PreSonus Eris Series E5 High-Definition Near Field Studio Monitors Owner’s Manual
- June 6, 2024
- PreSonus
Table of Contents
- PreSonus Eris Series E5 High-Definition Near Field Studio Monitors
- 1 Overview
- 1.2 Summary of Eris E5/E8 Features
- 1.3 What is in the box
- 2 Hookup
- 2.1.2 Power
- 2.1.3 Acoustic Tuning Controls
- 2.2 Hookup Diagrams
- 3 Tutorials
- Input Gain Setting
- 3.4 Acoustic Space Setting Suggestions
- 4 Resources
- 4.2 Troubleshooting
- Added bonus: PreSonus’ previously Top Secret recipe for…
- Cooking Instructions:
- Eris® Series E5 / E8
- Read More About This Manual & Download PDF:
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
PreSonus Eris Series E5 High-Definition Near Field Studio Monitors
Owner’s Manual
1 Overview
1.1 Introduction
Thank you for purchasing the PreSonus Eris E5/E8 studio monitors.
The E5 and E8 self-powered nearfield monitors that offer excellent performance
at a reasonable price for budget-conscious project studios, with features
normally reserved
for more expensive monitors. We encourage you to contact us at
225-216-7887 (9 a.m. to 5 p.m. Central
Time) with questions or comments regarding your PreSonus Eris E5/ E8. PreSonus
Audio Electronics is committed to constant product improvement, and we value
your suggestions highly. We believe the best way to achieve our goal of
constant
product improvement is by listening to the real experts: our valued customers.
We appreciate the support you have shown us through the purchase of this
product and are confident that you will enjoy your Eris E5/E8!.
ABOUT THIS MANUAL:
We suggest that you use this manual to familiarize yourself with the features, applications, and correct connection procedures for your Eris E5/E8 before connecting it to the rest of your studio gear. This will help you avoid problems during installation and setup. Throughout this manual you will find Power User Tips that can quickly make you an Eris expert. In addition to the Power User Tips, you will find several tutorials that cover monitor placement as well as setting the Input Level, EQ, and Acoustic Space controls.
1.2 Summary of Eris E5/E8 Features
- 3 inputs: 2 balanced (XLR and ¼” TRS) and 1 unbalanced (RCA)
- Woven composite woofer and silk-dome tweeter
- Separate amplifiers that are optimized for the woofer and tweeter
- Front-firing acoustic port for superior bass frequency reproduction
- Input-level control with up to 35 dB of gain above unity
- High-frequency shelf EQ with ±6 dB of boost/cut above 10 kHz
- Mid-frequency peak EQ with ±6 dB of boost/cut centered at 1 kHz
- Low-frequency cutoff switch (flat, 80 Hz, 100 Hz) with -12 dB/octave slope
- Acoustic Space switch (0, -2 dB, -4 dB) to compensate for bass boost near a wall.
1.3 What is in the box
In addition to this manual, your Eris E5/ E8 package contains the following:
-
PreSonus Eris E5 or E8 powered studio monitor.
-
(1) IEC power cable
-
(4) Foam feet to be placed on the bottom of the speaker to improve isolation.
2 Hookup
2.1 Rear Panel Connections and Controls.
2.1.1 Inputs
Line-level Inputs.
The Eris E5/E8 provides a choice of three inputs: two balanced (XLR and ¼” TRS) and one unbalanced (RCA). These inputs accept a line-level signal from your audio source and feed that signal to the monitor’s built-in power amplifiers. These inputs are provided to allow for flexible connectivity and not for connecting multiple sources to your speakers simultaneously. Please connect only one source to your Eris E5/E8.
Power User Tip: If your audio source provides balanced XLR or ¼” TRS (tip-
ring-sleeve) outputs, use one of the corresponding balanced Eris inputs, since
balanced cables
are resistant to induced noise from radio-frequency or electromagnetic
interference (RFI or EMI). If the audio source has unbalanced ¼” TS (tip-
sleeve) outputs, use a ¼”-to-RCA adapter or adapter cable. Always use the
shortest cable possible to minimize the risk of induced RFI or EMI noise.
Input Gain: Sets the level of the input signal before it is amplified.
2.1.2 Power
IEC Power Connection: Your Eris E5/E8 accepts a standard IEC power cord.
Warning: Do not remove the center grounding prong or use a ground-lift
adapter, as this could result in electric shock.
Power Switch. This is the On/Off switch. The power status is indicated by an LED on the front of the cabinet.
AC Select Switch. The input-power voltage is set at the factory to correspond with the country in which it was shipped. Use this switch only if you are using your Eris speakers in a country that uses a different standard voltage than is used in the country where you purchased your Eris E5 or E8.
2.1.3 Acoustic Tuning Controls
High: Boosts or cuts all frequencies above 10 kHz by ±6 dB.
Power User Tip: The High control on the Eris E5/E8 is a high-shelf
EQ and attenuates or boosts frequencies above 10 kHz. This
EQ is much like the treble control on a car stereo: It raises or lowers the
gain on all frequencies above the specified cutoff frequency. Shelving EQs can
make big changes to the sound very quickly by adding or removing an entire
range of frequencies.
Mid: Boosts or cuts frequencies around 1 kHz by ±6 dB.
The Mid control is a peak EQ that lets you boost or cut a specified frequency
band (in this case, a band about two octaves wide, centered at 1 kHz). It’s
capable of more subtle changes.
Low Cutoff: Rolls off the level of all frequencies below the specified frequency (80 or 100 Hz) at a slope of -12 dB/octave. Can be defeated by setting it to Flat, in which case, the monitor’s natural rolloff takes over.
Acoustic Space: Cuts the level of all frequencies below 800 Hz by the specified amount (-2 or -4 dB) to compensate for the bass boost that occurs when the monitor is placed near a wall or corner. Can be defeated by setting it to 0 dB.
2.2 Hookup Diagrams
2.2.1 Basic Setup
2.2.2 Advanced Setup with Speaker Switching
3 Tutorials
3.1 Monitor Placement
Ideally, near-field monitors should be placed so that the tweeters are at the same height as your ears when you are mixing.
Eris speakers can be placed vertically or horizontally; when placed horizontally, they should form a mirrorimage pair, with the tweeters on the outside.
The speakers should be separated so that the tweeters form an equilateral triangle with your head. The monitors should be “toed in,” or angled, so that they are pointed at you, not pointed straight ahead.
Input Gain Setting
The best place to start is to set the Input Level control at its 12 o’clock position, which is labeled “U” for “unity gain.” That means the level of the signal reaching the amplifier is the same as the level of the signal entering the monitor’s input. This ensures a good, strong signal level without amplifying any extraneous noise. Make sure that the gain controls on your audio source have been optimized for maximum signal level and minimum noise. This process is called “gain staging,” and you can learn about it from many online sources. You should always set the Input Gain on your Eris monitor so that all other level controls in the system needn’t be turned way up or way down to achieve a comfortable listening volume. If setting the input gain to Unity is unsatisfactory, you can try different settings, but remember that it’s better to avoid settings above U if possible. If the volume is too loud at unity gain, feel free to turn the Input Gain control down a bit—but not so far that you have to crank your audio source’s output level to its maximum setting. If you set it too low, you’ll have to crank your audio source’s output level way up, which will increase the audible noise from your source signal. If you set it too high, any noise in the signal will be amplified, which you don’t want, either! Again, if you properly gain-stage your audio source, setting Input Gain to U or slightly lower should work fine. Once the monitor’s Input Gain control is set, leave it alone; don’t use it as a system- volume control. Leave that job to your audio device’s output-level control.
3.3 Equalizer Setting Suggestions
The Eris E5/E8 provides three EQ controls in its
Acoustic Tuning section: High, Mid, and Low Cutoff. (There’s also an Acoustic
Space control, which is covered in the next section.) In general, setting the
High control to 0 (no boost or cut) will produce the best results. However, if
the sound is generally too bright or shrill, try turning this control down
below 0; if the sound is too dull and lifeless, try turning it up above 0.
It’s always better to cut than to boost and to use the smallest cut or boost
needed to get the job done.
The Mid control is a mid-frequency peak filter that boosts or cuts frequencies
centered on 1 kHz and extending about one octave above and below that
frequency. Again, setting this control to 0 will generally produce the best
results. If you want to emulate a car stereo, try turning it down below 0 to
approximate the common “smiley face”
EQ curve. On the other hand, if you want to emulate a cheap portable radio,
try turning it up above 0. Try not to boost much, since this can add noise to
the signal.
The Low Cutoff control rolls off the low frequencies below the specified
frequency (80 or 100 Hz). Engage this control if you are using a subwoofer in
conjunction with the Eris E5/E8 monitors, and set it to the same frequency as
the crossover to the subwoofer. If you’re not using a subwoofer, set the
control to Flat. If you want to emulate a cheap radio, engage this control at
80 or 100 Hz while boosting the Mid control. Power User Tip: Do not use the EQ
controls on your Eris monitor to correct problems in your mix.
While this changes what you hear in the control room, it has no effect on your
recorded audio.
3.4 Acoustic Space Setting Suggestions
the low frequencies tend to be emphasized more than if the monitor is far from any room boundary; this effect is called “boundary bass boost.” It is most pronounced if the monitor is in a corner and less pronounced, but present, if the monitor is near one wall. To compensate for this bass boost, the Eris E5/ E8 provides an Acoustic Space switch that cuts all frequencies below 800 Hz by a fixed amount. If the monitors are close to the corners of the room, start by setting the Acoustic Space switch to -4 dB, which provides the most bass attenuation.
If the monitors are close to the back wall, try setting the Acoustic Space switch to -2 dB for less attenuation
If the monitors are far from any wall, there will be no bass boost, so set the switch to 0 dB.
4 Resources
4.1 Technical Specifications
4.2 Troubleshooting
No Power. First ensure that your Eris E5/E8 is plugged in. If it’s connected
to a power conditioner, verify that the power conditioner is turned on and
functioning.
If problem still exists, disconnect the power cable from your E5/E8 and check
the fuse on the back panel of your E5/E8. The fuse housing is located directly
beneath the
IEC power cable connection. A blown fuse may look black on the inside or the
wire inside might appear broken. A very black fuse is a sign that something
may have shorted
out. Try replacing the fuse with a new one. The E5 uses a T1L fuse. The Eris
E8 uses a T2L fuse. If the fuse blows again, you will need to contact PreSonus
for a repair.
No audio. If your Eris E5/E8 appears to power on but you hear no sound when
playing audio from your audio source (the lights are on but nobody’s home),
first make sure that the cable connecting your audio source to the monitor is
working correctly. Also, verify that the Input Gain control is set to provide
enough amplitude for the signal.
Hum. Usually, hum is caused by a ground loop. Verify that all audio equipment
is connected to the same power source. If you are not using a power
conditioner, we highly recommend that you add one. Not only will this help to
minimize hum, it will better protect your equipment from power surges,
brownouts, etc.
Use balanced cables whenever possible. If your audio device does not offer a
balanced output, you can connect it to a direct box, which will provide a
ground-lift switch and a balanced output. Finally, make sure that your audio
cables are not run near power cables, and use cables that are the appropriate
length for your application. Using cables that are too long not only increases
the risk of noise, it increases the likelihood that the cables are coiled,
which will essentially create an antenna that picks up all kinds of audio.
interference.
Added bonus: PreSonus’ previously Top Secret recipe for…
Rice Dressing
Ingredients:
- 1lb ground beef
- 1 lb chopped chicken liver
- 1 onion (diced)
- 2 green peppers (diced)
- 4-6 celery stalks (diced)
- 2 garlic cloves (minced)
- ¼ C. chopped fresh parsley
- 3 C. chicken stock
- 6 C. cooked rice
- 1 Tbs. oil
- Salt and pepper to taste
- Cayenne pepper to taste
Cooking Instructions:
- In a large pot, heat oil on medium high and add meat, salt, and pepper to taste. Stir until meat begins to brown.
- Lower heat and add all vegetables. Cook until onions are transparent and celery is very tender. Add stock as necessary to prevent burning.
- Stir in cooked rice. Add remaining stock and simmer on low until ready to serve.
Eris® Series E5 / E8
High-Definition Near Field Studio Monitors Owner’s Manual
Read More About This Manual & Download PDF:
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>