Harbinger LV7 Owner’s Manual

Harbinger LV7

WELCOME
The Harbinger LV7 is a professionally featured 5-channel utility mixer with Bluetooth, in a compact, easily transportable package. LV7’s transparent, high-headroom microphone preamp and premium input and output connections make it a perfect solution for solo performers, duos or DJ applications.
LV7 – Compact 5-channel mixer with Bluetooth and 1 phantom power-capable microphone preamp

• Bluetooth Audio Input
• Premium, High-Headroom Microphone Preamp with Phantom Power
• Professional XLR Combo Jack Input and XLR Outputs
• Guitar Inputs
• 2-Band EQ
• Compact, Small Footprint Design

QUICK START GUIDE: LV7

SETTING UP / HELPFUL TIPS

• Make sure the Power Switch is set to the off position
• Plug the included power supply into an AC power outlet and into to the power input on the rear panel of the mixer

INPUT CONNECTIONS

Choose any combination of the following sources:
• MICROPHONE – Connect a microphone to the XLR combo input jack via XLR or 1/4” cable
• PHONE/TABLET/LAPTOP – Connect a tablet, phone or laptop to the CH 6|7 STEREO input jack on the mixer via stereo 3.5 mm TRS cable
• GUITAR/BASS – Connect a guitar or bass with a passive pickup to the channel 2|3 L/MONO input via standard 1/4” guitar cable

CHECK KNOBS AND SWITCHES

• Turn all white-capped level knobs to the minimum (full counter-clockwise) position
These are the CH1 GAIN and level controls and the MAIN and headphone level controls.
• Turn all grey-capped and blue-capped knobs to the 12 o’clock position. These are the PAN, BAL and EQ controls
• All buttons should be in the up position. The white bottom edge of the button will be clearly visible and 48V and SOLO LEDs should be off.

OUTPUT CONNECTIONS

• HEADPHONES – Connect a pair of headphones to the mixer’s 1/4” headphone jack

• POWERED SPEAKERS – Connect the MAIN OUTS on the LV7 to a pair of powered speakers via XLR cable
  POWERING UP

• Power on any devices connected to input jacks

• Power on the LV7

• Power on the powered speakers connected to the LV7’s MAIN OUTS

SETTING LEVELS

• MICROPHONE – If you have connected a condenser microphone, press the 48V switch (the 48V LED will come on). If you have connected a dynamic microphone, the 48V switch should be in the off position with the 48V LED off. If you experience too much “boominess” or bass in the microphone signal,
  set the 80Hz HPF button to the on position. While speaking or singing into the connected microphone, slowly bring up the channel 1 GAIN control until only the loudest input briefly triggers the channel 1 CLIP indicator LED. Reduce the GAIN control slightly from this level. Continue speaking or singing into the connected microphone and slowly bring up the CH 1 level control to the 12 o’clock position, then slowly bring up the MAIN level control until a comfortable
  listening level achieved.
  CAUTION: Leave the 48V phantom power switch turned off if phantom power is not required. In order to prevent noise and possibly damaging connected devices please follow these instructions:

  • Leave 48V phantom power off when connecting a device that does not require it
  • Do not plug or unplug any connections to CH1 of the LV7 when 48V phantom power is on
  • Before turning on or off 48V phantom power make sure the CH1 level control is turned all the way down (to the left-most position)
  • PHONE/TABLET/LAPTOP – Press play on the connected audio player and increase the player’s internal volume control to maximum level. Slowly bring
    up the BLUETOOTH / CH 6|7 STEREO level control to the 12 o’clock position, then, slowly bring up the MAIN level control until a comfortable listening level is achieved.

• GUITAR – Make sure the channel 2|3 GUITAR HI-Z switch is set to the on position. While strumming the guitar, slowly bring up the MAIN level control until a comfortable listening level is achieved.

• POWERED SPEAKERS – To monitor through powered speakers, slowly bring up the MAIN level control until a comfortable listening level is achieved

• HEADPHONES – Since the headphone level control is independent from the MAIN level control, first ensure that the channel level controls are set so that ample signal is feeding the main and headphone buses. The meters should show between +3 and +5 dB with the MAIN level control at the 12 o’clock position. When this is accomplished, slowly bring up the headphone level control until a comfortable listening level is achieved.

BLUETOOTH® AND AUDIO INPUT

The mixer powers up with Bluetooth off. Press the PAIR button to initialize Bluetooth and activate pairing (the PAIR LED will flash, indicating that it is ready to pair). The LV7 will automatically reconnect to the previous Bluetooth audio source if it is available, and will otherwise be available for Bluetooth pairing from a source audio device such as a smartphone.

If connecting for the first time, look for and select “Harbinger Mixer” on your Bluetooth audio source device.
The PAIR LED is lit solid when currently paired, blinking when available for pairing, and off if Bluetooth has been disabled by pressing and holding the PAIR button, or when the mixer first powers up.

Pressing the PAIR button when a pairing is active forces any currently connected Bluetooth audio source to disconnect, and makes the mixer available for pairing.
See Bluetooth Troubleshooting section in case of difficulty.

LV7 TOP PANEL

1. MIC / LINE INPUT
   An XLR or 1/4” microphone or line level source can be connected here

2. 1/4” INPUTS
   CH2|3 – Connect a passive guitar signal (mono or stereo) or a mono or stereo line-level signal here
   CH3|4 – Connect a mono or stereo line-level signal here

3. CH 6|7 STEREO INPUT
   Connect a phone, tablet or laptop here. The level for this input is controlled by 17

4. REC OUT
   Connect this output to a recording device with a stereo 1/8” (3.5 mm) input. This signal is taken from the MAIN bus.

5. XLR MAIN OUTPUTS
   The signal at this output contains the entire mix of input signals.
   Connect this output to the inputs of powered speakers, a power amp or recording interface, via XLR cable

6. HEADPHONE OUTPUT
   Connect headphones here and control level with 19 . This signal is the same as that being sent to the MAIN bus

7. 48V PHANTOM POWER BUTTON
   Activates phantom power which will send a 48V Charge to the XLR input connection on CH1, required for condenser type microphones.
   CAUTION: Leave this switch turned off if phantom power is not required. In order to prevent noise and possibly damaging connected devices please follow these instructions:

   • Leave 48V phantom power off when connecting a device that does not require it
   • Do not plug or unplug any connections to CH1 of the LV7 when 48V phantom power is on
   • Before turning on or off 48V phantom power make sure the CH1 level control is turned all the way down (to the left-most position)

8. 80Hz HIGH-PASS FILTER
   Reduces low frequency “rumble” from microphone signals

9. GUITAR HI-Z BUTTON
   Changes the impedance on CH2|3 to optimize passive guitar and bass signals

10. HIGH EQ CONTROL
    Boosts or cuts the high frequencies of the CH1 input at a corner frequency of 10 kHz

11. CH 1 GAIN CONTROL
    Adjusts the preamp gain of channel 1

12. LOW EQ CONTROL
    Boosts or cuts the low frequencies of the CH1 input at a corner frequency of 100 Hz

13. CH1 PAN CONTROL
    Adjusts positioning of the CH 1 signal within the stereo sound field

14. CLIP INDICATOR LED
    Lights red when the signal level at the preamp stage is too high and causing clipping/distortion.

15. CH LEVEL CONTROLS
    Adjusts the relative level of the associated channel being sent to the MAIN bus

16. BLUETOOTH PAIR BUTTON
    With no actively paired device, pressing this button will activate pairing mode (LED will start blinking).
    With a device actively paired (LED lit solidly), pressing this button will cancel the pair and will activate pairing mode (LED will begin blinking Pressing and holding this button will cancel any active pair and turn Bluetooth off (LED will turn off)

17. BLUETOOTH / CH 6|7 LEVEL CONTROL
    Controls the relative level of the BLUETOOTH and CH 6|7 input signals being sent to the MAIN bus

18. BLUETOOTH /CH 6|7 SOLO BUTTON
    Mutes all input sources except BLUETOOTH and CH 6|7 signals

19. HEADPHONE LEVEL CONTROL
    Controls the level of the headphone signal

20. CH 2 | 3, 4 | 5 BAL CONTROLS
    Adjusts the stereo balance of the associated stereo input signal. If the input signal is mono, the BAL control acts as a pan control. See 13

21. STEREO/MONO BUTTON
    Switches the MAIN out signal between mono and stereo operation.
    Out position = stereo, in position = mono

22. MAIN OUTPUT LEVEL METERS
    Displays the MAIN mix output level

23. MAIN OUTPUT LEVEL CONTROL
    Controls the level of the MAIN output. The unity gain position on this volume control is indicated with a shaded in segment on the surrounding knob graphic. At the unity gain setting no additional volume boost or cut is being added to the main output signal.

LV7 REAR PANEL

1. DC POWER INPUT
   Connect only the included power adapter to this input

2. POWER SWITCH
   Switches power on/off to the mixer

BLUETOOTH® PAIRING, TROUBLESHOOTING

LED STATE AND BLUETOOTH STATUS
LED is Off – Bluetooth is off
LED is Blinking – Bluetooth is ready to pair
LED is solidly lit – Bluetooth is actively paired with a source device
If the pair LED is in an off state, press the LV7’s BLUETOOTH PAIR button to initialize Bluetooth and activate pairing mode (the pair LED will start blinking).

Scan for available Bluetooth devices on your phone, tablet or PC. Locate and select “Harbinger Mixer” to activate pairing. When actively paired, the LV7’s pair LED will become solidly lit.
If another device is already actively paired press the PAIR button to clear the active pairing.
Pressing and holding PAIR disables Bluetooth.

These steps should resolve any Bluetooth trouble you may encounter:

• On your Apple iOS device

1. Power off the LV7 and leave it off
2. Open Settings app, select Bluetooth
3. If “Harbinger Mixer” is listed under MY DEVICES, touch info button, tap to Forget This Device
4. Turn off Bluetooth, wait 10 seconds, turn on Bluetooth

• On your Android device

1. Power off the LV7 and leave it off
2. Open Settings, select Bluetooth
3. If “Harbinger Mixer” is listed under Paired Devices, touch gear Icon, and tap to Unpair
4. Turn off Bluetooth, wait 10 seconds, turn on Bluetooth

• Then power on your LV7 and press PAIR (the pair LED should flash)
• You should now be able to connect to LV7 via Bluetooth

APPENDIX

MICROPHONE INPUT (MIC)
This XLR combo connector will accept virtually any professional microphone. It is designed for microphone and line level signals on either XLR or ¼” cables.
Some microphones, mostly condenser mics, need phantom power to operate. Switch on 48V phantom power. If you’re unsure if your mic needs phantom power, check the instructions or the manufacturer’s website for information. Phantom power should not hurt most microphones, except for very old or damaged ribbon microphones.
For live microphone use (where the microphone signal is amplified through a PA system) engaging the HPF (high-pass filter) is recommended for reducing “boominess” and maintaining clarity in the microphone signal.
Use the microphone preamp’s gain control (explained below) to bring the microphone up to a high enough level to use with the mixer.

LINE INPUT (LINE)
This ¼” input is designed for line-level signals. It accepts either balanced (TRS)
or unbalanced (TS) cables. The level of this input is also controlled by the gain control, explained below.
Do not use both the microphone and line inputs on the same channel.
The mixer will distort and the noise level will go up.
The line input is not designed to accept an instrument-level signal, such as the output from an electric or acoustic guitar or bass. If you want to plug your instrument into the mixer, we suggest a direct box (also called a DI box). Plug your instrument into the direct box, then plug the output of the direct box into the microphone input of the mixer.

GUITAR/BASS
Passive guitar or bass signals tend to have the best sound and sensitivity when they are connected to a high-impedance input (similar to what you would find
on a guitar or bass amp). When connecting a passive guitar or bass signal to
CH 2|3, engaging the GUITAR HI-Z switch is recommended. It is possible to connect 2 guitar signals to CH 2|3 simultaneously. When both inputs are used, the signals will be hard-panned left and right. If you wish to have both guitars panned to the center so that they project from both speakers in PA setup, press the MONO button next to the MAIN level control.
If connecting an active acoustic guitar signal to CH 1, engaging the HPF is recommended for rolling-off “boominess”.

GAIN
Gain controls the level of the microphone or line level signal plugged into the mixer. If the gain is set too low, the output signal will be noisy when you turn it up at the level control. If gain is set too high, it will distort.
For best performance, set the gain while looking at the meters. Turn the Level control so that it’s facing straight up. Then turn the gain up until you see the first
or second lights on the meters. Don’t set it too high – although you might not hear distortion when playing by itself, when all of the channels are playing at that level they may add together and distort the mixer.

Sidebar: “Why are there two volume controls?”
The Gain and Level controls work together to get the best performance out of the mixer. A quiet signal may need more gain than a loud guitar amp going into a sensitive microphone. Set the gain so that the level on each channel is roughly the same, then use the Level controls to set the balance that you want in your mix.

GAIN STAGING
Gain staging involves setting the serial amplification stages of an audio signal in a way that achieves best signal to noise ratio. Improper gain staging can result in more background noise, less clarity and lower sound system efficiency. If your mixer is connected to a FOH amplifier or powered speakers, you will need to first set the level of these for an appropriate audience listening level. To set your FOH amplifier or powered speaker level, connect a full-range line level music source to your mixer and set the peak level on the channel meters somewhere between -6dB and 0dB. Set your main output level to zero/unity and slowly bring up the amplifier or powered speaker levels to a volume that makes sense for the venue. With this main output level set, you can move on to setting levels for the individual inputs. Start with gain and channel level controls at their minimum positions. For microphone signals, while speaking or singing into the connected microphone, slowly bring up the channel GAIN control until only the loudest input briefly triggers the channel CLIP indicator LED. Reduce the GAIN control slightly from this level. With the main output level control set to zero/unity, continue speaking or singing into the connected microphone and slowly bring up the channel LEVEL to a desired listening level. Follow this process for any microphone signals. When setting relative levels between channels, best practice is to reduce levels of signals that are too loud, working subtractively.

EQ H

EQ LOW

This low EQ boosts or cuts everything from 100Hz or below. You might bring it up for more bottom out of your kick or bass guitar, and turn it down to reduce rumble from a vocal or wind instrument.

LV7 SPECIFICATIONS

Crosstalk

| Adjacent Channels| –63 dB
Same channel (stereo separation)| –74 dB
Input Gain Control Range|  | +15dB to +63dB
Phantom Power| DC| +/–48V

Equalization

| Mono Channel, High| ±12dB@ 10 kHz
Mono Channel, Low| ±12dB@ 100Hz
Output Level| Maximum| +22 dBu

Maximum Input Levels

| Mic| +6dBu (with -26dB PAD)
Line Input| +21dBu at Unity Gain
Aux Input| +6dBu at 15dB Level max

Input Impedance

| Mic| 2kΩ, balanced
Line Input| 10kΩ, balanced
Aux Input| 10kΩ, balanced
Output Impedance| Main| 120Ω
Control Room, Rec Out| 120Ω
Headphones| 100Ω
VU Meters| 4 Segments| +5, 0, –3, –6 dB
AC Power Requirements| 3-pin mini XLR connector| ±15VDC @ 500 mA
Dimensions| L x W x H (shown in Inches)| 6.4”L x 5.5”W x 2”H
Weight (net)| Without PSU| 1.23 lbs

LV7 BLOCK DIAGRAM

GLOSSARY OF TERMS

BALANCED
A 3-conductor (including shield), low-impedance connection. Balanced cables are the preferred method for hum-free interconnection of a sound system for their noise-rejection characteristics.
(Also see Unbalanced.)

BUSS
An output destination in a mixer. For example, the left and right main outputs are called busses, because you can send a channel to one or both of them. Also spelled Bus.

CHANNEL
One of any number of signal paths in an audio circuit, such as input channel, output channel, recording channel, left channel, right channel, etc.

DECIBEL (DB)
A term representing the ratio between different audio levels. It can either refer to the electrical signal running through a channel or the acoustic sound level coming from a sound source.

EQUALIZATION
Electronic filters that adjust the level of certain frequencies. Used for tone enhancement or to reduce extraneous sounds. Two types of EQ shapes are Peak and Shelving, described below.

HI-Z (HIGH IMPEDANCE)
In the audio equipment realm, the term “Hi-Z” or “High-Impedance” generally refers to inputs designed for passive guitar or bass signals
(1MΩ or thereabouts).

HPF (HIGH-PASS FILTER)
An electronic filter that passes signals with a frequency higher than a specific cutoff frequency and attenuates signals with frequencies lower than the cutoff frequency.

IMPEDANCE
Resistance in an electrical circuit measured in Ohms (Ω). Maintaining proper impedance (between amplifier and speakers for example) is important to prevent damage to the amp.

48V PHANTOM POWER
A voltage signal that runs through a microphone cable to power condenser microphones. Harmless to microphones that don’t need it, except for very old and/or damaged ribbon microphones.

SHELVING EQUALIZER CONTROL
Increase or decrease of all frequencies above or below a specific point.
(Compare to Peak Equalizer Control; see pages 8- for more information.)

TRS
Acronym for Tip-Ring-Sleeve — the three parts of a three-conductor (including shield) audio plug. TRS phone plugs are often used for “balanced” mono connections, or stereo “unbalanced” (head-phone) connections.

TS
Acronym for Tip-Sleeve, the two parts of an unbalanced, two-conductor (including shield) phone plug. TS connectors are some-times called mono or unbalanced plugs or jacks.

UNBALANCED
A two-conductor (including shield), high-impedance connection. These are most commonly used for instrument connections and cable runs of less than 20 feet.

XLR
The three-pin connector universally used for balanced audio connections. A balanced connection reduces outside noise and interference.
(See Balanced above.)

CABLE DIAGRAMS

IMPORTANT SAFETY INSTRUCTIONS

Please keep this instruction manual for future reference and for the duration of owning the LV7 mixer. Please carefully read and understand the instructions inside this owner’s manual before attempting to operate your new mixer.

This instruction manual includes essential safety information regarding the use and maintenance of the mixer. Take special care to heed all warning symbols and signs inside this manual and those printed on the bottom of the mixer.

WARNING
TO PREVENT FIRE OR SHOCK HAZARD, DO NOT EXPOSE THE PRODUCT TO WATER/MOISTURE, NOR SHOULD YOU OPERATE THE PRODUCT NEAR ANY WATER SOURCE.

The exclamation point triangular symbol is intended to alert the user to the presence of important operating and maintenance(servicing) instructions in the user manual accompanying the product.
The lightning flash with an arrow triangular symbol is intended to alert the user to the presence of non-insulated “dangerous voltage” within the product’s enclosure, and may be of sufficient magnitude to constitute a risk of electric shock.

WARNING
Handle the power supply cord with care.
Do not damage or deform it as it may cause electric shock or malfunction when used. Hold the plug attachment when removing from wall outlet. Do not pull on the power cord.

IMPORTANT SAFETY PRECAUTIONS

1. READ INSTRUCTIONS – All the safety and operating instructions should be read before this product is operated.

2. RETAIN INSTRUCTIONS – The safety and operating instructions should be retained for future reference.

3. HEED WARNINGS – All warnings on the product and in the operating instructions should be adhered to.

4. FOLLOW INSTRUCTIONS – All operating and use instructions should be followed.

5. DO NOT turn on the product module before connecting all other external devices.

6. WATER AND MOISTURE – Moisture can damage the product and can cause corrosion of electrical contacts. The system should not be used near water – for example, a bathtub, washbowl, kitchen sink, laundry tub, wet basement, or near a swimming pool, and the like.

7. HEAT – The product should be situated away from heat sources such as radiators, heat registers, stoves, or other sources (including amplifiers) that produce heat.

8. POWER SOURCES – This product should be operated only from the type of power source indicated on the rating label. If you are not sure of the type of power supply to your home, consult your product dealer or local power company.

9. GROUNDING OR POLARIZATION – Do not defeat the safety purpose of the polarization or grounding-type plug. The wide blade or the third prong is provided for your safety. If the provided plug does not fit your outlet, consult an electrician for replacement of the obsolete outlet. Do not defeat the safety purpose of the 3rd pin grounding prong.

10. POWER-CORD PROTECTION – Power supply cords should be routed so that they are not likely to be walked on or pinched by items placed upon or against them, paying particular attention to the cord in correspondence of plugs, convenience receptacles, and the point where they exit from the product.

11. CLEANING – The product should be cleaned only as recommended by the manufacturer. Clean by wiping with a dry cloth. Avoid getting water inside the product.

12. NON-USE PERIODS – The power cord of the product should be unplugged from the outlet when left unused for a long period of time.

13. OBJECT AND LIQUID ENTRY – Care should be taken so that objects do not fall and liquids are not spilled into the enclosure through openings.

14. DAMAGE REQUIRING SERVICE – The product should be serviced by qualified service personnel when:

    • The power supply cord or the plug has been damaged; or
    • Objects have fallen, or liquid has been spilled into the product; or
    • The product has been exposed to rain; or
    • The product does not appear to operate normally or exhibits a marked change in performance; or
    • The product has been dropped, or the enclosure damaged.

15. Keep the product out of extended or intense direct sun light.

16. No containers filled with any type of liquid should be placed on or near the product.

17. SERVICING – The user should not attempt any service to the product beyond that described in the operating instructions. All other servicing should be referred to qualified service personnel.

18. VENTILATION – Slots and openings in the product are provided for ventilation and to ensure reliable operation of the product and to protect it from overheating. These openings must not be blocked or covered.
    The openings should never be blocked by placing the product on a bed, sofa, rug, or other similar surface. This product should not be placed in a built-in installation such as a bookcase or rack.

19. ATTACHMENTS – do not use attachments not recommended by the product manufacturer, as they may cause hazards.

20. ACCESSORIES – Do not place this product on an unstable cart, stand, tripod, bracket, or table. The product may fall, causing serious injury to a child or adult, and serious damage to the product. Use only with a cart, stand, tripod, bracket, or table recommended by the manufacturer, or sold with the product.

21. LIGHTNING – For added protection during a lightning storm, or when it is left unattended and unused for long periods of time, unplug it from the wall outlet. This will prevent damage to the product due to lightning and power-line surges.

22. REPLACEMENT PARTS – When replacement parts are required, be sure the service technician has used replacement parts specified by the manufacturer or have the same characteristics as the original part. Unauthorized substitutions may result in fire, electric shock, or other hazards.

23. SAFETY CHECK – Upon completion of any service or repairs to this product, ask to perform safety checks to determine that the product is in the service technician to perform safety checks to determine that the product is in proper operating condition.

To prevent electric shock, or other outlet unless the do not use a polarized plug with an extension cord, receptacle blades can be fully inserted to prevent blade exposure.

FCC STATEMENTS

1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.
2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generate, uses, and can radiate radio frequency energy and , in not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
• Reorient or relocate the receiving antenna
• Increase the separation between the equipment and receiver
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected
• Consult the dealer or an experienced radio/TV technician for help

WARRANTY/CUSTOMER SUPPORT

2 YEAR HARBINGER LIMITED WARRANTY
Harbinger provides, to the original purchaser, a two (2) year limited warranty on materials and workmanship on all Harbinger cabinets, loudspeaker and amplifier components from the date of purchase.

For warranty support, please visit our website at www.HarbingerProAudio. com, or contact our Support Team at 888-286-1809 for assistance. Harbinger will repair or replace the unit at Harbinger’s discretion.

This warranty does not cover service or parts to repair damage caused by neglect, abuse, normal wear and tear and cosmetic appearance to the cabinetry not directly attributed to defects in materials or workmanship. Also excluded from coverage are damages caused directly or indirectly due to any service, repair(s), or modifications of the cabinet, which has not been authorized or approved by Harbinger. This two (2) year warranty does not cover service or parts to repair damage caused by accident, disaster, misuse, abuse, burnt voice-coils, over-powering, negligence, inadequate packing or inadequate shipping procedures.

The sole and exclusive remedy of the foregoing limited warranty shall be limited to the repair or replacement of any defective or non-conforming component. All warranties including, but not limited to, the express warranty and the implied warranties of merchantability and fitness for a particular purpose are limited to the two (2) year warranty period. Some states do not allow limitation on how long an implied warranty lasts, so the above limitation may not apply to you. There are no express warranties beyond those stated here. In the event that applicable law does not allow the limitation of the duration of the implied warranties to the warranty period, then the duration of the implied warranties shall be limited to as long as is provided by applicable law. No warranties apply after that period.

Retailer and manufacturer shall not be liable for damages based upon inconvenience, loss of use of product, loss of time, interrupted operation or commercial loss or any other incidental or consequential damages including but not limited to lost profits, downtime, goodwill, damage to or replacement of equipment and property, and any costs of recovering, reprogramming, or reproducing any program or data stored in equipment that is used with Harbinger products. This guarantee gives you specific legal rights; you may have other legal rights, which vary from state to state.

Harbinger
P.O. Box 5111, Thousand Oaks, CA 91359-5111
All trademarks and registered trademarks mentioned herein are recognized as the property of their respective holders.
2102-20446512

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