Roland Streaming Video Switcher User Guide

Roland Streaming Video Switcher

Panel Descriptions

AUDIO MIXER

SIG/PEAK indicators (1, 2, 3/4)
These are lit green when audio input is detected. If the input is excessive, the indicator is lit red.
AUDIO INPUT LEVEL [1] [2] [3/4] knobs
Adjust the volume of the AUDIO IN 1, 2, or 3/4.
[AUTO MIXING] button
Turns the auto-mixing function (used to automatically control the volume) on/off.
SIG/PEAK indicators (AUX, USB STREAM)
Shows the volume level for the AUX bus and USB output. When the output level exceeds -50 dB, this lights up green. This lights up red when the output is excessive (0 dB or higher).
[AUX] knob
Adjusts the volume of the AUX bus output.
[USB STREAM] knob
Adjusts the volume of the USB output.
[MASTER OUTPUT] knob
Adjusts the overall volume.
Level meter
Indicates the volume level of the overall output.

[CAPTURE IMAGE] button

Turns the still image capture mode on/off.

USER [1]–[4] buttons

These buttons execute pre-assigned functions. With the factory settings, the following functions are assigned.

Turns the freeze function (freeze the input video) on/off.

USER [2]

| AUTO SWITCHING

Turns the auto switching function (used to automatically switch between videos) on/off.

USER [3]

| REC CONTROL

Controls the recorder’s video record start/stop if a recorder that supports REC control functionality is  connected.

USER [4]

| CAMERA CONTROL

Turns the camera control on/off.

When this is on (lit), the 7 CAMERA PRESET [1]–[10] buttons are used to recall the presets.

PinP & KEY 1–4

This uses PinP and KEY 1–4 layers to composite video using PinP, or picture- in-picture (p. 9).
[POSITION H] knob
Adjusts the horizontal position of the inset screen.
By turning the knob while pressing it, you can adjusts the size of the inset screen.
[POSITION V] knob
Adjusts the vertical position of the inset screen. By turning the knob while pressing it, you can adjust the zoom of the video shown in the inset screen.
[SOURCE] button
When this is on (lit), you can select the video source for the inset screens using the 7 PinP & KEY SOURCE [1]–[10] buttons.
[PVW] button
Turns the inset screen preview output on/off.
[PGM] button
Turns PinP composition on/off.

DSK 1, 2

This uses DSK layer 1 or 2 to composite video using a downstream keyer (p. 10).
[LEVEL] knob
Adjusts the degree of extraction (transparency) for the key.
[GAIN] knob
Adjusts the degree of edge blur (semi-transmissive region) for the key.
[SOURCE] button
When this is on (lit), you can select the DSK video source using the 7 PinP & KEY SOURCE [1]–[10] buttons.
[PVW] button
Turns the preview output of the DSK compositing result on/off.
[PGM] button
This switches DSK composition on or off.

[MODE] button

7 Switches the functioning of the AUX / MEMORY / MACRO [1]– [10] buttons. An indicator located at the left of the [MODE] button is lit to indicate the current function.

AUX / MEMORY / MACRO / PinP & KEY SOURCE / DSK SOURCE / CAMERA PRESET

[1]–[10] buttons

The functions of these buttons change as shown in the table below.

W hen butt on is lit| F unc tions of butt ons [1]–[10]
---|---

[MODE]

| A U X

Select the video that is sent to the AUX bus.

MEMOR Y

Recalls the preset memory (the video/audio and other data that is saved). Long-press a button to save the current settings in a preset memory.

M A CRO

Executes a macro (a series of recorded operations).

P inP & KEY 1–4 [SOURCE]| P inP & KEY SOURCE

Select the video source for the inset screen (p. 9).

DSK 1, 2 [SOURCE]| DSK SOURCE

Selects the DSK video source (p. 10).

USER [4]

( C A ME R A CONTROL)

| C A MER A PRESET

Recalls the registered preset (camera position, focus settings, etc.) from the connected camera.

[PGM/A-CENTER] [PST/B-CENTER] knobs

Adjust the split compositing settings (p. 8).

[PGM/A – CENTER]

| Adjusts the horizontal/vertical position of the video that’s shown in the left or upper area.

T urn while pressing:

Adjusts the position of the boundary.

[PST/B – CENTER]

| Adjusts the horizontal/vertical position of the video that’s shown in the right or lower area.

T urn while pressing:

Adjusts the position of the boundary.

[SPLIT 1] [SPLIT 2] buttons

Turns on/off video compositing using split (p. 8).

PGM/A cross-point [1]–[10] buttons

Selects the video to input to bus PGM/A. The selected button lights up.

PST/B cross-point [1]–[10] buttons

Selects the video to input to bus PST/B. The selected button lights up.

[INPUT ASSIGN] button

Press a cross-point button while holding down the [INPUT ASSIGN] button to change the video source for the buttons you pressed. The video source changes in the following order each time you press the button.

[TRANSITION] button

Selects the video transition effects (MIX, WIPE). The MIX or WIPE indicator lights to show that it is selected.

[CUT] [AUTO] button

Automatically switch between the videos being input to bus PGM/A and PST/B, and send them to the final output.

video is switched automatically.

(Bluetooth®) indicator

Shows the Bluetooth connection status. You can input audio from an audio device that uses Bluetooth, or use dedicated software on your computer or iPad to remotely control the V-160HD.

Video fader

Manually switch between the videos being input to bus PGM/A and PST/B, and send them to the final output.
Transition indicator The indicators light up to show the video fader position. When the video fader is pushed all the way down, only the topmost or bottommost transition indicator lights.

 Monitor

Shows the input/output video, a loaded still image, or a menu.
The same video as that shown on the monitor of this unit is output from the HDMI OUT 3 connector.

MONITOR [1]–[4] buttons

Switches between the video to monitor. Both the display from the monitor of this unit and the output video from the HDMI OUT 3 connector switch at the same time.

MONIT OR [1]

| MULTI-VIEW

The final output video, preview output video and the videos allocated to the cross-point [1]–[8] buttons are shown in sections of the display.

MONIT OR [2]

| 16 INPUT – VIE W

The input video from the HDMI IN connectors and the SDI IN connectors are shown as 16 separate sections on the screen.

MONIT OR [3]

| 16 STILL – VIE W

Shows the loaded still images in 16 separate sections on the screen.

MONIT OR [4]| PROGR A M

Shows the final output video.

The settings described above are the factory defaults. You can also assign different video to each button.

[MENU] button

Switches the menu between visible and hidden.
The menu appears on the built-in monitor and the display connected to the HDMI OUT 3 connector.

[EXIT] button

Returns you to the menu one level higher.

[VALUE] knob

Selects a menu item, or edits the value of a setting. Press this knob to confirm the menu item you selected or the value that you edited.

[OUTPUT FADE] button

The final output video and audio fade in/out.

The settings described above are the factory defaults. You can also assign other functions to the [OUTPUT FADE] button.

SEQUENCER

Use this to execute operations such as macros or recalling preset memories (sequence function) in the order that you have specified beforehand.

[ON] button Long-press to turn sequence mode on/off.

[AUTO SEQUENCE] button Turns the auto sequence function on/off.

[PREVIOUS] button Returns to the previous operation.

[NEXT] button Advances to the next operation. The button blinks while the operation is executing.

Front Panel

PHONES jack

Connect headphones.

[PHONES] knob

Adjusts the volume of the headphones.

USB MEMORY port

Connect a USB flash drive. Use this to save/load the settings of this unit, and to load still images. Never turn off the power or remove the USB flash drive while the USB flash drive is being accessed.

Rear Panel

• To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any connections.
• Do not block the cooling-fan intake and exhaust ports on the side panels. If the cooling-fan intake and exhaust ports are blocked, the internal temperatures may rise, causing malfunctions due to excessive heat.

RS-232 connector

You can connect this to a computer equipped with an RS-232 connector, and remotely control the V-160HD.

TALLY/GPIO connector

Use this to connect to devices that have a tally indicator feature, or to connect to devices that have a control signal input/output function.

CTL/EXP 1, 2 jacks

Connect footswitches (sold separately: BOSS FS-6, etc.) or expression pedals (sold separately: EV-5, etc.). This is used when using your foot to control operations such as video switching.
Use only the specified expression pedal (sold separately: EV-5, BOSS FV-500L, or FV-500H). By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.

REFERENCE THRU connector

Sends the synchronization signal that is inputted to the V-160HD to an external device that is connected to this unit.

REFERENCE IN connector

Connect an external source device for synchronization in order to input a sync signal.

HDMI OUT 1–3 connectors, SDI OUT 1–3 connectors

These connectors output video. Choose the connectors that are appropriate for the connected devices.
For each connector, you can change the video bus that is assigned for output from that connector. With the factory settings, the bus assignments are as follows.

HDMI IN 1–8 connectors, SDI IN 1–8 connectors

These connectors input video. Choose the connectors that are adaptor for the connected devices. The input format is automatically recognized.

Ground terminal

Connect this to an external earth or ground if necessary.

DC IN jack

Connect the included AC adaptor to this jack. Use the cord hook to secure the cord of the AC adaptor as shown in the illustration. If you have trouble running the cord through, loosen the screw a little on the cord hook.

[POWER] button

Turns the power on/off.

AUDIO OUT jacks (XLR, RCA)

These jacks output audio. Choose the jacks that are appropriate for the connected devices.
For each jack, you can change the audio bus (MASTER OUTPUT, AUX) that is assigned for output from that jack.

AUDIO IN 1, 2, 3/L, 4/R jacks

These jacks input audio. Choose the jacks that are appropriate for the connected devices.
About phantom power You can supply phantom power (+48 V) from the AUDIO IN 1 and 2 jacks (XLR). Turn on phantom power when you’re using a condenser microphone that requires phantom power.
Use the [MENU] button Ó “AUDIO INPUT” Ó “AUDIO IN 1” or “AUDIO IN 2” Ó set “PHANTOM +48V” to “ON.”

USB STREAM port (USB Type-C™)

• Outputs the audio and video to your computer. This is also used to input audio played on your computer to the V-160HD.
• Use the dedicated software to remotely control the V-160HD from a computer or iPad that is connected.

• If you are outputting HD video via USB, connect this to a USB 3.0 port of your computer.
• If you connect via an extension cable or a USB hub, the computer might not recognize this unit.

LAN CONTROL port

• Lets you remotely control the V-160HD by using terminal software, etc.
• Use the dedicated software to remotely control the V-160HD from a computer or iPad that is connected.
• Use the V-160HD to remotely control a camera that is connected.
• Displays a tally on your iOS or Android device (this is the “smart tally” function).

Basic Operations

Turning the Power On/Off

Before turning the unit on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/off. However, this is normal and does not indicate a malfunction.

Turning the Power On

1. Make sure that all devices are powered-off.
2. Press the V-160HD’s [POWER] button to turn on the power.
3. Turn on the power in the order of source devices Ó output devices.

Turning the Power Off

1. Turn off the power in the order of output devices Ó source devices.
2. Press the V-160HD’s [POWER] button to turn off the power.

Operating the Menu

Here’s how to access the menu, and make video/audio settings and settings for this unit.
The menu is also appears on the display connected to the HDMI OUT 3 connector.

1. Press the [MENU] button to display the menu.The menu is organized into functions.

2. Turn the [VALUE] knob to select the menu item that you want to edit, and press the [VALUE] knob to confirm.

3. Repeat step 2 as needed.
   Pressing the [EXIT] button moves you back one level higher.

4. Turn the [VALUE] knob to change the setting value, and then press the [VALUE] knob to confirm.
   By turning the [VALUE] knob while pressing it, you can change the value more greatly.
   Long-pressing the [VALUE] knob returns the current menu item you’re setting to its default value.

5. Press the [MENU] button to quit the menu.

Video Operations

Switching the Video

You can switch between the videos of the PGM/A bus and PST/B bus to specify the final output. Assigning Video Sources

Assign the video sources
(input video and still images) to the cross point [1]–[10] buttons.
Press a cross-point button while holding down the [INPUT ASSIGN] button (p. 3 12 ), or press the [MENU] button, select “VIDEO ASSIGN” and select the video source from “INPUT 1–10.”

Setting the Operation Mode
There are two operation modes for switching the video: the “PGM/PST mode” and the “A/B mode.”
Switch between operating modes by pressing the [MENU] button, selecting “SYSTEM” Ó “PANEL OPERATION” and then selecting either “PGM/PST” or “A/B.”

PGM/PST mode (factory settings)
The video on the PGM/A bus is always the final output. The video on the PST/B bus is preview output video (the video to be output next).
Operating the video fader or the [CUT] or [AUTO] button makes the final video output and the preview output video change places.

A/B mode
When you operate the video fader, the video of the bus toward which the video fader is flipped always becomes the final output. The video of the other bus becomes the preview output video (the video that is output next).
When the [CUT] or [AUTO] button is operated, the video on the PGM/A bus and the video on the PST/B bus become the final output in alternation.

Switching in the PGM/PST Mode

1. Flip the video fader all the way upward or downward.
   The video on the PGM/A bus is the final output.
   When the video fader is pushed all the way down, only the topmost or bottommost transition indicator lights.

2. Press a PST/B cross-point [1]–[10] button to select the preview output video (the video to be output next).
   You can check the preview output video in the PVW section of the multi- view.

3. Press the [TRANSITION] button to select the transition effect (MIX, WIPE).

4. Press the [AUTO] or [CUT] button.

[AUTO]

| The video is switched automatically. The [AUTO] button flashes while the video transition is in  progress.

To specify the video transition time, use the [MENU]  button

Ó“TRANSITION TIME” Ó“MIX/WIPE TIME.”

Move the video fader in the direction opposite to the direction in step 1.
The video is switched according to the movement of the video fader.

Switching in the A/B Mode

1. Flip the video fader all the way upward or downward. The video of the bus toward which you pull down the video fader becomes the final output.

2. Press a cross-point [1]–[10] button at the end to which the video fader is not flipped to select the preview output video (the video to output next).

3. Press the [TRANSITION] button to select the transition effect (MIX, WIPE).
   Using the buttons to switch

4. Press the [AUTO] or [CUT] button.
   Using the fader to switch

5. Move the video fader in the direction opposite to the direction in step 1.
   The video is switched according to the movement of the video fader.

Compositing Video with Split

Here’s how to composite two videos in dividing the screen into left/right or upper/lower.

Positioning a video
Left or upper: Video on the PGM/A bus
Right or lower: Video on the PST/B bus

Configuring the Screen Layout

You can configure the screen layout separately for the [SPLIT 1] and [SPLIT 2] buttons.

1. [MENU] button Ó “SPLIT” Ó “SPLIT 1” or “SPLIT 2” Ó select “SPLIT TYPE,” and press the [VALUE] knob.
2. Use the [VALUE] knob to select “SPLIT V” or “SPLIT H,” and press the [VALUE] knob.

SPLIT V

| This vertically crops the center section of the video (split left/right).

A B          A  B

SPLIT H

| This horizontally crops the center section of the video (split upper/lower).

__**A B             A B**

3. Press the [MENU] button to quit the menu.
MEMO
You can change the color and width of the boundary.
To make this setting, use the [MENU] button Ó “SPLIT” Ó “SPLIT 1” or “SPLIT 2” Ó “BORDER COLOR” and “BORDER WIDTH.”

Compositing Using SPLIT

1. Press a PGM/A cross-point [1]–[10] button to select the video you want to display upper or on the left.

2. Press a PST/B cross-point [1]–[10] button to select the video you want to display lower or on the right.

3. Press the [SPLIT 1] or [SPLIT 2] button to turn on split compositing (lit).
   The video you selected in steps 1 and 2 is composited.

4. Use the [PGM/A-CENTER] and [PST/B-CENTER] knob to adjust the position of the video or boundary.

[PGM/A – CENTER]

| Adjusts the horizontal/vertical position of the video that’s shown in the left or upper area.

T urn while pressing:

Adjusts the position of the boundary.

[PST/B – CENTER]

| Adjusts the horizontal/vertical position of the video that’s shown in the right or lower area.

T urn while pressing:

Adjusts the position of the boundary.

5.To turn off split compositing, press the [SPLIT 1] or [SPLIT 2] button once again.

Compositing Video with Picture-in-Picture (PinP)

Here’s how to composite an inset screen onto the background video. You can use PinP & KEY 1–4 at the same time to display four inset screens. This example shows you how to composite video using “PinP & KEY 1.” The operation is the same when using “PinP & KEY 2–4.”

1. Press the PinP & KEY 1 [SOURCE] button to turn it on (the button lights up).
2. Press a PinP & KEY SOURCE [1]–[10] button to select the video you want to make the inset screen.When selecting a video not assigned to INPUT 1–10, set this from the [MENU] button Ó “PinP & KEY” Ó “PinP & KEY 1” Ó “PinP SOURCE.”
3. Press the PinP & KEY 1 [PVW] button to turn on the inset screen preview output (lit).The inset screen appears in the PVW section of the multi-view, allowing you to check the inset screen’s location and size. At this stage, the final output has not yet been changed.
4. Use the PinP & KEY 1 [POSITION H] [POSITION V] knobs to adjust the inset screen.

[POSITION H]

| Adjusts the horizontal position of the inset screen.

T urn while pressing:

Adjusts the size of the inset screen.

[POSITION V ]

| Adjusts the vertical position of the inset screen.

T urn while pressing:

Adjusts the zoom of the video shown in the inset screen.

5. Press the PinP & KEY 1 [PGM] button to turn on PinP compositing (lit).The inset screen is displayed on the final output.

6. To turn off PinP compositing, press the PinP & KEY 1 [PGM] button once again.
MEMO The output video layers are structured as shown in the illustration below.

Long-pressing the [PVW] or [PGM] button for each layer shows only the layer that is targeted for the operation while the button is pressed (this is the spot function).

• Set the fade-in/out time for the inset screen from the [MENU] button Ó “TRANSITION TIME” Ó “PinP & KEY 1–4 TIME.”
• You can make detailed settings for size, shape, border width and more for the inset screens from the PinP & KEY menu.
  When you change the “PinP & KEY TYPE,” you can also change the PinP and luminance/chroma key at the same time. Ø “Reference Manual” (PDF)

Compositing Video with Downstream Keyer (DSK)

You can further composite titles, subtitles/captions and other video on video composited using split (p. 8) or PinP (p. 9). There are two DSK series on the V-160HD. DSK layers are shown in front of other layers (Ø memo on p. 9).

DSK Types

For DSK composition, you can use a luminance key, a chroma key or an alpha channel key.

Luminance key (factory settings)
You can cut out a logo or image by turning its black or white portion transparent, and then superimpose it on the background video.

Chroma key
You can cut out a video by turning its blue or green portion transparent, and then superimpose it on the background video. You can select a color from the video material to set as the key color.

Alpha channel key
Use alpha channels (areas which contain transparency data) to cut out images and place them against different background video as a composite.

Using Luminance Key

Here we explain how to use “DSK 1” for compositing images, based on the factory default settings (luminance key (black)/self key).
The operation is the same when using “DSK 2.”

1. Press the DSK 1 [SOURCE] button to turn it on (the button lights up).

2. Press a DSK SOURCE [1]–[10] button to select the DSK video source.* When selecting a video not assigned to INPUT 1–10, set this from the [MENU] button Ó “DSK” Ó “DSK 1” Ó “DSK SOURCE.”

3. Press the DSK 1 [PVW] button to turn on the preview output (lit).A preview of the composition results is displayed in the PVW section of the multi-view.
   At this stage, the final output has not yet been changed.

4. Use the DSK 1 [LEVEL] and [GAIN] knob to adjust the degree of effect applied.

key.
[ GAIN]| Adjusts the degree of edge blur (semi-transmissive region) for the key.

5. Press the DSK 1 [PGM] button to turn on DSK compositing (lit).The composition results is sent to final output.
6. To turn off DSK compositing, press the DSK 1 [PGM] button once again.

MEMO

• Set the fade-in/out time for the DSK video to superimpose from the [MENU] button Ó “TRANSITION TIME” Ó “DSK 1 TIME” or “DSK 2 TIME.”
• An external key can also be used for DSK compositing. Ø “Reference Manual” (PDF)

About Rack Mounting

Attaching the included rack-mount angles lets you install the V-160HD in a 19-inch rack.

Attaching the Rack-Mount Angles

1. Turn off the power to the V-160HD and disconnect the power cord and all connection cables.
2. Use the included mounting screws (three per side) to attach the rack-mount angles.

Both of the rack-mount angles have the same shape; there is no difference between left and right.
NOTE
When uninstalling the rack-mount angles Before uninstalling the rack-mount angles, turn off the power to the V-160HD and disconnect the power cord and all connector cables.

Important Notes on Rack Mounting

• Before mounting, turn off the power to the V-160HD and detach the power cord and all connection cables.
• When mounting the unit, take care not to pinch your fingers etc.
• To prevent incorrect operation or malfunction, take care not to subject areas protruding beyond the rack to accidental impact.
• To ensure room for connectors and cables, leave 2U of clearance above the unit.
• Use all threaded holes (at 2 locations on each side, for a total  of 4) to secure the unit to the rack using screws. Screws for rack mounting are not included.
• Never transport the rack with the unit installed in it. The impact of shaking or vibration might deform the rack-mount angles.
• When mounting the V-160HD in a rack, pay attention to the following points to ensure efficient cooling.
  • Install in a well-ventilated location.
  • Avoid blocking the cooling-fan intake and exhaust ports on the side panels of the V-160HD.
  • Avoid mounting the unit in a sealed-type rack. Warm air within the rack cannot escape, making efficient cooling impossible.
  • If the back of the rack cannot be opened, install an exhaust port or ventilation fan at the top back surface of the rack where warm air collects.
• Also read the “Placement” (p. 12 and the leaflet “USING THE UNIT SAFELY”) under “IMPORTANT NOTES.”

USING THE UNIT SAFELY

WARNING AND CAUTION

• Use only the supplied power cord Use only the attached power cord. Also, the supplied power cord must not be used with any other device.
• Keep small items out of the reach of children To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children. ¹¹ Included Parts: Screws (p. 11)
• Handle the ground terminal carefully If you remove the screw from the ground terminal, be sure to replace it; don’t leave it lying around where it could accidentally be swallowed by small children. When refastening the screw, make that it is firmly fastened, so it won’t come loose.
• Precautions concerning use of phantom power supply Always turn the phantom power off when connecting any device other than condenser microphones that require phantom power. You risk causing damage if you mistakenly supply phantom power to dynamic microphones, audio playback devices, or other devices that don’t require such power. Be sure to check the specifications of any microphone you intend to use by referring to the manual that came with it.

IMPORTANT NOTES

Power Supply

• Place the AC adaptor so the side with the indicator faces upwards. The indicator will light when you plug the AC adaptor into an AC outlet.
  Placement

• Depending on the material and temperature of the surface on which you place the unit, its rubber feet may discolor or mar the surface.
  Repairs and Data

• Before sending the unit away for repairs, be sure to make a backup of the data stored within it; or you may prefer to write down the needed information. Although we will do our utmost to preserve the data stored in your unit when we carry out repairs, in some cases, such as when the memory section is physically damaged, restoration of the stored content may be impossible. Roland assumes no liability concerning the restoration of any stored content that has been lost.
  Additional Precautions

• Any data stored within the unit can be lost as the result of equipment failure, incorrect operation, etc. To protect yourself against the irretrievable loss of data, try to make a habit of creating regular backups of the data you’ve stored in the unit.

• Roland assumes no liability concerning the restoration of any stored content that has been lost.

• Never strike or apply strong pressure to the display.

• When disposing of the packing carton or cushioning material in which this unit was packed, you must observe the waste disposal regulations that apply to your locality.

• This unit allows you to switch images at high speed. For some people, viewing such images can cause headache, nausea, or other discomfort. Do not use this unit to create video that might cause these types of health problems. Roland Corporation will accept no responsibility for any such health problems that may occur in yourself or in viewers.

• Do not use connection cables that contain a built-in resistor.

• When making connections to the LAN CONTROL port, use shielded LAN cables.

• This document explains the specifications of the product at the time that the document was issued. For the latest information, refer to the Roland website.
  Using External Memories

• Please observe the following precautions when handling external memory devices. Also, make sure to carefully observe all the precautions that were supplied with the external memory device.

  • Do not remove the device while reading/ writing is in progress.
  • To prevent damage from static electricity, discharge all static electricity from your person before handling the device.
    Caution Regarding Radio Frequency Emissions

• The following actions may subject you to penalty of law.

  • Disassembling or modifying this device.
  • Removing the certification label affixed to the back of this device.
  • Using this device in a country other than where it was purchased
    Intellectual Property Right

• It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform or broadcast it without the permission of the copyright owner.

• Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.

• This product can be used to record or duplicate audio or visual material without being limited by certain technological copy-protection measures. This is due to the fact that this product is intended to be used for the purpose of producing original music or video material, and is therefore designed so that material that does not infringe copyrights belonging to others (for example, your own original works) can be recorded or duplicated freely.

• This product contains eParts integrated software platform of eSOL Co.,Ltd. eParts is a trademark of eSOL Co., Ltd. in Japan.

• The Bluetooth® word mark and logos are registered trademarks owned by Bluetooth SIG, Inc. and any use of such marks by Roland is under license.

• Roland is an either registered trademark or trademark of Roland Corporation in the United States and/or other countries.

• Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.

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