Simplex 0579159 Digital Analog Audio Controllers Instruction Manual
- June 9, 2024
- Simplex
Table of Contents
**Simplex 0579159 Digital Analog Audio Controllers
**
Introduction
Simplex 0579159 Digital Analog Audio Controllers Instruction Manual
- 4100-1210 Analog Audio Controller Board
- 4100-1211 Digital Audio Controller Board (Order for Field Replacement only)
- 4100-1311 Digital Audio Controller Board (Constant Supervision)
These products are compatible with 4100U and 4100ES Fire Alarm Control Panels (FACP).
IMPORTANT: Verify FACP System Programmer, Executive, and Slave Software compatibility when installing, or replacing system components. Refer to the Technical Support Information and Downloads website for compatibility information.
In this Publication
This publication discusses the following topics:
| Topic | See Page |
|---|---|
| Cautions, Warnings, and Regulatory Information | 2 |
| Introduction to the Audio Controllers | 3 |
| Audio Controller Card Specifications | 6 |
| Configuring the Audio Controller Card | 7 |
| Installing the Audio Controller onto the PDI | 9 |
| Audio Controller Field Wiring | 10 |
| Installing the Digital Audio PDI Termination Plug | 20 |
| Troubleshooting | 21 |
Cautions and Warnings READ AND SAVE THESE INSTRUCTIONS- Follow the instructions in this installation manual. These instructions must be followed to avoid damage to this product and associated equipment. Product operation and reliability depend upon proper installation.
DO NOT INSTALL ANY SIMPLEX® PRODUCT THAT APPEARS DAMAGED – Upon unpacking your Simplex product, inspect the contents of the carton for shipping damage. If damage is apparent, immediately file a claim with the carrier and notify an authorized Simplex product supplier.
ELECTRICAL HAZARD – Disconnect electrical field power when making any internal adjustments or repairs. All repairs should be performed by a representative or authorized agent of your local Simplex product supplier.
EYE SAFETY HAZARD – Under certain fiber optic application conditions, the optical output of this device may exceed eye safety limits. Do not use magnification (such as a microscope or other focusing equipment) when viewing the output of this device.
STATIC HAZARD – Static electricity can damage components. Handle as follows:
- Ground yourself before opening or installing components.
- Prior to installation, keep components wrapped in anti-static material at all times.
FCC RULES AND REGULATIONS – PART 15 – This equipment has been tested and
found to comply with the limits for a Class A digital device pursuant to Part
15 of the FCC Rules.
These limits are designed to provide reasonable protection against harmful
interference when the equipment is operated in a commercial environment. This
equipment generates, uses, and can radiate radio frequency energy and, if not
installed and used in accordance with the instruction manual, may cause
harmful interference to radio communications. Operation of this equipment in a
residential area is likely to cause harmful interference in which case the
user will be required to correct the interference at his own expense.
SYSTEM REACCEPTANCE TEST AFTER SOFTWARE CHANGES – To ensure proper system operation, this product must be tested in accordance with NFPA 72® after any programming operation or change in site-specific software. Reacceptance testing is required after any change, addition or deletion of system components, or after any modification, repair or adjustment to system hardware or wiring.
All components, circuits, system operations, or software functions, known to be affected by a change, must be 100% tested. In addition, to ensure that other operations are not inadvertently affected, at least 10% of initiating devices that are not directly affected by the change, up to a maximum of 50 devices, must also be tested and proper system operation verified.
Introduction to the Audio Controllers
Overview
The 4100-1210 Analog Audio Controller, 4100-1211 Digital Audio Controller, 4100-1311 Digital Audio Controller, and their respective option cards make up the audio controller subsystem of the Fire Alarm System. The controller is the head end of the audio system, and is seen by the system CPU as a single slave: only the audio card is visible, while any option cards appear logically as memory-mapped locations on the audio controller.
The main function of the audio controller card is to control system audio inputs and to recreate stored audio messages for distribution throughout the system. Analog audio inputs to the system include local and remote microphones and fire fighter phone option cards, and can be expanded through the use of the 4100-1240 Audio Input Option Card. Pre-recorded messages are stored on the audio controller’s FLASH memory and can be expanded through the use of the 4100- 1241/1242 Message Expansion Card.
While both the analog and digital versions of the controller have the capability to recreate stored digital audio messages, the cards differ in their method of distributing audio throughout the system.
- The 4100-1210 Analog Audio Controller uses analog risers for system distribution and allows 2 channels on 2-wire pairs of digital message reproduction.
- The 4100-1211 or -1311 Digital Audio Controller uses an RS-485-based digital communication means for system distribution. There are up to 8 channels on a single-wire pair of digital message reproduction on this card.
Note: The 4100-1311 DAC is fully backward compatible with previous digital audio systems as long as you set Supervision Jumper P8 to Position 1-2 to silence supervision and have installed 4100U Master Firmware Revision 11.08 or later.
Additional audio controller functionality includes supervision of its inputs
and distribution channels (risers), and communication with the system CPU.
Option cards are compatible with either type of Audio Controller Card, as are
message files and download software.
LED Functions
For Digital Audio Controller LED functions, refer to Table 1 below.
| Reference | Name | Description |
|---|
LED1
(Applies to both Analog & Digital Controllers)| COMM_LOSS|
- When ON steadily, indicates the audio controller is not communicating with the master, or is missing its slave exec code.
- When OFF, indicates that the controller is communicating with the master.
- When FLASHING, indicates the audio controller is downloading data from the message download port.
LED2 (4100-1311 Only)
(Applies to Digital Controllers Only)| SECONDARY ENABLE|
- When ON, indicates the DAR is in degraded mode (Class A is enabled).
- When OFF, indicates the DAR is not in degraded mode (Class A is disabled).
*LED3 (4100-1311 Only)
(Applies to Digital Controllers Only)| DAR SOURCE|
- When ON, indicates that the DAR riser’s source is the DAR that’s coming from the PDI.
- When OFF, indicates the DAR riser’s source is this audio card’s DAR.
*LED4 (4100-1311 Only
(Applies to Digital Controllers Only)| PDI DIRECTION|
- When ON, indicates that this card is receiving the DAR from the PDI.
- When OFF, indicates that this card is driving its DAR onto the PDI.
*When the 4100-1311 Digital Audio Controller replaces the 4100-1211 Digital Audio Controller, LEDs 3 & 4 on the 4100-1311 should always be OFF. In most situations, LEDs 3 & 4 should both be ON or OFF at the same time; only in rare circumstances would these LEDs be in different states (such as when they are user-defined in custom control equations).
Introduction to the Audio Controllers, Continued
Analog Controller Illustration
Figure 1 depicts the analog audio controller.
Digital Controller Illustration
Figure 2 depicts the digital audio controller.
Audio Controller Card Specifications
The analog and digital audio controller both use 24 V card power for riser amps and for microphone supervision. All card logic and low-level analog circuitry is powered from the on-board buck regulator (at 5 V).
The following specifications apply to analog and digital audio controllers.
Minimum input voltage: 19 VDC
Maximum input voltage: 33 VDC
Maximum ripple: 1 VRMS at 120 Hz
Analog current draw:
| At 24 VDC| Maximum Over Range
---|---|---
Current Draw (Quiescent of PCA, no conditions below)| 225 mA| 290 mA
Additional Current draw factors (add to above number for total card
current draw)
Local Speaker On – Silence| 50 mA| 50 mA
Local Speaker On – Min Volume (Horn Tone, 500Hz Square Wave)| 75 mA| 90 mA
Local Speaker On – Half Volume (Horn Tone, 500Hz Square Wave)| 190 mA| 190 mA
Local Speaker On – Full Volume (Horn Tone, 500Hz Square Wave)| 330 mA| 330 mA
Local or Remote Microphone Enabled (Each)| 30 mA| 40 mA
Digital current draw:
| At 24 VDC| Maximum Over Range
---|---|---
Current Draw (Quiescent of PCA, no conditions below)| 85 mA| 100 mA
Additional Current draw factors (add to above number for total card
current draw)
Local Speaker On – Silence| 50 mA| 50 mA
Local Speaker On – Min Volume (Horn Tone, 500Hz Square Wave)| 75 mA| 90 mA
Local Speaker On – Half Volume (Horn Tone, 500Hz Square Wave)| 190 mA| 190 mA
Local Speaker On – Full Volume (Horn Tone, 500Hz Square Wave)| 330 mA| 330 mA
Local or Remote Microphone Enabled (Each)| 30 mA| 40 mA
The equipment operates normally with ambient temperatures outside the cabinet
from 32º to 120º F (0v to 49º C), inclusive.
The equipment operates normally under non-condensing humidity conditions up to
93% relative humidity at 90º F (2v C).
Configuring the Audio Controller Card
Overview| This section describes how to configure the audio controller
card. Configuration is the same for analog and digital audio controllers
except where indicated.
---|---
Configuring the Download Speed| A jumper is used to select the download speed
from the FACP programmer. Use jumper P8 on the analog audio controller. Use
jumper P7 on the digital audio controller.
- Position 1-2: Download speed = 56 K
- Position 2-3: Download speed = 115 K (default)
Configuring the Supervision Mode (4100-1311 Digital Audio Controller Only)| A jumper is used to configure the Digital Audio Controller for backward compatibility. Use jumper P8 to set the compatibility mode.
- Position 1-2: Silence Supervision (used for backward compatibility when the card is used as a retrofit or replacement in systems having Digital Audio Riser Interface Cards [566-243] or a Digital Audio Controller [4100-1211]).
- Position 2-3: Constant Supervision (default) (used in current systems or systems being retrofitted for constant supervision where all 566-243 Digital Audio Riser Interface Cards [DARICs] and 4100-1211 Digital Audio Controllers [DACs] are being replaced with later versions [566-407 for DARICs & 4100-1311 for DACs])
Setting the Address| The device address is set via DIP switch SW1, which is a bank of eight switches. From left to right (see Figure 3) these switches are designated as SW1-1 through SW1-8. The function of these switches is as follows:
-
SW1-1. This switch sets the baud rate for the internal 4100 communications line running between the card and the CPU. Set this switch to ON.
-
SW1-2 through SW1-8. These switches set the card’s address within the FACP. Refer to Table 2 for a complete list of the switch settings for all of the possible card addresses.
Notes: -
You must set these switches to the value assigned to the card by the Programmer.
-
The SW1 setting applies to audio controller slaves, including audio input cards.
Table 2. Card Addresses
Address
| SW 1-2| SW 1-3| SW 1-4| SW 1-5| SW 1-6| SW
1-7| SW 1-8
---|---|---|---|---|---|---|---
1| ON| ON| ON| ON| ON| ON|
OFF
2
| ON| ON| ON| ON| ON| OFF| ON
3| ON| ON| ON| ON| ON| OFF|
OFF
4
| ON| ON| ON| ON| OFF| ON| ON
5| ON| ON| ON| ON| OFF| ON|
OFF
6
| ON| ON| ON| ON| OFF| OFF| ON
7| ON| ON| ON| ON| OFF| OFF|
OFF
8
| ON| ON| ON| OFF| ON| ON| ON
9| ON| ON| ON| OFF| ON| ON|
OFF
10
| ON| ON| ON| OFF| ON| OFF| ON
11| ON| ON| ON| OFF| ON| OFF|
OFF
12
| ON| ON| ON| OFF| OFF| ON| ON
13| ON| ON| ON| OFF| OFF| ON|
OFF
14
| ON| ON| ON| OFF| OFF| OFF| ON
15| ON| ON| ON| OFF| OFF| OFF|
OFF
16
| ON| ON| OFF| ON| ON| ON| ON
17| ON| ON| OFF| ON| ON| ON|
OFF
18
| ON| ON| OFF| ON| ON| OFF| ON
19| ON| ON| OFF| ON| ON| OFF|
OFF
20
| ON| ON| OFF| ON| OFF| ON| ON
21| ON| ON| OFF| ON| OFF| ON|
OFF
22
| ON| ON| OFF| ON| OFF| OFF| ON
23| ON| ON| OFF| ON| OFF| OFF|
OFF
24
| ON| ON| OFF| OFF| ON| ON| ON
25| ON| ON| OFF| OFF| ON| ON|
OFF
26
| ON| ON| OFF| OFF| ON| OFF| ON
27| ON| ON| OFF| OFF| ON| OFF|
OFF
28
| ON| ON| OFF| OFF| OFF| ON| ON
29
| ON| ON| OFF| OFF| OFF| ON|
OFF
30| ON| ON| OFF| OFF| OFF| OFF|
ON
31
| ON| ON| OFF| OFF| OFF| OFF| OFF
32| ON| OFF| ON| ON| ON| ON|
ON
33
| ON| OFF| ON| ON| ON| ON| OFF
34
| ON| OFF| ON| ON| ON| OFF| ON
35| ON| OFF| ON| ON| ON| OFF|
OFF
36
| ON| OFF| ON| ON| OFF| ON| ON
37| ON| OFF| ON| ON| OFF| ON|
OFF
38
| ON| OFF| ON| ON| OFF| OFF| ON
39| ON| OFF| ON| ON| OFF| OFF|
OFF
40
| ON| OFF| ON| OFF| ON| ON| ON
41| ON| OFF| ON| OFF| ON| ON|
OFF
42
| ON| OFF| ON| OFF| ON| OFF| ON
43| ON| OFF| ON| OFF| ON| OFF|
OFF
44
| ON| OFF| ON| OFF| OFF| ON| ON
45| ON| OFF| ON| OFF| OFF| ON|
OFF
46
| ON| OFF| ON| OFF| OFF| OFF| ON
47| ON| OFF| ON| OFF| OFF| OFF|
OFF
48
| ON| OFF| OFF| ON| ON| ON| ON
49| ON| OFF| OFF| ON| ON| ON|
OFF
50
| ON| OFF| OFF| ON| ON| OFF| ON
51| ON| OFF| OFF| ON| ON| OFF|
OFF
52
| ON| OFF| OFF| ON| OFF| ON| ON
53| ON| OFF| OFF| ON| OFF| ON|
OFF
54
| ON| OFF| OFF| ON| OFF| OFF| ON
55| ON| OFF| OFF| ON| OFF| OFF|
OFF
56
| ON| OFF| OFF| OFF| ON| ON| ON
57| ON| OFF| OFF| OFF| ON| ON|
OFF
58
| ON| OFF| OFF| OFF| ON| OFF| ON
59| ON| OFF| OFF| OFF| ON| OFF|
OFF
60
| ON| OFF| OFF| OFF| OFF| ON| ON
61| ON| OFF| OFF| OFF| OFF| ON|
OFF
62
| ON| OFF| OFF| OFF| OFF| OFF| ON
63| ON| OFF| OFF| OFF| OFF| OFF|
OFF
64
| OFF| ON| ON| ON| ON| ON| ON
65| OFF| ON| ON| ON| ON| ON|
OFF
66
| OFF| ON| ON| ON| ON| OFF| ON
67| OFF| ON| ON| ON| ON| OFF|
OFF
68
| OFF| ON| ON| ON| OFF| ON| ON
69| OFF| ON| ON| ON| OFF| ON|
OFF
70
| OFF| ON| ON| ON| OFF| OFF| ON
71| OFF| ON| ON| ON| OFF| OFF|
OFF
72
| OFF| ON| ON| OFF| ON| ON| ON
73| OFF| ON| ON| OFF| ON| ON|
OFF
74
| OFF| ON| ON| OFF| ON| OFF| ON
75| OFF| ON| ON| OFF| ON| OFF|
OFF
76
| OFF| ON| ON| OFF| OFF| ON| ON
77| OFF| ON| ON| OFF| OFF| ON|
OFF
78
| OFF| ON| ON| OFF| OFF| OFF| ON
79| OFF| ON| ON| OFF| OFF| OFF|
OFF
80
| OFF| ON| OFF| ON| ON| ON| ON
81| OFF| ON| OFF| ON| ON| ON|
OFF
82
| OFF| ON| OFF| ON| ON| OFF| ON
83| OFF| ON| OFF| ON| ON| OFF|
OFF
84
| OFF| ON| OFF| ON| OFF| ON| ON
85| OFF| ON| OFF| ON| OFF| ON|
OFF
86
| OFF| ON| OFF| ON| OFF| OFF| ON
87| OFF| ON| OFF| ON| OFF| OFF|
OFF
88
| OFF| ON| OFF| OFF| ON| ON| ON
89| OFF| ON| OFF| OFF| ON| ON|
OFF
90
| OFF| ON| OFF| OFF| ON| OFF| ON
91| OFF| ON| OFF| OFF| ON| OFF|
OFF
92
| OFF| ON| OFF| OFF| OFF| ON| ON
93| OFF| ON| OFF| OFF| OFF| ON|
OFF
94
| OFF| ON| OFF| OFF| OFF| OFF| ON
95| OFF| ON| OFF| OFF| OFF| OFF|
OFF
96
| OFF| OFF| ON| ON| ON| ON| ON
97| OFF| OFF| ON| ON| ON| ON|
OFF
98
| OFF| OFF| ON| ON| ON| OFF| ON
99| OFF| OFF| ON| ON| ON| OFF|
OFF
100
| OFF| OFF| ON| ON| OFF| ON| ON
101| OFF| OFF| ON| ON| OFF| ON|
OFF
102
| OFF| OFF| ON| ON| OFF| OFF| ON
103| OFF| OFF| ON| ON| OFF| OFF|
OFF
104
| OFF| OFF| ON| OFF| ON| ON| ON
105| OFF| OFF| ON| OFF| ON| ON|
OFF
106
| OFF| OFF| ON| OFF| ON| OFF| ON
107| OFF| OFF| ON| OFF| ON| OFF|
OFF
108
| OFF| OFF| ON| OFF| OFF| ON| ON
109| OFF| OFF| ON| OFF| OFF| ON|
OFF
110
| OFF| OFF| ON| OFF| OFF| OFF| ON
111| OFF| OFF| ON| OFF| OFF| OFF|
OFF
112
| OFF| OFF| OFF| ON| ON| ON| ON
113| OFF| OFF| OFF| ON| ON| ON|
OFF
114
| OFF| OFF| OFF| ON| ON| OFF| ON
115| OFF| OFF| OFF| ON| ON| OFF|
OFF
116
| OFF| OFF| OFF| ON| OFF| ON| ON
117| OFF| OFF| OFF| ON| OFF| ON|
OFF
118
| OFF| OFF| OFF| ON| OFF| OFF| ON
119
| OFF| OFF| OFF| ON| OFF| OFF|
OFF
Installing the Audio Controller onto the PDI
The audio controller assembly is designed to be mounted on the PDI in an FACP
expansion bay.
The card should be mounted onto the leftmost side of the PDI.
Use the connector on the back side of the audio controller card to connect to
the left side of the bay as shown in Figure 4.
Audio Controller Field Wiring
Overview
This section contains the field wiring drawings for the analog and digital
audio controllers. Input
Option Card, Remote Mic, and Line Level wiring diagrams are valid for both the
Analog and
Digital Controllers.
Note: Use supplied ferrite beads with digital audio controllers. Loop wires once through the supplied ferrite bead(s) as shown in Figure 5.
Audio Input Card Interconnections
Note: Refer to the Fire Alarm System Audio Input Card Installation Instructions (579-160) for information on the audio input card.
Analog Interconnections
Figure 7 is an illustration of Class A and Class B wiring from the analog
audio controller to analog risers
- Leave the 4.7 K, ½ W resistors (378-056; yellow/violet/red) on the “+” to “-” terminals of unused contacts.
- All wiring is 18 AWG (0.8321 mm2 ) to 14 AWG (2.081 mm2 ), twisted shielded pair.
- Audio wiring is not to be mixed in the same jacket with other wiring (including other audio wiring).
- AC voltage rating: 10 VRMS (maximum)
- DC voltage rating: 2 VDC (maximum)
- Maximum number of analog interface cards per audio riser: 31.
- All wiring that leaves the building requires the 2081-9044 Overvoltage Protector at each entry or exit to the building.
- Maximum wire distance: 10,000 feet (3,048 m).
- Wiring must be free of all grounds.
- Set audio input card jumpers as shown in “Configuring the Audio Input Card.”
- All riser wiring is supervised and power limited
Connecting the Analog Riser to Legacy 4100
The FACP may be connected to the 4100 Legacy Audio Controller via the FACP
Audio Riser and the Network input on the Legacy Controller. The FACP uses a
10VRMS Analog Audio riser. In order to interface to a legacy 4100 Audio
Controller Network input, an isolation/step-down transformer must be used.
This is an existing product, the Audio Isolator Assembly, PN 742-302.
The setup is slightly different from the instructions that are supplied with
the module. Following are the modified installation instructions:
-
Connect the incoming nominal 10 VRMS FACP Audio Riser wiring to TB1 on the audio isolator. If the installation requires IN and OUT wiring, two wires may be installed under each screw of TB1.
Note: The in and out wiring must be two separate wires. Do not loop the wire around the TB1 screws. -
If there is only one audio wire pair coming into the panel, isolate and tape back the shield with high quality electrical tape.
-
If the installation requires IN and OUT wiring, install as indicated in Step 1 above, connect the shields of the incoming and outgoing wires together to maintain continuity of the shield. The preferable method is to twist the shields together, solder and cover with a high quality electrical tape.