ART Tube MP Studio V3 Preamp User Manual
- June 3, 2024
- ART
Table of Contents
ART Tube MP Studio V3 Preamp
Read instructions
Retain these safety and operating instructions for future reference. Heed all warnings printed here and on the equipment. Follow the operating instructions printed in this user guide.
Do not open:
There are no user serviceable parts inside. Refer any service work to
qualified technical personnel only.
Power sources:
Only connect the unit to mains power of the type marked on the rear panel.
Power cord:
Use the power cord with sealed mains plug appropriate for your local mains
supply as provided with the equipment. If the provided plug does not fit into
your outlet consult your service agent. Route the power cord so that it is not
likely to be walked on, stretched or pinched by items placed upon or against.
Ventilation:
Do not position the unit where the air required for ventilation is impeded. If
the unit is to be wall mounted with a 100mm vesa mounting system, ensure that
it is constructed to allow adequate ventilation.
Moisture:
To reduce the risk of fire or electrical shock do not expose the unit to rain,
moisture or use in damp or wet conditions. Do not place a container of liquid
on it, which may spill into any openings.
Heat:
Do not locate the unit in a place close to excessive heat or direct sunlight,
as this could be a fire hazard. Locate the unit away from any equipment, which
produces heat such as: power supplies, power amplifiers and heaters.
Environment:
Protect from excessive dirt, dust, heat, and vibration when operating and
storing. Avoid tobacco ash, drink spillage and smoke, especially that
associated with smoke machines.
Handling:
To prevent damage to the cosmetics, avoid rough handling or placing the front
or rear face on an abrasive surface. Protect the controls from damage during
transit. Use adequate padding if you need to ship the unit. To avoid injury to
yourself or damage to the equipment take care when lifting, moving or carrying
the unit.
Servicing:
Switch off the equipment and unplug the power cord immediately if it is
exposed to moisture, spilled liquid, or the power cord or plug becomes
damaged, during a lightning storm or if smoke odor or noise is noted. Refer
servicing to qualified technical personnel only.
Installation:
Install the unit in accordance with the instructions printed in the user
manual.
INTRODUCTION
Thank you for purchasing the Tube MP Studio V3 and congratulations: You now own one of the most versatile preamplifiers available. Offering a superb level of sound quality, the Tube MP Studio’s hybrid solid state and tube circuit design combined with a straightforward user interface quickly and easily gives you access to all of its features. The original ART Tube MP put professional- caliber tube preamplification into the hands of thousands of musicians and recordists that wanted great tube tone in a compact and flexible package. The Tube MP Studio V3 extends the range of applications by adding V3 (Variable Valve Voicing) technology with an output protection limiter (OPL) to precisely control output peaks, and analog VU metering to aid in setting and maintaining proper signal levels. The Tube MP Studio V3 can be used in a wide variety of applications including recording, project and home studios, where its metering functionality and OPL circuitry really shines. It also functions as a direct box, with impedance matching and preamplification for instrument or line-level sources.
Features
- Built-in analog VU metering
- V3 (Variable Valve Voicing) with OPL(switch selectable)
- Up to 70dB of gain
- Hand selected 12AX7A dual triode tube
- Balanced XLR inputs and outputs
- ¼-inch High impedance Instrument input and ¼-inch line level output
- +48V Phantom power (switch selectable)
- Phase Reverse Switch
- Gain (+20dB) Switch
- Input Gain Control
- Output Level Control
- Multifunction, dual color LED Power/Clip/Limit indicator
- Universal power supply
- Fully shielded all steel chassis
- Designed and developed in the USA
INSTALLATION
The Tube MP Studio V3 may be used in a wide variety of applications and environments. Self-contained in an all-steel enclosure, the Tube MP Studio V3™ is designed for continuous professional use. Because the unit is compact and lightweight, mounting location is not critical. However, for greater reliability we recommend that you not place the Tube MP Studio V3 on top of power amps or other sources of heat. The tube circuitry needs about a minute to “warm up” from a cold power up.
AC Power Hookup
The Tube MP Studio V3 has a universal external power supply designed to
operate at 100 to 240V AC ~ 50/60 Hz. Only use the adapter that came with the
Tube MP Studio V3™. If the adapter becomes lost or damaged, contact ART
Customer Service for replacement. If you need to purchase one locally, please
refer to the label on the adapter or the specifications later in this manual
for the appropriate power specifications.
Setting up the Universal the power supply
Insert the correct clip adapter to the supply according to country of
operation. There are four different clips included. Please attach the matching
clip as per your AC power source. Insert the supplied 12V DC adapter’s plug
into the input labeled Pwr. Always make sure the output plug is securely
plugged into the rear of the TUBE MP Studio V3, and that the adapter is held
firmly in an electrical outlet. Never operate the TUBE MP Studio V3 or power
adapter in the rain or in wet locations. lf the adapter’s cord is ever cut,
discontinue use and replace the adapter with a new one. Unplug the adapter
when the TUBE MP Studio V3 is not in use.
Audio Connections
Audio connections to and from the Tube MP Studio V3 are balanced XLR (Pin 2 =
Hot (+), Pin 3 = Cold (-), Pin 1 = Ground) and unbalanced ¼-inch (Tip = Hot
(+), Sleeve = Ground). We recommend that you switch off the +48V Phantom Power
whenever changing connections to the XLR input.
Safety Precautions
Warning: To avoid the risk of shock or fire, do not expose this unit to
moisture. Refer all servicing to qualified personnel. Do not remove the metal
cover; there are no user-serviceable parts inside. Only use the power adapter
that came with this unit or one obtained from ART certified retailer.
CONTROLS & INDICATORS
Input control
The Input Control sets the amount of input gain of the Tube MP Studio V3. Turn
the control clockwise to increase gain and counterclockwise to decrease gain.
You may control two ranges of gain with this control, +26 to +60dB and +6 to
+40dB. Selection of the gain range is made with the +20dB gain switch.
+20db gain switch
Use the +20dB Gain Switch to set the gain range of the input control. When the
switch is out, the Tube MP Studio V3™ operates in Normal mode. Depressing the
switch adds 20dB of gain. This mode is indicated by the labeling in red and
corresponds directly to the input control’s red gain range labeling. For
microphone applications, where more gain is needed, push the switch in. For
hot line level inputs, set the switch in the out position.
Phantom power +48v switch
The Tube MP Studio V3 can power any microphone needing +48 volts DC Phantom
power. Phantom power is supplied to pins 2 and 3 of the XLR Input jack when
this switch is depressed. The Tube MP Studio V3 slowly applies and removes the
+48volts, to prevent damage to microphones. Be sure to turn down or mute the
output of the Tube MP Studio V3 when engaging or disengaging Phantom power.
Additionally, when disengaging, allow 30 to 45 seconds for the power to
completely discharge. Most microphones will make a sound like air leaking from
a tire when Phantom power is disconnected, but some can make some very nasty
low rumbles and whines as well. Dynamic microphones should not be affected or
damaged if they are plugged into a line where Phantom power is present.
However, if the mic doesn’t need it, do not use it. Some things are best left
untested!
Phase reverse switch
The Phase Reverse switch is provided to reverse the phase of the signal. This
switch works on Pins 2 and 3 of the XLR output jack and also reverses the
polarity of the ¼-inch output jack. In the Normal position, the signal is in-
phase. In the Reverse (or “in”) position, Pins 2 and 3 are reversed and the
signal is changed to 180 degrees out of phase. In multiple microphone
applications, mic placement can affect the phase of the signals. If two
microphones pick up the same signal from different locations, the result can
be a hollow or frequency “shifted” sound. In some cases, it may sound as if an
instrument disappears if it happens to be 180 degrees out of phase. Depressing
the Phase switch can remedy this. In general, if your sound is “thin” or “out
of position”, try reversing the phase to correct the problem.
V3 – Variable Valve VOICING Control
This Tube MP Studio V3™ features ART’s proprietary V3 technology. V3 (which
stands for Variable Valve Voicing), provides optimized reference points to
begin the recording process for guitars, bass guitars, synths, acoustic
instruments, percussion and more. ART engineers ran our preamplification
circuit through a battery of tests and real-life studio conditions. Our goal
was to create a processor that would allow a user to have presets that were
optimized for specific recording applications. We set out to create a preamp
that would be nimble enough to handle both violins and kick drums, and nearly
everything in between. We wanted to take the guessing out of the equation –
and that is how we developed V3. It’s simple, easy and it works really well.
For example, if you are recording an acoustic guitar, V3 has a preset that has
been optimized for that instrument. Once the preset is chosen, the user can
even fine tune the signal – which shows the true power of V3 technology…it’s
tweakable. V3 even features a multi setting, which is useful for a wide
variety of applications – like overhead micing, broadcast and field recording.
This means that it is now quicker and easier than ever to make great
recordings! Musicians want to play, not spend hours adjusting knobs. No other
microphone preamp is as user-friendly as the Tube MP Studio V3
Power/clip/limit led
The bi-color Power/Clip/Limit LED lights green after power is applied and with
lower level signals. If OPL is not being used, then the LED will serve as a
signal clip indicator. It will light red whenever the signal at the tube’s
output is about to clip. If the LED is constantly lit, reduce the signal level
with the Input gain control, or activate the OPL circuitry.
When the OPL circuit is engaged, the LED will turn red whenever the output
signal peaks exceed the limiter’s threshold, at which point the limiter will
reduce gain automatically, to prevent output clipping.
VU meter
The Tube Warmth VU meter displays the signal level at the output of the tube
section, before the output level control. As the signal level increases you
get more warmth. In the Black region of the meter (-20 to -3dB) you will get a
cleaner sound. In the Red region, you will be able to hear the warmth better.
The Signal/Clip indicator will light RED as the tube saturates IF OPL is OFF.
Note that the OPL (limiter) keeps the tube running clean. It is normal to see
the Tube Warmth meter read no higher than -3 VU when OPL is engaged. You can
estimate the output level of the unit using the meter by looking at the
position of the output knob. If the knob is at “0”, 0 VU on the meter
corresponds to -4dBu unbalanced and +2dBu Balanced on the output jack.
OUTPUT control
The Output Control sets the output level of the Tube MP Studio V3. When the
control is fully counterclockwise, there is no output.
CONNECTIONS
Despite the Tube MP Studio V3’s sophistication, it is easy to interface the unit with a wide variety of equipment. All inputs and outputs are located on the rear panel. Standard ¼-inch and XLR inputs and outputs make patching simple.
¼-inch Input jack
The ¼-inch Input jack is for instrument and line level inputs. It has a high
input impedance to minimize any loading effects on instrument pickups. It can
also handle up to +22dBu signals for line level signals.
Though not normally suggested, both input jacks can be used simultaneously, in
a pinch, to sum two signals. The signal present at the XLR jack will tend to
attenuate the signal of the ¼-inch input.
XLR input jack
The XLR Input jack is primarily intended for microphone input, and as such can
furnish Phantom Power when needed. It can handle up to +14dBu signals, which
is the hottest signal you would get out of any microphone. For even hotter
input signals, you should use the ¼-inch input jack. The XLR Input jacks
medium input impedance is extremely flat over a wide frequency range, which
allows it to be musically neutral to virtually any microphone (one of the Tube
MP Studio V3’s lesser-known secrets).
XLR output jack
The XLR Output jack of the Tube MP Studio V3 is active balanced. You may use
it in an unbalanced configuration without harm to the output circuitry. The
XLR output can provide a hefty signal level (+28dBu) at a low impedance, so
make sure that you do not overdrive equipment with sensitive inputs. When
using it on the front end of a mixer, go into the mixer’s line in or insert
inputs and not necessarily into the mixer’s microphone input, unless the mixer
can pad that input’s level.
¼-inch output jack
The ¼-inch Output jack is unbalanced and should be used for sending signals to
amps, processors, or other unbalanced configurations. Both balanced and
unbalanced output connections may be used simultaneously. This is particularly
useful when using the Tube MP Studio V3 as a direct box for instruments or
line level signals. Make sure that both pieces of equipment connected to the
Tube MP Studio V3 ’s outputs are connected to the same earth ground,
beforehand, to avoid electrical shock. If you experience a grounding hum when
using both output connectors (one to a console, one to an instrument amp)
simultaneously, a ground loop may be the problem. To remedy this problem,
disconnect the ground wire (pin 1) from the XLR cable plugged into the Tube MP
Studio V3 ’s output. This interrupts the ground path and therefore breaks the
loop.
OPERATION
The main application of the Tube MP Studio V3 is a microphone preamplifier. Plug any microphone directly into either input and set the input and output controls to provide an appropriate level into the next stage of your system. Use the Tube MP Studio V3 as an acoustic or piezo pickup preamplifier to run directly into a console, amp, processor, recorder, or sound card. The Tube MP Studio V3™ is ideal for use as a DI box. Plug the instrument into either input and use the XLR or ¼-inch (or both) outputs to connect to your recorder, board or PA system. Because of its low noise and excellent tonal qualities, the Tube MP Studio V3 is ideal for running mixes through before recording to DAT or cassette. Used as a mastering device, the Tube MP Studio V3 is capable of adding warmth and gentle tube compression to the signal. Variable Input and Output level controls make the Tube MP Studio V3 ideal for level matching material in postproduction situations.
V3 Settings and their applications when processing:
When observing the V3 dial from a clockwise perspective, the following settings are:
Neutral Settings:
These are useful for uncolored, natural reproduction of sound.
- 6:00 – Neutral Flat
- 6:45 – Neutral Vocal (Microphone)
- 7:30 – Neutral Guitar Amplifier
- 8:15 – Neutral Bass Guitar
Warm Settings:
These are useful when warming a signal is desired.
- 9:00 – Warm Electronic Keyboard
- 9:45 – Warm Electric Guitar
- 10:30 – Warm Vocal Microphone
- 11:15 – Warm Valve
Warm Settings with OPL
These are useful with high sound pressure levels, close proximity micing, and
spiky transients, as well as warming the signal.
- 12:00 – Warm OPL Multiple Applications
- 12:45 – Warm OPL Vocal
- 1:30 – Warm OPL Acoustic Guitar 2:15 – Warm OPL Piano
Neutral Settings with OPL:
These are useful with high spl’s, close micing and spiky transients, as well
as maintaining clarity.
- 3:00 – Neutral OPL Bass Guitar
- 3:45 – Neutral OPL Acoustic Guitar
- 4:30 – Neutral OPL Percussion
- 5:15 – Neutral OPL Limit
WARRANTY INFORMATION
Limited Warranty (USA only)
Applied Research and Technology will provide warranty and service for this
unit in accordance with the following warrants: Applied Research and
Technology, (A R T) warrants to the original purchaser that this product and
the components thereof will be free from defects in workmanship and materials
for a period of three years from the date of purchase. Applied Research and
Technology will, without charge, repair or replace, at its option, defective
product or component parts upon prepaid delivery to the factory service
department or authorized service center, accompanied by proof of purchase date
in the form of a valid sales receipt.
Exclusions
This warranty does not apply in the event of misuse or abuse of the product or
as a result of unauthorized alterations or repairs. This warranty is void if
the serial number is altered, defaced, or removed. A R T reserves the right to
make changes in design or make additions to or improvements upon this product
without any obligation to install the same on products previously
manufactured. A R T shall not be liable for any consequential damages,
including without limitation damages resulting from loss of use. Some states
do not allow limitations of incidental or consequential damages, so the above
limitation or exclusion may not apply to you. This warranty gives you
specific rights and you may have other rights, which vary from state to state.
For units purchased outside the United States, an authorized distributor of
Applied Research and Technology will provide service.
SERVICE
The following information is provided in the unlikely event that your unit requires service.
- Be sure that the unit is the cause of the problem. Check to make sure the unit has power, all cables are connected correctly, and the cables themselves are in working condition. You may want to consult with your dealer for assistance in troubleshooting or testing your particular configuration.
- If you believe that the ART unit is at fault, go to www.artproaudio.com. Select “Support”, then “Return Authorization Request” to request a return authorization number.
- If you are returning the unit for service, pack the unit in its original carton or a reasonable substitute. The original packaging may not be suitable as a shipping carton, so consider putting the packaged unit in another box for shipping. Print the RA number clearly on the outside of the shipping box. Print your return shipping address on the outside of the box.
- Include, with your unit, a note with the RA number and your contact information, including a return shipping address (we cannot ship to a P.O. box) and a daytime phone number, and a description of the problem, preferably attached to the top of the unit. Also include a copy of your purchase receipt.
Please fill in the following information for your reference
- Date of purchase __
- Purchased from __
- Serial Number __
SPECIFICATIONS
- Input Connections XLR (balanced), ¼-inchTS
- Output Connections XLR (balanced), ¼-inchTS
- Input Impedance XLR, ¼-inch 3K Ohms, 840K Ohms
- Output Impedance XLR, ¼-inch 600 Ohms, 300 Ohms
- Maximum Input Level, XLR +14dBu
- Maximum Input Level, ¼ – inch +22dBu
- Maximum Output Level, XLR +28dBu
- Maximum Output Level, ¼-inch +22dBu
- CMRR >75dB (typical @ 1kHz)
- Frequency Response 10Hz to 30kHz, +/-.5dB
- Dynamic Range >100dB (20-20kHz) typical
- Total Harmonic Distortion (THD) <0.1% (typical
Maximum Gain
- XLR to XLR 70dB (typical)
- ¼-inch to ¼-inch 54dB (typical)
- XLR to ¼-inch 64dB (typical)
- ¼-inch to XLR 60dB (typical)
Equivalent Input Noise (EIN)
- XLR to XLR -125dBu (A weighted)
- ¼-inch to ¼-inch -105dBu (A weighted)
- Tube Type 12AX7A, Dual Triode, Hand Selected
Power Supply Requirements
- INPUT 100-240V AC~50/60Hz
- OUTPUT 12V DC @ ≥ 0800mA
Dimensions (HWD)
2-inch x 5.5-inch x 5-inch 50.8mm x 139.7mm x 127mm
Weight
1.5 lbs. (.680kg.)
ART maintains a policy of constant product improvement. ART reserves the right to make changes in design or make additions to or improvements upon this product without any obligation to install same on products previously manufactured. Therefore, specifications are subject to change without notice.
www.artproaudio.com
E-mail: [email protected]
© 2022 Applied Research & Technology
TUBE MP STUDIO V3™ 127V5004105 Voiced Valve Preamplifier w/Output Protection Limiting