Ashdown INTERSTELLAR-600 Guy Pratt Signature 600W Bass Head User Manual

USER MANUAL

INTERSTELLAR-600

THANK YOU

Thank you for purchasing your Ashdown Engineering Amplifier and welcome to the family! We really think you’ve made the right choice and know that this amplifier will give you years of great tone and service.
It is a machine though and needs to be looked after, please read through this user manual which will help you get the most out of your new Amp and keep it running as long as some of our happiest and very famous customers.

REGISTER ONLINE

Please register this product online so we can make sure we give you years of customer support through our friendly in-house service center.
Here is where you need to visit to register your product: http://www.ashdownmusic.com/pages/register-your-product

FRONT PANEL

REAR PANEL

INPUT – There is a single instrument input provided linked to a PASSIVE/ ACTIVE selector switch. The Passive input (switch out) is high sensitivity and also high impedance to suit the output from PASSIVE basses. The Active input (switch in) is low sensitivity and lower impedance to suit the output from ACTIVE basses.

INPUT CONTROL – The INPUT control sets the signal level through the preamp in conjunction with the INPUT LEVEL VU Meter. This is adjusted to give a reading of  0VU on the meter for average playing dynamics with occasional peaks into the red region. Please note that the setting of this may have to be re-adjusted after modification of the EQ controls.

PUSH FLAT / SHAPE – With this button in its OUT position, a fixed E.Q. is superimposed on the preamp to give a bright but punchy character to the sound. Pushing this button IN returns the preamp to a flat frequency response.

TUBE DRIVE (THE BIG KNOB!) – This routes the signal either through a clean Solid State amplification section (control on zero) or through a Dual Triode Tube amplification/overdrive section in order to add either tonal character i.e. warmth with the control set at 9 o’clock, a slight edge in the sound at 12 0’clock through to an increasing degree of Tube distortion/ overdrive as the control is advanced to maximum.
A Mix of these two amplification sections can be achieved with this control. N.B. The degree of tube distortion provided by this control will also depend on the setting of the INPUT control.

TUBE DRIVE ON/OFF – This toggle switches the valve drive section ON or OFF.
This function may also be controlled from the Ashdown 4-way footswitch.
For the footswitch to operate this button must be in its OFF position.

E.Q. ON / OFF – This toggle switches the Equalisation section ON or OFF i.e. the Bass, Middle, and Treble controls plus the two sets of sliders placed between each of these.
This function may also be controlled from the Ashdown 4-way footswitch.
For the footswitch to operate this button must be in its OFF position.

9 BAND EQUALISATION – This consists of BASS, MIDDLE, and TREBLE control with three sliders placed between each control. These can be used in a number of  ways:
Firstly as a very simple Bass, Middle, and Treble tone control section as found on older traditional amplifiers. This is done by leaving the two sets of sliders interposed between these controls set in their center positions and using only the BASS, MIDDLE, and TREBLE controls to alter the overall tone.

Secondly, if more control is required then the sliders can also be used to tailor the E.Q. In the regions between the main tone controls. This provides a very versatile equalization section, it is simple to understand and operate, yet provides a wide degree of variation. It retains the simplicity of a three- control tone section but provides the flexibility of a graphic equalizer.

PUSH TO MUTE – When pushed IN this button mutes the output from the preamp to the power amp, and mutes the output from the D.I. Socket and mutes the output from the  Line Out socket as well.
A blue LED is provided next to this switch to indicate when the amplifier is muted. This function operates only from the front panel MUTE push switch. i.e. pressing this button mutes all sound from the amplifier and allows a tuner connected to the TUNER socket to operate for silent tuning. Release the button and you are back in action again.

PRE / POST DI – This is a push-button that allows the user to choose either a Pre E.Q. Signal (button pushed IN) or a Post E.Q. Post Sub and effects signal (button OUT).
FULL RANGE OUTPUT – This output socket provides a line-level signal that can be used for a permanent connection to a tuner, alternative monitoring source, or front of the house.
The signal from this socket remains active when all other outputs from the amplifier are muted allowing all sound from the amplifier to be silenced while tuning is in progress.

LINE LEVEL OUTPUT -This output socket provides a line-level/post Output level control signal for connection to an external power amplifier driving additional speaker cabinets.
OUTPUT LEVEL – The OUTPUT control adjusts the overall level of the amplifier. Adjust this for your preferred overall stage playing volume. On the INTERSTELLAR-600  we have implemented a second VU meter to register the output level as a visual reference.

4-WAY FOOTSWITCH SOCKET – For the 4-way footswitch to operate it is essential that the corresponding front panel pushbuttons be in the OUT position. This is a  mono jack socket for connection of the Ashdown 4-way footswitch (sold separately) only. Always connect this prior to turning on the power to the amplifier as the footswitch derives its power from the amplifier and sends a serial data stream to the amplifier in order to operate the various functions.
Each of the 4 facilities available for selection is indicated by an LED that will light when that facility is selected from the footswitch.
N.B The amp features Compression & Sub Harmonics and can be turned on using the footswitch, there are no controls on the front panel, and the FX is pre- set to Guy’s preferred settings.

TAURUS INPUT – The rear panel has a Line Input socket tuned for connecting to a Moog Taurus bass pedal. This can also be used for plugging a CD, Tape or MP3 player into the amplifier for practising, rehearsing, or for connecting a second pre-amp into the system.

FX SEND / RETURN – A serial effects loop is provided at a level of 0dB. The EFFECTS SEND socket can also be used as a Line Out socket if required as the signal path through the preamp is only broken when a jack plug is inserted into the EFFECTS RETURN socket.
The EFFECTS SEND is situated after the EQ, the Valve section the Compression, and the Sub Bass Processor.

SPEAKER OUTPUT – The Interstellar-600 has one power section rated at 600 Watts RMS with two Neutrik combi Speakon out-puts. You can either use Speakon or Jack  Speaker cables to connect to your cabinet. The power section has a minimum load of 4 ohms.

DIRECT INJECT (D.I.) – A balanced D.I. Is provided on a latching XLR socket.
The output signal from this XLR socket is set to a level and impedance suitable for connecting directly to the Microphone input of a mixing desk for either Direct Injection into the PA system or for recording. This must ONLY be used in a Balanced Microphone input, it is not intended for any other type of connection.

This has a floating ground that is referenced to the mixing console it is plugged into and should not need ground lifting. It is also unaffected by Phantom Powering on the  Microphone input.
Make sure your XLR plug does not have the shell of the plug internally connected to signal ground or this will connect the system to the chassis ground of the INTERSTELLAR-600 and may cause problems with hum.

SPECIFICATIONS

INPUTS

OUTPUTS

EQUALISATION

NOTES

WWW.ASHDOWNMUSIC.COM

References

• Register Your Product – Ashdown Engineering

Read User Manual Online (PDF format)

Download This Manual (PDF format)

Download this manual  >>