SHURE BETA52A Kick Drum Microphone Instruction Manual
- June 14, 2024
- Shure
Table of Contents
- SHURE BETA52A Kick Drum Microphone Instruction Manual
- General Description
- Features
- Applications
- Avoiding Pickup of Unwanted Sound Sources
- Proximity Effect
- Using the Stand Adapter
- Specifications
- Accessories
- Replacement Parts
- Certifications
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
SHURE BETA52A Kick Drum Microphone Instruction Manual
BETA52A
The Shure dynamic super cardioid kick drum microphone, BETA52A, user guide.
Includes how to use and specifications.
Version: 3.1 (2023-I)
General Description
The Beta 52 A is a precision-engineered dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and “punch,” and delivers studio quality sound even at extremely high sound pressure levels (SPL). An integrated, locking stand adapter simplifies mounting and adjustments.
Featuring a modified supercardioid pattern, the Beta 52A exhibits remarkable
gain before feedback and excellent off-axis rejection.
A hardened, steel mesh grille and die-cast metal construction withstands years
of abuse, making it ideal for touring sound reinforcement.
Features
Premier live performance microphone with Shure quality, ruggedness, and
reliability
Modified supercardioid pick-up pattern for maximum gain before feedback and
superior rejection of off-axis sound
Tailored frequency response specifically shaped for kick drums and bass
instruments
Neodymium magnet for greater sensitivity and higher output
Advanced pneumatic shock mount system that minimizes transmission of
mechanical noise and vibration
Dent-resistant, steel mesh grille and enamel coated die-cast metal
construction resist wear and abuse
Studio quality performance, even at high SPL
Built-in stand adapter with dynamic locking system and XLR connector
simplifies setup and provides greater flexibility
Applications
General Rules for Kick Drum Mic Placement
Make sure microphone does not touch drum head or damping inside of the drum.
Aim the microphone toward the desired sound source and away from unwanted
sources.
Place closer to beater head for more attack, further away for more resonance.
Work close to the microphone for extra bass response.
Avoid excessive handling to minimize pickup of mechanical noise and vibration.
Applications and Placement
The following table lists the most common applications and placement
techniques. Keep in mind that microphone technique is largely a matter of
personal taste; there is no one “correct” microphone position.
Avoiding Pickup of Unwanted Sound Sources
A supercardioid microphone has the greatest sound rejection at points 120° toward the rear of the microphone. Place the microphone so that unwanted sound sources, such as monitors and loudspeakers, are at these angles, not directly behind it. To minimize feedback and ensure optimum rejection of unwanted sound, always test microphone placement before a performance.
Recommended Loudspeaker Locations for Supercardioid Microphones
Proximity Effect
Unidirectional (cardioid) microphones progressively boost bass frequencies by 6 to 10 dB below 100 Hz when the microphone is at a distance of about 6 mm (1/4 in.) from the sound source. This phenomenon, known as proximity effect, can be used to create a warmer, more powerful sound. To prevent explosive low frequency sound during close-up use, the bass response gradually rolls off. This provides greater control and helps the user take advantage of proximity effect.
Using the Stand Adapter
The integrated stand adapter resists slipping when struck or bumped, yet
permits adjustments without loosening the knob.
Thread the microphone onto the stand.
Before tightening the adjustment knob, adjust the stand height and position as
necessary.
Tighten the adjustment knob to lock the microphone in place. Do NOT use tools
or over tighten.
Specifications
Type
Dynamic (moving coil)
Frequency Response
20 to 10,000 Hz
Polar Pattern
Supercardioid
Output Impedance
45 Ω
Sensitivity
at 1kHz,open circuit voltage
-64 dBV/Pa(0.6 mV) [1]
Maximum SPL
1 kHz at 1% THD, 1 kΩ load 174 dB
Polarity
Positive pressure on diaphragm produces positive voltage on pin 2 with respect
to pin 3
Weight
0.605 kg(1.35 lbs)
Connector
Three-pin professional audio (XLR), male, balanced
[1] 1 Pa=94 dB SPL
Typical Frequency Response
Typical Polar Patterns
Accessories
Furnished Accessories
Replacement Parts
Certifications
This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking.
CE Notice
Hereby, Shure Incorporated declares that this product with CE Marking has been
determined to be in compliance with European Union requirements.
The full text of the EU declaration of conformity is available at the following site: https://www.shure.com/en-EU/support/declarations- of- conformity.
UKCA Notice
Hereby, Shure Incorporated declares that this product with UKCA Marking has
been determined to be in compliance with UKCA requirements.
The full text of the UK declaration of conformity is available at the
following site: https://www.shure.com/en-GB/support/declarations- of-
conformity.
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