AEA KU5A Supercardioid Ribbon Microphone Owner’s Manual
- June 9, 2024
- AEA
Table of Contents
KU5AOWNER’S MANUAL ACTIVE SUPERCARDIOID END-ADDRESS RIBBON MIC
KU5A Supercardioid Ribbon Microphone
WELCOME
We congratulate you on your purchase of the AEA KU5A ribbon microphone and
welcome you to the AEA family. Never before has a ribbon mic delivered such
directionality and uncompromised tonality in a package so fit for both studio
and live settings. The KU5A is ideal for studio and live applications where
both superior rejection and classic ribbon tonality are paramount. Whether
recording a vocal, guitar, or even a snare drum, the KU5A delivers brilliant,
focused sound where other conventional ribbons can’t. From close range the
KU5A retains the hefty low end and pronounced midrange one expects of AEA
ribbons and with manageable proximity effect. Vocalists can sing directly into
the grille of the KU5A because its interior components are the most protected
of any in the AEA lineup. The rugged KU5A is equipped with active electronics,
so it’s suited for any preamp in the studio or on the road.
Your KU5A microphone is 100% handcrafted in Pasadena, CA. AEA is an
independent, family owned company with a small crew of skilled technicians –
many of whom are themselves, musicians. We manufacture all our ribbon
microphones and preamps with locally sourced parts.
We hope your microphone will capture many magical performances that touch the
heart. This manual will help ensure that you get the best sound and longevity
from your new microphone. Please become part of the AEA community by sharing
your experiences via e-mail, phone or social media.
Wes Dooley Founder of AEA
INTRODUCTION
The KU5A is an end-address, phantom-powered, supercardioid ribbon microphone. It is equipped with active circuitry and a custom transformer optimized for all preamps. The reduced rear-lobe of the supercardioid pattern lends to greater rejection of ambient noise and other sound from behind. Sources within 3 inches of the KU5A will benefit from the warm tonality of its proximity effect, and it can handle 135 dB SPL at 1kHz. The KU5A’s integrated electronic high-pass filter smoothly rolls off low end with a 6dB/octave at 283Hz. It’s supremely durable in close range, outdoor, and live applications and can handle direct blasts of air from loud singers and other instruments that move air.
WARRANTY
Your KU5A comes with a 1-year limited warranty on parts and labor, shipping
not included. Registering your product with AEA will extend the warranty to a
full three years.
Scan the QR code or visit our website to register.
https://www.aearibbonmics.com/register-your-aea/
SUPPORT
If you should encounter any problems with your KU5A microphone or have
questions regarding specific applications, please contact our customer support
team at orders@ribbonmics.com for
thequickest response.
To contact us by phone, please call
+1-800-798-9127 from 9:00 a.m.- 5:00
p.m. PST Monday-Friday. AEA’s repair center is located at1029 N. Allen Ave,
Pasadena, CA 91104, U.S.A.
GENERAL GUIDELINES
Your microphone is a valuable and important investment. Like most recording
equipment and musical instrument, it requires common sense and basic care to
keep it functioning properly. Given care, your new microphone will perform
dependably for decades.
PHANTOM POWER
The KU5A needs a standard 48V phantom-power source to operate, but ensure that
phantom power is disengaged before plugging and unplugging the microphones.
The loud ‘pops’ that occur when the microphone is plugged in with phantom
power engaged can damage speakers, headphones, and ears.
The phantom current draw for active AEA ribbon mics is 7 milliamps. IEC
specifies P48 power should be able to deliver 10 milliamps per input. Some USB
and battery-powered audio interfaces won’t deliver this. Please check the
current values available on your unit to ensure peak performance.
MICROPHONE STORAGE
Keep the microphone covered when it is not in use. This will reduce the damage
that may result from a gust of air. Place the supplied protective bag over the
microphone when it is not in use. For long term storage, keep the microphone
in its protective case. An unprotected ribbon microphone can attract minute
iron particles, sometimes known as “tramp iron”. If allowed, tramp iron can
penetrate the screen of a ribbon mic, sufficiently build up in the magnetic
gap and rub against the ribbon, causing distortion, electrical shorts or
tearing of the ribbon.
AIR TURBULENCE
Avoid exposing the microphone to strong air turbulence. Ribbon microphones can
withstand very high SPL (Sound Pressure Level), but can be damaged by strong
gust of air or high levels of very low frequency sound waves (from a kick drum
or bass cabinet). This can stretch the ribbon, reducing overall output
especially at high frequencies.
Take precautions when recording any source that moves air. To avoid damage,
follow “The Hand Test”: put the back of your hand where the mic will be
positioned; if you can feel the moving air, place a pop-filter between the
microphone and the source or simply pull the mic farther back. When recording
kick drums or bass guitar cabinets, angle the microphone so that no air blasts
the microphone directly on-axis.
Never blow directly into any microphone to test it. Not only can this force
moisture and dirt into the microphone, but strong air movement can stretch the
ribbon degrade the microphone’s performance. The KU5A has specially engineered
multilayer protection against plosives in the front of the microphone, but
take care to avoid high-wind outdoor environments.
STRAY MAGNETIC FIELDS
Ribbon microphones are fundamentally prone to picking up strong external
magnetic fields generated by light dimmers or nearby power transformers.
Though AEA designers paid much attention to suppressing such sensitivity, it
is still possible that you might encounter this problem. If you should pick up
a hum, try rotating or moving the microphone to find a spot where the hum
disappears, and try eliminating potential sources of stray magnetic fields.
You can use the microphone to locate the origin of the interference by
rotating or moving the mic to find the point of peak interference.
The high-performance magnets used in AEA microphones are incredibly strong,
and a significant amount of stray magnetic field lines surround the
microphone. To prevent data loss caused by magnetic fields, avoid placing the
microphone in close proximity to hard drives, credit cards, analog tape, or
any other magnetically sensitive items.
MICROPHONE POSITIONING
Mounting the KU5A on a strong, sturdy microphone stand with a heavy base (or
tripod) is encouraged. If you are using a boom, make sure that it is properly
balanced and that the tripod legs are appropriately positioned to prevent
tipping.
APPLICATIONS ADVICE
We actively encourage users to visit
AEAribbonmics.com to access our comprehensive
collection of in-depth articles and tutorials featuring the KU5A microphone,
along with a library of audio and video demonstrations of the KU5A in action.
END-ADDRESS DIRECTIONALITY
The reduced rear-lobe of the supercardioid pattern lends to ambient noise
rejection far superior to that of a conventional bidirectional ribbon mic. It
has nulls at approximately ±135° from the principal (front) axis. Projected in
three dimensions, these nulls produce a “cone of rejection” to the rear of the
microphone that can be use effectively to reduce leakage. Simply arrange the
musicians so that nearby instruments are placed in the “null” of the nearby
microphone, and vice versa.
ACTIVE ELECTRONICS
The KU5A is an active microphone complete with a custom transformer and JFET
electronics. It features the same custom transformer used in the A440, R84A,
and NUVO microphones. This circuitry grants more output, less audible noise,
and a stable impedance. Stable impedance allows for a consistent frequency
response and greater flexibility with different preamps, including those found
in audio interfaces. The boosted output is vital when recording quiet sources
like vocals and soft acoustic guitars. Additionally, the active circuitry also
prevents noise, and interference on long cable runs and when operating large
lighting rigs. The KU5A requires standard 48-volt phantom power.
The phantom current draw for active AEA ribbon mics is 7 milliamps. IEC
specifies P48 power should be able to deliver 10 milliamps per input. Some USB
and battery-powered audio interfaces won’t deliver this. Please check the
current values available on your unit to ensure the best performance.
PROXIMITY EFFECT
Proximity effect, a characteristic of all directional microphones, is a rise
in low-frequency response at closer working distances. This can be used to
superb effect, particularly with deeper vocals to enhance richness and depth.
A potential trade-off is reduced articulation resultant of the masking effect
on the treble due to “excessive” bass boost.
The KU5A, a near-field ribbon microphone, was designed to minimize proximity
effect to allow for close-range recording. Sources within 3 inches of the mic
will benefit from the warmth of its proximity effect.
INTEGRATED HIGH-PASS
The KU5A’s smooth ribbon midrange softens the sibilance that a condenser often
accentuates, and its top end alleviates the need to blend it with other
microphones for more bite.
The KU5A has an integrated electronic high-pass filter that can be engaged by
an external pushbutton switch. This filter smoothly rolls off the low end with
a 6db/octave at 283hz. This high-pass filter was designed specifically for
singers who use the KU5A on the road and in the studio, and allows you to
position the mic right up against the source without capturing overwhelming
proximity effect.
KU5A ACCESSORIES
The superior windscreen protection of the KU5A can be supplemented by the AEA
custom windscreen, which fits securely over its front grille. The windscreen
is advantageous in outdoor, high-wind environments or when vocal plosives move
too much air. KU5A windscreens are available for purchase from the accessories
section of the AEA website at AEARibbonMics.com.
SPECIFICATIONS
Operating Principle: | Pressure gradient transducer |
---|---|
Directional Pattern: | Supercardioid |
Frequency Range: | 20Hz to 14kHz (+3/-6dB) |
Maximum SPL: | 135 dB SPL (1% third harmonic > 1 kHz) |
Sensitivity: | -43dBV (7.08 mV/Pa) at 1 kHz, no load |
Output Impedance: | 92 Ω broadband |
Load Impedance: | 1.0 kΩ or greater |
Phantom power: | Requires 48V Phantom Power, 7mA Pin |
Polarity: | 2 high for positive pressure at the front of the microphone. |
Switchable High-Pass Filter: | 6dB/Octave at 283hz |
Off Axis Response
Relative Output at 180°:| -12dB
Angle of Max Rejection:| 135°
Transducer Element
Material:| Pure aluminum corrugated ribbon
Thickness:| 1.8 µm
Width:| 0.055 in (0.14 cm)
Length:| 1.175 in (2.9 cm)
Microphone Dimensions
Height:| 8 in (20.3 cm)
Width:| 3 in (7.6 cm)
Weight:| 2 lb 9.8 oz (1.19 kg)
Shipping weight:| 4 lb (1.8 kg)
Connector:| XLR-3M wired to a 3 meter captive cable
Accessories included:| Storage case, user manual
KU5A windscreens are available for purchase on AEARibbonMics.com.
POLAR PATTERN
- Data below 200 Hz omitted due to measuring room restrictions
- 0 dBr is equivalent to 7 mV/Pa at 1kHz
- Normalized to 0 dBV at 1kHz. 1/3 octave smoothing
AEARIBBONMICS.COM
@RIBBONMICS
INFO@RIBBONMICS.COM
800-798-9127
Documents / Resources
| AEA
KU5A Supercardioid Ribbon
Microphone
[pdf] Owner's Manual
KU5A Supercardioid Ribbon Microphone, KU5A, Supercardioid Ribbon Microphone,
Ribbon Microphone, Microphone
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References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>