Crest Audio CPX 900 Power Amplifier Owner’s Manual
- June 17, 2024
- CREST AUDIO
Table of Contents
CPX power amplifier
CPX 900
CPX 1500
CPX 2600
Important precautions
-
Save the carton and packing materials! Should you ever need to ship the unit, use only the original factory packing.
For replacement packaging, call Crest Audio’s Customer Service Department directly. -
Read all documentation before operating your equipment. Retain all documentation for future reference.
-
Follow all instructions printed on unit chassis for proper operation.
-
Never hold a power switch or circuit breaker in the on-position, if it won’t stay there by itself!
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Do not use the unit if the electrical power cord is frayed or broken. The power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them.
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Always operate the unit with the AC ground wire connected to the electrical system ground. Precautions should be taken so that the means of grounding of a piece of equipment is not defeated.
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Damage caused by connection to improper AC voltage is not covered by any warranty. Mains voltage must be correct and the same as that printed on the rear of the unit.
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Do not ground any hot (red) terminal. Never connect a hot (red) output to ground or to another hot (red) output!
-
Power down and disconnect units from mains voltage before making connections.
-
Do not drive the inputs with a signal level greater than that required to enable equipment to reach full output.
Do not run the output of any amplifier channel back into another channel’s
input.
Do not parallel- or series-connect an amplifier output with any other
amplifier output.
Crest Audio is not responsible for damage to loudspeakers for any reason.
Do not connect the inputs or outputs of amplifiers to any other voltage
source: such as a battery, mains source, or power supply, regardless of
whether the amplifier is turned on or off.
Connecting amplifier outputs to oscilloscopes or other test equipment while
the amplifier is in bridged mono mode may damage both the amplifier and test
equipment!
Do not spill water or other liquids into or on the unit, or operate the unit
while standing in liquid.
Do not block fan intake or exhaust ports.
Do not operate equipment on a surface or in an environment which may impede
the normal flow of air around the unit: such as a bed, rug, weathersheet,
carpet, or completely enclosed rack.
If the unit is used in an extremely dusty or smoky environment: the unit
should be periodically “blown free” of foreign matter.
Do not use the unit near stoves, heat registers, radiators, or other heat
producing devices.
The power cord of equipment should be unplugged from the outlet when left
unused for a long period of time.
Service Information
Do not remove the cover!
Removing the cover will expose you to potentially dangerous voltages.
There are no user serviceable parts inside.
Equipment should be serviced by qualified service personnel when:
A. The power supply cord or the plug has been damaged.
B. The equipment has been exposed to rain.
C. The equipment does not appear to operate normally, or exhibits a marked
change in performance.
D. The equipment has been dropped, or the enclosure damaged.
To obtain service:
contact your nearest Crest Audio Service Center, Distributor, Dealer, or Crest
Audio at 201.909.8700
USA or visit www.crestaudio.com for additional
information. email:
techserve@crestaudio.com
Introduction
welcome
Congratulations on your purchase of a new CPX Series power amplifier, and
thank you for your confidence in Crest Audio products. You are among the
growing number of audio professionals who have made Crest Audio one of the
world’s leading suppliers of professional and commercial/industrial audio
systems.
For your safety, please read the Important Precautions section before
installing and operating the amplifier. The Crest Audio CPX Series amplifiers
are designed for high operating efficiency and accurate sonic performance
across the full audio bandwidth, even under stressful conditions.
CPX series amplifiers feature a 2-way crossover and sub-sonic (low-cut) filter
for each channel. Crossover frequencies are fixed at 150 Hz, allowing
subwoofers to be driven at extremely high sound pressure levels, and the
filters cut at 40 Hz to prevent low-end rumble. Using proven technology gained
through years of amplifier design, this unit takes advantage of rugged TO-3P
output devices mounted on massive aluminum extrusions and dissipates heat via
an extremely quiet and effective 2-speed fan. CPX amplifiers employ mammoth
toroidal power transformers and offer impressive specifications and features
not found on similarly priced competitive units.
These amps are designed to drive a 2-ohm load per channel, thus achieving
awesome performance levels into 4 ohms in BRIDGE mode. CPX amplifiers are
ruggedly constructed, rack-mountable pieces of gear with superb patching
capability, allowing superior flexibility in application.
Front panel features include calibrated, detented gain (dB) controls and LED
indicators for power (PWR), signal presence (SIG), and GCL (Gain Comparator
Limiter) activation on each channel, as well as a rocker mains POWER switch.
The back panel contains an IEC connector for the mains power cord, a mains
circuit breaker with reset, and the critical cooling fan opening. This opening
should have an adequate supply of cool air and should never be blocked or
restricted. Also on the back panel are the input and output sections,
including an input barrier strip for permanent installations. Each channel
input section includes a combo XLR / ¼” phone jack connector, THRU/LOW out and
HIGH out ¼” jacks, and activation switches for the LOW CUT filter and
crossover (150 Hz XOVER). Channel output sections feature dual shock-proof
binding posts and 4-conductor Speakon connectors. An additional 4-conductor
Speakon connector allows BRIDGE mode output.
Installation
unpacking
Please inspect the amplifier carefully immediately after unpacking. If you
find any damage, notify your supplier/dealer immediately. Only the shipper may
file a damage claim with the carrier for damage incurred during shipping. Be
sure to save the carton and all packing materials for the carrier’s
inspection.
If the packing materials are in good condition, please save them. If you ever
need to ship the unit anywhere without mounting it in a rack, you should take
advantage of the original factory packing materials in order to avoid
unnecessary damage.
For replacement packaging, call Crest Audio’s Customer Service Department
directly. see—service and support
mounting
All CPX Series amplifiers mount in standard 19-inch racks and occupy two rack
spaces. Use of rear supports is highly recommended in all mobile and touring
sound systems.
CPX Front panel
INSTALLATION
CPX professional power amplifiers are designed for durability in commercial
installations and provide the quality performance required in studio and home
applications. They are 2-rack-space units of 16″ (406 mm) depth designed to
mount in a standard 19″ rack. Rear mounting ears are provided for additional
support. The minimum rack depth required from the mounting surface is 17″ (432
mm) to allow adequate connector clearance.
cooling and ventilation
CPX amplifiers use a forced air cooling system to maintain a low, even
operating temperature.
Air is drawn in by a DC fan on the rear panel, flows through the cooling fins
and then exhausts through the front panel vent.
Heatsink temperature is monitored and controls the variable speed fan. Fan
speed increases only as required, keeping fan noise to a minimum.
If the heatsink surpasses it’s maximum allowed temperature, the thermal
protection circuit will activate and open the output relays allowing the
amplifier to cool to a safe temperature. Thermal protect activation only
occurs under extreme thermal conditions and is not part of normal operation.
Make certain that there is enough space around the front and rear of the
amplifier to allow the heated air to escape. When mounting in a rack, try to
avoid using doors or covers on the front and rear of the enclosure; the
exhaust air must not be impeded suggestion
In racks with closed backs allow at least one standard-rackspace opening for
every four amps.
Basic setup
Rack mount the amplifier in the location where it is to be used, remembering
to allow for adequate access and cooling space. Make all the connections to
the proper INPUT connectors on the desired channel. Select the proper mode
configuration (STEREO or BRIDGE). Connect speakers to the proper OUTPUT
connectors, reviewing carefully the impedance and phase considerations. With
the POWER switch OFF, connect the IEC cord to the amplifier and then to a
suitable electrical outlet to allow proper current draw.
With both channel gain (dB) controls at their fully counterclockwise (-8)
settings, turn the POWER switch to ON, and slowly raise the gain controls to
desired settings. Please carefully review this manual. It covers all this
information in greater detail.
maintenance
CPX amplifiers require no routine maintenance other than checking the cooling
fans to make sure they’re unblocked and working.
If the amplifier is used in an extremely dusty or smoky environment , the unit
should be periodically “ blown free “ ( using compressed air ) of any foreign
matter that may have built up inside the unit.
Users will not need to make any adjustments to the amplifier during it’s
lifetime. There are no user-serviceable parts or adjustments that require
opening the amplifier.
Features overview
CPX Front panel 
front panel
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Channel Level attenuators
Two input attenuators adjust level for their respective amplifier channels. In Bridged Mono and Parallel modes, the channel A attenuator controls overall signal level (see rear panel mode switch description). -
Power LEDs (PWR)
These indicators illuminate when the AC mains power is being supplied to the amp and both channels are operational. If either channel experiences fault conditions, exceeds safe operating temperature limits, or if the mains circuit breaker trips; both channel power LEDs will be dark, indicating “shutdown”. If the BRIDGE mode is selected, the PWR indicator on channel B will remain dark as a positive indication of this mode selection. -
Signal activity LED’s (sig)
These indicators illuminate when the associated channel output signal level exceeds 1 VRMS. -
GCL Active LED’s
These indicators illuminate when GCL compression is taking place in the associated channel. With the GCL ENABLE / DEFEAT switch on the back panel in the ENABLE position, these LEDs indicate clipping is occurring in the corresponding channel. The Crest GCL limiting system will be covered in greater detail later in this manual. -
Fan Outlet Grill
CPX Series amplifiers are cooled by a single rear-mounted fan. Cool air flows over the heat sink and exhausts through the front grill. Make sure this outlet remains clear to allow unrestricted airflow. -
Power switch
This heavy-duty, rocker-type switch turns ON the mains power to the amplifier. When the mains power is applied, there is a 3-second delay in activation of the unit. This reduces/eliminates the turn-on transients associated with the system equipment connected to the amplifier and protects loudspeakers.
CPX Rear Panel
rear panel -
Circuit breaker
There is one circuit BREAKER on the CPX amplifier. This breaker is provided to limit current to the associated power transformer, and protect it from overheating and possible destruction due to fault conditions in the unit. The trip current values have been carefully chosen to allow reasonable continuous power output performance, while still protecting the power transformer. This breaker should not trip unless there is a fault in the amplifier circuitry that causes excessive mains current draw. However, abnormal conditions such as a short circuit on either or both channels, or continuous operation at overload or clipping (especially into 2-ohm loads per channel or 4-ohm bridge load) can cause the breaker to trip. If this occurs, turn the POWER switch OFF and reset the breaker, after waiting a brief period of time to allow the unit to cool down. Efforts should be made to correct the cause of the overload if possible. When tripped, the button on the BREAKER will be outward approximately ¼” and can be reset
by pushing inward and upward. A normal reset button is relatively flat. If the breaker trips instantly each time you attempt to turn the unit on, it should be taken to a qualified Crest Service Center for repair. -
IEC Mains connector
This is a standard IEC power connector. An AC mains cord having the appropriate AC plug and ratings for the intended operating voltage is included in the carton.
US Domestic AC Mains cord (not pictured)
The mains cord supplied with the unit is a heavy-duty, 3-conductor type with a conventional 120 VAC plug with ground pin. It should be connected to an independent circuit capable of continuously supporting at least 15 amps. This is particularly critical for sustained high-power applications. If the outlet used does not have a ground pin, a suitable grounding adapter should be used and the third wire grounded properly.
Never break off the ground pin on any equipment. It is provided for your safety.
The use of extension cords should be avoided but, if necessary, always use a 3-wire type with at least a #14 AWG wire size. The use of lighter wire will severely limit the power capability of this amplifier. Always use a qualified electrician to install any new electrical equipment. To prevent the risk of shock or fire hazard, always be sure that the amplifier and all associated equipment is properly grounded.
CPX Rear Panel
-
Binding post outputs
Shockproof binding post speaker outputs are provided on the CPX amplifier. For each channel, the outputs are in parallel and the speaker connection cables can be terminated with banana plugs or stripped wires for use in the binding post terminals, or can be connected using the Speakon outputs (9). For sustained high-power applications, either outputs can be used; however, exercise care to assure the correct speaker phasing. The red binding posts are the signal outputs from each channel, and the black binding posts are chassis ground. The red binding post should be connected to the positive inputs of the associated loudspeakers. For BRIDGE mode operation, only the red binding posts are used and the associated loudspeaker load is connected between the two red posts.
WARNING …Regardless of what connections are used, the minimum parallel speaker load should always be limited to 2 ohms per channel or 4 ohms BRIDGE mode for any application. Operation at loads of 4 ohms per channel, or 8 ohms BRIDGE mode, is more desirable for sustained operation applications because the amplifier will run much cooler at this loading. Operation above 4 ohms per channel and even open-circuit conditions can always be considered safe, but sustained operation at loads below 2 ohms could result in temporary amplifier shut down due to the thermal limit circuitry. -
Speakon outputs
CPX amplifiers utilize three 4-conductor Speakon connectors, one for each channel and one for BRIDGE mode. Please refer to the BRIDGE MODE section of this manual before attempting to use this mode. For each channel Speakon, the same impedance rules apply as with the binding posts. Internally, all the Speakons are wired in what is called the “high current” mode, with pins 1+ and 2+ in parallel, and pins 1- and 2- in parallel. For the CHANNEL A and CHANNEL B Speakons, the respective channel output appears on pins 1+ and 2+. Pins 1- and 2- are chassis ground. For the BRIDGE Speakon, CHANNEL A appears on pins 1+ and 2+, and CHANNEL B appears on pins 1- and 2-. Always check the Speakon connector wiring carefully before using. -
Mode switch
This switch is used to select STEREO or BRIDGE mode operation. It is a conventional push-push type, requiring a small “tool” to activate. The IN position is BRIDGE mode; the OUT position is STEREO mode. Exercise care when selecting the BRIDGE mode. Accidental selection of this mode could damage loudspeakers, particularly in bi-amped systems. Amplifier BRIDGE mode theory will be covered later in this manual.
CPX Rear Panel
-
GCL (Gain Comparator Limiter) switch
This switch is used to enable or defeat the GCL limiter circuitry. It is also a conventional push-push type, requiring a small “tool” to activate. The IN position is DEFEAT; the OUT position is ENABLE. Normally, the GCL function should be enabled to minimize the possibility of either or both channels going into clipping or overload. With this feature defeated, a severe overload could cause the mains circuit breaker to trip. The Crest GCL limiting system will be covered in greater detail later in this manual. -
Fan grill
A 2-speed DC fan supplies cool air to the amplifier. THIS INTAKE SHOULD NEVER BE BLOCKED! The fan switches to high speed automatically when the unit requires additional cooling. At idle and cool, the fan should be in low speed. The fan should never stop unless the amplifier is switched OFF or the AC mains power source is interrupted. -
Combo input connector
The combo connector offers both female XLR and ¼” phone jack balanced inputs for each channel. The XLR is wired with pin 1 as ground, pin 2 positive input, and pin 3 negative input. The ¼” phone jack is a tip/ring/sleeve (3-conductor) type, with the tip being positive input, the ring negative input, and the sleeve ground. It is important to realize that the XLR, ¼” jack, and barrier strip inputs are all in parallel; therefore a balanced input to the associated channel can be accomplished using a male XLR, a 3-conductor phone jack, or bare wires connected to the barrier strip.
As an alternative, the ¼” input can also be used with a regular tip/sleeve (2-conductor) type plug commonly found on single-conductor shielded patch cords. In this case, the input becomes unbalanced, with the tip as positive input, and the sleeve ground (the ring being grounded by the sleeve of the plug). An additional unique feature of this ¼” input jack is something called a “quasi-balanced” input. The sleeve of this jack is connected to chassis ground through a relatively low-value resistance that is part of a ground loop elimination circuit. This circuitry will provide hum-free operation when relatively short ¼” cable patches are made to this input from various outputs on this amplifier, or from other equipment that shares the same rack with this amplifier.
The quasi-balanced circuitry is “automatic” and virtually “invisible” in normal usage. This feature can be defeated with a jumper on the barrier strip from the “-” input terminal of that channel to the ground terminal. -
Input barrier strip
A barrier strip is provided for input connections using bare wire or spade lug connections. CPX amplifiers employ low-noise, electronically balanced input circuitry. This circuitry offers a very wide dynamic range capable of handling virtually any input signal level, while providing excellent common mode rejection to minimize hum and reduce interference. This strip accepts balanced and unbalanced audio signals. The “+” and “-” terminals are the positive and negative inputs to the respective channels. The GND terminal is the common ground to both channel inputs. For use with an unbalanced source, connect the “-” input terminal of the channel to ground with a jumper. If the “-” input is left floating, a 6 dB loss in channel gain will result and the floating input terminal may pick up outside noise.
-
Low cut switch
This switch is used to activate the LOW CUT filter for the corresponding channel. It is again a push-push type switch, requiring a small “tool” to activate. The IN position routes the input signals through the 40 Hz LOW CUT filter, while the OUT position bypasses the filter. This filter will cut extremely low frequencies, protecting speakers from the possibility of over- excursion. The filter low-frequency rolloff is 12 dB per octave. The LOW CUT filter for each channel will function independently of the crossover function to be discussed next. -
Crossover switch (150 Hz XOVER)
This switch is used to activate the 150 Hz crossover for the corresponding channel. It is also a push-push type switch and requires a small “tool” to activate. The CPX offers two 150 Hz crossovers. These are specially designed features that enhance the response of most loudspeakers in a typical bi-amped application. Rather than just having a flat output curve, these crossovers use special filters to tailor the response and provide a flat acousticaloutput. This type of crossover “sounds” more natural than conventional “statevariable” type crossovers.
With the switch IN, the input signals are routed through the crossover, and the low frequencies are automatically sent to the corresponding channel. At the same time, the high frequencies are sent to the HIGH OUT (19) jack and must then be patched to INPUT of the other channel of this amplifier or to another amplifier input to complete the bi-amped system. Additionally, the low frequencies are sent to the THRU/LOW OUT (18) jack, and can be patched to other amplifier inputs to permit even larger systems.
With the switch OUT the crossover is defeated, and the input signal is routed directly to the respective power amp channel. The crossover frequency is fixed at 150 Hz and cannot be changed. The crossover configuration is a 4-pole Linkwitz-Riley approximation. -
THRU/LOW Out jacks
As per previous crossover discussion, this ¼” jack supplies low-frequency out signals from the activated crossover for patching to additional power amplifier inputs, providing added flexibility in larger bi-amped systems. When the crossover function is not activated, this jack converts to a THRU function, where the output of the electronically balanced input circuitry is supplied to this jack. The THRU function provides the means to patch a full range input signal to the other input of this amplifier (parallel mode), or to other amp inputs in the same rack. This function allows one balanced mixer feed to be connected to the amp via the desired balanced input connector (XLR, ¼”, Barrier), and then further distributed locally. Regardless of the crossover switch position, this ¼” jack provides an unbalanced (tip/sleeve) output to be patched with single conductor shielded cables. -
High Out jacks
Again, as per previous crossover discussion, this ¼” jack supplies high frequency out signals from the activated crossover for patching to this amplifier and/or additional power amplifier inputs. Unlike the low-frequency crossover output, that is automatically routed to the associated channel, the high-frequency output signal must be patched to some suitable input in order to complete the bi-amped system. This ¼” jack also provides an unbalanced (tip/sleeve) output to be patched with single-conductor shielded cables.
Application details
Industrial & commercial installations
For commercial and other installations where sustained high power operation is
required, the amplifiers should be mounted in a standard 19″ rack. It is not
necessary to leave a rack space between each amplifier in the stack since each
fan pulls air in from the rear and exhausts the hot air out the front.
However, an adequate cool air supply must be provided for the amplifier when
rack mounted. The internal fan must have a source of air that is not preheated
by other equipment. The amplifier will start up in low speed fan operation and
will normally stay at low speed unless sustained high-power operating levels
occur. Then, as temperatures in the amplifier heat sinks increase, the
automatic thermal-sensing circuitry will cause high-speed operation to occur.
Depending upon signal conditions and amp loading, high-speed fan operation may
continue or the fan may cycle continuously between high and low. This
situation is quite normal. If cooling is inadequate, however, the amplifier
thermal-sensing system may cause temporary shut down of the unit, indicated
by the PWR LEDs on both channels going dark. Inadequate cooling may be due to
preheated air, reduced air flow resulting from blockage of inlet/outlet ports,
severe amplifier overload, or short circuit conditions. Depending upon the
available cooling air, operation should be restored relatively quickly, and
the power LEDs on both channels will again be illuminated. In any event,
action should be taken to correct the cause of the thermal shutdown. If the
amplifier is not severely overloaded or shorted and air flow is normal in and
out of the amplifier, then steps should be taken to provide a cooler
environment for all the amplifiers. As a general rule, the cooler electronic
equipment is operated, the longer its useful service life.
In most low to medium-power applications, the amplifier can be mounted in any
configuration. It is desirable that, if at all possible, the power amplifier
be located at the top of an equipment stack. This will prevent possible
overheating of sensitive equipment by the hot air rising from the power
amplifier. As a general rule, most home and studio requirements will never
cause high-speed fan operation. Highspeed operation may indicate that you have
not taken the necessary steps to provide adequate cooling. Fully closed up in
a cabinet, a CPX Series power amplifier will have severe cooling problems,
even at low power levels.
Bridge mode
The Bridge mode on stereo amplifiers is often misunderstood relating to actual
operation and usage. In basic terms, when a 2-channel amplifier is operated in
the Bridge mode, it is converted into a single-channel unit with a power
rating equal to the sum of the power rating for each channel, at a load of
twice that of the singlechannel rating. For example, the CPX 1500 is rated at
750 watts RMS per channel into 2 ohms. The Bridge rating is 1500 watts RMS
into 4 ohms (minimum load). Bridge mode operation is ccomplished by placing
the MODE switch in the BRIDGE position, using only the BRIDGE Speakon
connector or the red binding posts for the output, and using the CHANNEL A
input. All CHANNEL B input functions are defeated and serve no purpose now.
Bridge mode operation can be used to drive sound distribution systems in very
large public address applications. Another common use for the Bridge mode is
in subwoofer applications where very high power levels are required to
reproduce extremely low frequencies with adequate headroom. Such enclosures
usually contain 2 or 4 loudspeakers to handle the power levels involved. For
Bridge mode usage, the enclosure impedance must be 4 or 8 ohms?never below 4
ohms.
Industrial & commercial installations
GCL
Crest’s patented GCL (Gain Comparator Limiting) circuit enables the sound
technician to maximize the performance of the amplifier/speaker combination by
preventing the power amplifier from running out of headroom (clipping). This
limiting system is activated by a unique circuit that senses signal conditions
that might overload the amplifier and activates compression (reduces the
channel gain) when clipping is imminent. The threshold of limiter is clipping
itself, and no specific threshold control is used. This echnique effectively
utilizes every precious watt available for the power amplifier to reproduce
the signal, while at the same time minimizing clipping and distortion. GCL
significantly reduces the potential of loudspeaker degradation and damage, and
is the most effective, automatic, hands-off approach to the problem of power
amplifier clipping.
Since CPX series power amplifiers use a circuit breaker for overcurrent
protection, the GCL limiter system plays an even more important role in
continuous performance by preventing each channel from clipping and overload.
Continuous operation at clipping can cause the circuit breaker to trip, but
with the GCL activated, this problem is minimized. For this reason, the GCL
compression system should always be enabled.
For commercial and other installations where sustained high power operation is
required, the amplifiers should be mounted in a standard 19″ rack. It is not
necessary to leave a rack space between each amplifier in the stack since each
fan pulls air in from the rear and exhausts the hot air out the front.
However, an adequate cool air supply must be provided for the amplifier when
rack mounted. The internal fan must have a source of air that is not preheated
by other equipment. The amplifier will start up in low speed fan operation and
will normally stay at low speed unless sustained high-power operating levels
occur. Then, as temperatures in the amplifier heat sinks increase, the
automatic thermal-sensing circuitry will cause high-speed operation to occur.
Depending upon signal conditions and amp loading, high-speed fan operation may
continue or the fan may cycle continuously between high and low. This
situation is quite normal. If cooling is inadequate, however, the amplifier
thermal-sensing system may cause temporary shut down of the unit, indicated
by the PWR LEDs on both channels going dark. Inadequate coolingmay be due to
preheated air, reduced air flow resulting from blockage of inlet/outlet ports,
severe amplifier overload, or short circuit conditions. Depending upon the
available cooling air, operation should be restored relatively quickly, and
the power LEDs on both channels will again be illuminated. In any event,
action should be taken to correct the cause of the thermal shutdown. If the
amplifier is not severely overloaded or shorted and air flow is normal in and
out of the amplifier, then steps should be taken to provide a cooler
environment for all the amplifiers. As a general rule, the cooler electronic
equipment is operated, the longer its useful service life.
In most low to medium-power applications, the amplifier can be mounted in any
configuration. It is desirable that, if at all possible, the power amplifier
be located at the top of an equipment stack. This will prevent possible
overheating of sensitive equipment by the hot air rising from the power
amplifier. As a general rule, most home and studio requirements will never
cause high-speed fan operation. Highspeed operation may indicate that you have
not taken the necessary steps to provide adequate cooling. Fully closed up in
a cabinet, a CPX Series power amplifier will have severe cooling problems,
even at low power levels.
Connections
AMPLIFIER CONFIGURATIONS
BASIC FULL-RANGE STEREO SYSTEM
MONO BI-AMPED SYSTEM
Push-Push Switch Activation List:
1 – Chan A, Low Cut Switch IN
2 – Chan A, 150 Hz Xover Switch IN
STEREO BI-AMPED SYSTEM
Push-Push Switch Activation List:
1 – Chan A Low Cut Switch IN
2 – Chan A 150 Hz Xover Switch IN
3 – Chan B Low Cut Switch IN
4 – Chan B 150 Hz Xover Switch IN
BRIDGE CONFIGURATION 
Push-Push Switch Activation List:
1 – Chan A, Low Cut Switch IN
2 – Mode Switch IN (Bridge)
Specifications
| CPX 900| CPX 1500|
CPX 2600
---|---|---|---
RATED OUTPUT POWER:
Stereo mode (EIA both channels driven)| | |
2 ohms EIA, 1 kHz, 1% THD| 450 W RMS/chan| 750 W RMS/chan| 1300 W RMS/chan
4 ohms EIA, 1 kHz, 0.1% THD| 300 W RMS/chan| 500 W RMS/chan| 900 W RMS/chan
8 ohms EIA, 1 kHz, 0.1% THD| 180 W RMS/chan| 300 W RMS/chan| 540 W RMS/chan
Bridge mode, mono4 ohms EIA, 1 kHz, 1% THD| 900 W RMS| 1500 W RMS|
** 2600 W RMS
8 ohms EIA, 1 kHz, 0.1% THD| 600 W RMS| 1000 W RMS| 1800 W RMS
HUM & NOISE:
Stereo mode, below rated| | |
output power, 4 ohms| 100 dB, unweighted| 100 dB, unweighted| 100 dB,
unweighted
DISTORTION : SMPTE-IM| Less than 0.01%| Less than 0.01%| Less than 0.01%
INPUT SENSITIVITY & IMPEDANCE:
@ rated output power, 4 ohms| 0.87 V RMS (-1.2 dBV)| 1.12 V RMS (+1dBV)| 1.5 V
RMS (+3.5 dBV)
Balanced, TRS ¼” phone jack| 10 K ohms per leg| 10 K ohms per leg| 10 K ohms
per leg
Balanced, XLR (pin 2 positive)| 10 K ohms per leg| 10 K ohms per leg| 10 K
ohms per leg
Overall system gain per channel| 40X (+32 dB)| 40X (+32 dB)| 40X (+32 dB)
DISTORTION: (THD, typical value)
Stereo mode, both channels driven, 4 ohms
20 Hz to 20 kHz, 10 dB below rated power| Less than 0.03%| Less than 0.03%|
Less than 0.03%
20 Hz to 2 kHz, at full rated power| Less than 0.03%| Less than 0.03%| Less
than 0.03%
FREQUENCY RESPONSE:
Stereo mode, both channels driven
+0, -1 dB @ 1 W RMS, 4 ohms| 20 Hz to 20 kHz| 20 Hz to 20 kHz| 20 Hz to 20 kHz
+0, -3 dB @ rated output, 4 ohms| 5 Hz to 50 kHz| 5 Hz to 50 kHz| 5 Hz to 50
kHz
DAMPING FACTOR : (Typical value)
Stereo mode, both channels driven| | |
8 ohms, 1 kHz| Greater than 300| Greater than 300| Greater than 300
POWER CONSUMPTION:
Stereo mode, both channels driven
@ 1/8 rated output power, 4 ohms| 5.0 ARMS @ 120 VAC| 7.0 ARMS @ 120 VAC| 7.0
ARMS @ 120 VAC
TOPOLOGY : WEIGHT :| Class AB 40 lbs (18.2 kg)| Class AB 45 lbs (20.5
kg)| Class H
: WEIGHT** :| 5.0 ARMS @ 120 VAC| 7.0 ARMS @ 120 VAC| 49 lbs (22.3 kg)
Wire gauge
stranded cable
| length **| wire gauge | | power loss
---|---|---|---|---
2 meters| | 8 Ohm load| 4 Ohm load| 2 Ohm load
0.3mm2| 2.9%| 5.6%| 10.8%
0.5| 1.74| 3.4| 6.7
0.75| 1.16| 2.3| 4.5
1.5| 0.58| 1.16| 2.3
2.5| 0.35| 0.70| 1.39
4.0| 0.22| 0.44| 0.87
5meters| 0.5mm2| 4.3%| 8.2%| ** 15.5%
0.75| 2.9| 5.6| 10.8
1.5| 1.45| 2.9| 5.6
2.5| 0.87| 1.74| 3.4
4| 0.55| 1.09| 2.2
6| 0.37| 0.73| 1.45
10 meters| 0.5mm 2| 8.24%| 5.5%| 28%
0.75| 5.6| 10.8| 19.9
1.5| 2.9| 5.6| 10.8
2.5| 1.74| 2.9| 6.7
4| 1.09| 1.74| 4.3
6| 0.73| 1.09| 2.9
30meters| 0.75mm2| 15.5%| 0.73%| ** 5%
1.5| 8.2| 15.5| 28
2.5| 5.1| 9.8| 18.2
4| 3.2| 6.3| 12.0
6| 2.2| 4.3| 8.2
10| 1.31| 2.6| 5.1
5 feet| 18AWG| 0.81%| 1.61%| 3.2%
---|---|---|---|---
16| 0.51| 1.02| 2.0
14| 0.32| 0.64| 1.28
12| 0.20| 0.40| 0.80
10| 0.128| 0.25| 0.51
10 feet| 18AWG| ** 1.61%| 3.2%| 6.2%
16| 1.02| 2.0| 4.0
14| 0.64| 1.28| 2.5
12| 0.40| 0.80| 1.60
10| 0.25| 0.51| 1.01
40 feet| 18AWG| 6.2%| 11.9%| 22%
16| 4.0| 7.7| 14.6
14| 2.5| 5.0| 9.6
12| 1.60| 3.2| 6.2
10| 1.01| 2.0| 4.0
8| 0.60| 1.20| 2.4
80 feet| 18 AWG| 11.9%| 22%| 37%
16| 7.7| 14.6| 26
14| 5.0| 9.6| 17.8
12| 3.2| 6.2| 11.8
10| 2.0| 4.0| 7.7
8| 1.20| 2.4| 4.7
http://www.crestaudio.com
CPX Owner’s Manual
Version 1.0 02/18/01
Documents / Resources
|
Crest Audio CPX 900 Power
Amplifier
[pdf] Owner's Manual
CPX 900 Power Amplifier, CPX 900, Power Amplifier, Amplifier
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References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>