AudioControl Three.2 In-Dash System Controller Owner’s Manual

AudioControl Three.2 In-Dash System Controller

22410 70th Avenue West
Mountlake Terrace, WA 98043 USA
Phone 425 -775-8461
Fax 425-778-3166

Introduction

• Congratulations on your purchase of a truly unique and versatile product, the AudioControl THREE.2, the latest and greatest in the family of AudioControl in-dash signal processors. More than just an equalizer, the THREE.2 is a complete system controller/pre-amp, just like you find in the best audiophile home sound systems. The THREE.2 not only improves the sound quality and performance of any ampli-fied car audio system but, it provides you with an audiophile quality 24dB/octave electronic crossover.
• This new THREE.2 expands your system choices by providing dual Auxiliary Inputs. Now you can plug a friend’s iPod into your system at any time. No fuss, no muss. The THREE.2 is the ideal com-bination of features and improved performance for any car audio enthusiast, regardless of whether you are a dyed in the wool sound-off competitor or you just want to crank your system up until the nearby buildings shake.
• It’s all about sound quality and choice…yours.
• The THREE.2 will let you tune your system to what you like, and use whatever source you want to use…when you want to use it. In the words of Mel Brooks “It’s good to be the King” Now sit back and grab a home brew and peruse through this Enjoyment Manual for the THREE.2 in-dash equalizer

Features of the THREE.2

• Stereo graphic equalization
• Front and Rear, Dual Auxiliary inputs
• Para-BASS® low frequency contouring
• Selectable Cool Blue or Hot Red back-lighting
• 24dB/Octave Linkwitz Riley crossover
• Pre-amp gain of 20dB
• Line driver: 13 volts peak output
• Subwoofer level control
• High headroom PWM switching power supply
• Master volume and fader control
• LED Voltage Indicator

QUICK INSTALLATION INFO

For those of you who are short on time and brimming with confidence, or caffeine for that matter, refer to pages 8 to 13 (Figures 6, 7, 8 and 9). As a matter of reference the THREE.2 is shipped in the following configuration:

AudioControl builds high performance, technical products and we invest considerable time training with our dealers to get the maximum performance from each product. That is why we recommend that you consider having your authorized Audio- Control dealer install your THREE.2. In fact, if he or she installs your THREE.2, we will extend your warranty to an unbelievable 5 years parts and labor. Should you opt to install the THREE.2 on your own, we will warranty it for 1 year parts and labor.

FEATURES AND HIGHLIGHTS

The following section will tell you about all of the nifty features of your THREE.2. Knowing these features will help you maximize the performance of your THREE.2 in-dash pre-amp/equalizer/crossover. You will also score points with your fellow autosound buddies.

Graphic Stereo Equalization:

The THREE.2 turns the dashboard of your car into a mini-mixing board, just like that in a recording studio. The THREE.2 has three frequency controls set at 125Hz, 1.25KHz, and 10KHz respectively. The frequencies were selected to provide you with a just enough control to make dramatic improvements in any system.
Para-BASS®: You want bass, we got bass. This specially designed equalizer control lets you adapt the bass response of any system to your listening desire. Given all of the vari-ous types of music combined with numerous possible bass response anomalies in every vehicle, a single control for bass just doesn’t cut it. It’s like painting a picture with only one color…

Input Selection :

The THREE.2 provides a “Main” RCA input on the back panel of the unit. It also provides two choices for an Auxiliary input. One is on the back panel for a permanent Aux-in, and the other is located on the front pan-el. If you just want to be able to plug an iPod in on occasion, then you can use the front panel 1/8” input. Also, the THREE.2 Aux-ins have been optimized with extra gain to compensate for weak signals from iPods and other MP3 players.
24dB/Octave Linkwitz Riley Crossover: What is the benefit of fine tuning your system if you cannot accu-rately route the proper frequencies to the proper amplifier channels? The programmable audiophile crossover in the THREE.2 is the same crossover in many other award winning AudioControl components. Know who else gives you a 24dB Linkwitz-Riley in their in-dash EQ? Nobody! This is also a far cry from the wimpy crossovers that find their way into some amplifiers these days.

Pre-Amp Line Driver:

Talk about your ironies. Am-plifiers require a high voltage input signal (generally 2 to 5 volts) to operate with maximum dynamic range and the best signal-to-noise ratio. On the other hand, typical source units only produce 1 to 2 volts, if your lucky. In a system where the source unit is located in the front of the car and the amplifier(s) are located in the rear, the length of the connect-ing cables can have an negative impact on the strength of the signal. The THREE.2 includes a line driver that takes the weak  output voltage of a head unit and increases it 20dB (up to 13 volts peak) and then delivers it downstream to the amplifier inputs.

Master Volume:

The THREE.2 has a big master volume KNOB (no annoying up & down switches for us) to control the signal output to the amplifiers. Raise the volume level on your source units to their maximum and you will never need to touch them again.

Subwoofer Level Control:

Need a little more bass to impress your buddies? Or maybe you want to tone it down so you don’t scare off your date. Whatever the case, the THREE.2 has a subwoofer output level control that allows you to balance the amount of signal that goes to your subwoofer outputs.

Fader Control :

The THREE.2 has 4 output channels and a fader control to allow for easy balancing between the front and rear speakers.
AudioControl’s Bulletproof Reliability. That’s right, your AudioControl THREE.2 comes with a full 5 year parts and labor warranty when it is installed by an authorized United States AudioControl dealer. These seasoned pro’s have the training and the equipment to take care of the job quickly  and not leave your dashboard looking like Swiss cheese. Keep in mind that if you or your friends are “good with electron-ics” and choose to install it yourself, your THREE.2 still has a 1 year parts and labor warranty. To activate your warranty, just go on-line to audiocontrolregistration.com and fill out the requested information Also, save your invoice or sales slip as proof of purchase. Not only is this necessary for warranty purposes, it’s also important if the unforeseen disappearance of your THREE.2 should happen while you are socializing at the local espresso and salmon bar. Insurance companies have very little imagination.

Illumination:

The THREE.2 illuminates so you can see what your doing at night with either Cool Blue or Hot Red back-lighting. You get to pick the color that fits you best.

A GUIDED TOUR OF THE THREE.2

1. Aux Input: An 1/8” jack on the front panel allows an Auxiliary input to be plugged in quickly and easily at any time. Plugging into the front Aux In jack will automatically override the Rear Aux In. When you unplug from the front jack, the rear jack will again be active. Cool eh?

2. Graphic Equalization Bands : Three stereo controls centered at 125Hz, 1.25KHz, and 10 KHz with 12dB of boost or cut. These controls should be used to tweak your system, depending upon your mood or program material.

3. Para-BASS ® Controls: Two simple controls allow for killer bass tweaking. The sweep knob selects the center fre -quency, between 40 and 80Hz. The gain knob provides 12dB of boost or cut, centered around the sweep frequency.

4. Subwoofer Level Control : Exactly what it says it is. Controls the amount of signal that goes to the sub-woofer output of your THREE.2.

5. Fader : When amplifier channels are connected to the front and rear outputs, the fader control will allow you to fade the signal level back and forth. This also means you can have front and rear fading even though your source unit only has 2-channel outputs.

6. Volume: Because the THREE.2 is a true pre-amp, it serves as the main control unit in the audio system. It has a master volume control that controls the output to all of your amplifiers. The best signal-to-noise ratio (and therefor the best sound quality) from your head unit is at about 3/4 volume. Now, you can turn the head unit up to where it sounds best and then use the volume knob of the THREE.2 to give your amps the cleanest signal at the volume you want to listen to. Result? The best sound at every volume level.

7. Source : The source button lets you pick between the MAIN differentially balanced input and the active Auxiliary input

8. Input Jacks : The THREE.2 has three sets of inputs,
   MAIN plus two Auxiliaries. MAIN inputs should get their signals from the main source unit/head unit and attach to the RCA jacks. Auxiliary inputs will plug into the 1/8” jack on the back panel input for permanent connection or into the front panel jack for temporary use. Connecting the Front and Rear panel Aux inputs at the same time will cause no damage to the units, but it may create a tear in the time space continuum. Actually when you plug into the front input the THREE.2 will automatically shut off the rear panel input

9. Output Jacks : Next to the inputs are the outputs, which should be connected to the front, rear and subwoofer amplifiers, if applicable.

10. Power Connections : This nifty connector is a bless-ing to anyone who has tried to wire up their gear with their head crammed under the dash. You can wire up the power, ground, remote turn-on, and illumination from the conve -nience of the drivers seat and then casually plug it in the back of your THREE.2.

11. Balanced Input Selector : Located under the cover and between the Input connectors are jumpers that allow you utilize or bypass the balanced input circuitry. Although it is shipped in the unbalanced mode, which is often best, it may be necessary to change this depending upon the configura -tion of the components you use. To change this, move the appropriate jumper on the 3-pin header.

12. Input Gain Control: This potentiometer (aka “pot”) is used to increase the amount of signal voltage to your power amplifiers. With this control you can provide up to 13 Volts (peak) to your amplifier’s inputs. Check with your amplifier manufacturer’s specs to determine exactly how much voltage they can really handle. More info on this in the section on “Level Matching”

13. Crossov er Frequency Selection: The crossover adjustement pot selects the frequency that the front/rear outputs of your THREE.2 will play down to and where your subwoofer will begin playing. There is a bypass (off/on) switch that lets you defeat the crossover, so if your system does not use a separate subwoofer, all your amplifiers will get a full range signal from the front/rear outputs. The subwoofer output will remain low passed at the selected frequency.

14. Illumination Selection: These jumpers let you change the backlight illumination to Cool Blue or Hot Red.
    Given that we are acclimated to sun free life in the rainforest, we have shipped the THREE.2 in the Cool Blue mode.

15. Ground Isolation Selector: This feature allows you to change the power supply ground for different systems. When the THREE.2 is shipped from the factory, the selector is in the fully isolated position (which is generally the best). Alas, not every manufacturer devotes so much time into getting its grounds right. Therefore, we have provided other ground isolation options to help if you have a ground loop noise (alternator whine) in your system. Experiment with different settings if you run into this type of problem. To change the settings, turn the system off, carefully move the black jumper from the center two pins (Isolated) and move it to either the top two pins (200Ω) or the bottom two pins
    (Ground).

Now: If you don’t feel comfortable with everything you have read up to this point, run, don’t walk to your nearest authorized AudioControl dealer and let them install it. Life is too short to be tearing your hair out over your car audio system.

INSTALLING YOUR THREE.2 IN-DASH SYSTEM CONTROLLER

Having absorbed everything in the manual up to this point, then you probably know we endorse having a pro -fessional install your THREE.2, as it would be in your best interest for performance and it will extend your warranty to 5 years. Above and beyond having all of the appropriate techni -cal know-how and experience, they have lots of cool tools. If you are still with us and are feeling confident, then read on…

A. Placement and Mounting the THREE.2 In-Dash Equalizer/Crossover

• Placement: By definition, the THREE.2 in-dash equalizer was designed to be installed on or near the dashboard of most cars. However, if you are building a real trick system, like with a separate audio system in the front and a separate one in the rear of a vehicle, the THREE.2 is an ideal pre-amp control that can be mounted in the front and/or the rear of the vehicle.
• Mounting: The THREE.2 is flexible enough to mount almost anywhere, although somewhere on the dash or in a center console is the most logical. You will want to be able to access it while you are sitting in the driver’s seat of your vehicle. The THREE.2 is designed to be physically mounted almost anywhere in a vehicle, although it is recommended to avoid hot spots like the firewall, engine compartment, or tail pipe. The mounting location must also be safe from water seepage or areas with bad seals (rubber gaskets, not sleek furry mammals who eat salmon). If there are old water stains, be wary of leaks and stay away. We have provided brackets to assist you in mounting the THREE.2 chassis under the dash-board or glove box. The screw holes on the THREE.2 chassis also allow for easy installation underneath a radio or with a dash kit. It is of utmost importance to mount the THREE.2 securely to avoid any undue stress or breakage from over ac -celeration or braking.

B. THREE.2 Power Wiring

• ENLIGHTENING INFO Disconnect the negative terminal of your car’s battery before working on any electri-cal connections. Failure to do so could lead to a dramatic spark in your life.
• Remote Turn-On: Connect a 22 to 18 gauge wire from the head-unit’s remote turn-on to the “Remote” connector on the THREE.2.
• Positive(+12V) Connection: Insert an 18 gauge or larger wire into the connector labeled “Power” on the nifty connector of your THREE.2. Connect it to a good, constant fused source of 12 volts (we suggest the battery).
• Ground Connection: Use the same gauge wire as you did for the positive connector and run it from the “Ground” connector on the THREE.2 to the negative terminal of the battery, a ground buss, or a verified ground location. The fac-tory head unit ground is not recommended.
• Illumination: The connector labeled “Illumination” on your THREE.2 provides power to the backlighting of your unit. Connecting it to a switched 12 volt source, such as the “Remote” will light up the backlighting of your THREE.2.
  A really cool idea is to connect the illumination wire to a factory dash light dimmer and have the ability to dim the backlighting of the THREE.2 with your dash lights.

C. THREE.2 Audio Wiring

Planning: As you may already have guessed, there are numerous ways to configure the THREE.2 in your audio system. Spend a little quality time planning out your system and even sketching it out on paper if you can. The following diagrams are just a few of the possibilities.

Front, rear and subwoofer amplifier

Four channel and subwoofer amplifier

RV/Boat without a fixed source unit

Simple 2-way system

D. Level Matching

Many manufacturers claim that their source units produce signal voltages in the area of 2 to 4 volts. However, what they neglect to mention is that you only achieve these incredible voltage levels when the volume is turned all the way up. Try listening to that all of the time. By following the level matching steps for the THREE.2 you will be able to take full advantage of the high voltage output of your head unit.

1. Disconnect the RCA cables leading into your amplifiers, and make sure the only RCA cables between your head unit and the THREE.2’s main inputs are attached. Turn the volume level knob on the THREE.2 to maximum.

2. Play a favorite compact disc or MP3 that contains consistent, dynamic music and turn the source unit’s volume control up to its maximum level (NOTE: Some source units may produce distortion or “clipping”, when their volume controls are turned all of the way up. If this happens, you will hear distortion even at low levels when you connect the rest of the system. If this is the case, lower the source unit’s volume level until you no longer hear distortion). The volume control on the THREE.2 will now be the master volume control.

3. Using a small screwdriver, adjust the “Input Gain” con-trol on the top of the THREE.2 until the yellow “Maximized” LED starts to flicker with the music (NOTE: If the Maximized light does not come on, because of the low output of the source unit, turn the Input Gain pot to maximum).

4. Turn off the entire system and attach the output RCA’s from the THREE.2 to the next component in line.
   Important Tip
   If the Maximized light does not come on, because of the low output of the source unit, turn the Input Gain to maximum. Please refer to the amplifier manufacturers specifications on input volt -age to determine whether you will need to decrease the “Input Gain” on the THREE.2 to avoid clipping the next component in line. If the next component in line is an AudioControl component, there is no need to re-adjust the “Input Gains”, because they can handle the hot signal voltage the THREE.2 produces.

5. Turn down the gain con-trol on your amplifiers to the least sensitive setting which is turning the gain control coun -ter clockwise. This will allow you to drive a hotter signal in to your amplifiers. For more info on this, download Tech Note 1006 from our web site.

E. Adjusting The Equalizer

1. Stereo Bands: There are no specific guidelines as to setting the main equalizer controls on the THREE.2. Keep in mind that music can sound different depending upon who is listening and what type of music they are listening to. For some mid-bass kick, give the 125Hz knob a whirl. On the other hand if your front and rear speakers are having trouble keeping up with your subwoofer than crank 125Hz down a notch. If the vocals need some boosting or even toning down, us the 1.25KHz controls. The frosting on any record-ing is always the higher frequencies. The 10KHz control lets you provide just enough frosting or you can cut back so you don’t get any cavities. There is no need to re-adjust the “Input Gains”, because they can handle the hot signal voltage the THREE.2 produces.
2. Para-BASS ® Controls: The Para-BASS® system con-trol works with any system that can reproduce bass in the 40-80Hz range. The bass response in a system is affected by four factors
3. the acoustics of the vehicle
4. the location of the speakers
5. the music source you are listening to and
6. the speakers used. Because of the variations in the recording process, we developed The Epicenter™ to help restore any low frequencies lost during the recording process. However, the acoustics of various environments are different. With this in mind our coffee-laden engineers developed the unique Para-BASS® system. The “Sweep” control allows you to select a center frequency (the frequency most affected) between 40 and 80hz. The “Gain” control then allows you to boost or cut at the selected frequency.
7. Hi- SPL: A quick way for more bass is to crank the “Gain” control up to 12dB and “Sweep” between 40-80hz while lis-tening to some music. When you get a sudden rise in the bass response, your all set.

Troubleshooting

If You Like The THREE.2, You’ll Love

Equipped with 24 dB of gain, which can increase pre-amp signal levels up to 9.5 volts RMS/13 volts peak, the Matrix Plus line driver will transform your audio system.

The Epicenter ® Con-cert Series is our patented (U.S. Patent #4,698,842) bass restoration component, that puts the “woof” back into any woofer. You have to hear it to believe it.

And now a word from the legal department

WARRANTY

People are scared of warranties. Lots of fine print. Months of waiting around. Well, fear no more, this warranty is designed to make you rave about us to your friends. It’s a war-ranty that looks out for you and helps you resist the tempta-tion to have your friend, “…who’s good with electronics”, try to repair your AudioControl product. So go ahead, read this warranty, then take a few days to enjoy your new THREE.2 before registering on-line and giving us your comments.
“Conditional” doesn’t mean anything ominous. The Federal Trade Commission tells all manufacturers to use the term to indicate that certain conditions have to be met before they’ll honor the warranty. If you meet all of these conditions, we will warranty all materials and workmanship on the THREE.2 for one year from the date you bought it (five years if it is installed by an authorized United States AudioControl dealer) We will fix or replace it, at our option, during that time.

Here are the conditional conditions:

1. You have to go on-line to audiocontrolregistration.com and fill in the warranty information.

2. You must keep your sales receipt for proof of purchase showing when and from whom the unit was bought. We’re not the only ones who require this, so it’s a good habit to get into with any major purchase.

3. Your THREE.2 must have originally been purchased from an authorized AudioControl dealer. You do not have to be the original owner, but you do need a copy of the original sales slip.

4. You cannot let anybody who isn’t: (A) the AudioControl factory; (B) somebody authorized in writing by AudioCon-trol to service your THREE.2. If anyone other than (A) or (B) messes with your THREE.2, that voids your warranty.

5. The warranty is also void if the serial number is altered or removed, or if the THREE.2 has been used improperly. Now that sounds like a big loophole, but here is all we mean by it.
   Unwarranted abuse is: (A) physical damage (don’t use the THREE.2 for a car jack); (B) improper connections (120 volts into the power jack can fry the poor thing); (C) sadistic things.
   This is the best mobile product we know how to build, but if you mount it to the front bumper of your car, something will go wrong.

6. If an authorized United States AudioControl dealer installs the THREE.2, the warranty is five years.
   Assuming you conform to 1 through 6, and it really isn’t all that hard to do, we get the option of fixing your old unit or replacing it with a new one.

Legalese Section

1. This is the only warranty given by AudioControl. This warranty gives you specific legal rights that vary from state to state.
2. Promises of how well your THREE.2 will perform are not implied by this warranty. Other than what we have covered in this warranty, we have no obligation, express or implied.
3. Also, we will not be obligated for direct or indirect consequential damage to your system caused by hooking up the AudioCon-trol THREE.2. Failure to send in a properly completed war-ranty card negates any service claims.

SPECIFICATIONS

All specifications are measured at 14.4 VDC (standard automotive voltage). As technology advances, AudioControl reserves the right to continuously change our specifications, like our weather.

AudioControl, Making Good Sound Great, Perfor-mance Match, The Epicenter, Three.2, Matrix Plus, and ParaBASS are all trademarks of AudioControl, Inc. This literature was conceived, designed, and written on a bleak, windy, and dreagy rain-drenched day at our home in the Pacific Northwest Rainforest.

© 2021, AudioControl, a division of Electronic Engineering and Manufacturing, Inc. All rights reserved

Making Good Sound Great ®
22410 70th Avenue West Mountlake Terrace, WA 98043 USA 425-775-8461 • Fax 425-778-3166 www.audiocontrol.com
© 2021, AudioControl, Inc. All rights reserved

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