thomann Drawmer 1972 Dual Mic Line & Instrument Pre-Amplifier User Manual
- June 3, 2024
- Thomann
Table of Contents
- Drawmer 1972 Dual Mic Line & Instrument Pre-Amplifier
- ONE YEAR LIMITED WARRANTY
- SAFETY CONSIDERATIONS
- INTRODUCTION
- INSTALLATION
- POWER CONNECTION
- AUDIO CONNECTIONS
- CONTROL DESCRIPTION
- GENERAL INFORMATION
- DATA SPECIFICATION
- BLOCK DIAGRAM
- References
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
Dual Mic Line & Instrument Pre-Amplifier
User Manual
DRAWMER
Dual Mic, Line & Instrument Pre-Amplifier
OPERATOR’S MANUAL
Drawmer 1972 Dual Mic Line & Instrument Pre-Amplifier
COPYRIG H T
This manual is copyrighted © 2022 by Drawmer Electronics Ltd. With all rights
reserved. Under copyright laws, no part of this publication may be reproduced,
transmitted, stored in a retrieval system or translated into any language in
any form by any means, mechanical, optical, electronic, recording, or
otherwise, without the written permission of Drawmer Electronics Ltd.
ONE YEAR LIMITED WARRANTY
Drawmer Electronics Ltd., warrants the Drawmer 1972 Dual Mic/Line/Instrument
Pre-Amplifier to conform substantially to the specifications of this manual
for a period of one year from the original date of purchase when used in
accordance with the specifications detailed in this manual. In the case of a
valid warranty claim, your sole and exclusive remedy and Drawmer’s entire
liability under any theory of liability will be to, at Drawmer’s discretion,
repair or replace the product without charge, or, if not possible, to refund
the purchase price to you. This warranty is not transferable. It applies only
to the original purchaser of the product.
For warranty service please call your local Drawmer dealer. Alternatively call
Drawmer Electronics Ltd. at +44 (0)1709 527574. Then ship the defective
product, with transportation and insurance charges prepaid, to Drawmer
Electronics Ltd., Coleman Street, Parkgate, Rotherham, S62 6EL UK. Write the
RA number in large letters in a prominent position on the shipping box.
Enclose your name, address, telephone number, copy of the original sales
invoice and a detailed description of the problem. Drawmer will not accept
responsibility for loss or damage during transit.
This warranty is void if the product has been damaged by misuse, modification
or unauthorised repair.
THIS WARRANTY IS IN LIEU OF ALL WARRANTIES, WHETHER ORAL OR WRITTEN,
EXPRESSED, IMPLIED OR STATUTORY. DRAWMER MAKES NO OTHER WARRANTY EITHER
EXPRESS OR IMPLIED, INCLUDING, WITHOUT LIMITATION, ANY IMPLIED WARRANTIES OF
MERCHANTABILITY, FITNESS FOR A PARTICULAR PURPOSE, OR NON-INFRINGEMENT.
PURCHASER’S SOLE AND EXCLUSIVE REMEDY UNDER THIS WARRANTY SHALL BE REPAIR OR
REPLACEMENT AS SPECIFIED HEREIN.
IN NO EVENT WILL DRAWMER ELECTRONICS LTD. BE LIABLE FOR ANY DIRECT, INDIRECT,
SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES RESULTING FROM ANY DEFECT IN THE
PRODUCT, INCLUDING LOST PROFITS, DAMAGE TO PROPERTY, AND, TO THE EXTENT
PERMITTED BY LAW, DAMAGE FOR PERSONAL INJURY, EVEN IF DRAWMER HAS BEEN ADVISED
OF THE POSSIBILITY OF SUCH DAMAGES.
Some states and specific countries do not allow the exclusion of implied
warranties or limitations on how long an implied warranty may last, so the
above limitations may not apply to you. This warranty gives you specific legal
rights. You may have additional rights that vary from state to state, and
country to country.
DRAWMER 1972
Dual Mic, Line & Instrument Pre-Amplifier
SAFETY CONSIDERATIONS
CAUTION – MAINS FUSE
TO REDUCE THE RISK OF FIRE REPLACE THE MAINS FUSE ONLY WITH A FUSE THAT
CONFORMS TO IEC127-2. 250 VOLT WORKING, TIME DELAY TYPE
AND BODY SIZE OF 20mm x 5mm. THE MAINS INPUT FUSE MUST BE RATED AT 230V=T160mA
and 115V=T315mA.
CAUTION – MAINS CABLE
DO NOT ATTEMPT TO CHANGE OR TAMPER WITH THE SUPPLIED MAINS CABLE.
CAUTION – SERVICING
DO NOT PERFORM ANY SERVICING. REFER ALL SERVICING TO QUALIFIED SERVICE
PERSONNEL.
WARNING
TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK DO NOT EXPOSE THIS EQUIPMENT TO
RAIN OR MOISTURE.
****In the interests of product development, Drawmer reserve the right to
modify or improve specifications of this product at any time, without prior
notice.
INTRODUCTION
The 1972 Dual Mic, Line & Instrument Pre-Amplifier has been developed to make
it ultra easy for you to capture perfect recordings every time. The 1972 gives
you the ability to record pristine audio from a variety of sources and
especially makes the most of the multitude of microphones that you find in the
studio, from budget to high-end dynamic and also ribbon mics. Uniquely it has
added features that help out in difficult to record situations that are not
found on other preamplifiers.
The 1972 uses the latest THAT Corporation technology in the two independent
mic preamps to provide ultra clean, transparent and precise recordings, that
can be processed at a later stage using your favourite methods, be it
compression, E.Q., saturation, valve, transformer or tape. Each channel is
capable of 66dB of stepped gain, with an additional +/-12dB’s trim at the
output, and incorporates switchable mic impedance for accurate mic matching to
bring out the best from any microphone used, and also provides a way to
“sculpt” the sound of passive dynamic, and especially low-impedance ribbon
microphones.
As well as standard features that you will find on most preamplifiers, such as
phase reverse, the 1972 also has a wealth of tools that help when recording
difficult sources, making it possible to get the best quality recording with
ease: Fully variable LoCut and HiCut controls have been included to allow you
to tune into recordings and remove superfluous signals in the low and high
frequencies, removing rumble and hiss with ease. In addition the Shape feature
allows you to bring out the bass or treble using a subtle tilt EQ.
A unique feature that has been developed by Ivor Drawmer and currently only
available on the 1972 is the Lift control. Lift is essentially a low level
dynamic gain module which has no effect on signals above 0dB. This makes it
possible to record very quiet signals in a transparent and natural way without
distortion and clipping taking place on the louder passages, and is especially
effective for very dynamic signals, finding great use in recording piano, and
on all vocals including speech, and for capturing ambiance.
- Two THAT Corporation ultra clean mic pre’s with 66dB of gain in 6dB steps, plus +/-12dB’s trim at output.
- A wealth of features not found on other preamps make it ease to capture difficult to record sources.
- Two backlit Analogue V.U. Meters with Switchable +10dB Rescale Mode.
- Separate Line & Mic input XLR’s on the rear plus a pro quality instrument DI input on the front panel.
- Can be used on a multitude of sources including instruments and all type of microphones in the studio from low to high end, plus ribbon mics.
- Switchable Mic Impedance for accurate mic matching and also mic tone sculpting.
- Unique Lift feature for boosting very low signals without the loud signals clipping.
- Fully variable LoCut and HiCut filters to tune into signals and remove unwanted sounds.
- Shape switches are included to control bass and treble using a subtle tilt EQ.
- Phantom Power and Phase Reverse
- Time delay relays on outputs for clean power up/down.
- Internal Low Hum Toroidal Linear Power Supply with Voltage Selector Switch.
- Classic Drawmer build quality with rugged steel chassis and aluminium front panel.
- Designed and Handmade by Drawmer in the UK.
INSTALLATION
The 1972 is designed for standard 19″ rack mounting and occupies 1U of rack space. Avoid mounting the unit directly above power amplifiers or power supplies that radiate significant amounts of heat and always connect the mains earth to the unit. Fibre or plastic washers may be used to prevent the front panel becoming marked by the mounting bolts. It is also advisable to leave space above the unit to allow the heat to dissipate.
POWER CONNECTION
The 1972 unit will be supplied with a power cable suitable for domestic power
outlets in your country. For your own safety, it is important that you use
this cable to connect to the mains supply earth. The cable must not be
tampered with or modified.
The power supply socket has an integral fuse drawer containing the power fuse
of the same value, to suit the mains voltage for which the unit has been
supplied. Removal of the drawer is only possible with the power cord removed.
The fuse should never blow under normal operation. If the fuse is suspected of
having blown, then a fault will have occurred and this fault condition should
be inspected by a qualified service engineer. When replacing the fuse, always
comply with the Safety Instructions.
If the unit is to be used with a mains input operating voltage different to
that for which the unit is supplied, the following procedure must be carried
out by a technically competent person, (see following diagrams)
- Disconnect the unit from the mains.
- Using a number 1 size pozidrive screwdriver, remove the seven self -tapping screws that retain the top cover. Two screws are found along each side; two along the top edge at the rear; and the upper central screw on the front facia panel.
- Slide the voltage change-over switch (S11) until the correct (or nearest) mains input voltage is visible on the switch actuator. (see fig.2)
For conversion to 115Volt AC (previously set to 230Volt AC)…..
4a: Exchange the 160mA fuse below the mains socket for a similar type rated at
315mA
Voltage Selector Switch located here fig.2 The Voltage Selector Switch
For conversion to 230Volt AC (previously set to 115Volt AC)…..
4b: Exchange the 315mA fuse below the mains socket for a similar type rated at
160mA
In all cases:
5: Replace the top cover using the seven screws.
6: Re-connect to mains power source.
AUDIO CONNECTIONS
The inputs and outputs are electronically balanced on conventionally wired
XLRs (pin 1 screen, pin 2 hot, pin 3 cold and XLR shell is connected to
chassis). The 1972 fully conforms to the EMC standards, if the unit is used
where it maybe exposed to high levels of disturbance such as found close to a
TV or radio transmitter we suggest that the screen of the signal cable is
connected to the chassis connection on the XLR type connector. The operating
level is nominally +4dBu. If ground loop problems are encountered, never
disconnect the mains earth, but instead, try disconnecting the signal screen
on one end of each of the cables connecting the outputs of the 1972 to the
patchbay. If such measures are necessary, balanced operation is recommended.
In addition to the instrument input 1/4″ jack connector located in the
instrument section on the front panel there are also several found on the rear
panel:
Mic Input
A dedicated microphone input via balanced XLR connector per channel located on
the rear panel.
Line Input
A dedicated line level input via balanced Neutrik Combo XLR / 1/4″ jack
connector per channel
Output
A dedicated output via balanced XLR for each channel.
CONTROL DESCRIPTION
The two channels of the 1972 are completely identical to each other, from the
matching connectors on the rear to the identical front panel controls. They
are also entirely independent of each other and cannot be linked.
Instrument/Line/Mic 2.4 kOhm/Mic 600 Ohm/Mic 200 Ohm/Mic +48V
SELECT
The source select is a six position rotary switch that, as well as setting
the input source, also sets the load impedance of the microphone.
When in the INST. position the channel takes its source from the instrument
jack found on the front panel, to the right of the switch.
In the Line position the signal comes via the dedicated input XLR on the rear
panel. Note that the Line input has an automatic level pad of 24 decibels.
The remaining four positions all take their source from the dedicated
microphone input on the rear panel. The first three positions set the load
impedance at settings of 200, 600 and 2.4k Ohms in order to aid the matching
for a dynamic microphone.
In the +48V Phantom Power switch position the red LED will illuminate to
indicate that 48V of dc voltage is being sent down the XLR cable in order to
power the electronics of a condenser microphone.
NOTE: DO NOT ACTIVATE THE +48V SETTING UNLESS THE MICROPHONE REQUIRES IT.
INSTRUMENT INPUT
A 1/4″ jack provides a specialised instrument input stage suitable for use
with both active and passive guitar pickup systems as well as with electronic
keyboards.
PHASE REVERSE Off – On
This switch reverses the signal polarity, and is often useful when
recording an instrument with more than one microphone. If, for example, you
record a guitar cabinet with two mics, the two signals could be so similar
that they would cancel each other out partially, resulting in a very thin
sound. Reversing the phase of one channel would rectify this.
INPUT GAIN 0 – +66dB
A twelve position switch adds gain in 6dB steps from 0dB to +66dB, making
it incredibly easy to replicate previous settings and have total control over
levels. It is the most common practice to set the input for any given source
to read 0dBs to provide the best volume, a 4 bar LED Meter above, with
settings of -20, -10, 0 & +10dBs displays this input level. This can be fine
tuned by the O/P Trim later.
Off – On A variable high and low pass filter can be switched in and out
of the signal path via this switch. The two filters combine to help remove any
extraneous noise and tune in to the required signal.
LoCUT 15 – 350Hz
The variable high-pass filter (also known as Low Cut) can be set between
15Hz and 350Hz at a slope of 12dB per Octave, and is used to attenuate low
frequency signals that might otherwise prove troublesome, eg. traffic rumble
or stage vibration, and let the higher frequencies pass.
HiCUT 1.5 – 20kHz
The variable low-pass filter (also known as High Cut) can be set between
1.5kHz and 20kHz at a slope of 12dB per Octave, and is used to attenuate high
frequency signals that might not be required eg. sibilance and hiss, and let
the lower frequencies pass.
LIFT
LIFT is a single switch solution to recording low signal levels. Seamless in
it’s operation, LIFT is, in essence, a low level dynamic gain module which has
no effect on signals above 0dB, but increases gain dynamically on levels
between 0dB and -30B, up to a maximum of 10dB, and then continues to add 10dB
of gain to signals below -30dB.
You may ask yourself: why would this be necessary?
When recording very quiet passages the most common answer to obtain a loud
enough recording is to simply add more gain, however, as this occurs
throughout the entire audio level range, increasing the loud signals also,
clipping and distortion can easily occur. The cleverness of the LIFT switch is
that it dynamically increases only the volume of the very quiet signals below
the threshold of 0dB, leaving anything above untouched, meaning that no
unnecessary clipping occurs during loud passages.
If done crudely the effect would be obvious and unnatural, however the
paramaters of the 1972 LIFT feature have been fixed at settings that provide
as transparent, smooth and musical quality as possible, whilst making the
operation as simple as a single switch press. The feature will find many uses
in the studio, radio, TV sound, conferences and public address. It is of great
value on piano, drum ambience as well as other types of percussion, and on all
vocals including speech. Mic technique is used to compensate for vocal
intensity and one can often see singers move closer to the mic during quiet
passages. LIFT reduces or even eliminates the need to do this.
Please note that, just like any other gain increase, the noise floor will also
be increased by 10dB, and in addition, in a live situation, acoustic feedback
is more likely to occur and should be considered during sound check.
SHAPE
It is easiest to think of the Shape feature as a fixed boost/cut tilt
equaliser whereby the signal increases and decreases by the same amount around
a fixed point on the scale, in the case of the 1972, at 500Hz.
The bass frequencies are boosted and the high frequencies cut by 2.5dB (at the
extremes).
The bass frequencies are cut and the high frequencies boosted.
However, note that when both switches are active they interact with each other
and provide a classic “smiley face” EQ curve that will boost the low and high
frequencies by approximately 1.5dBs, with a slight cut in the mids of 1dB.
OUTPUT TRIM -12dB – +12dB
Because the Input Gain switches the volume in 6dB steps the Output Trim,
being a continuous control, is used to finely adjust the output to the
absolute desired level.
VU METER
A backlit moving coil VU meter displays the level of the output signal as
found at the output XLR
+10dB Pad VU – +10dB
Adjusts the meter to show either normal output level, (and for those
working at `hot’ output levels) VU +10dB i.e. with the switch at VU +10dB,
when the VU meter reads 0dB the actual level is +10dB.
GENERAL INFORMATION
IF A FAULT DEVELOPS
For warranty service please call Drawmer Electronics Ltd. or their nearest
authorised service facility, giving full details of the difficulty.
A list of all main dealers can be found on the Drawmer webpages. On receipt of
this information, service or shipping instructions will be forwarded to you.
No equipment should be returned under the warranty without prior consent from
Drawmer or their authorised representative.
For service claims under the warranty agreement a service Returns
Authorisation (RA) number will be issued.
Write this RA number in large letters in a prominent position on the shipping
box. Enclose your name, address, telephone number, copy of the original sales
invoice and a detailed description of the problem.
Authorised returns should be prepaid and must be insured.
All Drawmer products are packaged in specially designed containers for
protection. If the unit is to be returned, the original container must be
used. If this container is not available, then the equipment should be
packaged in substantial shockproof material, capable of withstanding the
handling for the transit.
CONTACTING DRAWMER
Drawmer Electronics Ltd., will be pleased to answer all application questions
to enhance your usage of this equipment. Please address correspondence to:
Drawmer (Technical Help line)
Coleman Street
Parkgate
Rotherham
S62 6EL
UK
Alternatively contact us by E-mail on : for sales enquiries:
sales@drawmer.com
or for technical issues: tech@drawmer.com
Further information on all Drawmer dealers, Authorised service departments and
other contact information can be obtained from our web pages on:
http://www.drawmer.com
1972 DUAL FET COMPRESSOR AND PRE-AMPLIER
DATA SPECIFICATION
INPUT
Input Impedance…………… 20k Ohms or greater
Maximum Input Level ………………+21dBu
OUTPUT
Output Impedance…………. 100 Ohms
Maximum Output Level ………………….+21dBu into 10k Ohms Load
FREQUENCY RESPONSE
20Hz to 20kHz +/-0.5dB
CROSSTALK
< -85dB @ 1kHz
NOISE AT UNITY GAIN
20Hz – 20kHz……………. >92dB
% DISTORTION (THD & NOISE) @ 1kHz
0dB……….. 0.07%
10dB…………….. 0.07%
MIC EIN
-130dB Aweighted
POWER REQUIREMENTS
230Volt or 115V at 50-60hZ, 15VA
FUSE RATING
T160mA for 230Volt,
T315mA for 115Volt
Conforming to IEC 127-2
FUSE TYPE
20mm x 5mm, Class 3 Timed-Blo, 250Volt working
CASE SIZE
482mm (W) x 44mm (H) x 200mm (D)
WEIGHT
2.6Kgs
BLOCK DIAGRAM
References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>