CREST AUDIO CPX 1 CPX Series Power Amplifier User Manual

CPX Series Power Amplifiers™
CPX™ 1 | CPX™ 2 | CPX™3
Operating Manual

FCC/ICES Compliance Statement

This device complies with Part 15 of the FCC. Operation is subject to the following two conditions: (1) this device may not cause harmful interference, and (2) this device must accept any interference received, that may cause undesired operation.
Warning: Changes or modifications to the equipment not approved by Crest Audio can void the user’s authority to use the equipment.
Note – This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instruction manual, may cause harmful interference to radio communications. Operation of this equipment in a residential area is likely to cause harmful interference in which case the user will be required to correct the interference at their expense.

CPX SERIES PROFESSIONAL STEREO POWER AMPLIFIER™

INTRODUCTION

Congratulations! You have just purchased one of the world’s finest professional power amplifiers. The CPX amplifier features a two-way crossover and sub-sonic (low-cut) filter
for each channel.
Crossover frequencies are fixed at 150 Hz, allowing subwoofers to be driven at extremely high sound pressure levels, and the filters are cut at 40 Hz to prevent low-end rumble. Using proven technology gained through years of amplifier design, this unit takes advantage of rugged TO-3P output devices mounted on massive aluminum extrusions and dissipates heat via an extremely quiet and effective two-speed fan. CPX amplifiers are designed to operate at line voltages as low as 50% of nominal, employing mammoth
toroidal power transformers and offering impressive specifications and features not found on similarly priced competitive units. This amp is designed to drive a 2 Ohms load per channel, thus achieving awesome performance levels into 4 Ohms in BRIDGE  mode. CPXamplifiers are ruggedly constructed, rack- mountable pieces of gear with superb matching capability, allowing superior flexibility in application.
Front panel features include calibrated, detented gain (dB) controls and LED indicators for power (PWR), signal presence (SIG), Thermal Protection indicator, and GCL™  activation on each channel, as well as a rocker mains POWER switch.
The back panel contains an IEC connector, line voltage selector switch, dual primary fuses, and the critical cooling fan opening.
This opening should have an adequate supply of cool air and should never be blocked or restricted.
Also on the back panel are the input and output sections, including an input barrier strip for permanent installations. Each channel input section includes a combo XLR / TRS
phone jack connector, THRU/LOW out and HIGH out TRS jacks and activation switches for the LOW CUT filter and crossover (150 Hz XOVER).
Channel output sections feature dual shockproof binding posts and four- conductor twist lock connectors.
An additional four-conductor twist lock connector allows BRIDGE mode output.
UNPACKING
Inspect the amplifier during unpacking. If any damage is found, notify your dealer immediately. Be sure to save the carton and all packing materials. Should you ever need to ship the unit back to Crest Audio®, one of its service centers, or the dealer; use only the original factory packing.
INSTALLATION
CPX professional power amplifiers are designed for durability in commercial installations and provide the quality performance required in the studio and home applications. They are two-rack-space units of 15.5″ (380 mm) depth designed to mount in a standard 19″ rack.
Rear mounting ears are provided for additional support. The minimum rack depth required from the mounting surface is 17″ (432 mm) to allow adequate connector clearance.
BASIC SETUP
Before mounting, make sure the line voltage selector is set to the correct voltage (page 5).
Rack mount the amplifier in the location where it is to be used, remembering to allow for adequate access and cooling space. Make all the connections to the desired INPUT connectors on the desired channel. Select the proper mode configuration (STEREO or BRIDGE). Connect speakers to the desired OUTPUT connectors.
Make sure the load impedance is greater than 2 Ohms per channel (4 Ohms bridged) to prevent the amplifier from shutting down.
With the POWER switch OFF, connect the IEC cord (8) to the amplifier and then to an outlet of the proper voltage. With both channel gain, controls turned fully counterclockwise, turn the Power switch on, and raise the gain controls to achieve the desired sound level.
Please carefully review this manual to learn about all the features and designed-in behaviors of your new CPX Series power amplifier!

Front Panel

1. INPUT GAIN (dB)
   These controls are used to adjust the input gain of each channel. They determine how “loud” each channel of the power amplifier will sound for a given input signal level. Maximum input gain is achieved at the fully clockwise setting (+32 dB, 40X), and this setting yields maximum mixer/system headroom. A setting of less than fully clockwise will yield lower system noise at the expense of mixer/system headroom. Turning the control fully counterclockwise is the “off” setting (-∞). It is always a good idea to power up any new installation at this setting to protect the system’s loudspeakers.

2. POWER LEDS (PWR)
   These indicators illuminate when the AC mains power is being supplied to the amp and both channels are operational. If either channel experiences fault conditions, exceeds safe operating temperature limits, or if the mains circuit breaker trips; both channel power LEDs will be dark, indicating “shutdown”. If the BRIDGE mode is selected, the PWR indicator on channel B will remain dark as a positive indication of this mode selection.

3. SIGNAL ACTIVITY LEDS (SIG)
   These indicators illuminate when the associated channel output signal level exceeds 1 V RMS.

4. GCL ACTIVE LEDS
   These indicators illuminate when GCL compression is taking place in the associated channel. If the rear panel GCL switch is depressed, then GCL is defeated and these LEDs indicate clipping is occurring in the corresponding channel. The Crest Audio GCL compression system will be covered in greater detail later in this manual.

5. Thermal Protect LED
   This indicator illuminates when the thermal sensor on either heatsink reaches approximately 90 degrees C, at which point, the amplifiers are muted while the fan remains on high speed. If this happens repeatedly, either reduce the load on the amplifier (detach one of the speakers), or supply additional cooling to the amplifier, such as a fan. When rack mounting, it is helpful to leave 1 RU open above and below the amplifier to prevent heat buildup from adjacent units.

6. POWER SWITCH
   This heavy-duty, rocker-type switch turns on the main power to the amplifier. When the mains power is applied, there is a delay in the activation of the unit. This reduces/eliminates the turn-on transients associated with the system equipment connected to the amplifier and protects loudspeakers.

7. DUAL PRIMARY FUSE
   In order to accommodate line voltage switching, the power transformer is designed with two primaries that can be placed in series or parallel by means of the line voltage selector switch. Each primary is individually fused, so there is no need to change fuse values when a different line voltage is selected. It is important to use the fuse values specified on the rear panel. The fuses are provided to limit current to the associated transformer primary winding and protect it from overheating and possible destruction due to fault conditions in the unit. The trip current values have been carefully chosen to allow reasonable continuous power output performance, while still protecting the power transformer. These fuses should not open unless there is a fault in the amplifier circuitry that causes excessive mains current draw. However, abnormal conditions such as a short circuit on either or both channels, continuous operation at overload, or clipping (especially into 2 Ohms loads per channel or 4 Ohms bridge load) can cause the fuses to open. If this occurs, UNPLUG from the AC POWER source before replacing the fuses, after waiting a brief period of time to allow the unit to cool down. Efforts should be made to correct the cause of the overload, first by disconnecting one output at a time, and then one speaker at a time until the bad cable or damaged speaker is isolated. If the fuses open instantly each time you attempt to turn the unit on, it should be taken to a qualified Crest Audio Service Center for repair.

8. IEC MAINS CONNECTOR
   This is a standard IEC power connector. An AC mains cord having the appropriate AC plug and ratings for the intended operating voltage is included in the carton.
   U.S. DOMESTIC AC MAINS CORD
   The main cord supplied with the unit is a heavy-duty, three-conductor type with a conventional 120 VAC plug with a ground pin.
   It should be connected to an independent circuit capable of continuously supporting at least 15 amps. This is particularly critical for sustained high- power applications. If the outlet used does not have a ground pin, a suitable grounding adapter should be used and the third wire grounded properly.
   Never break off the ground pin on any equipment. It is provided for your safety.
   The use of extension cords should be avoided but, if necessary, always use a three-wire type with at least a #14 AWG wire size. The use of lighter wire will severely limit the power capability of this amplifier. Always use a qualified electrician to install any new electrical equipment. To prevent the risk of shock or fire hazards, always be sure that the amplifier and all associated equipment are properly grounded.
   NOTE: FOR THE UK ONLY
   If the colors of the wires in the mains lead of this unit do not correspond with the colored markings identifying the terminals in your plug, proceed as follows: (1) The wire that is colored green and yellow must be connected to the terminal that is marked by the letter E, the earth symbol, colored green, or colored green and yellow. (2) The wire that is colored blue must be connected to the terminal that is marked with the letter N or the color black. (3) The wire that is colored brown must be connected to the terminal that is marked with the letter L or the color red.

9. LINE VOLTAGE SELECTOR SWITCH
   The CPX series power transformer is designed with two primaries that can be placed in series or parallel by means of the line voltage selector switch. It is accessible by loosening one screw and rotating the transparent guard out of the way. Please be sure this is set to the proper voltage for your area before turning the amplifier on for the first time.

10. BINDING POST OUTPUTS
    Shockproof binding post-speaker outputs are provided on the CPX amplifier. For each channel, the outputs are in parallel and the speaker connection cables can be terminated with banana plugs or stripped wires for use in the binding post terminals or can be connected using the twist lock outputs (11). For sustained high-power applications, either output can be used; however, exercise care to assure the correct speaker polarity. The red binding posts are the signal outputs from each channel, and the black binding posts are chassis ground. The red binding post should be connected to the positive inputs of the associated loudspeakers. For BRIDGE mode operation, only the red binding posts are used, and the loudspeaker load is connected between the two red posts, with CH A having positive polarity and CH B having a negative polarity.
    WARNING. Regardless of what connections are used, the minimum parallel speaker load should always be limited to 2 Ohms per channel, or 4 Ohms when in BRIDGE mode. Operation at loads of 4 Ohms per channel, or 8 Ohms BRIDGE mode, is more desirable for sustained operation applications because the amplifier will run much cooler with this load. Operation above 4 Ohms per channel and even open-circuit conditions can always be considered safe, but sustained operation at loads below 2 Ohms could result in a temporary amplifier shut down due to the thermal limit circuitry.

11. TWIST LOCK OUTPUTS
    CPX amplifiers utilize three 4-conductor twist lock connectors, one for each channel and one for BRIDGE mode. Please refer to the BRIDGE MODE section of this manual before attempting to use this mode. For each channel twist lock, the same impedance rules apply as with the binding posts. Internally, all the twist locks are wired in the “high current” configuration, with pins 1+ and 2+ in parallel, and pins 1- and 2- in parallel. For the CHANNEL A and CHANNEL B twist locks, the respective channel output appears on pins 1+ and 2+. Pins 1- and 2- are chassis ground. For the BRIDGE twist lock, CHANNEL A appears on pins 1+ and 2+, and CHANNEL B appears on pins 1- and 2-. Always check the twist lock connector wiring carefully before using it.

12. MODE SWITCH
    This switch is best changed when the amplifier is off. It is used to select STEREO or BRIDGE mode operation. It is a recessed push-push type, requiring a small tool to activate. The IN position is BRIDGE mode; the OUT position is the STEREO mode. Exercise care when selecting the BRIDGE mode. Accidental selection of this mode could damage loudspeakers, particularly in bi-amped systems. Amplifier BRIDGE mode theory will be covered later in this manual.

13. GCL (Gain Comparator Limiter) SWITCH
    This switch is used to enable or defeat the GCL limiter circuitry. It is also a conventional push-push type, requiring a small “tool” to activate. The IN position is DEFEAT; the OUT position is ENABLE. Normally, the GCL function should be enabled to minimize the possibility of either or both channels going into clipping or overload. With this feature defeated, a severe overload could cause the mains circuit breaker to trip. The Crest GCL limit-ing system will be covered in greater detail later in this manual.

14. FAN GRILLE
    A two-speed DC fan supplies cool air to the amplifier. THIS INTAKE SHOULD NEVER BE BLOCKED! The fan switches to high speed automatically when the unit requires additional cooling. At idle and cool, the fan runs at low speed. The fan should never stop unless the amplifier is switched OFF or the AC mains power source is interrupted, or the thermal breaker in the transformer has tripped due to excess heating. The thermal breaker in the transformer is self- resetting once the excess heat has dissipated.

15. INPUT BARRIER STRIP
    A barrier strip is provided for input connections using bare wire or spade lug connections. CPX amplifiers employ low-noise, electronically balanced input circuitry. This circuitry offers a very wide dynamic range capable of handling virtually any input signal level while providing excellent common mode rejection to minimize hum and reduce interference. This strip accepts balanced and unbalanced audio signals. The “+” and “-” terminals are the positive and negative inputs to the respective channels. The GND terminal is the common ground for both channel inputs. For use with an unbalanced source, connect the “-” input terminal of the channel to the ground with a jumper. If the “-” input is left floating, a 6 dB loss in channel gain will result and the floating input terminal may pick up outside noise.

16. COMBO INPUT CONNECTOR
    The combo connector offers both female XLR and 1/4″ phone jack balanced inputs for each channel. The XLR is wired with pin 1 as ground, pin 2 positive input, and pin 3 negative input. The 1/4″ phone jack is a tip/ring/sleeve (3-conductor) type, with the tip being positive input, the ring negative input, and the sleeve ground. It is important to realize that the XLR, 1/4″ jack and barrier strip inputs are all in parallel; therefore a balanced input to the associated channel can be accomplished using a male XLR, a 3-conductor phone jack, or bare wires connected to the barrier strip.
    As an alternative, the 1/4″ input can also be used with a regular tip/sleeve (2-conductor) type plug commonly found on single-conductor shielded patch cords. In this case, the input becomes unbalanced, with the tip as positive input, and the sleeve ground (the ring being grounded by the sleeve of the plug).

17. 40 Hz SWITCH
    This switch is used to activate the high-pass filter for the corresponding channel. It is again a push-push type switch, requiring a small tool to activate. The IN position routes the input signals through the 40 Hz high-pass filter, while the OUT position bypasses the filter. This filter cuts extremely low frequencies, protecting speakers from over-excursion. The filter low- frequency roll-off is 12 dB per octave. The high-pass filter for each channel will function independently of the crossover function to be discussed next.

18. CROSSOVER SWITCH (150 Hz XOVER)
    This switch is used to activate the 150 Hz crossover for the corresponding channel. It is also a push-push type switch and requires a small tool to activate. The CPX offers two 150 Hz crossovers. These are designed for use when a subwoofer is added to the system.
    With the switch IN, the input signals are routed through the crossover, and the low frequencies are automatically sent to the corresponding channel. At the same time, the high frequencies are sent to the HIGH OUT (20) jack and must then be patched to an INPUT of the other channel of this amplifier or to another amplifier input to complete the bi-amped system. Additionally, the low frequencies are sent to the THRU/LOW OUT (19) jack and can be patched to other amplifier inputs to permit even larger systems.
    With the switch OUT the crossover is defeated, and the input signal is routed to the line level THRU output jack. The crossover frequency is fixed at 150 Hz and cannot be changed. The crossover configuration is a 4th-order Linkwitz- Riley approximation.

19. THRU/LOW OUT JACKS
    As per the previous crossover discussion, this 1/4″ jack supplies low- frequency out signals from the activated crossover for patching to additional power amplifier inputs, providing added flexibility in larger bi-amped systems. When the crossover function is not activated, this jack converts to a THRU function, where the output of the electronically balanced input circuitry is supplied to this jack. The THRU function provides the means to patch a full range input signal to the other input of this amplifier (parallel mode), or to other amp inputs in the same rack. This function allows one balanced mixer feed to be connected to the amp via the desired balanced input connector (XLR, 1/4″, Barrier), and then further distributed locally. Regardless of the crossover switch position, this 1/4″ jack provides an impedance balanced (TRS) output. Although 2-conductor balanced (TRS) cables will provide better noise immunity, single conductor shielded (tip/sleeve) cables can also be used.

20. HIGH OUT JACKS
    Again, as per the previous crossover discussion, this 1/4″ jack supplies high frequency out signals from the activated crossover for patching to this amplifier and/or additional power amplifier inputs. Unlike the low-frequency crossover output, which is automatically routed to the associated channel, the high-frequency output signal must be patched to some suitable input in order to complete the bi-amped system. This 1/4″ jack provides an impedance balanced (TRS) output. Although 2-conductor balanced (TRS) cables will provide better noise immunity, single conductor shielded (tip/sleeve) cables can also be used.

INDUSTRIAL AND COMMERCIAL INSTALLATIONS

For commercial and other installations where sustained high-power operation is required, the amplifiers should be mounted in a standard 19″ rack. It is a good idea to leave a rack space between each amplifier in the stack to prevent heat buildup between units and induced hum from transformer magnetic fields. Regardless, an adequate cool air supply must be provided for the amplifier when rack mounted. The internal fan must have a source of air that is not preheated by other equipment. The amplifier will start up in low-speed fan operation and will normally stay at low speed unless sustained high-power operating levels occur. Then, as temperatures in the amplifier heat sink increase, thermal-sensing circuitry will cause high-speed operation to occur. Depending upon signal conditions and amp loading, high-speed fan operation may continue or the fan may cycle continuously between high and low. This behavior is by design. If cooling is inadequate, however, the amplifier thermal-sensing system may cause a temporary shutdown of the unit, indicated by the front panel THERMAL PROTECT LED. Inadequate cooling may be due to preheated air, reduced airflow resulting from blockage of inlet/outlet ports, amplifier overload, or short circuit conditions. Depending upon the available cooling air, the operation should be restored relatively quickly, and the power LEDs on both channels will again be illuminated. In any event, action should be taken to correct the cause of the thermal shutdown. If the amplifier is not severely overloaded or shorted and airflow is normal in and out of the amplifier, then steps should be taken to provide a cooler environment for all the amplifiers.

As a general rule, most home and studio requirements will never cause high- speed fan operation. The high-speed operation may indicate that you have not taken the necessary steps to provide adequate cooling. The CPX Series should never be operated in a fully enclosed cabinet.
BRIDGE MODE
When a 2-channel amplifier is operated in the Bridge mode, it is converted into a single-channel unit with a power rating equal to the sum of the power rating for each channel, at a load of twice that of the single-channel rating. For example, the CPX 2 is rated at 450 Watts RMS per channel into 2 Ohms. The Bridge rating is 900 Watts RMS into 4 Ohms (minimum load). Bridge mode operation is accomplished by placing the MODE switch in the BRIDGE position, using only the BRIDGE twist lock connector or the red binding posts for the output, and using the CHANNEL A input. All CHANNEL B input functions are defeated and serve no purpose now. Bridge mode operation can be used to drive sound distribution systems in very large public address applications.
Another common use for the Bridge mode is in subwoofer applications where very high power levels are required to reproduce extremely low frequencies with adequate headroom. Such enclosures usually contain 2 or 4 loudspeakers to handle the power levels involved. When using Bridge mode, the connected enclosure impedance must be 4 or 8 Ohms — never below 4 Ohms.
GCL
Crest Audio’s patented GCL (Gain Comparator Limiting) circuit enables the sound technician to maximize the performance of the amplifier/speaker combination by preventing the power amplifier from running out of headroom (clipping). This limiting system is activated by a unique circuit that senses signal conditions that might overload the amplifier and activates compression (reduces the channel gain) when clipping is imminent. The threshold of the limiter is clipping itself, and no specific threshold control is used. This technique effectively utilizes every precious watt available for the power amplifier to reproduce the signal, while at the same time minimizing clipping and distortion. GCL significantly reduces the potential of loudspeaker degradation and damage and is the most effective, automatic, hands-off approach to the problem of power amplifier clipping.
STAGE OVERCURRENT PROTECTION
Another unique feature of the CPX Series power amplifiers is a 2 stage overcurrent protection scheme. The first stage of overcurrent protection uses a preset current threshold to prevent excessive current through the output devices when driving loads of 2 Ohms impedance or higher (4 Ohms bridged). The second stage dramatically decreases the output of the amplifier if the detected load impedance is one Ohm or less, effectively muting the affected channel and keeping the output devices within their Safe Operating Area.
When the second stage current limit engages, the output will be extremely weak, and the front panel GCL LED will glow steadily, pulsing with the input signal, but dimly. The signal will not return until the overload is removed and the input level is reduced below clipping. This behavior is by design. If this condition occurs, try reducing the input level so that the GCL LED only lights on the loudest peaks. If it continues, inspect for shorted speaker cables, or a total load impedance of fewer than 2 Ohms per channel / 4 Ohms bridged.

| CPX 1| CPX 2| CPX 3
---|---|---|---
Rated Power @ 120 VAC or 240 VAC
Stereo Mode
2 Ω, 1 kHz, 1% THD (RMS per channel)
4 Ω, 1 kHz, 1% THD (RMS per channel)
8 Ω, 1 kHz, 1% THD (RMS per channel)| 300 W
480 W
290 W| 450 W
690 W
430 W| 625 W
1,250 W
750 W
Bridge Mode (Mono)
8 Ω, 1 kHz, 1% THD (RMS)
4 Ω, 1 kHz, 1% THD (RMS)| 960 W
600 W| 1,380 W
900 W| 2,500 W
1,250 W
Minimum Load Impedance| 2 Ω| 2 Ω| 2 Ω
Maximum RMS Voltage per channel| 50 V| 60 V| 80 V
Frequency Response +0, -2 dB @ 1 W
In stereo mode, both channels drove +0,
-2 dB @ 1 W| 12 Hz – 35 kHz| 12 Hz – 35 kHz| 12 Hz – 35 kHz
Hum & Noise
“A” weighted, reference to rated power
@ 8 Ω| > 88 dB| > 88 dB| > 88 dB
Crosstalk
@ 1 kHz, at rated output power @ 8 Ω| > -55 dB| > -55 dB| > -55 dB
Input Sensitivity RMS Voltage
@ rated output power, 4 Ω| 1.08 V| 1.17 V| 1.26 V
Input Impedance
Balanced, XLR
(pin 2 positive) & TRS 1/4″ Jack| 10 kΩ| 10 kΩ| 10 kΩ
Overall System Gain per Channel| 40X (+32 dB)| 40X (+32 dB)| 40X (+32 dB)
Distortion (THD)
In Stereo Mode, both channels are driven,
20 Hz – 20 kHz, 10 dB, 4 Ω| < 0.1%| < 0.1%| < 0.1%
Slew Rate| > 12 V/µs| > 12 V/µs| > 12 V/µs
Damping Factor 8 Ω, 20 Hz -2 kHz
In Stereo Mode, both channels are driven,
8 Ω, 20 Hz -2 kHz| > 250:1| > 250:1| > 250:1
Topology| Class AB| Class AB| Class H
Limiter (GCL – switchable)| Yes| Yes| Yes
Input Connectors
Input
Link| 2 x 3-pin XLR – 1/4″ Jack (TRS) Combo Barrier Strip
2 x 1/4″ Jack (TRS) High Out, 2 x 1/4″ Jack (TRS) Low Out / Thru
Output Connectors
Stereo Mode
Bridge Mode| 2 x 4-pin Twist-Lock & Binding Post
1 x 4-pin Twist-Lock & Binding Post
Crossover
Switchable per channel| 150 Hz (4th order Linkwitz-Riley)
Low Cut
Switchable per channel|  -3 dB @ 40 Hz (12 dB per Octave)
Mode Select| Stereo & Bridge Mode
Cooling System
Temperature-dependent, airflow – back to front| 1 x Two-Speed DC Fan
Protection
Amp
Load| Full short circuit, open circuit, Over-temp thermal, RF, Stable into any load
Turn on/off muting, DC (Triac crowbar), Low-cut filter
Power Consumption
In Stereo Mode, both channels driven
@ 1/8 rated output power, 4 Ω| 550 W| 680 W| 600 W
Mains Voltage|  Dual Voltage, the Selector switch 220-240 & 115 V AC, 50/60 Hz
Mains Connector| DEC
LED Indicators| GCL™/Clipping – Red
Signal – Yellow
Thermal Protect – Red
Power – Green
Dimensions & Weight
Net Weight
Dimensions (HWD)| 40 lbs (18.2 kg)| 45 lbs (20.5 kg)| 49 lbs (22.3 kg)
3.5″ x 19″ x 15.5″  (89 mm x 483 mm x 380 mm)

• Repetitive burst @ 20 ms
  Specifications are subject to change without notice!

Configurations

AMPLIFIER CONFIGURATIONS

![CREST AUDIO CPX 1 CPX Series Power Amplifier

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Wire Gauge

www.crestaudio.comhttps://peaveycommercialaudio.com/
Features and specifications are subject to change without notice.
Crest Audio 5022 HWY 493 N. Meridian, MS 39305 601-483-5365 FAX 601-486-1278
Logo referenced in Directive 2002/96/EC Annex IV
(OJ(L)37/38,13.02.03 and defined in EN 50419: 2005
The bar is the symbol for marking new waste and is applied only to equipment manufactured after
13 August 2005
© 2022 – Rev F1_01072022

References

• Peavey Commercial Audio

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