ROCKVILLE RMIC-SR High Performance Handheld Dynamic Vocal Microphone Owner’s Manual

June 6, 2024
RockVille

RMIC-SR
HIGH PERFORMANCE HAND-HELD DYNAMIC VOCAL MICROPHONE
OWNER’S MANUAL
WHO READS MANUALS?

Instead, go to vimeo.com/526254195 or scan the QR code and watch a short video, which shows you how to set this item up and how to use it. If you prefer written instructions please read ahead! With Rockville, we offer many options.

https://vimeo.com/526254195
Missing items?
If you ordered a bundle that includes more than one product and you are missing part of your bundle then it just means your order shipped from two different warehouses. You will receive the remaining items very soon. If you have any concerns or inquiries, feel free to call our customer support center at 646-758-0144, Monday through Thursday, 9am to 10 pm EST, and Fridays, 9 am to 3 pm EST.

What’s Inside

  • Full metal wired mic
  • Mic cable, XLR to XLR, 100% OFC Copper
  •  Mic cable, XLR to 1/4″, 100% OFC Copper
  •  Mic clip
  • Plastic carry case
  •  Owner’s manual
  •  Warranty card

Handling Instructions

  •  Do not cover any part of the microphone grille with your hand, as this will adversely affect microphone performance.
  • Aim the microphone toward the desired sound source (such as the talker, singer, or instrument) and away from unwanted sources.
  • Place the microphone as close as practical to the desired sound source.
  • Use only one microphone to pick up a single sound source.
  •  For better gain before feedback, use fewer microphones.
  •  Keep the distance between microphones at least three times the distance from each microphone to its source (“three to one rule”).
  •  Place microphones as far as possible from reflective surfaces.
  • Add a windscreen when using the microphone outdoors.
  •  Avoid excessive handling to minimize pickup of mechanical noise and vibration.

Connections

The RMIC-SR microphone connects via a 3-pin balanced XLR connector.

This microphone can be used for balanced and unbalanced applications. For bal- anced XLR connections use an XLR cable. For unbalanced connections use a 1/4- TS jack plug to a female XLR cable. Be aware that when using a run longer than 16ft you may encounter humming caused by stray magnetic fields from power cables, lighting cables, and other electric appliances.
Proper Microphone Usage
The closer you are to the microphone, the deeper and richer your voice will sound. When your mouth is two inches or less from the microphone there is a significant increase to low frequencies giving your voice a bass heavy sound. This is known as the proximity effect.
Singing directly into the microphone will pick up on your breathing as well as overemphasize certain sounds when speaking or singing. To achieve a well bal- anced sound, sing or talk to one side of or above and across the microphone’s top. This will give your voice a well-balanced, natural sound.
Feedback means that the sound from a speaker is picked up by the microphone, sent back to the amplifier and then out through the speakers. At certain volume levels, the system will make undesired noises. In order to increase gain before feedback, this microphone has a supercardioid pattern. This means that its sensitivity to sound is at its highest when the sound comes from the front of the microphone (facing you). This also minimizes the pick-up of sounds from the sides or rear.

Feedback can also be caused by the acoustics of the venue. In these instances, the proximity effect may cause feedback. In most cases, simply moving a little away from the microphone may resolve the issue.
Avoid having more than two people sharing a microphone. Singing into the microphone at an angle wider than 30° may require bringing up the microphone fader level high enough to cause feedback.

Microphone

  • Dynamic vocal microphone
  •  M-56 Cartridge
  •  Full metal body with rugged construction
  •  Type: dynamic
  • Neodymium magnet
  •  Steel mesh grill
  •  On/Off switch
  •  Polar Pattern: uni-directional
  • Natural sound reproduction
  •  Beautiful black finish
  •  Frequency Response: 80 – 13Khz
  •  Impedance: 600 Ohms t 30%
  •  Sensitivity: -72 t 3dB

Cables

  • XLR to XLR Cable
  •  XLR to 1/4″ Cable
  •  10 Feet
  •  100% OFC (oxygen-free copper)
  • Cables deliver crystal clear distortion-free signal
  •  Cables are 5.5mm thick with a cover (22 AWG standard mic cable)
  • XLR cable connectors are very solid and durable

Mic Clip

  •  Heavy-duty standard size microphone clip
  •  Stand mountable
  •  Solid plastic construction with copper inside
  •  Black color

Case
• High-quality plastic carry case
• Comfortably holds microphone and mic cable during transport

Troubleshooting

PROBLEM SOLUTION
No sound 1. Ensure the power mixer or amplifier is on.

2. Check that the master volume is not set to O.
3. Check all connections to ensure everything is properly connected.
4. Check cables for cuts, nicks, crony other defects.
Distortion| 1. Gains not set property.
2. Mixer input sensitivity is too high.
Dull sound| 1. Clean internal and external windscreens.

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Due to constant improvements, these specifications are subject to change without notice. Copyright 2021

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