novation CIRCUIT TRACKS User Guide

June 7, 2024
Novation

novation CIRCUIT TRACKS

Circuit Tracks MIDI Parameters

Synths 1 & 2
Send messages on MIDI Channel 1 for Synth 1 and Channel 2 for Synth.

Section| Parameter| CC / NRPN| Control No.| I Range| Default Value| Notes
---|---|---|---|---|---|---
Voice
| Polyphony Mode| CC| 3| 0— 2| 2| 0=Mono, 1=Mono AG, 2=Poly
| Portamento Rate| CC| 5| 0 — 127| 0|
| Pre-Glide| CC| 9| 52 — 76 (-12 — 12)| 64 (0)|
| Keyboard Octave| CC| 13| 58 — 69 (-6 — 5)| 64 (0)| 60=-4 Octaves, 64=0 Octaves, 68=+4 Octaves
Oscillator
| OSC 1 wave| CC| 19| 0 — 29| 2| See Osc Waveform Table
| OSC 1 wave interpolate| CC| 20| 0 — 127| 0|
| OSC 1 pulse width index| CC| 21| 0 — 127 (-64 — 63)| 127 (63)|
| OSC 1 virtual sync depth| CC| 22| 0 — 127| 0|
| OSC 1 density| CC| 24| 0 — 127| 0|
| OSC 1 density detune| CC| 25| 0 — 127| 0|
| OSC 1 semitones| CC| 26| 0 — 127 (-64 — 63)| 64 (0)|
| OSC 1 cents| CC| 27| 0 — 127 (-64 — 63)| 64 (0)|
| OSC 1 pitch bend| CC| 28| 52 — 76 (-12 — 12)| 76 (12)|
| OSC 2 wave| CC| 29| 0 — 29| 2| See Osc Waveform Table
| OSC 2 wave interpolate| CC| 30| 0 — 127| 0|
| OSC 2 pulse width index| CC| 31| 0 — 127 (-64 — 63)| 127 (63)|
| OSC 2 virtual sync depth| CC| 33| 0 — 127| 0|
| OSC 2 density| CC| 35| 0 — 127| 0|
| OSC 2 density detune| CC| 36| 0 — 127| 0|
| OSC 2 semitones| CC| 37| 0 — 127 (-64 — 63)| 64 (0)|
| OSC 2 cents| CC| 39| 0 — 127 (-64 — 63)| 64 (0)|
| OSC 2 pitch bend| CC| 40| 52 — 76 (-12 — 12)| 76 (12)|
Mixer

| OSC 1 level| CC| 51| 0 — 127| 127|
| OSC 2 level| CC| 52| 0 — 127| 0|
| ring mod level| CC| 54| 0 — 127| 0|
| noise level| CC| 56| 0 — 127| 0|
| pre FX level| CC| 58| 52 — 82 (-12 — 18)| 64 (0)| -12 to +18 dB
| post FX level| CC| 59| 52 — 82 (-12 — 18)| 64 (0)| -12 to +18 dB
Filter
| routing| CC| 60| 0 — 2| 0| 0=Normal
1=Osc 1 bypasses the filter 2=Osc 1 + Osc 2 bypasses the
| drive| CC| 63| 0 — 127| 0| filter
| drive type| CC| 65| 0 — 6| 0| See Filter Table
| type| CC| 68| 0 — 5| 1|
| frequency| CC| 74| 0 — 127| 127|
| tracking| CC| 69| 0 — 127| 127|
| resonance| CC| 71| 0— 127| 0|
| Q normalize| CC| 78| 0— 127| 64|
| env 2 to the frequency| CC| 79| 0 — 127 (-64 — 63)| 64 (0)|
Envelope| | | | | |
---|---|---|---|---|---|---
| env 1 velocity| CC| 108| 0 — 127 (-64 — 63)| 64 (0)|
| env 1 attack| CC| 73| 0 — 127| 2|
| env 1 decay| CC| 75| 0 — 127| 90|
| env I sustain| CC| 70| 0 — 127| 127|
| env I release| CC| 72| 0 — 127| 40|
| env 2 velocity| NRPN| 0:00| 0 — 127 (-64 — 63)| 64 (0)|
| env 2 attack| NRPN| 0:01| 0 — 127| 2|
| env 2 decay| NRPN| 0:02| 0 — 127| 75|
| env 2 sustain| NRPN| 0:03| 0 — 127| 35|
| env 2 release| NRPN| 0:04| 0 — 127| 45|
| env 3 delay| NRPN| 0:14| 0 — 127| 0|
| env 3 attack| NRPN| 0:15| 0 — 127| 10|
| env 3 decay| NRPN| 0:16| 0 — 127| 70|
| env 3 sustain| NRPN| 0:17| 0 — 127| 64|
| env 3 release| NRPN| 0:18| 0 — 127| 40|
LFO
| Ifo 1 waveform| NRPN| 0:70| 0 — 37| 0| See LFO waveform table
| Ifo 1 phase offset| NRPN| 0:71| 0 — 119| 0| (0° – 357°) in steps of 3°
| Ifo 1 slew rate| NRPN| 0:72| 0 — 127| 0|
| Ifo 1 delay| NRPN| 0:74| 0 — 127| 0|
| Ifo 1 delay sync| NRPN| 0:75| 0 — 35| 0|
| Ifo 1 rate| NRPN| 0:76| 0— 127| 68|
| Ifo 1 rate sync| NRPN| 0:77| 0-35| 0|
| Ifo 1 one shot| NRPN| 0:122| 12 — 13| 12 (OFF)| 12=OFF, 13=ON
| Ifo 1 key sync| NRPN| 0:122| 14 — 15| 14 (OFF)| 14=OFF, 15=ON
| Lfo 1 common sync| NRPN| 0:122| 16- 17| 16 (OFF)| 16=OFF, 17=ON
---|---|---|---|---|---|---
| Lfo 1 delay trigger| NRPN| 0:122| 18 – 19| 18 (OFF)| 18=OFF, 19=ON
| Lfo 1 fade mode| NRPN| 0:123| 0- 3| 0| 0=Fade In, 1=Fade Out, 2=Gate In, 3=Gate Out
| Lfo 2 waveform| NRPN| 0:79| 0 – 37| 0| See LFO Waveform Table
| Lfo 2 phase offset| NRPN| 0:80| 0 – 119| 0| (0° – 357°) in steps of 3°
| Lfo 2 slew rate| NRPN| 0:81| 0 – 127| 0|
| Lfo 2 delay| NRPN| 0:83| 0 – 127| 0|
| Lfo 2 delay sync| NRPN| 0:84| 0 – 35| 0|
| Lfo 2 rate| NRPN| 0:85| 0- 127| 68|
| Lfo 2 rate sync| NRPN| 0:86| 0- 35| 0|
| Ifo 2 one shot| NRPN| 0:122| 22- 23| 22 (OFF)| 22=OFF, 23=ON
| Ifo 2 key sync| NRPN| 0:122| 24- 25| 24 (OFF)| 24=OFF, 25=ON
| Ifo 2 common sync| NRPN| 0:122| 26- 27| 26 (OFF)| 26=OFF, 27=ON
| Ifo 2 delay trigger| NRPN| 0:122| 28- 29| 28 (OFF)| 28=OFF, 29=ON
| Ifo 2 fade mode| NRPN| 0:123| 4- 7| 4| 4=Fade In, 5=Fade Out, 6=Gate In, 7=Gate Out
Effects and EQ
| distortion level| CC| 91| 0- 127| 0|
| chorus level| CC| 93| 0-127| 0|
| EQ bass frequency| NRPN| 0:104| 0- 127| 64|
| EQ bass level| NRPN| 0:105| 0- 127 (-64 – 63)| 64 (0)|
| EQ mid-frequency| NRPN| 0:106| 0- 127| 64|
| EQ mid level| NRPN| 0:107| 0- 127 (-64 – 63)| 64 (0)|
| EQ treble frequency| NRPN| 0:108| 0- 127| 125|
| EQ treble level| NRPN| 0:109| 0- 127 (-64 – 63)| 64 (0)|
| distortion type| NRPN| 1:00| 0- 6| 0| See Distortion Table
| distortion compensation| NRPN| 1:01| 0- 127| 100|
| chorus type| NRPN| 1:24| 0- 1| 1| 0=Phaser, 1=Chorus
| chorus rate| NRPN| 1:25| 0- 127| 84 (20)|
| chorus rate sync| NRPN| 1:26| 0- 35| 0|
| chorus feedback| NRPN| 1:27| 0- 127 (-64 – 63)| 74 (10)|
| chorus mod depth| NRPN| 1:28| 0- 127| 64|
| chorus delay| NRPN| 1:29| 0- 127| 64|
Mai Matrix| |
---|---|---
| Mod matrix 1 source 1| NRPN| 1:83| 0 -12| | 0| | See Mod Matrix Table
| Mod matrix 1 source 2| NRPN| 1:84| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 1 depth| NRPN| 1:86| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 1 destination| NRPN| 1:87| 0 -17| | 0| | See Mod Matrix Table
| mod matrix 2 sources 1| NRPN| 1:88| 0- 12| | 0| | See Mod Matrix Table
| mod matrix 2 sources 2| NRPN| 1:89| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 2 depth| NRPN| 1:91| 0 -127| (-64 -63)| 64| 0|
| mod matrix 2 destination| NRPN| 1:92| 0 -17| | 0| | See Mod Matrix Table
| mod matrix 3 sources 1| NRPN| 1:93| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 3 sources 2| NRPN| 1:94| 0 -12| | 0| | See Mod Matrix Table
---|---|---|---|---|---|---|---|---
| mod matrix 3 depth| NRPN| 1:96| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 3 destination| NRPN| 1:97| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 4 sources 1| NRPN| 1:98| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 4 sources 2| NRPN| 1:99| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 4 depth| NRPN| 1:101| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 4 destination| NRPN| 1:102| 0-17| | 0| | See Mod Matrix Table
| mod matrix 5 sources 1| NRPN| 1:103| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 5 sources 2| NRPN| 1:104| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 5 depth| NRPN| 1:106| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 5 destination| NRPN| 1:107| 0-17| | 0| | See Mod Matrix Table
| mod matrix 6 sources 1| NRPN| 1:108| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 6 sources 2| NHPN| 1:109| 0- 12| | 0| | See Mod Matrix fable
| mod matrix 6 depth| NRPN| 1:111| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 6 destination| NRPN| 1:112| 0-17| | 0| | See Mod Matrix Table
| mod matrix 7 sources 1| NRPN| 1:113| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 7 sources 2| NRPN| 1:114| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 7 depth| NRPN| 1:116| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 7 destination| NRPN| 1:117| 0 -17| | 0| | See Mod Matrix Table
| mod matrix 8 sources 1| NRPN| 1:118| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 8 sources 2| NRPN| 1:119| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 8 depth| NRPN| 1:121| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 8 destination| NRPN| 1:122| 0- 17| | 0| | See Mod Matrix Table
| mod matrix 9 sources 1| NRPN| 1:123| 0- 12| | 0| | See Mod Matrix Table
| mod matrix 9 sources 2| NRPN| 1:124| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 9 depth| NRPN| 1:126| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 9 destination| NRPN| 1:127| 0- 17| | 0| | See Mod Matrix Table
| mod matrix 10 sources 1| NRPN| 2:00| 0- 12| | 0| | See Mod Matrix Table
| mod matrix 10 sources 2| NRPN| 2:01| 0- 12| | 0| | See Mod Matrix Table
| mod matrix 10 depth| NRPN| 2:03| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 10 destination| NRPN| 2:04| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 11 sources 1| NRPN| 2:05| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 11 sources 2| NRPN| 2:06| 0 -12| | 0| | See Mod Matrix Table
| mod matrix 11 depth| NRPN| 2:08| 0 -127| (-64 – 63)| 64| 0|
| mod matrix 3 sources 2| NRPN| 1:94| 0 – 12| | 0| | See Mod Matrix Table
---|---|---|---|---|---|---|---|---
| mod matrix 3 depth| NRPN| 1:96| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 3 destination| NRPN| 1:97| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 4 sources 1| NRPN| 1:98| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 4 sources 2| NRPN| 1:99| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 4 depth| NRPN| 1:101| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 4 destination| NRPN| 1:102| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 5 sources 1| NRPN| 1:103| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 5 sources 2| NRPN| 1:104| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 5 depth| NRPN| 1:106| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 5 destination| NRPN| 1:107| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 6 sources 1| NRPN| 1:108| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 6 sources 2| NRPN| 1:109| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 6 depth| NRPN| 1:111| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 6 destination| NRPN| 1:112| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 7 sources 1| NRPN| 1:113| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 7 sources 2| NRPN| 1:114| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 7 depth| NRPN| 1:116| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 7 destination| NRPN| 1:117| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 8 sources 1| NRPN| 1:118| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 8 sources 2| NRPN| 1:119| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 8 depth| NRPN| 1:121| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 8 destination| NRPN| 1:122| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 9 sources 1| NRPN| 1:123| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 9 sources 2| NRPN| 1:124| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 9 depth| NRPN| 1:126| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 9 destination| NRPN| 1:127| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 10 sources 1| NRPN| 2:00| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 10 sources 2| NRPN| 2:01| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 10 depth| NRPN| 2:03| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 10 destination| NRPN| 2:04| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 11 sources 1| NRPN| 2:05| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 11 sources 2| NRPN| 2:06| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 11 depth| NRPN| 2:08| 0 – 127| (-64 – 63)| 64| 0|
| Lfo 1 common sync| NRPN| 0:122| 16 – 17| 16 (OFF)| 16=OFF, 17=ON
---|---|---|---|---|---|---
| Lfo 1 delay trigger| NRPN| 0:122| 18 – 19| 18 (OFF)| 18=OFF, 19=ON
| Lfo 1 fade mode| NRPN| 0:123| 0 – 3| 0| 0=Fade In, 1=Fade Out, 2=Gate In, 3=Gate Out
| Lfo 2 waveform| NRPN| 0:79| 0 – 37| 0| See LFO Waveform Table
| Lfo 2 phase offset| NRPN| 0:80| 0 – 119| 0| (0° – 357°) in steps of 3°
| Lfo 2 slew rate| NRPN| 0:81| 0 – 127| 0|
| Lfo 2 delay| NRPN| 0:83| 0 – 127| 0|
| Lfo 2 delay sync| NRPN| 0:84| 0 – 35| 0|
| Lfo 2 rate| NRPN| 0:85| 0- 127| 68|
| Lfo 2 rate sync| NRPN| 0:86| 0- 35| 0|
| Ifo 2 one shot| NRPN| 0:122| 22- 23| 22 (OFF)| 22=OFF, 23=ON
| Ifo 2 key sync| NRPN| 0:122| 24- 25| 24 (OFF)| 24=OFF, 25=ON
| Ifo 2 common sync| NRPN| 0:122| 26-27| 26 (OFF)| 26=OFF, 27=ON
| Ifo 2 delay trigger| NRPN| 0:122| 28- 29| 28 (OFF)| 28=OFF, 29=ON
| Ifo 2 fade mode| NRPN| 0:123| 4- 7| 4| 4=Fade In, 5=Fade Out, 6=Gate In, 7=Gate Out
Effects and EQ
| distortion level| CC| 91| 0- 127| 0|
| chorus level| CC| 93| 0-127| 0|
| EQ bass frequency| NRPN| 0:104| 0- 127| 64|
| EQ bass level| NRPN| 0:105| 0- 127 (-64 – 63)| 64 (0)|
| EQ mid-frequency| NRPN| 0:106| 0- 127| 64|
| EQ mid level| NRPN| 0:107| 0- 127 (-64 – 63)| 64 (0)|
| EQ treble frequency| NRPN| 0:108| 0- 127| 125|
| EQ treble level| NRPN| 0:109| 0- 127 (-64 – 63)| 64 (0)|
| distortion type| NRPN| 1:00| 0- 6| 0| See Distortion Table
| distortion compensation| NRPN| 1:01| 0- 127| 100|
| chorus type| NRPN| 1:24| 0- 1| 1| 0=Phaser, 1=Chorus
| chorus rate| NRPN| 1:25| 0- 127| 84 (20)|
| chorus rate sync| NRPN| 1:26| 0- 35| 0|
| chorus feedback| NRPN| 1:27| 0- 127 (-64 – 63)| 74 (10)|
| chorus mod depth| NRPN| 1:28| 0- 127| 64|
| chorus delay| NRPN| 1:29| 0- 127| 64|
Mod Matrix| |
---|---|---
| Mod matrix 1 source 1| NRPN| 1:83| 0- 12| | 0| | See Mod Matrix Table
| Mod matrix 1 source 2| NRPN| 1:84| 0- 12| | 0| | See Mod Matrix Table
| mod matrix 1 depth| NRPN| 1:86| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 1 destination| NRPN| 1:87| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 2 sources 1| NRPN| 1:88| 0- 12| | 0| | See Mod Matrix Table
| mod matrix 2 sources 2| NRPN| 1:89| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 2 depth| NRPN| 1:91| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 2 destination| NRPN| 1:92| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 3 sources 1| NRPN| 1:93| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 3 sources 2| NRPN| 1:94| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 3 depth| NRPN| 1:96| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 3 destination| NRPN| 1:97| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 4 sources 1| NRPN| 1:98| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 4 sources 2| NRPN| 1:99| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 4 depth| NRPN| 1:101| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 4 destination| NRPN| 1:102| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 5 sources 1| NRPN| 1:103| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 5 sources 2| NRPN| 1:104| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 5 depth| NRPN| 1:106| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 5 destination| NRPN| 1:107| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 6 sources 1| NRPN| 1:108| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 6 sources 2| NRPN| 1:109| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 6 depth| NRPN| 1:111| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 6 destination| NRPN| 1:112| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 7 sources 1| NRPN| 1:113| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 7 sources 2| NRPN| 1:114| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 7 depth| NRPN| 1:116| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 7 destination| NRPN| 1:117| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 8 sources 1| NRPN| 1:118| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 8 sources 2| NRPN| 1:119| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 8 depth| NRPN| 1:121| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 8 destination| NRPN| 1:122| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 9 sources 1| NRPN| 1:123| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 9 sources 2| NRPN| 1:124| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 9 depth| NRPN| 1:126| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 9 destination| NRPN| 1:127| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 10 sources 1| NRPN| 2:00| 0 – 12| | 0| | See Mod Matrix Table
---|---|---|---|---|---|---|---|---
| mod matrix 10 sources 2| NRPN| 2:01| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 10 depth| NRPN| 2:03| 0 – 127| (-64 – 63)| 64| 0|
| mod matrix 10 destination| NRPN| 2:04| 0 – 17| | 0| | See Mod Matrix Table
| mod matrix 11 sources 1| NRPN| 2:05| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 11 sources 2| NRPN| 2:06| 0 – 12| | 0| | See Mod Matrix Table
| mod matrix 11 depth| NRPN| 2:08| 0 – 127| (-64 – 63)| 64| 0|

Macro Knobs

Section| I Parameter| I CC/NRPN| I Control No.| I Range| I Default Value| I Notes
---|---|---|---|---|---|---
Macro Knobs
| macro knob 1 position| CC| 80| 0 – 127| 0|
| macro knob 1 destination A| NRPN| 3:00| 0 – 70| 0|
| macro knob 1 start position A| NRPN| 3:01| 0 – 127| 0|
| macro knob 1 end position A| NRPN| 3:02| 0 – 127| 127|
| macro knob 1 depth A| NRPN| 3:03| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 1 destination B| NRPN| 3:04| 0 – 70| 0|
| macro knob 1 start position B| NRPN| 3:05| 0 – 127| 0|
| macro knob 1 end position B| NRPN| 3:06| 0 – 127| 127|
| macro knob 1 depth B| NRPN| 3:07| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 1 destination C| NRPN| 3:08| 0 – 70| 0|
| macro knob 1 start position C| NRPN| 3:09| 0 – 127| 0|
| macro knob 1 end position C| NRPN| 3:10| 0 – 127| 127|
| macro knob 1 depth C| NRPN| 3:11| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 1 destination D| NRPN| 3:12| 0 – 70| 0|
| macro knob 1 start position D| NRPN| 3:13| 0 – 127| 0|
| macro knob 1 end position D| NRPN| 3:14| 0 – 127| 127|
| macro knob 1 depth D| NRPN| 3:15| 0 – 127 (-64 – 63)| 64 (0)|
---|---|---|---|---|---|---
| macro knob 2 position| CC| 81| 0 – 127| 0|
| macro knob 2 destination A| NRPN| 3:16| 0 – 70| 0|
| macro knob 2 start position A| NRPN| 3:17| 0 – 127| 0|
| macro knob 2 end position A| NRPN| 3:18| 0 – 127| 127|
| macro knob 2 depth A| NRPN| 3:19| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 2 destination B| NRPN| 3:20| 0 – 70| 0|
| macro knob 2 start position B| NRPN| 3:21| 0 – 127| 0|
| macro knob 2 end position B| NRPN| 3:22| 0 – 127| 127|
| macro knob 2 depth B| NRPN| 3:23| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 2 destination C| NRPN| 3:24| 0 – 70| 0|
| macro knob 2 start position C| NRPN| 3:25| 0 – 127| 0|
| macro knob 2 end position C| NRPN| 3:26| 0 – 127| 127|
| macro knob 2 depth C| NRPN| 3:27| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 2 destination D| NRPN| 3:28| 0 – 70| 0|
| macro knob 2 start position D| NRPN| 3:29| 0 – 127| 0|
| macro knob 2 end position D| NRPN| 3:30| 0 – 127| 127|
| macro knob 2 depth D| NRPN| 3:31| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 3 position| CC| 82| 0 – 127| 0|
| macro knob 3 destination A| NRPN| 3:32| 0 – 70| 0|
| macro knob 3 start position A| NRPN| 3:33| 0 – 127| 0|
| macro knob 3 end position A| NRPN| 3:34| 0 – 127| 127|
| macro knob 3 depth A| NRPN| 3:35| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 3 destination B| NRPN| 3:36| 0 – 70| 0|
| macro knob 3 start position B| NRPN| 3:37| 0 – 127| 0|
---|---|---|---|---|---|---
| macro knob 3 end position B| NRPN| 3:38| 0 – 127| 127|
| macro knob 3 depth B| NRPN| 3:39| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 3 destination C| NRPN| 3:40| 0 – 70| 0|
| macro knob 3 start position C| NRPN| 3:41| 0 – 127| 0|
| macro knob 3 end position C| NRPN| 3:42| 0 – 127| 127|
| macro knob 3 depth C| NRPN| 3:43| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 3 destination D| NRPN| 3:44| 0 – 70| 0|
| macro knob 3 start position D| NRPN| 3:45| 0 – 127| 0|
| macro knob 3 end position D| NRPN| 3:46| 0 – 127| 127|
| macro knob 3 depth D| NRPN| 3:47| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 4 position| CC| 83| 0 – 127| 0|
| macro knob 4 destination A| NRPN| 3:48| 0 – 70| 0|
| macro knob 4 start position A| NRPN| 3:49| 0 – 127| 0|
| macro knob 4 end position A| NRPN| 3:50| 0 – 127| 127|
| macro knob 4 depth A| NRPN| 3:51| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 4 destination B| NRPN| 3:52| 0 – 70| 0|
| macro knob 4 start position B| NRPN| 3:53| 0 – 127| 0|
| macro knob 4 end position B| NRPN| 3:54| 0 – 127| 127|
| macro knob 4 depth B| NRPN| 3:55| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 4 destination C| NRPN| 3:56| 0 – 70| 0|
| macro knob 4 start position C| NRPN| 3:57| 0 – 127| 0|
| macro knob 4 end position C| NRPN| 3:58| 0 – 127| 127|
| macro knob 4 depth C| NRPN| 3:59| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 4 destination D| NRPN| 4:00| 0 – 70| 0|
| macro knob 4 start position D| NRPN| 3:61| 0 – 127| 0|
| macro knob 4 end position D| NRPN| 3:62| 0 – 127| 127|
---|---|---|---|---|---|---
| macro knob 4 depth D| NRPN| 3:63| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 5 position| CC| 84| 0 – 127| 0|
| macro knob 5 destination A| NRPN| 3:64| 0 – 70| 0|
| macro knob 5 start position A| NRPN| 3:65| 0 – 127| 0|
| macro knob 5 end position A| NRPN| 3:66| 0 – 127| 127|
| macro knob 5 depth A| NRPN| 3:67| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 5 destination B| NRPN| 3:68| 0 – 70| 0|
| macro knob 5 start position B| NRPN| 3:69| 0 – 127| 0|
| macro knob 5 end position B| NRPN| 3:70| 0 – 127| 127|
| macro knob 5 depth B| NRPN| 3:71| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 5 destination C| NRPN| 3:72| 0 – 70| 0|
| macro knob 5 start position C| NRPN| 3:73| 0 – 127| 0|
| macro knob 5 end position C| NRPN| 3:74| 0 – 127| 127|
| macro knob 5 depth C| NRPN| 3:75| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 5 destination D| NRPN| 3:76| 0 – 70| 0|
| macro knob 5 start position D| NRPN| 3:77| 0 – 127| 0|
| macro knob 5 end position D| NRPN| 3:78| 0 – 127| 127|
| macro knob 5 depth D| NRPN| 3:79| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 6 position| CC| 85| 0 – 127| 0|
| macro knob 6 destination A| NRPN| 3:80| 0 – 70| 0|
| macro knob 6 start position A| NRPN| 3:81| 0 – 127| 0|
| macro knob 6 end position A| NRPN| 3:82| 0 – 127| 127|
| macro knob 6 depth A| NRPN| 3:83| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 6 destination B| NRPN| 3:84| 0 – 70| 0|
---|---|---|---|---|---|---
| macro knob 6 start position B| NRPN| 3:85| 0 – 127| 0|
| macro knob 6 end position B| NRPN| 3:86| 0 – 127| 127|
| macro knob 6 depth B| NRPN| 3:87| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 6 destination C| NRPN| 3:88| 0 – 70| 0|
| macro knob 6 start position C| NRPN| 3:89| 0 – 127| 0|
| macro knob 6 end position C| NRPN| 3:90| 0 – 127| 127|
| macro knob 6 depth C| NRPN| 3:91| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 6 destination D| NRPN| 3:92| 0 – 70| 0|
| macro knob 6 start position D| NRPN| 3:93| 0 – 127| 0|
| macro knob 6 end position D| NRPN| 3:94| 0 – 127| 127|
| macro knob 6 depth D| NRPN| 3:95| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 7 position| CC| 86| 0 – 127| 0|
| macro knob 7 destination A| NRPN| 3:96| 0 – 70| 0|
| macro knob 7 start position A| NRPN| 3:97| 0 – 127| 0|
| macro knob 7 end position A| NRPN| 3:98| 0 – 127| 127|
| macro knob 7 depth A| NRPN| 3:99| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 7 destination B| NRPN| 3:100| 0 – 70| 0|
| macro knob 7 start position B| NRPN| 3:101| 0 – 127| 0|
| macro knob 7 end position B| NRPN| 3:102| 0 – 127| 127|
| macro knob 7 depth B| NRPN| 3:103| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 7 destination C| NRPN| 3:104| 0 – 70| 0|
| macro knob 7 start position C| NRPN| 3:105| 0 – 127| 0|
| macro knob 7 end position C| NRPN| 3:106| 0 – 127| 127|
| macro knob 7 depth C| NRPN| 3:107| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 7 destination D| NRPN| 3:108| 0 – 70| 0|
---|---|---|---|---|---|---
| macro knob 7 start position D| NRPN| 3:109| 0 – 127| 0|
| | | | | |
| macro knob 7 end position D| NRPN| 3:110| 0 – 127| 127|
| macro knob 7 depth D| NRPN| 3:111| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 8 position| CC| 87| 0 – 127| 0|
| macro knob 8 destination A| NRPN| 3:112| 0 – 70| 0|
| macro knob 8 start position A| NRPN| 3:113| 0 – 127| 0|
| macro knob 8 end position A| NRPN| 3:114| 0 – 127| 127|
| macro knob 8 depth A| NRPN| 3:115| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 8 destination B| NRPN| 3:116| 0 – 70| 0|
| macro knob 8 start position B| NRPN| 3:117| 0 – 127| 0|
| macro knob 8 end position B| NRPN| 3:118| 0 – 127| 127|
| macro knob 8 depth B| NRPN| 3:119| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 8 destination C| NRPN| 3:120| 0 – 70| 0|
| macro knob 8 start position C| NRPN| 3:121| 0 – 127| 0|
| macro knob 8 end position C| NRPN| 3:122| 0 – 127| 127|
| macro knob 8 depth C| NRPN| 3:123| 0 – 127 (-64 – 63)| 64 (0)|
| macro knob 8 destination D| NRPN| 3:124| 0 – 70| 0|
| macro knob 8 start position D| NRPN| 3:125| 0 – 127| 0|
| macro knob 8 end position D| NRPN| 3:126| 0 – 127| 127|
| | NRPN| 3:127| 0 – 127 (–64 – 63)| 64 (0)|

Filter Table

| Value| Type
---|---|---
Drive Type
| 0| diode
| 1| valve
| 2| clipper
| 3| cross-over
| 4| rectifier
| 5| bit reducer
| 6| rate reducer
Type
| 0| low pass 12dB
| 1| low pass 24dB
| 2| band pass 6A6 dB
| 3| band pass 12/\12 dB
| 4| high pass 12dB
| 5| high pass 24dB

Distortion Table

Value Type
0 diode
1 valve
2 clipper
3 cross-over
4 rectify
5 bit reducer
6 rate reducer

Mod Matrix Table

Value I Type

Source
0| direct
1| modulation wheel
2| aftertouch
3| expression
4| velocity
5| keyboard
6| LFO 1 +
7| LFO 1 +/-
8| LFO 2 +
9| LFO 2 +/-
10| env amp
11| env filter
12| env 3
Destination
0| osc 1 & 2 pitch
1| osc 1 pitch
2| osc 2 pitch
3| osc 1 v-sync
4| osc 2 v-sync
5| osc 1 pulse width / index
6| osc 2 pulse width / index
7| osc 1 level
8| osc 2 level
9| noise level
10| ring modulation 1*2 level
11| filter drive amount
12| filter frequency
13| filter resonance
14| LFO 1 rate
15| LFO 2 rate
16| amp envelope decay
17| filter envelope decay

Osc Waveform Table

Value Type

Waveforms
0| sine
1| triangle
2| sawtooth
3| saw 9:1 PW
4| saw 8:2 PW
5| saw 7:3 PW
6| saw 6:4 PW
7| saw 5:5 PW
8| saw 4:6 PW
9| saw 3:7 PW
10| saw 2:8 PW
11| saw 1:9 PW
12| pulse width
13| square
Wavetables
14| sine table
15| analog pulse
16| analog sync
17| triangle-saw blend
18| digital nasty 1
19| digital nasty 2
20| digital saw-square
21| digital vocal 1
22| digital vocal 2
23| digital vocal 3
24| digital vocal 4
25| digital vocal 5
26| digital vocal 6
27| random collection 1
28| random collection 2
29| random collection 3

Audio Table

Parameter| CC/NRPN| Control
No.| Range| Default
Value
---|---|---|---|---
Audio 1 level| CC| 13| 0 – 127| 100
Audio 2 level| CC| 15| 0 – 127| 100
Audio 1 reverb level| CC| 31| 0 – 127| 0
Audio 2 reverb level| CC| 32| 0 – 127| 0
Audio 1 delay level| CC| 33| 0 – 127| 0
Audio 2 delay level| CC| 34| 0 – 127| 0
Audio 1 Pan| CC| 35| 0 – 127| 0
Audio 2 Pan| CC| 36| 0 – 127| 0

LFO Waveform Table

Value Type
1 sine
2 triangle
3 sawtooth
4 square
5 random S/H
6 time S/H
7 pianoenvelope
8 sequence 1
9 sequence 2
10 sequence 3
11 sequence 4
12 sequence 5
13 sequence 6
14 sequence 7
15 alternative 1
16 alternative 2
17 alternative 3
18 alternative 4
19 alternative 5
20 alternative 6
21 alternative 7
22 alternative 8
23 chromatic
24 chromatic 16
25 major
26 major 7
27 minor 7
28 min arp 1
29 min arp 2
30 diminished
31 dec minor
32 minor 3rd
33 pedal
34 4ths
35 4ths x12
36 1625 maj
37 1625 Min
38 2511

Patch and Session Select

MIDI Channel Parameter Value Notes
1 PGM* 0 – 63 select synth 1 patch
2 PGM 0 – 63 select synth 2 patch
16 PGM 0 – 31 select session (instant)
16 PGM 64 –95 select session (queued)

*PGM = Program Change
Note, for drum patch selection see Drum Control table

Supported Realtime Messages

Message

start
stop
continue
timing clock

Supported System Common Messages

Message

song position pointer
song select

Drum Control
Messages on MIDI Channel 10

Parameter CC / NRPN Control No. Range Default Value
drum 1 patch select CC 8 0 – 63 0
drum 1 level CC 12 0 – 127 0
drum 1 pitch CC 14 0 – 127 (-64 – 63) 64 (0)
drum 1 decay CC 15 0 – 127 0
drum 1 distortion CC 16 0 – 127 0
drum 1 EQ CC 17 0 – 127 (-64 – 63) 64 (0)
drum 1 pan CC 77 0 – 127 (-64 – 63) 64 (0)
drum 2 patch select CC 18 0 – 63 0
drum 2 level CC 23 0 – 127 0
drum 2 pitch CC 34 0 – 127 (-64 – 63) 64 (0)
drum 2 decay CC 40 0 – 127 0
drum 2 distortion CC 42 0 – 127 0
drum 2 EQ CC 43 0 – 127 (-64 – 63) 64 (0)
drum 2 pan CC 78 0 – 127 (-64 – 63) 64 (0)
drum 3 patch select CC 44 0 – 63 0
drum 3 level CC 45 0 – 127 0
drum 3 pitch CC 46 0 – 127 (-64 – 63) 64 (0)
drum 3 decay CC 47 0 – 127 0
drum 3 distortion CC 48 0 – 127 0
drum 3 EQ CC 49 0 – 127 (-64 – 63) 64 (0)
drum 3 pan CC 79 0 – 127 (-64 – 63) 64 (0)
drum 4 patch select CC 50 0 – 63 0
drum 4 level CC 53 0 – 127 0
drum 4 pitch CC 55 0 – 127 (-64 – 63) 64 (0)
drum 4 decay CC 57 0 – 127 0
drum 4 distortion CC 61 0 – 127 0
drum 4 EQ CC 76 0 – 127 (-64 – 63) 64 (0)
drum 4 pan CC 80 0 – 127 (-64 – 63) 64 (0)

Drum Notes Table

MIDI Note Drum Number
60 Drum 1
62 Drum 2
64 Drum 3
65 Drum 4

Session Control
Send messages on MIDI Channel 16.

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Synth Patch Sysex Message Formats

For best results, we recommend using Circuit Tracks’s USB connection for SysEx communication, as it is faster and more reliable. Although Circuit Tracks will receive SysEx messages via MIDI DIN, any response will be sent via USB only.

Replace Current Patch

This table describes the format of the “Replace current patch” message.

When this is received by Circuit Tracks it replaces the contents of the current sound (in RAM) for the specified Synth part.
There are states in which the device is not capable of receiving this message. For example, it may be busy processing another SysEx message. In these situations, the message will be ignored. The message may be sent without delays between the bytes. However, consecutive messages should have at least 20 ms between them to allow time for processing.

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Replace Patch

This table describes the format of the “Replace Patch” message.

When this is received by Circuit Tracks it replaces the contents of the specified patch in Flash memory.
There are states in which the device is not capable of receiving this message. For example, it may be busy processing another SysEx message. In these situations, the message will be ignored. The message may be sent without delays between the bytes. However, consecutive messages should have at least 20 ms between them to allow time for processing.

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Current Patch Dump Request

This table describes the format of the “Current Patch Dump Request” message. There are states in which the device is not capable of receiving this message. For example, it may be busy processing another SysEx message. In these situations, the message will be ignored. The message may be sent without delays between the bytes. However,  consecutive messages should have at least 20 ms between them to allow time for processing.

When this message is received on either MIDI DIN or MIDI USB, Circuit Tracks will respond by sending a Replace Current Patch message to its USB port. The location in the response will match the location in the request, and the patch data will correspond accordingly.

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Patch Dump Request

To obtain a patch from Flash memory, follow these steps:
1. First send a Program Change message with the desired patch number (0 – 63) to a synth MIDI channel.
1. Wait enough time for the patch to load from Flash memory (10 ms should be plenty)
1. Send a Current Patch Dump Request message with the Location set to the corresponding Synth part.

Consecutive sequences should have at least 20 ms between them to allow time for processing.

Format of a Synth Patch (Single) SysEx File

To create a single patch in a portable format that can be shared with others, use a SysEx file containing a single “Replace Current Patch” SysEx message with the Location set to Synth 1.

Format of a Synth Patch (Bank) Sysex File

To create an entire bank of 64 synth patches, use a SysEx file containing a concatenation of 64 separate “Replace Patch” SysEx messages. Each message should overwrite consecutive patch numbers, starting from 0 and counting up to 63.

Synth Patch Format

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TRACKS - 28

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