produced attack time is zero. – Solera Feed Backward: The Attack setting also controls the integration time for RMS detection which is done on the output of the processor. This mode disables the Delay feature. Note also that the Solera Feed Backward prevents to use the external side chain because it’s the processed signal which feed the side chain. – Classic Fast: The integration time for RMS detection is 10 ms with no direct relation with the Attack setting. But when “Auto” is engaged for the delay value, the produced attack time is zero. – Classic Medium: The integration time for RMS detection is 40 ms with no direct relation with the Attack setting. But when “Auto” is engaged for the delay value, the produced attack time is zero. – Classic Slow: The integration time for RMS detection is 80 ms with no direct relation with the Attack setting. But when “Auto” is engaged for the delay value, the produced attack time is zero. Classic Feed Backward Fast: The integration time is 10 ms for RMS detection which is done on the output of the processor. This mode disables the Delay feature. Note also that the Feed Backward mode prevents to use the external side chain because it’s the processed signal which feed the side chain. – Classic Feed Backward Medium: The integration time is 40 ms for RMS detection which is done on the output of the processor. Note also that the Feed Backward mode prevents to use the external side chain because it’s the processed signal which feed the side chain. – Classic Feed Backward Slow: The integration time is 80 ms for RMS detection which is done on the output of the processor. Note also that the Feed Backward mode prevents to use the external side chain because it’s the processed signal which feed the side chain. These Feed Backward modes have been inspired by vintage hardware architectures. they create a sort of auto regulation of the processing which produces a naturally beefy sound.
5.4 Attack (50)
Unit: ms
Value Range: 0 ms to 100 ms
Default Value: 0.0 ms
Sets the attack time of the processing envelop. It also controls the manner the RMS value is computed from the incoming signal.
Warning
Warning : The Attack setting also controls the integration time for RMS detection.
5.5 Hold (51)
Unit: ms
Value Range: 0 ms / 500 ms.
Default Value: 0 ms
This parameter is the only one in the time related settings, that is independent per dynamic processor. The compressor and the expander may have different hold time.
Used in the Expander section, this setting allows very precise gating of drum tracks. It can also be used for creative purpose on the other dynamic sections.
5.6 Release Mode (52)
Default Value: Auto
Three release modes are available for the envelop of the dynamic processing. – Manual corresponds to the value you have set. – Auto enables our specific algorithm to generate a signal dependent value to avoid typical pumping effects. – Advanced gives access to two different values for release and to the control of the velocity of the variations between the maximum and the minimum release values.
5.7 Release (53)
Unit: ms
Value Range: 0.67 ms / 10000.00 ms
Default Value: 500.00 ms
Sets the manual release value and the maximum release value when in Advanced Mode.
5.8 Release Minimum (54)
Unit: ms
Value Range: 0.67ms / 5000.00
Step: 0.01
Default Value: 1.30 ms
Sets the minimum release value when in Advanced Mode.
5.9 Dynamic Factor (55)
Unit: x
Value Range: 0 / 3.0
Step: variable.
Default Value: 1
Amplify or dim the extracted real time dynamic informations.
5.10 Dynamic Velocity (56)
Unit: %
Value Range: 10 / 1000
Step: 1
Default Value: 50%
Sets the speed of variation on the dynamic informations.

6 Band Display
6.1 Input Level Meter (57)
Vu-meter not peak-meter, referenced to -16 dB Fs by default, with auto scale depending of the threshold values. When the MS Width section is engaged, the M (Mid) level is displayed on the left meter. S (Side) is displayed on the right meter.
The green index reflects the threshold value.
6.2 Output Level Meter (58)
Vu-meter not peak-meter, referenced to -16 dB Fs by default, with auto scale depending of the threshold values. When the MS Width section is engaged, the M (Mid) level is displayed on the left meter. S (Side) is displayed on the right meter.
6.3 Resultant Envelop (59)
Vu-meter not peak-meter, referenced to -16 dB Fs by default.
The scale is +/- 12 dB.
This is the compression, decompression, expander and de-expander summing envelop.
This display doesn’t directly reflect the gain changes introduced by the Bitter Sweet section which can be placed pre or post parallel dynamic processors.
6.4 Dynamic difference between in and out (60)
Vu-meter not peak-meter, referenced to -16 dB Fs by default.
The scale is +/- 12 dB.
This display doesn’t directly reflect the gain changes introduced by the Bitter Sweet section which can be placed pre or post parallel dynamic processors.
6.5 Level difference between in and out (61)
Vu-meter not peak-meter, referenced to -16 dB Fs by default.
The scale is +/- 12 dB.
This is the compression, decompression, expander and de-expander summing envelop which also takes account of the input and output gains of the band.
This display doesn’t reflect the gain changes introduced by the Bitter Sweet section.
The Bitter Sweet action can be observed on the main display.
6.6 Dynamic Activity Display (62)
No scale
The current L.I.D. Threshold value is reflected by two green lines on the Dynamic Activity display.
For Compressor and DCompressor sections, the L.I.D. action is effective only when the orange Dynamic Activity exceeds the area between the two green lines.
For Expander and DExpander sections, the L.I.D. action is effective only when the orange Dynamic Activity stays inside the area between the two green lines.
6.7 Instant Release Value (63)
Auto Scale depending of the release value(s)
6.8 Resulting Transfer Curve (64)
Auto Scale depending of the threshold value(s)

Dynamic Sections Settings and Display

Every band features four dynamic sections working is parallel.
Alt + Click temporarily unlink the control when the band is linked.

7 Dynamic Sections Settings
7.1 Peak Detection Amount (62)
Unit: %
Value Range: 0 / 100
Step: 1
Default Value: 0 %
Percentage of the instant peak value used to feed the detector section, making the dynamic processing more sensitive to audio transients.
0 % means 100 % RMS signal feeding the detector section; 100 % means only peak signal is feeding the detector section. 50 %= fifty – fifty
7.2 Dynamic Ratio (63)
Unit: %
Value Range: 0 / 100
Step: 1
Default Value: 0 %
This setting relaxes the ratio applied to the processor section when the detected signal dynamic raises.
This setting literally opens the sound, increases the dynamic impression and keeps some crest by adjusting in real time the ratio of every dynamic processing section regarding both their current settings about ratio and the signal content (mainly dynamic range). To start understanding this setting and easily hear it, take a full mixed drum kit or a complete mix with punchy drums, set the compression threshold, ratio to get something near pumping or an aggressive compression.
Then increase the output gain to compensate the gain lost and then toggle between 0 and 100% of Dynamic Ratio. At 100 % you should hear more air in the sound, more transient and less compression impression; especially in terms of attack.
7.3 Dynamic Ratio Inverter (63)
When engaged, the behavior of the Dynamic Ratio is inverted. The ratio value is increased depending of the detected signal dynamic.
7.4 L.I.D.. (Level Independent Detector) (64)
Unit: %
Value Range: 0 / 100
Step: 1
Default Value: 0 %
Allows process the audio signal independently of the sound level but regarding the signal dynamic range. It is mixed with the standard compression scheme.
Take a piece of full mixed music, set the ratio to 3-4 and the compression will start working. Now set the threshold of the compressor to the maximum value, the compressor will stop working because the sound level will never reach the threshold. Then increase the L.I.D.. and you will see (and hear) the compression working again!!! Now decrease or increase the input gain (in Solera or before, as you want) and you will see that the compression will continue to work equally; it’s totally, completely independent of the sound level and depends only on Ratio, Knee and sound content. How can this be used? When you have too much dynamic in the sound, going for e.g. from -3, -6 dB Vu (or less) to +12 dB; If you want to compress the low levels you will hear the sound “pumping” when the sound reaches the High levels and the only thing to do with standard compressor will be to increase the threshold to rescue some airiness in the sound. But when doing that the compressor will not work any more on the low levels and you will hear some sound differences (in term density, live space, grain etc…) especially when the compressor starts working. With Solera L.I.D.., adjust the threshold and ratio on the High levels to what you think OK, then increase the L.I.D.. (from 20 to 50 %) and listen now the low levels and especially the transition between Low and High levels. You can also start increasing the ratio to increase the effect. You’ll then notice that the compression will always be active but can still take care of High, loud levels (unless you set 100% L.I.D..) and make the compression very smooth and no more pumping… In addition with the Dynamic Ratio function, you’ll be able to set a constant and very natural envelop that allows to increase low levels, low frequency and to keep important transients.
7.5 L.I.D.. Threshold (65)
Sets the gain range of the L.I.D. parameter. – Up: Increasing of the L.I.D. action – Down: Decreasing of the L.I.D. action
The current L.I.D. Threshold value is reflected by two green lines on the Dynamic Activity display.
Note
For Compressor and DCompressor sections, the L.I.D. action is effective only when the orange Dynamic Activity (18) exceeds the area between the two green lines. For Expander and DExpander sections, the L.I.D. action is effective only when the orange Dynamic Activity (18) stays inside the area between the two green lines.
7.6 L.I.D. Maximum (66)
When engaged, the threshold for the processing is determined by the maximum values from RMS/peak detection OR from the signal dynamic detection. The L.I.D. Threshold is still active, but the L.I.D. mix button is disabled. This feature allows the whole process to be more reactive to the signal content. It worth to be tried on drum tracks.
7.7 Threshold (67)
Unit: dB
Value Range: -32 to +16 (Compressor/DCompressor) -80 to +16 (Expander/DExpander)
Default Value: 0
Sets the threshold of the specific dynamic processing section. This dB scale refers to an RMS value.
The threshold effective value is modified by the L.I.D., the L.I.D. Threshold and, the L.I.D. Maximum settings.
7.8 Ratio (68)
Unit: dB
Value Range: 1 to 10
Step: 0.01
Default Value: 1
Sets the ratio of the specific dynamic processing section.
The ratio effective value is modified by the Dynamic Ratio amount.
7.9 Infinite (69)
Sets the ratio to its maximum possible value.
7.10 Range (70)
Unit: dB
Value Range: 0 to 48/140/24/16 (Compressor/Expander/DCompressor/DExpander)
Default Value: 24/96/12/
Sets the maximum allowed gain variation for a specific dynamic processing section.
7.11 Knee (71)
Unit: dB
Value Range: 0 / +24
Default Value: 0
Sets the smoothness of the transmission curve for the specific dynamic processing section. The curve is smoothed around the threshold value of the dB amount set with the knee value.
7.12 Dynamic Section On/Off (72)
Activates the specific section.
7.13 Compressor Section Selector (73)
7.14 DCompressor Section Selector (74)
7.15 Expander Section Selector (75)
7.16 DExpander Section Selector (76)

8 Dynamic Sections Display
8.1 Dynamic Section Activity (77)
12 dB scale
The gain is displayed from left to right for gain increase, the gain is displayed from right to left for gain decrease.

Specifications

Processing Specifications – Alchemist

• Up to 16 channels Input/Output for Essential version.
• 64-bits internal floating point processing.
• Sampling rate up to 384 kHz DXD (Pyramix and Ovation MassCore/Native).
• Sampling rate up to 192 kHz for Native (AU/VST/VST3/AAX/AAX AudioSuite).

Processing Specifications – Alchemist Session

• Mono/Stereo Input/Output.
• 64-bits internal floating-point processing.
• Sampling rate up to 96 kHz.

Compatibility
BitterSweet Pro

• Windows – 10 64 bits.
  – VST (2.4) in 64 bit
  – VST (3.1) in 64 bit
  – AAX Native/DSP in 64 bit
  – AAX AudioSuite in 64 bit
  – Waves WPAPI Native/Soundgrid in 64 bit
  – VS3** Pyramix 10 and more in 64 bit and Ovation 6 and more
  – Avid Venue Systems

• macOS (Intel and ARM) – 10.12 and more, 11 and 12.
  – VST (2.4) in 64 bit
  – VST3 (3.1) in 64 bit
  – AU in 64 bit
  – AAX Native/DSP in 64 bit
  – AAX AudioSuite in 64 bit
  – Waves WPAPI Native/Soundgrid in 64 bit
  – Avid Venue Systems

VS3 for Pyramix& Ovation Native/MassCore sold only through Merging Technologies and authorized dealers.
Licence Requirements**
In order to use Alchemist or Alchemist Session, an iLok.com user account is required (the iLok USB Smart Key is not required).

Appendies

A Release Notes
A.1 Build 23.07.50310 – All plugins
A.1.1 New features

• Support Pro Tools new track formats

A.1.2 Bugs fixes

• All plugins – Nuendo – VST3 – crash when stereo plugins are instantiated on multichannel tracks (StereoTools, …)
• All plugins – Pace protected plugins fail to scan on Da Vinci Resolve mac
• All plugins – Popups wrong metrics when changing screen
• All plugins – Presets not imported
• All plugins – VST3 – Nuendo – WIN (UHD360) – Wrong window size init
• All plugins – VST3 – WIN (UHD630) – REAPER – GUI refresh issue when in single window mode
• All plugins – GUI issue with AMD graphics on windows – flickering issue
• All plugins – AU – Plugins parameters are reset when bouncing in Reaper
• All plugins – VST2 – no multichannel with the plugins 23.X in Reaper
• All plugins – VST – Resizing the GUI does not update the floating window size in Nuendo on Windows with UHD630 graphics
• Bittersweet – VST3 – crashes on Pyramix on instantiation
• StereoTool / EVO Channel – VST3 – No goniometer / analyzer in Wavelab
• Elixir – Not available as 32 channels in Reaper
• EVO series – AAX – Dark Mode wrong GUI init
• EVO series – remove unused and duplicated presets
• EVO Channel – VST3 – spectrum smoothing slider crashes Studio one
• EVO Channel / EVO Eq – VST3 – Analyzer not working in Ableton Live
• EVO Channel / EVO Eq – scale eq control always reload on auto mode
• EVO Eq – weird release on meter
• EVO In – GUI refresh issue when toggling night/day mode
• EVO Touch – Zero Crossing Threshold label missing in the geek panel
• EVO Touch – frequency band selector does not always recall the good settings on session reload
• EVO Touch/ EVO Channel – Frequency range slider is hard to handle
• Pure Serie – VST3 – Attack value max 80ms
• Pure Comp – Crash when loading “Bass guitar” preset
• Pure Limiter – VST3 – advanced mode does not turn on advanced settings
• StereoTool – VST3 – vector scope not working in Ableton Live on Windows
• StereoTool – Not working in Final Cut Pro
• TRAX – Crash using oversampling with sessions set at 2FS or higher
• TRAX Tr – not usable in Protools anymore (build 50123)

A.1.3 Known issues

• All plugins – VST – GUI issue in Izotope Ozone and RX
• All plugins – AAX – Preset manager – Default preset is not applied to parameters at plugin instantiation
• Elixir – Latency not properly compensated after changing stage parameters value in VST and AudioUnit
• TRAX tr – Learn function returning wrong values
• VerbV3 – HOA 3rd order not working properly

A.2 Build 23.1.0.50251 – All plugins
A.2.1 New features

• New plugins Evo Compressor, Evo Touch and Evo EQ.
• VST3 support
• ARM support for AAX, AU and VST3
• Plugins are now resizable
• Elixir now supports 32 channels
• Alchemist, BitterSweet, Epure, Pure Compressor, Pure DCompressor, Pure Expander, Pure DExpander, PureLimiter, Solera, Syrah now support 16 channels

A.2.2 Bugs fixes

• All plugins – Preset Manager – Update user preset do not work
• All plugins – Preset manager – Crash or freeze when saving a preset
• All plugins – UI may be black on Intel UHD 630 graphical cards
• All plugins – AU/VST3 – Preset manager – Default preset is not applied to parameters at plugin instantiation
• All plugins – AAX – Crash with OSC when changing fx slot in Pro Tools
• All plugins – AU – Logic Pro – Automation of boolean/integer parameters broken
• All plugins – AU – Plugins crash in Da Vinci Resolve
• All plugins – DaVinci Resolve – VST – UI is truncated
• All plugins – Streamlabs – Plugins do not work
• All plugins – Licensing issue in DaVinci Resolve and GarageBand
• Alchemist – The range parameter works only for the 1st band
• BitterSweet – Not possible to tweak the Output gain after unlinking it
• BitterSweet – Output gain not reloaded properly when the link is disabled
• BSPro – some modes are not accessible due to GUI issue
• Epure – macOS – Bad graphic scale initialization at 2&4FS
• Evo Channel – Meter reference is not saved
• Syrah – Crash when selecting preset “Static fast compression”
• TRAX Tr – When the link is activated, the Formant slider does not have the expected  audio effect
• TRAX Tr – ProTools – Issue in AudioStudio when the modulation is enabled
• VerbSession/VerbSession Studio Session and BSPro StudioSession – Pyramix – VST crash when instantiated
• Verb/Verb Studio Session – Crash when reloading session having 2 instances

A.2.3 Known issues

• All plugins – VST – GUI issue in Izotope Ozone and RX
• All plugins – AAX – Preset manager – Default preset is not applied to parameters at plugin instantiation
• Elixir – Latency not properly compensated after changing stage parameters value in VST and AudioUnit
• TRAX tr – Learn function returning wrong values
• VerbV3 – HOA 3rd order not working properly

A.3 Build 21.12.0.50123 – All plugins except TRAX and StudioSession
Bug fixes

• All plugins AudioUnit – GUI issue with Hdpi displays on macOS Monterey
• All plugins VST – Plugin scan freeze in Wavelab 11 on Mac M1 machines
• All plugins VST – Crash in Adobe Audition on macOS
• All plugins VST macOS – Fix crashes with Ableton live
• Elixir – Automation is not read for toggle parameters.
• Elixir – Crash when clicking on the settings button on Session version
• Elixir – Several fixes on the UI
• Elixir – Windows AAX – Refresh issue with two instances in ProTools
• HEar – Bypass is working in AAX
• HEar AAX – Crash when doing offline bounce on macOS
• HEar AAX – Crash when editing the matrix on macOS
• HEar AAX – Stereo – Change on Matrix are not applied until we change the preset
• HEar AudioUnit – Ableton crashes when inserting a second instance

A.4 Build 21.11.0.50107 (HEar, IRCAM Verb)
NOTE: CURRENTLY NOT COMPLIANT WITH ABLETON LIVE MACOS
Improvement

• HEar – 5.1.4 & 5.0.4 now available

Bug fixes

• HEar – Fix meters refresh issue
• HEar – No verb on some presets
• HEar – Protools crashes when doing offline bounce on macOS

A.5 FLUX:: Immersive – Plugins (including IRCAM Tools) 21.09
This release includes updates for all FLUX::Immersive plugin processing products with the exception of EVO Channel, Epure, IRCAM Trax, Studio Session.
NOTE: CURRENTLY NOT COMPLIANT WITH ABLETON LIVE MACOS
Major optimizations

• Apple computers Big Sur (new M1 chips) AU validation
• Important updates to the Ircam Verb + Session
• Overall better handling of multichannel track setups such for Atmos. (Ircam Hear, Verb and more)
• Automatic detection of track format / channel order for DAWs when possible.

A.5.1 Build 21.9.0.50083
Bug fixes

• Apple computers Big Sur (new M1 chips) AU validation failing
• Empty GUI when close/reopen plugin – Windows 10 – UHD630 graphics
• AudioUnit in Reaper – do not process audio when offline bounce
• Default preset not loaded correctly on instantiation of Verb + Verb Session
• Evo.Channel on Retina – Input and Output Sliders badly scaled
• Incompatible AudioUnit issue in Apple Final Cut Pro
• Plugins: Recall Preset Flags (e.g. “All but setup”) recall always everything
• Preset Manager – UI issue with small plugins when a preset has been created
• Ircam Verb Session reload in VST with audio interruption
• VST Plugins Session not correctly reloaded if it integrate an IO configuration change
• Verb session – Dry/wet not applied in offline render
• Verb v3 Atmos crash on AAX
• Verb: AU validation failed on Apple M1
• Verb: LFE not disabled by default on ProTools
• Verb: Recall Preset may be not correct with double click inside the preset manager
• Verb: disabled channel is not re-injected according to dry/wet parameter (100 % wet means muted)
• Verb: init issue with Nuendo
• AAX – Some plugins – Crash on Mac / No GUI on Windows
• Overall reliability / stability fixes.
• Plugin size not correct
• Potential plugins crash when opening UI

A.6 FLUX:: Immersive – Plugins (including IRCAM Tools) 20.12
This major release includes updates for all FLUX::Immersive products with the exception of IRCAM Spat V3 legacy product. Please refer to Spat V3 – Spat Revolution crossgrade options.
Major optimizations

• HiDPI / Retina support + display enhancements and fixes
• Page Table unification for Avid Control, S1, S3, S4, S6 and S6L.
• OSC Control for plugins.
• IRCAM Verb support for Dolby Atmos, Multichannel support up to 16 channels
• IRCAM Hear – Multichannel stability improvement, Now up to 10 channels. (Dolby Atmos 7.1.2)
• IRCAM Tools – Audio I/O Matrix and Multichannel enhancement
• Most plugins support of 8 channel.
• 16 channel support for Bittersweet Pro, Evo In and Evo Channel

A.6.1 Build 20.12.0.49880
Bug fixes
Core:

• BSPro – Latency report issue (AAX)
• IRCAM TRAX Tr – Latency report issue
• IRCAM Verb – Wrong initialization value for Reverb density
• IRCAM Verb -Dry signal still goes out in disabled channels when wet is 100%
• All Pure Dynamics PI + Alchemist – Wrong Thresholds initialization values
• AAX “monolithic” are broken like Hear, TRAX etc…
• Almost all AAX plugins don’t reload parameters from 47856 version session.
• Pure Limiter – Diff feature bypassed the input gain.
• Pure Limiter – Inverted sidechain filters.
• Any plugin except Evo Channel – Research Presets resets when click on a preset.
• Evo channel – Wrong values when reloading touch section.

UI:

• Current preset name disappear on re-opening GUI or session

A.7 Known Issues

• Wavelab “Sample rate not supported” when a plugin is inserted on a clip, track or output section.
• TRAX Tr – Learn frequencies display wrong values (AAX only).
• Hear – Internal config labels change when modify LFE input config from routing matrix.
• When using OSC on a plugin in Pro Tools, a chrash will occur if you change/move FX insert slots

Copyright (c) 2023 FLUX:: SE,
All Rights Reserved.

Documents / Resources

| FLUX Alchemist V3 Dynamic Processor [pdf] User Guide
Alchemist V3 Dynamic Processor, Alchemist, V3 Dynamic Processor, Dynamic Processor, Processor
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References

• iLok.com
• Alchemist - FLUX:: Immersive

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