BOSS DD-200 Digital Delay Workstation Owner’s Manual

DD-200 Digital Delay Workstation

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Specifications

• Display: Shows delay time, etc.
• Knobs: TIME, FEEDBACK, E.LEVEL, PARAM, TONE, MOD DEPTH
• Modes: STANDARD, ANALOG, TAPE, DRUM, SHIMMER, TERA ECHO, PAD
  ECHO, PATTERN, LO-FI, DUAL, DUCKING, REVERSE

Product Usage Instructions

Using the Unit Safely

Before using the unit, carefully read the safety instructions
provided in the manual to ensure safe operation of the product.

Panel Descriptions

Top Panel:

1. Display: Shows the delay time and other
   information.

2. [TIME] knob: Sets the delay time or switches
   memories.

3. [FEEDBACK] knob: Adjusts the amount of
   feedback.

4. [E.LEVEL] knob: Adjusts the volume of the
   effect sound.

5. Mode knob: Selects the delay mode.

6. [PARAM] knob: Adjusts parameters for each
   mode.

7. [TONE] knob: Adjusts tonal character of the
   effect sound.

8. [MOD DEPTH] knob: Adjusts the depth of
   modulation for the effect sound.

9. [TAP DIVISION] button: Specifies delay time in
   terms of note length relative to BPM.

Instructions

1. Set the desired delay time using the [TIME] knob.

2. Adjust the feedback amount with the [FEEDBACK] knob.

3. Choose a delay mode using the Mode knob.

4. Fine-tune parameters with the [PARAM] knob for selected
mode.

5. Modify tonal character with the [TONE] knob.

6. Experiment with modulation depth using the [MOD DEPTH] knob.

7. Use the [TAP DIVISION] button to specify delay time relative
to BPM.

Frequently Asked Questions (FAQ)

Q: How do I lock or unlock panel controls?

A: Long-press the [TAP DIVISION] button to switch between
enabling or disabling operation of knobs and buttons. Locked
operation is indicated by LCK on the display.

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Owner’s Manual

Before using this unit, carefully read “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (the leaflet “USING THE UNIT SAFELY” and the Owner’s Manual (p. 17)). After reading, keep the document(s) where it will be available for immediate reference.

© 2019 Roland Corporation

03

Panel Descriptions
Top Panel

1 5

2

3

4

6 78

9 10

11 12

13

14

2

1 Display
Shows the delay time, etc.
2 [TIME] knob
Sets the delay time or switches memories. The display changes each time you press the knob.
Example indications Delay time (time) 1 ms = “1”, 100 ms = “100”, 1 s = “1.00” Delay time (tempo) Tempo: 120 = “120.”, Tempo: 1000 = “1K.”, Tempo: 99000 = “ggK.”, Tempo: 100000 = “10.K.” Memory MANUAL = “MAN”, memory 1­9 = “M-1″­”M-g”, memory 10­99 = “M10″­”Mgg”, memory 100­127 = “M.00″­”M.27”
3 [FEEDBACK] knob
Adjusts the amount of feedback (amount of repetition).

• Depending on the sound that’s being input and on the position of the knob, oscillation might occur.

Panel Descriptions

4 [E.LEVEL] knob
Adjusts the volume of the effect sound.
If the mode is REVERSE, maximizing E.LEVEL cuts the direct sound.

5 Mode knob

Selects the delay mode.

Mode STANDARD ANALOG TAPE DRUM SHIMMER TERA ECHO PAD ECHO PATTERN LO-FI DUAL
DUCKING
REVERSE

Explanation
Clear digital delay. Mild analog delay. Sound with the distinctive waver of a tape echo unit. Models the Roland RE-201. Models the Binson EchoRec2. Delay that combines a pitch-shifted sound. Echo sound that is neither reverb nor delay, with spaciousness and motion. Delay sound with a drifting feel. Sound that combines 16 delays. Fat sound with a sense of distortion. Two delays connected in series. The volume and feedback are automatically adjusted according to the input. Won’t get in the way of your performance even if applied deeply. Delay that plays backward.

6 [PARAM] knob

Adjusts an appropriate parameter for each mode.

Mode STANDARD ANALOG
TAPE
DRUM
SHIMMER TERA ECHO PAD ECHO PATTERN LO-FI DUAL

Explanation
Adjusts the sense of attack for the delay sound.
Adjusts the character of the delay sound and the sense of distortion.
Selects the combination of the three playback heads.
If a decimal point “.” is shown for the lowest digit, distortion is added to the sound.
Selects the combination of the four playback heads.
If all of the playback heads are combined, the display indicates “ALL.”
If a decimal point “.” is shown for the lowest digit, distortion is added to the sound.
Adjusts the brilliance of the delay sound.
Adjusts the amount of distinctive character for the effect sound.
Adjusts the sense of attack for the effect sound.
Selects the pattern of delays.
Adjusts the sense of distortion for the effect sound.
Adjusts the second delay time. This is specified as a proportion (%) relative to the first delay.

3

Panel Descriptions

Mode DUCKING REVERSE

Explanation
Adjusts the sensitivity by which the volume is automatically adjusted according to the input. Increasing this value makes the response more sensitive at lower volumes.
Adjusts the sense of attack for the delay sound.

7 [TONE] knob
Adjusts the tonal character of the effect sound.
When the knob is in the center position, the response is flat. Turning the knob toward the right boosts the highfrequency range, and turning it toward the left cuts the high-frequency range.
8 [MOD DEPTH] knob
Adjusts the depth at which the effect sound is modulated.
9 [TAP DIVISION] button
Specifies the delay time in terms of a note length relative to the BPM.

Preventing accidental operation (panel lock) By long-pressing the [TAP DIVISION] button, you can switch between enabling (unlocking) or disabling (locking) operation of the knobs and buttons.
If you attempt an operation while the unit is locked, the display indicates “LCK.”

10 TAP DIVISION indicator

This indicates the delay time as a note value; the interval at which you press the pedal is considered as a quarter note (100%)

TAP DIVISION indicator

¸

Explanation TRI DOT

( (
(

( Dotted half note (300%) Half note (200%)
( Dotted quarter note (150%)

(

(

Half-note triplet (133%)

(

Quarter note (100%)

(

( Dotted eighth note (75%)

(

(

(

((

Quarter-note triplet (67%) Eighth note (50%) Eighth-note triplet (33%)

4

11 [MEMORY] button
Switches or saves memories (MANUAL, 1­127) (p. 8). The memory is switched each time you press the [MEMORY] button. You can also switch memories by holding down the [MEMORY] button and turning the [TIME] knob.
12 MEMORY indicator
Indicates the currently selected memory. If a memory 5­127 is selected, the indicator is unlit.
13 [ON/OFF] switch
Turns the delay on/off.
14 [MEMORY/TAP] switch
Switches memories (p. 8). Long-press the [MEMORY/TAP] switch to select tap mode. By pressing the switch at the tempo of the song you’re performing, this lets you specify a matching delay time.

Panel Descriptions
MEMO The function of the footswitch can be changed by “MFC” (MEMORY FUNCTION).

5

Panel Descriptions

Rear Panel (Connecting Your Equipment)

• To prevent malfunction and equipment failure, always turn down the volume, and turn off all the units before making any connections.

D

A

B

C

A INPUT (A/MONO, B) jacks
Connect your guitar, bass, or effect unit here.
Use the A and B jacks if connecting an effect unit that has stereo output. Use only the A jack if using this unit in mono.
Turning On/Off the Power
The INPUT A jack also operates as the power switch. The power turns on when you insert a plug into the INPUT A jack.

When powering up Power-up equipment such as your guitar amp last.
When powering down Power-down equipment such as your guitar amp first.

• Before turning the unit on/off, always be sure to turn the volume down. Even with the volume turned down, you might hear some sound when switching the unit on/off. However, this is normal and does not indicate a malfunction.
  B OUTPUT (A/MONO, B) jacks
  Connect this jack to your amp or monitor speakers.
  Use only the OUTPUT A jack if using this unit in mono. Even sound that is input in stereo is output in mono.
  C CTL 1, 2/EXP jack
  Using the jack as CTL 1/2 You can connect a footswitch (sold separately: FS- 5U, FS-6, FS-7) and use it to tap-input the delay time or switch memories (p. 10).

6

Panel Descriptions

Using the jack as EXP You can connect an expression pedal (sold separately: EV-30, Roland EV-5, etc.) and use it to control the delay time or the volume of the effect sound (p. 12).

• Use only the specified expression pedal. By connecting any other expression pedals, you risk causing malfunction and/or damage to the unit.
  D DC IN jack
  An AC adaptor (sold separately: PSA-seriesS) can be connected to this jack.
• Use only the specified AC adaptor (sold separately: PSA-seriesS) and plug it into an AC outlet of the correct voltage.
• If the AC adaptor is connected while power is on, the power supply is drawn from the AC adaptor.

Side Panel (Connecting Your Equipment)
E F
E MIDI jacks
Use a TRS/MIDI connecting cable (sold separately: BMIDI-5-35) to connect an external MIDI device. You can use an external MIDI device to switch the memories of this unit.

• Do not connect an audio device here. Doing so will cause malfunctions.
  F USB port
  Connect your computer using a commercially available USB cable that supports USB 2.0.
• Do not use a micro USB cable that is designed only for charging a device. Charge-only cables cannot transmit data.
• This is used only for program updates.

7

Saving and Switching Memories

Saving to Memory
Here’s how to save delay settings that you edited.
1. Long-press the [MEMORY] button.
The display indicates “Wrt.”
2. Turn the [TIME] knob to select the save-
destination (MAN, 1­127).
You can also select the save-destination by pressing the [MEMORY] button.
If you decide to cancel, press the [TAP DIVISION] button.
3. Long-press the [MEMORY] button to confirm
the save-destination.
The memory is saved.

• If you save to MAN, the settings of the panel are applied as the values for MODE, FEEDBACK, E.LEVEL, PARAM, TONE, and MOD DEPTH.

Switching Memories
Here’s how to recall a saved memory.
1. Press the [MEMORY] button to select a
memory.
Each time you press the button, you cycle through the memories in the order of “MAN (manual) 0 1 0 2 0 3 0 4 …1270 MAN…”
You can also switch memories by holding down the [MEMORY] button and turning the [TIME] knob.

• The MEMORY indicator is unlit if a memory 5­127 is selected.
  MEMO
  You can specify the memory switching range by editing the ETF (EXTENT FROM) and ETT (EXTENT TO) settings (p. 12). What is “MAN” (manual)?
  If you select “MAN,” the delay is heard using settings that reflect the actual positions of the knobs. The delay time and TAP DIVISION use the settings that you wrote into memory.

8

Performing with Phrase Loops

You can use the looper to perform while recording and playing-back the sound in real time to create layers. This lets you layer sounds while applying delay.

Entering (exiting) looper mode: Press the [ON/OFF] switch and [MEMORY/TAP] switch simultaneously. When the looper starts, the display indicates “LoP.”

• Maximum recording time: approximately 60 seconds (mono)

Record
Record your guitar or bass performance.

Overdub
While your recorded phrase plays as a loop, overdub-record an additional performance.
Press the switch to change to playback.

Loop Playback
The phrase plays as a loop.
Press the switch to change to overdubbing.

REC

DUB

PLY

Clearing the phrase While stopped, hold down the [MEMORY/TAP] switch for two seconds or longer to clear (erase) the recorded phrase. When you exit looper mode, the recorded content is cleared. The recorded content is not saved.

• If there is recorded data, the ON/OFF indicator is lit. If there is no data, the indicator is unlit.

Stop
During overdubbing or loop playback, press the switch to stop.
9

Overall Settings (Menu)

Basic Operation
1. Press the [TAP DIVISION] button and
[MEMORY] button simultaneously. You enter menu mode.
2. Turn the [TIME] knob to select a parameter, and
then press the [TIME] knob. The value is displayed.
3. Turn the [TIME] knob to edit the value. 4. Press the [TIME] knob. 5. Press the [TAP DIVISION] button and
[MEMORY] button simultaneously. You exit menu mode.

Assigning functions to external pedals
You can connect footswitches (sold separately: FS-5U, FS-6, FS-7) to the CTL 1, 2/EXP jack, and use them to tap-input the delay time or to switch memories. Use the menu items “C1F” or “C2F” to make these settings (p. 11).

FS-5U

FS-5U×2

FS-6/FS-7 CTL 2

CTL 1

CTL 2

CTL 1

CTL 2 CTL 1

CTL 1

FS-5U

FS-6/FS-7

10

Menu Parameter List

Parameter
Cry
(CARRYOVER)
tHd
(TEMPO HOLD)
SWF
(ON/OFF FUNCTION)
MFC (MEMORY
FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)

Explanation
Specifies whether the effect sound is carried-over (on) or not carried-over (oFF) when you switch sounds or turn off the delay.
Specifies whether the tempo (BPM) is held (on) or changed (oFF) when you switch sounds.
Specify the functions of the [ON/OFF] switch, [MEMORY/TAP] switch, and footswitches connected to the CTL 1, 2/ EXP jack.

• The functions that can be assigned differ depending on the switch.
  oFF: No operation.
  SW (ON/OFF SWITCH): Turns the effect on/off.
  MoM (MOMENT): Outputs the delay sound only while held down.
  Fad (FADE): Makes the delay sound fadein/out.

Parameter
SWF
(ON/OFF FUNCTION)
MFC (MEMORY
FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)

Overall Settings (Menu)
Explanation
MAN (MANUAL): Selects manual. M-1­M.27 (MEMORY1­127): Selects memory 1­127. MUP, Mdn (MEMORY UP, DOWN): Selects memories according to MEMORY EXTENT (p. 12). Long-press the switch to select tap mode (the indicator blinks at the tempo). MUP. (MEMORY UP, ON/OFF): Increments the memory number according to the MEMORY EXTENT setting. Long-press the switch to turn the effect on/off. MDN. (MEMORY DOWN, ON/OFF): Decrements the memory number according to the MEMORY EXTENT setting. Long-press the switch to turn the effect on/off. tAP (TAP TEMPO): Tap-enters the tempo (tap mode). HLd (HOLD): Repeats the delay sound while held down (hold mode). WAP (WARP): Simultaneously controls the feedback amount and volume of the delay sound, letting you produce a fantasy- like delay (warp mode). tSt (TWIST): Produces an aggressive rotating effect (twist mode). rL2 (ROLL 1/2), rL4 (ROLL 1/4), rL8 (ROLL 1/8): Sets the delay time to 1/2­1/8 (roll mode).
11

Overall Settings (Menu)

Parameter SWF
(ON/OFF FUNCTION)
MFC (MEMORY
FUNCTION)
C1F
(CTL1 FUNCTION)
C2F
(CTL2 FUNCTION)
EPF
(EXPRESSION FUNCTION)

Explanation
LPS (LOOP ON/OFF): Turns the looper on/off. LPC (LOOPER CONTROL): Controls the looper.
Tap: Switches the looper between play/overdub/stop.
Double-tap: Stops the looper.
Long-press while stopped: Clears the phrase.
LPP (LOOPER PLAY/DUB/STOP): Switches the looper between play/overdub/stop LSt (LOOPER STOP): Stops the looper. Hold for two seconds or longer to clear the phrase. Specifies the function of an expression pedal connected to the CTL 1, 2/EXP jack. oFF: No operation. tiM (TIME/BPM): The same operation as the [TIME] knob. Fdb (FEEDBACK): The same operation as the [FEEDBACK] knob. Elv (E.LEVEL): The same operation as the [E.LEVEL] knob. Mod (MOD DEPTH): The same operation as the [MOD DEPTH] knob. PrM (PARAM): The same operation as the [PARAM] knob. iLv (INPUT LEVEL): Adjusts the input level.

12

Parameter

Explanation

EPn
(EXPRESSION MIN)
EPM
(EXPRESSION MAX)
SWP
(ON/OFF PREFERENCE)

Specifies the variable range of the parameter controlled by EXPRESSION FUNCTION. The variable range differs depending on the parameter.

MEP (MEMORY
PREFERENCE)

MEM (MEM): The setting in memory is used

C1P (CTL1 PREFERENCE)

SYS (SYS): The controller’s function is fixed regardless of memory

C2P (CTL2 PREFERENCE)

EPP (EXPRESSION
PREFERENCE)
Out
(OUTPUT MODE)
EtF
(MEMORY EXTENT FROM)
EtT
(MEMORY EXTENT TO)

Selects how output occurs.
nOr (NORMAL): Output is stereo if plugs are inserted in the OUTPUT A/B jacks; if not, output is mono from the OUTPUT A jack.
d/E (DIRECT/EFFECT): The direct sound is output from the OUTPUT A jack, and the effect sound is output from the OUTPUT B jack.
dMt (DIRECT MUTE): The direct sound is not output.
Specify the memory switching range (MEMORY EXTENT FROM­TO).
MAN (MANUAL), M-1 (MEMORY 1) ­M.27
(MEMORY 127)

Parameter

Explanation

RCH
(MIDI RECEIVE CHANNEL)
tCH
(MIDI TRANSMIT CHANNEL)
Pin
(PC IN)
Pot
(PC OUT)

Specifies the MIDI receive channel.

If this is “oFF,” MIDI messages are not received.

1­16, oFF

Specifies the MIDI transmit channel.

If this is “oFF,” MIDI messages are not transmitted.

1­16, RCv (RECEIVE), oFF

Specifies whether program changes are received (on) or not received (oFF).

Specifies whether program changes are transmitted (on) or not transmitted (oFF).

Correspondence between memories and program numbers

Memory

Program number

MAN

1

MEMORY 1­127 2­128

CCi
(CC IN)
CCO
(CC OUT)

Specifies whether control changes are received (on) or not received (oFF).
By receiving CC messages, this unit lets you use MIDI to control the same operations as a knob or footswitch.
Specifies whether control changes are transmitted (on) or not transmitted (oFF).

Parameter TMC
(TIME CC)
FbC
(FEEDBACK CC)
ELC
(E.LEVEL CC)
PRC
(PARAM CC)
TnC
(TONE CC)
MdC
(MOD CC)
SWC
(ON/OFF SWITCH CC)
MEC
(MEMORY CC)
C1C
(CTL1 CC)
C2C
(CTL2 CC)
EPC
(EXPRESSION CC)
EFC
(EFFECT ON OFF CC)

Overall Settings (Menu)
Explanation
Specify the controller number corresponding to each controller. oFF, 1­31, 64­95
Controls the effect on/off status.

13

Overall Settings (Menu)

Parameter
Syn
(SYNC)
RtS
(REALTIME SOURCE)
MtH
(MIDI THRU)
LoP
(LOOP SWITCH)

Explanation
Specifies the tempo clock to which this unit will synchronize.
int (INTERNAL): Synchronize to the internal tempo.
Aut (AUTO): Normally synchronize to the internal tempo, but if MIDI clock is being input via the MIDI IN connector, synchronize the tempo to MIDI clock.
If you’re using the DD-200 as a slave device, choose the “Aut” setting.
Specifies the source of realtime messages that are output to the MIDI OUT connector.
int (INTERNAL): Internal realtime messages are the source.
Mid (MIDI): Realtime messages from the MIDI IN connector are the source.
Specifies whether MIDI messages received at the MIDI IN connector are retransmitted without change from the MIDI OUT connector (on) or are not retransmitted (oFF).
Specifies whether the looper is used (on) or not used (oFF).
If this is “oFF,” you can’t enter looper mode.

Parameter P1­Pg
(P1­P9)
P10­Pgg
(P10­P99)
P.00­P.28
(P100­P128)

Explanation
Specify the memory corresponding to the received program number. Bank select is ignored (received regardless). If this is OFF, the effect turns off. OFF, MAN, M-1­M.27

14

Appendix

Returning to the Factory Settings
(Factory Reset)
Here’s how to return the DD-200 to its factory-set state.
1. While holding down the [ON/OFF] switch and
[MEMORY/TAP] switch, turn on the power (insert a plug into the INPUT A jack). The display indicates “FCt.”
2. Press the [MEMORY/TAP] switch.
The display indicates “Sur.” If you decide to cancel, press the [MEMORY] button.
3. Press the [MEMORY/TAP] switch.
The factory reset is executed.
4. When the display indicates “FIn,” turn the
power off and on again.

Installing Batteries
Insert the batteries as shown below, being careful to orient the batteries correctly.

• Batteries should always be installed or replaced before connecting any other devices. This way, you can prevent malfunction and damage.
• If operating this unit on batteries, please use alkaline batteries.
• Even if batteries are installed, the unit will turn off if you connect or disconnect the power cord from the AC outlet while the unit is turned on, or if you connect or disconnect the AC adaptor from the unit. When this occurs, unsaved data may be lost. You must turn off the power before you connect or disconnect the power cord or AC adaptor.
• When turning the unit over, be careful so as to protect the buttons and knobs from damage. Also, handle the unit carefully; do not drop it.
• If you handle batteries improperly, you risk explosion and fluid leakage. Make sure that you carefully observe all of the items related to batteries that are listed in “USING THE UNIT SAFELY” and “IMPORTANT NOTES” (leaflet “USING THE UNIT SAFELY” and Owner’s manual).
• “Lo” will appear on the display if the batteries are low. Replace them with new ones.

15

Appendix
Attaching the Rubber Feet
You can attach the rubber feet (included) if necessary. Attach them in the locations shown in the illustration.

• Using the unit without rubber feet may damage the floor.

Main Specifications

BOSS DD-200: DIGITAL DELAY

Power Supply Current Draw Expected Battery Life Under Continuous Use Dimensions Weight
Accessories
Options

Alkaline battery (AA, LR6) x 3, AC adaptor (sold separately) 225 mA
Alkaline: Approx. 4 Hours * These figures will vary depending on the actual
conditions of use. 101 (W) x 138 (D) x 63 (H) mm / 4 (W) x 5-7/16 (D) x 2-1/2 (H) inches 101 (W) x 138 (D) x 65 (H) mm / 4 (W) x 5-7/16 (D) x 2-9/16 (H) inches (including rubber foot) 680 g / 1 lb 8 oz (including batteries) Leaflet “To obtain the Owner’s Manual” Leaflet “USING THE UNIT SAFELY” Alkaline battery (AA, LR6) x 3 Rubber foot x 4 AC adaptor: PSA-S series Footswitch: FS- 5U Dual footswitch: FS-6, FS-7 Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5 MIDI/TRS connecting cable: BMIDI-5-35

• 0 dBu = 0.775 Vrms
• This document explains the specifications of the product at the time that the document was issued. For the latest information, refer to the Roland website.

16

USING THE UNIT SAFELY/IMPORTANT NOTES

CAUTION
Keep small items out of the reach of children
To prevent accidental ingestion of the parts listed below, always keep them out of the reach of small children.
· Included Parts Rubber feet (p. 16)

Additional Precautions
· Roland assumes no liability concerning the restoration of any stored content that has been lost.
· Do not use connection cables that contain a built-in resistor.

Model Name : Type of Equipment :
Responsible Party : Address :
Telephone :

SUPPLIER’S DECLARATION OF CONFORMITY Compliance Information Statement
DD-200 Guitar Effects Roland Corporation U.S. 5100 S. Eastern Avenue Los Angeles, CA 90040-2938 323-890-3700

For the USA
17

USING THE UNIT SAFELY/IMPORTANT NOTES
Intellectual Property Right
· It is forbidden by law to make an audio recording, video recording, copy or revision of a third party’s copyrighted work (musical work, video work, broadcast, live performance, or other work), whether in whole or in part, and distribute, sell, lease, perform or broadcast it without the permission of the copyright owner.
· Do not use this product for purposes that could infringe on a copyright held by a third party. We assume no responsibility whatsoever with regard to any infringements of third-party copyrights arising through your use of this product.
· This product includes third party open source software. Copyright (c) 2009-2017 ARM Limited. All rights reserved. Licensed under the Apache License, Version 2.0 (the “License”); You may obtain a copy of the License at http://www.apache.org/licenses/LICENSE-2.0
· Roland, BOSS are either registered trademarks or trademarks of Roland Corporation in the United States and/or other countries.
· Company names and product names appearing in this document are registered trademarks or trademarks of their respective owners.
18

· In this manual, company names and product names of the respective owners are used because it is the most practical way of describing the sounds that are emulated using DSP technology.

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