the t mix 422795 xmix 1202 FXMP USB Mixer User Manual
- June 1, 2024
- the t mix
Table of Contents
the t mix 422795 xmix 1202 FXMP USB Mixer User Manual
General information
This document contains important instructions for the safe operation of the
product. Read and follow the safety instructions and all other instructions.
Keep the document for future reference. Make sure that it is available to all
those using the product. If you sell the product to another user, be sure that
they also receive this document.
Our products and documentation are subject to a process of continuous develop‐
ment. They are therefore subject to change. Please refer to the latest version
of the documentation, which is ready for download under
www.thomann.de.
Symbols and signal words
In this section you will find an overview of the meaning of symbols and signal words that are used in this document.
| Signal word | Meaning |
|---|---|
| DANGER! | This combination of symbol and signal word indicates an |
immediate dangerous situation that will result in death or serious injury if
it is not avoided.
WARNING!| This combination of symbol and signal word indicates a
possible dangerous situation that can result in death or serious injury if it
is not avoided.
NOTICE!| This combination of symbol and signal word indicates a possible
dangerous situation that can result in mate‐ rial and environmental damage if
it is not avoided.
|
Warning signs| Type of danger
| Warning – high-voltage.
| Warning – danger zone.
Safety instructions
Intended use: This device is intended to be used for amplification,
mixing and playback of signals from musical instruments and microphones. Use
the device only as described in this user manual. Any other use or use under
other operating conditions is considered to be improper and may result in
personal injury or property damage. No liability will be assumed for damages
resulting from improper use.
This device may be used only by persons with sufficient physical, sensorial,
and intel‐ lectual abilities and having corresponding knowledge and
experience. Other persons may use this device only if they are supervised or
instructed by a person who is for their safety.
Safety
DANGER!
Risk of injury and choking hazard for children!
Children can suffocate on packaging material and small parts. Children can
injure themselves when handling the device. Never allow children to play with
the packaging material and the device. Always store packaging material out of
the reach of babies and small children. Always dispose of packaging material
properly when it is not in use. Never allow children to use the device without
supervision. Keep small parts away from children and make sure that the device
does not shed any small parts (such knobs) that children could play with.
DANGER!
Danger to life due to electric current!
Within the device there are areas where high voltages may be present. Never
remove any covers. There are no user-serviceable parts inside. Do not use the
device when covers, safety equipment or optical components are missing or
damaged.
DANGER!
Danger to life due to electric current!
A short circuit could lead to a fire hazard and risk of death. Always use
proper ready-made insulated triple-core mains cable with a safety plug. Do not
modify the mains cable or the plug. In case of isolation damage, disconnect
immediately the power supply and arrange repair. If in doubt, seek advice from
a qualified electrician.
WARNING!
Possible hearing damage due to high volumes on speakers or headphones!
With speakers or headphones connected, the device can produce volume levels
that may cause temporary or permanent hearing impairment. Over an extended
period of time, even levels that seem to be uncritical can cause hearing
damage. Do not operate the device permanently at a high volume level. Decrease
the volume level immediately if you experience ringing in your ears or hearing
impairment.
NOTICE!
Risk of fire due to covered vents and neighbouring heat sources!
If the vents of the device are covered or the device is operated in the
immediate vicinity of other heat sources, the device can
overheat and burst into flames. Never cover the device or the vents. Do not
install the device in the immediate vicinity of other
heat sources. Never operate the device in the immediate vicinity of naked
flames.
NOTICE!
Damage to the device if operated in unsuitable ambient conditions!
The device can be damaged if it is operated in unsuitable ambient conditions.
Only operate the device indoors within the ambient conditions specified in the
“Technical specifications” chapter of this user manual. Avoid operating it
in environments with direct sunlight, heavy dirt and strong vibrations. Avoid
operating it in environments with strong temperature fluctuations. If
temperature fluctuations cannot be avoided (for example after transport in low
outside temperatures), do not switch on the device immediately. Never subject
the device to liquids or moisture. Never move the device to another location
while it is in oper‐ ation. In environments with increased dirt levels (for
example due to dust, smoke, nicotine or mist): Have the device cleaned by
qualified specialists at regular intervals to prevent damage due to
overheating and other malfunctions.
NOTICE!
Damage to the device due to high voltages!
The device can be damaged if it is operated with the incorrect voltage or if
high voltage peaks occur. In the worst case, excess voltages can also cause a
risk of injury and fires. Make sure that the voltage specification on the
device matches the local power grid before plugging in the device. Only
operate the device from professionally installed mains sockets that are
protected by a residual current circuit breaker (FI). As a precaution,
disconnect the device from the power grid when storms are approaching or it
the device will not be used for a longer period.
NOTICE!
Danger of short circuit due to use of unbalanced XLR cables!
The device has a phantom voltage input. Using unbalanced cables with the
phantom power may damage the device. Use only balanced cables. Before
switching on phantom power, always make sure that no unbalanced wired cables
are connected.
NOTICE!
Risk of fire due to installation of a wrong fuse!
Using fuses of a different type than compatible with the device may cause a
fire and seriously damage the device. Only use fuses of the same type. Observe
the labelling on the device casing and the information in the “Technical
data” chapter.
NOTICE!
Possible staining due to plasticiser in rubber feet!
The plasticiser contained in the rubber feet of this product may react with
the coating of the floor and cause permanent dark stains after some time. If
necessary, use a suitable mat or felt slide to prevent direct contact between
the device’s rubber feet and the floor.
Features
- 10-channel mixer with built-in FX processor and USB port
- Bluetooth for wireless data transmission
- 6 mono channels (MIC, line) with 3-band EQ and low cut
- 2 stereo channels with balance control
- 1 × AUX control per channel, PRE/POST selectable
- Master output L/R via 2 × XLR and 2 × 1/4″ phone socket (stereo)
- Headphones output, 1/4″ phone socket (stereo)
- Headphones adjustable together with CTRL room out
- 1 × stereo RCA input
- 1 × stereo RCA output
- 48 V phantom power, globally switchable
- Built-in power supply
Installation and starting up
Unpack and check carefully there is no transportation damage before using the
unit. Keep the equipment packaging. To fully protect the product against
vibration, dust and moisture during transportation or storage use the original
packaging or your own packaging material suitable for transport or storage,
respectively.
Before connecting the supply voltage and before connecting or disconnecting
audio cables, set all volume controls of the unit to zero to avoid damage to
the connected speakers and devices.
Connections and controls
1| [MIC] | Balanced XLR mono input for connecting a microphone.
---|---
2| [LINE] | 6.3-mm jack input for connecting a line level audio source
(key‐ boards, drum modules etc., balanced or unbalanced).
3| [80 Hz HPF] | High pass filter to attenuate rumble noise and other low-
fre‐ quency interferences.
4| [GAIN] | Rotary control for adjusting the input level.
5| [EQ] | 3-band EQ for treble [HIGH] , mids [MID] and bass [LOW].
6| [AUX] | Rotary control for adjusting the signal portion to be sent to
the output [AUX SEND] to e.g. create a monitor mix.
7| [PRE / POST] | When this switch is pressed, the signal portion set
with the [AUX] control is not affected by the channel fader ( [PRE] ).
When the switch is not pressed, the AUX signal is subject to the channel fader
( [POST] ).
8| [FX] | Rotary control for adjusting the signal portion to be sent to the
[FX SEND] output.
9| [PAN] | Rotary control for arranging the channel signal within the
stereo panorama R/L.
10 **** 1112| [PFL] switch | When this switch is pressed, the
channel signal is unaffected by the setting of the channel fader and present
on the outputs [PHONES] and [CR OUT]. The switch does not affect the
signal on the outputs [MAIN OUTPUT] and [REC OUT]. [PFL] LED | This LED
lights up when the PFL function is activated. [PEAK] | This LED lights up in
case of channel overload. If this happens, turn the [GAIN] control to the
left until this LED goes out.
13| The channel fader sets the strength of the channel signal in the overall
signal.
14, 1615, 17| [STEREO IN] | Cinch sockets for connecting stereo sources.
[REC OUT] | Line outputs with cinch sockets for connecting recording
devices.
---|---
18, 19| [L] | 6.3-mm jack input for connecting the left stereo signal from
a line level audio source (keyboards, drum modules etc.). With mono signals in
the REC OUT channel, use this input and leave the [R] socket unused so the
signal is present on both sum channels.
20| [PAD] | Switch for lowering the input sensitivity with particularly
powerful signals.
21| [LINE | USB] | Switch for selecting the analogue line input R / L
or the USB input.
22, 23 24, 25| [R] | 6.3-mm jack input for connecting the right stereo
signal of a line level audio source (keyboards, drum modules etc.). [EQ] /
[LOW] | 2-band EQ for treble [HIGH] and bass [LOW].
26| [AUX] | Rotary control for adjusting the signal portion to be sent to
the output [AUX SEND] to e.g. create a monitor mix.
27| [FX] | rotary control to adjust the signal portion to be sent to the
[FX SEND] output.
28| [BAL] | Rotary control for arranging the channel signal within the
stereo bal‐ ance.
29 **** 30 **** 31| [PFL] switch | When this switch is pressed,
the channel signal is unaffected by the setting of the channel fader and the
internal effects section, and is present on the outputs [PHONES] and [CR
OUT]. The switch does not affect the signal on the outputs [MAIN OUTPUT]
and [REC OUT]. [PRE / POST] | When this switch is pressed, the signal
portion set with the [AUX] control is not affected by the channel fader (
[PRE] ). When the switch is not pressed, the AUX signal is subject to the
channel fader ( [POST] ). [PFL] LED | This LED lights up when the PFL
function is activated.
32 **** 33| [PEAK] | This LED lights up in case of channel
overload. If this happens in the STEREO IN channel press the [PAD] switch.
When overload occurs in the REC-OUT channel, reduce the output level of the
signal source connected here.The channel fader sets the strength of the
channel signal in the overall signal.
34| [PARAMETER] | Rotary control for setting the main parameter of the
currently selected effect.
---|---
35| [FX TO AUX] | Rotary control for adjusting the effects portion present
on the [AUX SEND] output.
36| [FX RETURN TO MIX] | Rotary control for adjusting the effects portion
in the sum signal.
37| [AUX SEND] | Rotary control for adjusting the overall level on the
[AUX SEND] output.
38| [FX SEND] | Rotary control for adjusting the overall level on the [FX
SEND] output.
39| [1 – 16] | Rotary control for selecting the required effect, see the
printed [EFX.] list under the ‘ON | OFF’ switch.
40| [SIGNAL] | When this LED lights up a signal is present on the input of
the effect section.
41| [ON | OFF] | Button for switching the effect function on and off.
NOTICE!
Damage to the device from connecting smartphones and tablets.
The USB port of the device is designed only for connecting USB storage
media. Connecting smartphones or tablets causes irreparable damage .Never
connect a smartphone or tablet to the USB port of the device. Use only USB
storage media.
42| [AUX SEND] | This line level output has the signal that was set with
the [AUX] channel controls and can be used, for example, to create a monitor
mix.
---|---
43| [FX SEND] | This line level output has the signal that was set with the
[FX] channel controls and can be sent to an external effects device, for
example.
44| [USB] | USB input for reading audio files.
45| [SD] | SD card slot port for playback of digital audio signals.
46| [CR OUT L] | Control room output for connecting amplifiers or active
speakers.
47| [PHONES] | Stereo headphone output
48| [CR OUT R] | Control room output for connecting amplifiers or active
speakers.
49| [FOOT SWITCH EFFECT ON/OFF] | Connector for a foot switch (not
supplied) for turning the internal effects section on and off.
50| This display shows the contents of a connected MP3 player.
51| Operating elements
| Play/pause
| Stop
| Skip back
| Skip forward
| Playback functions
Random| random playback
Repeat one| Infinite loop, selected track
Repeat folder| Infinite loop, folder content
Repeat all| Infinite loop, all tracks
52| [USB/SD/Bluetooth] | This button can be used to switch between USB, SD
or Bluetooth modes.
5354| [+48V] LED | This LED lights up when the phantom power is on.
[+48V] switch | When this switch is in the ON position, a phantom voltage of
48 V is present on the XLR sockets in the mono channels for
using condenser microphones. If no condenser microphones are used, the switch
should be in the OFF position. The phantom voltage must not be switched on if
an unbalanced XLR cable is connected to one of the MIC inputs.
---|---
55| [POWER] | This LED lights up when the device is on.
56| [LEDs] | These LED chains indicate the level of the sum signal. Keep
the level within a range below +18. The red LEDs light up if there is an
overload. In this case, pull back the two master faders so that the red LEDs
do not light up any more. If the PFL button is pressed in one of the channels,
the signal in this channel is displayed in the left LED chain, regardless of
the channel fader.
57| [PFL] | This LED lights up when the [PFL] button is pressed in at
least one of the channels and thus the LED chains do not display the sum
signal.
58| [CR & PHONES] | Rotary control for adjusting the level on the outputs
[CR OUT] and [PHONES].
59| [L MIX R] | Master fader for adjusting the sum level on the outputs
[MAIN OUTPUT] , [CR OUT] and [PHONES].
60, 61| [MAIN OUTPUTS] | Balanced 6.3-mm jack outputs for connecting power
amplifiers, effects devices or recording devices
---|---
62, 63| [MAIN OUTPUTS] | Balanced XLR outputs for connecting power
amplifiers, effects devices or recording devices.
64| [POWER] | Main switch for turning the device on and off.
65| [SIGNAL] | Rubber panel plug for mains connection with fuse holder.
Connection example – club gig
Technical specifications
| Input connections | Power supply | C14 rubber panel plug |
|---|---|---|
| Microphone input | Type | 6 × XLR panel socket, 3-pin, balanced |
| Level | max. + 4 dBu ± 1 dBu | |
| Impedance | 6 kΩ, balanced3 kΩ ±200 Ω, unbalanced | |
| Line input | Type | 6 × 6.3-mm jack socket, balanced or unbal‐ anced |
| Level | max. + 21 dBu ± 1 dBu | |
| Impedance | 44 kΩ, balanced22 kΩ ±2 kΩ, unbalanced | |
| Stereo input | Type | 2 × cinch sockets |
| Level | max. + 21 dBu ± 1 dBu | |
| Impedance | 44 kΩ, balanced22 kΩ ±2 kΩ, unbalanced | |
| Stereo line level input | Type | 4 × 6.3-mm jack socket |
| Level | max. +21 dBu ± 1 dBu | |
| Impedance | 44 kΩ, balanced22 kΩ ±2 kΩ, unbalanced | |
| Foot switch | Type | 6.3-mm jack socket |
| USB port | Type | USB-A |
| Output connections | Master output | Type |
| Level | +26 dBu ± 1 dBu | |
| Impedance | 100 Ω | |
| Master output | Type | 2 × XLR panel socket, 3-pin, balanced |
| Level | +26 dBu ± 1 dBu | |
| Impedance | 100 Ω | |
| Line output | Type | 2 × cinch sockets |
| Level | max. +26 dBu ± 1 dBu | |
| Impedance | 100 Ω, balanced200 Ω, unbalanced | |
| Line level output | Type | 2 × 6.3-mm jack socket |
| Level | max. +21 dBu ± 1 dBu | |
| Impedance | 100 Ω, balanced200 Ω, unbalanced | |
| Control room output | Type | 2 × 6.3-mm jack socket |
| Level | max. +26 dBu ± 1 dBu | |
| Impedance | 100 Ω, balanced200 Ω, unbalanced | |
| --- | --- | --- |
| Stereo headphone output | Type | 6.3-mm jack socket |
| Level | 150 mW ± 5 mW @ 32 Ω | |
| EQ | Treble | +/- 10 dB, ± 1.5 dB @ 12 kHz shelving |
| Mids | +/- 10 dB, ± 1.5 dB @ 1 kHz shelving | |
| Bass | +/- 10 dB ± 1.5 dB @ 80 Hz shelving | |
| Effects | 16 in total | 2 × hall reverb2 × room reverb 2 × plate reverb 1 × |
spring reverb 2 × delay2 × chorus Flanger Phaser Gated reverbFlanger
reverbVocal echo
Signal gain mono channel| Mic input, adjustable| 44 dB (–16 ~ –60 dB)
Line| –10 dB ~ + 34 dB
Frequency range| 20 Hz ~ 20 kHz ± 2 dB
Signal-to-noise ratio| Mic equivalent residual noise| 128 dB ± 5 dB
Residual noise| 80 dB ± 5 dB
Total harmonic distortion (THD)| < 0.025% at +14 dBu ± 0.5 dBu
Phantom power| 48 V ± 2 V
Common mode rejection| 63 dB ± 3 dB @ 1 kHz
Bluetooth®| Frequency range| 2402 MHz … 2480 MHz
Max. transmission power| +4 dBm
Standard| Version 5.0
Power consumption| 36 W
Supply voltage| 100 – 240 V , 50/60 Hz
Fuse| 5 mm × 20 mm, 1.6 A, 250 V, slow blow
Dimensions (W × H × D)| 345 mm × 100 mm × 340 mm
Weight| 4.7 kg
Ambient conditions| Temperature range| 0 °C…40 °C
Relative humidity| 20%…80%, non-condensing
Built-in effects unit| Yes
---|---
19-inch rack-mountable| No
Number of microphone channels| 6
Number of stereo inputs| 2
Number of aux paths| 1
Phantom power| Yes
Built-in power supply| No
Parametric| No
Digital interface| No
USB 2.0| Yes
Bluetooth| Optional
Plug and connection assignment
Introduction: This chapter will help you select the right cables and
plugs to connect your valuable equipment in such a way that a perfect sound
experience is ensured.
Please note these advices, because especially in ‘Sound & Light’ caution is
indicated: Even if a plug fits into the socket, an incorrect connection may
result in a destroyed power amp, a short circuit or ‘just’ in poor
transmission quality!
Balanced and unbalanced transmis‐ sion:
Unbalanced transmission is mainly used in semi-professional environment and in
hifi
use. Instrument cables with two conductors (one core plus shielding) are
typical rep‐
resentatives of the unbalanced transmission. One conductor is ground and
shielding
while the signal is transmitted through the core.
Unbalanced transmission is susceptible to electromagnetic interference,
especially at
low levels, such as microphone signals and when using long cables.
In a professional environment, therefore, the balanced transmission is
preferred, because this enables an undisturbed transmission of signals over
long distances. In addition to the conductors ‘Ground’ and ‘Signal’, in a
balanced transmission a second core is added. This also transfers the signal,
but phase-shifted by 180°.
Since the interference affects both cores equally, by subtracting the phase-
shifted signals, the interfering signal is completely neutralized. The result
is a pure signal without any noise interference.
| 1 | Signal |
|---|---|
| 2 | Ground, shielding |
| 1/4″ TS phone plug (mono, unbal‐ anced) | |
| 1 | Signal (in phase, +) |
| 2 | Signal (out of phase, –) |
| 3 | Ground |
1/4″ TRS phone plug (mono, bal‐
anced)|
1| Signal (left)
2| Signal (right)
3| Ground
**1/4″ TRS phone plug (stereo, unbal‐ anced)
**
**XLR plug (balanced)
XLR plug (unbalanced)
RCA connection
**
| 1 | Ground, shielding |
|---|---|
| 2 | Signal (in phase, +) |
| 3 | Signal (out of phase, –) |
| 4 | Shielding on plug housing (option) |
| 1 | Ground, shielding |
| 2 | Signal |
| 3 | Bridged to pin 1 |
Protecting the environment
Disposal of the packing material
Environmentally friendly materials have been chosen for the packaging. These
mate‐ rials can be sent for normal recycling. Ensure that plastic bags,
packaging, etc. are dis‐ posed of in the proper manner.
Do not dispose of these materials with your normal household waste, but make
sure that they are collected for recycling. Please follow the instructions and
markings on the packaging.
Observe the disposal note regarding documentation in France.
**Disposal of your old device
** This product is subject to the European Waste Electrical and Electronic
Equipment Directive (WEEE) as amended.
Do not dispose of your old device with your normal household waste; instead,
deliver it for controlled disposal by an approved waste disposal firm or
through your local waste facility. When disposing of the device, comply with
the rules and regulations that apply in your country. If in doubt, consult
your local waste management facility. Proper disposal protects the environment
as well as the health of your fellow human beings.
Also note that waste avoidance is a valuable contribution to environmental
protec‐ tion. Repairing a device or passing it on to another user is an
ecologically valuable alternative to disposal.
You can return your old device to Thomann GmbH at no charge. Check the current
conditions on www.thomann.de.
If your old device contains personal data, delete those data before disposing
of it
References
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