IColor ICHTGLITTERB Glitter 2 Step Adhesive Textile Media Instruction Manual

June 13, 2024
ICOLOR

IColor™ Glitter 2 Step™ Adhesive Media for use with IColor™ Standard 2 Step™ or Select 2 Step™
Transfer Media Instructions
Part # ICHTGLITTERB (8.5″ x 11″) (216 x 279mm)
Part # ICHTGLITTERBTAB (11″ x 17″) (279 x 432mm)

ICHTGLITTERB Glitter 2 Step Adhesive Textile Media

AVAILABLE IN LETTER AND TABLOID PAPER SIZES

Temperature Time Paper Setting Pressure
310°F / 154°C 120 / 30 Seconds IColor™ 650/600/500 – Media Type:

Transparency / Media Weight: UH1 IColor™ 550/540 – Paper Type: Thick to 163g
IColor™ 560 – Paper Type: Thick to 105g
IColor™ 800: DO NOT USE| 9

Only for use with Printers using IColor™ Clear toner cartridges. Does not work with white toner systems!
The IColor™ Glitter 2 Step™ Adhesive Paper will allow you to transfer prints from the IColor™ series of printers onto a variety of light and dark garments and fabrics, with a glitter effect. Use IColor™ Standard or Select 2 Step Transfer Paper with this product to add a glitter effect to your everyday transfers. Unlike foil stamping, the glitter is part of the white adhesive that is applied as a result of the 2 Step process. It enhances the color of your print, and increases the adhesion to your garment for maximum durability, opacity and vibrancy on your finished product, as well as adds glitter to the entire image. Rasterization and breathability integrated into your design, as well as using the garment color as a mask, will enhance the stretch limit and softness of your finished product.
IColor™ Glitter 2 Step™ Adhesive Paper’s default pressing temperature is 310°F / 154°C, so some care must be taken when pressing onto some types of synthetic material such as nylon or polyester. Spandex or Lycra material is not recommended at this temperature. You can press as low as 250°F / 120°C onto the substrate to retain vibrancy and avoid damage caused by excessive heat.
IColor™ Glitter 2 Step™ Adhesive Paper is a weed-free system, enabling you to produce detailed, high quality images while dramatically reducing your production time.
Finished garments will last up to 50 washes depending on how it’s laundered.

  • It is recommended to wash finished garments inside out in cold or warm water and low agitation.
  • Avoid fabric softener.
  • Tumble dry on low setting – For best results, hang to dry.
  • If ironing is necessary, you must place a piece of kraft paper between the pressed image and the hot iron. Failure to do this will result in a melted transfer.

IColor™ Glitter 2 Step™ Adhesive Paper is used as a set, comprising of a ‘Transparent Transfer Sheet’ (IColor™ Standard Transfer sheet) and an ‘Adhesive Sheet’ (Part # ICHTGLITTERB/ ICHTGLITTERBTAB).

INSTRUCTIONS FOR BEST RESULTS

  1. Remove the white or black toner cartridge from your printer and install the IColor™ Clear toner cartridge in ‘overprint’ or ‘B configuration’. Be sure to match the configuration in the RIP software.
    • IColor™ 650 / 600 / 500 / Most Oki Printers: Install Clear Cartridge in the rear slot of the printer.
    • IColor™ 560 / 550 / 540 Printers: Install Clear Cartridge in the front slot of the printer.
    • IColor™ 800: Do not use!

  2. Place either the Standard or Select transparent transfer sheet into the appropriate tray of your printer.
    • The coated, rough side is the print side.
    • IColor™ 650 / 600 / 500 / Most Oki Printers: Print side face up in the Multipurpose Tray
    • IColor™ 550 / 540: Print side face up in Tray 1 (Do not use the Bypass Tray with the Standard paper)
    • IColor™ 560: Print side face down in the Bypass tray or print side face up in tray 1 (ProRIP defaults to bypass tray)
    To avoid printer jams in Tray 1, stack a few sheets in the tray at once so the printer pulls the paper cleanly.
    • NEVER run the adhesive sheet through your printer. This may result in fuser failure.
    AVOID MISFEEDS OR JAMS IN TRAY 1 FOR THE ICOLOR™ 560 / 550 / 540!
    For A4 sizes – Set the guides in Tray 1 to A4 so that the paper sits completely flat and flush.
    Note that the transfer sheet is A4 but the adhesive sheet is letter sized. Allow for safe area at the top and bottom of the page to accommodate.

  3. Printer Settings:
    In the RIP software settings, choose the paper type according to the printer being used. Make sure you are working within the overprint queue in the ProRIP software or ‘B’ Configuration if using the TransferRIP software.
    Specific print modes and sizes for this paper are available when using the IColor™ ProRIP software.
    o Listed as ‘UNINET IColor 2 Step Select’ or UNINET IColor 2 Step Standard’
    o The page size should match the size of the paper being used (A4, Letter, A3 or Tabloid)
    Otherwise, use the following settings based on the printer:
    • IColor™ 650 / 600 / 500 / Most OKI Printers: Set media type to ‘Transparency’; and media weight to ‘Ultra Heavy 1’.
    • IColor™ 550 / 540: Set paper type to ‘Thick to 163g’ for the Standard paper and ‘Coated Glossy’ for the Select paper.
    • IColor™ 560: Set paper type to ‘Thick to 105g’
    If not already done automatically in the RIP, remember to set the job to mirror print, ensuring the correct orientation when transferred to the substrate.
    Set the clear overprint to a density of at least 300% for best results.

  4. Print the image.

  5. Preheat the press to 310°F / 154°C and keep the press closed for at least 5 minutes before proceeding to heat up the lower platen.
    • This step is extremely important to ensure a good bond during the marrying process. Do not proceed until you feel the heat radiating from the bottom of the press platen, or you may experience incomplete transfers.

  6.  Place the printed image in the middle of the press with the printed side facing up.
    • Place the Glitter adhesive sheet on top of the print, adhesive/glitter coated side down – the image and the adhesive should be face-to-face.
    • Adhesive side is the non-marked, smooth, coated side.
    • TIP: Fold a small corner of the adhesive sheet over prior to pressing (this will make it easier to peel apart after pressing).
    7. Cover the two sheets with kraft paper or a PTFE-based sheet and press the two sheets together in the heat press at 310°F / 154°C for 120 seconds with high pressure.

  7. Open the press and immediately (while hot) – rub the sheets with a piece of textile for 5 seconds, then peel the adhesive sheet away from the transparent transfer sheet diagonally in one slow, low and fluid motion.
    • This must be done with the sheets on the press to minimize heat loss. The use of heat resistant gloves will help keep the paper in place due to the temperature of the lower platen.
    TIP: In order to avoid a faulty peel, it is recommended to peel from the side of the image with the greatest toner density.
    TIP: For images with a lot of black print, it may be necessary to press for a longer period of time and increase the dwell time in order to achieve a clean adhesive pull.
    • TIP: Slow down at the end of the peel and allow the adhesive sheet to ‘fall off’ to ensure that you do not lose the last edge of the graphic.

  8. Observe the used adhesive sheet – you will see the adhesive was removed only where toner was present on the transfer sheet.
    • If you see any part of your design on the adhesive sheet, you did not get a clean pull. See Tech Tips for reasons why this may have happened.
    • Examine the transfer sheet to determine if the transfer is acceptable and proceed to Step 9. Discard the used adhesive sheet.

  9. Trim off the edges of the transparent transfer sheet using a pair of scissors or a cutting board. This will ensure no excess adhesive or glitter sticks to the garment and eliminate the chance of a box around your design.

  10. Place or thread your garment on the press. Position the transfer sheet (print side down) onto the garment.
    • It is suggested that you use heat resistant tape to secure the sheet to the garment. Otherwise, opening the press can cause the transfer sheet to lift prematurely.
    • For more precise placement, lay the garment out on a table, position the transfer sheet appropriately and tape the corners before placement on the press.

  11. Cover the transfer sheet and garment with kraft paper or a PTFE-based sheet and press the garment using a heat press at 310°F / 154°C for 30 seconds with high pressure.
    • If you are pressing onto 100% poly, press at 265°F / 129°C.
    • If you are pressing onto 50/50 cotton/poly, press at 285°F / 140°C.
    • You can perform this step ONLY as low as 250°F / 121°C if necessary to avoid dye migration on polyester fabrics, avoid damaging delicate textiles and to retain vibrancy.
    TIP: Pressing at a lower temperature in all cases will result in a more vivid final product.

  12. Remove the garment from the heat press carefully and immediately lay flat. Allow it to cool for at least 5 minutes.

  13. Once the garment is completely cooled, carefully peel away the transfer sheet in one smooth, continuous rolling motion.
    • Removal while still warm could lead to an incomplete or faulty transfer.
    • It is suggested that you start your pull from an area that has the most toner coverage. The image will adhere to the garment. Perform this step within 60 mins or less.

  14. Re-Pressing (AKA post press or fixing press) the image into the garment is important for wash durability.
    • Place the textile back on the heat press.
    • Cover with a glossy finishing sheet (UNINET Part # ICGLOSSFIN) on top of the image for a shiny finish.
    • Re-press the image for roughly 20 seconds at 310°F / 154°C or at the temperature it was originally pressed.
    Re-Pressing at a lower temperature (as low as 265°F / 129°C) can help retain some vibrancy. A hotter post press may dull out the pressed image.

  15.  Wait 10 seconds before removing the finishing sheet to avoid any part of the transfer from sticking to it.
    • Pull slowly in one smooth, continuous motion. It is important to wait before pulling the paper off; otherwise, it could pull the design off the garment!
    • While the garment is still on the press and still hot; lightly stretch the material to allow the toner to soak into the fabric to prevent cracking.

TECH TIPS

There are many variables that could produce different results. Specific steps may need to be altered based on:

  • Type of image: Photos or full-color graphics may require a longer press time than vector images or text.
  • Type of garment: Cotton, Polyester, Spandex and Lycra material all respond differently to heat. All instructions are based on cotton garments.
  • If your presses are not pulling cleanly, preheat the lower platen of the press in the closed position for several minutes to retain the necessary heat to perform this step.
  • Toner Coverage: Halftones in image may cause undesired results. Toner coverage should not be less than 70% otherwise there may be issues with transferring the adhesive to the transfer sheet. The RIP will add the necessary amount of white to the image to avoid this situation. Those printing outside of the RIP software may encounter issues such as incomplete adhesive transfer.
  • Type and brand of Heat Press: The temperature and duration varies slightly based on the heat press being used. All instructions are based on using a Horton Fusion press (recommended). Clam shell and other types of swing away presses may also yield different results. Always place the transfer paper in the middle of your heat press. Some heat presses do not have uniform heat and pressure distribution, which can affect your final project.
  • Use only IColor™ Glossy Finishing sheets for best results. The use of butcher paper or other kinds not specifically designed for heat transfer applications can cause the image to stick to the paper. During Step 7 of these instructions, it is important that the adhesive sheet is placed on top because:
  • The source of heat is on top and heat is transferred directly to the adhesive sheet instead of passing through the transfer sheet.
  • When pulling the sheets apart, the sheet on top tends to curl. If that was your transfer sheet, it would then be difficult to place on your garment and could be ruined if the image touched itself while hot.

During Step 7 of these instructions, it is important that the adhesive sheet is placed on top because:

  • The source of heat is on top and heat is transferred directly to the adhesive sheet instead of passing through the transfer sheet.
  • When pulling the sheets apart, the sheet on top tends to curl. If that was your transfer sheet, it would then be difficult to place on your garment and could be ruined if the image touched itself while hot.

During Step 8, note that the denser your image, the more difficult it will be to pull the A & B sheets apart. Start out with less dense, weeded or rasterized images to perfect your process. Full coverage images take some skill to successfully pull cleanly and may require a longer press time and/or higher temperature.
If, during Step 12, you are adjusting the heat press temperature to accommodate delicate material, you must increase the temperature to 310°F / 154°C for Step 7. The adhesive will not transfer over properly if set at a lower temperature. Using two heat presses would greatly increase your output and is recommended.
For Cotton / Poly blends and hoodies:

  • Press at 250°F / 121°C for 20 seconds, cool immediately and roll the transfer sheet off very tightly.
  • Repress for 15 seconds and cool immediately. A lower press temperature and immediate cooling are necessary to prevent dye migration.

If you are seeing stray adhesive sticking to your garment or substrate during the transfer Step 12 of these instructions, try reducing the press pressure to ‘medium-low’ or ‘3’.
If some of your image isn’t sticking to the garment properly during Step 14, start your pull from an area that has the most toner coverage.

  • For example, DO NOT start your pull from a dot or a small independent portion of your graphic. The more toner coverage, the higher the probability that you won’t lose part of your image when getting started.

Humidity Suggestions: If your transfers are incomplete (gaps or holes where the adhesive didn’t transfer over), then your adhesive sheets may have been affected by humidity. Follow these steps to remove the humidity:

  • Place the adhesive sheet(s) face up in the heat press while hot.
  • Do not press them, just allow to sit for approximately 1 – 2 minutes. Then proceed as normal.

Adhesive sheet storage: To prevent humidity from affecting your paper, store in a resealable bag. Adding a desiccant pack will help to absorb any moisture. Use of a de-humidifier will help reduce excess moisture.
Optimal Humidity Level: 45% – 65%

  • Regulated with A/C, a humidifier or de-humidifier, depending on current atmospheric conditions.

Optimal Temperature Range: 50°F / 10°C – 75°F / 24°C
Transfer sheet storage: If the paper is sticking together due to static electricity, store in a resealable or antistatic bag. Adding a dryer sheet will help reduce the static. Fan out the paper before loading into the printer to ensure proper feeding.
There are many types of coatings and finishes applied to textiles and synthetic fabrics, so make certain adhesion is satisfactory and test for stability or scuff-resistance when applying transfer paper to such materials.
It is recommended to wash finished garments inside out in cold or warm water and low agitation. Avoid fabric softener, as it may prematurely degrade the transfer. Tumble dry on low setting – For best results, hang to dry. If ironing is necessary, you must place a piece of kraft paper between the pressed image and the hot iron. Failure to do this will result in a melted transfer.
To see video instructions for IColor™ Glitter 2 Step™ Adhesive Media, visit www.icolorprint.com/video

OPTIONALLY AVAILABLE

IColor™ Smart CUT Software
Easily print oversized images on letter/A4 sized printers with UNINET’S optional IColor™ SmartCUT software. Use any oversized graphic, and the software will split it in half along the most logical path. You can choose to have it split along dark or light areas, depending on the color garment you will be pressing onto. With this software, you can make 3XL shirts that are not possible with even the most expensive of printing systems because you can gang up as many transfer sheets as you want. For use with IColor™ Standard and Select 2 Step Transfer Paper. Trial version available at https://www.icolorprint.com/support
ALSO AVAILABLE

  • IColor™ Premium 2 Step Transfer Paper for light and dark colored garments
  • IColor™ Select and Select Ultra Bright 2 Step Transfer Paper for light and dark colored garments
  • IColor™ Standard 2 Step Transfer Paper for light and dark colored garments
  • IColor™ Glitter Adhesive 2 Step Transfer Paper (for use with IColor™ Standard 2 Step Transfer Paper)
  • IColor™ Light 1-Step Transfer Paper for light colored garments
  • IColor™ Presto 2 Step Transfer Paper for textiles and hard surfaces
  • IColor™ Temporary Tattoo 2 Step and Easy Tattoo Transfer Paper
  • IColor™ Classic, Premium, Wood and Leather and Ceramic Hard Surface 1-Step Transfer Paper
  • IColor™ AquaClear 1-Step Transfer Paper for candles and other substrates not resistant to heat
  • IColor™ Label / Sticker Paper (Clear and White) in Letter and Tabloid size
  • IColor™ Window Cling Media (Clear and White) in Banner and cut sheet options
  • IColor™ Banner Paper
  • IColor™ Magnetic Media in Letter and Tabloid size

and more! Contact your dealer for more information.

IColor™ Transfer Paper Comparison Charts

!COLOR TEXTILE TRANSFER PAPER

ATTRIBUTE| PREMIUM| PREMIUM STRETCH| STANDARD| SELECTUB| SELECT| PRESTO| LIGHT| SPEEDTRANS LIGHT
---|---|---|---|---|---|---|---|---
PROCESS| 2 Step| 2 Step| 2 Step| 2 Step| 2 Step| 2 Stop| 1 Step| 1 Step
DURABILTY (ft of Washes 9104 T/40 °C)| Up to 100| Up to 100| 50+| 50 +| 50+| 50 +|  15+| 15+
DARK TEXTILES (BRILLANCE)| BEST| BEST| BETTER| BEST| GOOD| BETTER| FAIR| FAIR
DELICATE TEXTILES| BEST| BEST| GOOD| GOOD| GOOD| GOOD| NOT RECOMMENDED| NOT RECOMMENDED
STRETCHABILITY| BETTER| BEST| GOOD| BEST| BEST| GOOD| GOOD| GOOD
FINISH| MATTE| MATTE| SEMI GLOSS| MATTE| MATTE| SEMI GLOSS| SATIN| SATIN
TRANSFER* SHEET CHARACTERISTIC| OPAQUE| OPAQUE| TRANSPARENT| TRANSPARENT| TRANSPARENT| OPAQUE| OPAQUE| OPAQUE
PRESS TEMPERATURE (1/°C)| 250°F / 120°C| 285°F / 140°C| 3101 / 154°C| 310°F / 154°C| 310°F / 154°C| 2851 / 140°C| 3901 / 200°C| 375°F / 190°C
PRESS TIME| 30 + 30 secs| 45 + 10 secs| 120 + 30 secs| 120 + 25 secs| 120 + 25 secs| 120 + 30 secs| 15 secs| 10 secs
SOFT HAND| BEST| BEST| GOOD| GOOD| GOOD| GOOD| BETTER| BETTER
COST| $$$| $$$| $$| $$| $$| $$| $| $

Select 800 Ultra Bright has an opaque ‘A’ sheet
!COLOR HARD SURFACE TRANSFER PAPER

ATTRIBUTE| PREMIUM| PREMIUM STRETCH| STANDARD| ELECTUB| SELECT| PRESTO| LIGHT| SPEEDTRANS LIGHT
---|---|---|---|---|---|---|---|---
PROCESS| 1 Step| 1 Step| 1 Step| 1 Step| 1 Step| 1 Step| 1 Step| 1 Step
DURABILTY (RESISTANT TO SCRATCHING/CHIPPING| BEST| BEST| BEST| BEST| BEST| BEST| GOOD| BETTER
COLOR BRILLIANCE| BETTER| BETTER| BETTER| BETTER| BEST| BEST| BETTER| BETTER
METALLIC FINISH| NO| NO| NO| NO| YES| YES| NO| NO
PRESS TEMPERATURE CCM)| 300°F / 150°C| 300°F / 150°C| 300°F / 150°C’| 300°F / 150°C| 320°F / 160°C| 265°F / 130°C| WA| 265°F / 130°C
PRESS TIME| 60 SECS| 60 SECS| 180 SECS| 60 SECS| 180 SECS| 90 SECS| N/A| 40 SECS
ACRYLIC| YES| YES| YES| YES| YES| NO| YES| YES
METAL| YES| YES| NO| NO| YES| NO| YES| YES
CERAMIC| YES| YES| YES| NO| YES| NO| YES| YES
TILE| YES| YES| YES| NO| YES| NO| YES| YES
GLASS| YES| YES| YES| YES| YES| NO| YES| YES
CRYSTAL| YES| YES| YES| YES| YES| NO| YES| YES
PAPER/WOOD/CARDBOARD| YES| YES| NO| YES| YES| YES| NO| YES
LEANER| YES| YES| NO| YES| NO| NO| NO| YES
CANDLES| NO| NO| NO| NO| NO| NO| YES| YES
FLESH| NO| NO| NO| NO| NO| NO| No| YES
COST| $| $| $| $| $$| $$| $$| $$$

  • Temperature and press time varies based on substrate
    May 2023 Revision – A newer version of this manual may be available at www.icolorprint.com/support

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