Lauten Audio FC-387 Condenser Microphone Operating Manual
- June 13, 2024
- LAUTEN AUDIO
Table of Contents
Lauten Audio FC-387 Condenser Microphone
WARNING: Only authorized Lauten Audio technicians should perform disassembly and maintenance on any part of this microphone. Disassembling and modifying any part of this microphone may void its warranty. NEVER DISASSEMBLE THE MICROPHONE WHEN POWER IS BEING SUPPLIED.
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If you have any questions you may also contact us at 1-877-721-7018 for US and Canada or visit our website to contact your local distributor/dealer. Lauten Audio values your privacy. We will not share your information with any outside organization. A 2-year warranty extension applies to products registered with Lauten Audio and purchased from authorized dealers.
- Serial Number: ____
- Date of purchase: __
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A message from the founder
Congratulations and thank you for your purchase of the FC-387 Atlantis multi- voicing FET condenser microphone. Your microphone was designed and built with pride by Lauten Audio. We are dedicated to providing recordists throughout the world with authentic, high-quality, great-sounding microphones.
Please enjoy your new microphone and know it was created with thoughtful engineering and a great deal of pride.
Sincerely,
Brian Loudenslager Founder
Safety/Contents/Introduction
Safety
- Please make sure the equipment your microphone will be connected to meets or exceeds the safety regulations in force in your country and is utilizing a ground lead.
- Never disassemble your microphone while power is being supplied to it.
Contents
- Atlantis FC-387 microphone
- Wood box
- Shock mount
- Operating manual
- Registration card
Introduction
-
The Atlantis FC-387 is a solid-state FET multi-pattern and multi-voicing large diaphragm condenser microphone. This microphone is for recordists looking for an extremely diverse, unique, and modern FET sound. It offers full and rich, low and mid-range frequencies as well as smooth and unique high-mid and high frequencies no matter which voicing setting is selected.
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This microphone has class-A electronics and a 31.25mm dual-diaphragm capsule capable of omnidirectional, cardioid, and figure-8 polar patterns. The microphone also features a 10dB pad and
+10dB gain switch and a 3-way voicing switch. -
The Atlantis FC-387 is built with extreme attention to detail. From the individually hand-tuned capsule to the premium high-resolution electronics, this microphone is a high-quality precision instrument for professional audio recording.
Description
- This large-diaphragm condenser microphone has been thoughtfully designed with feedback from sound engineers working in recording studios for many years.
- The microphone character was designed to offer a full and rich low and mid-range, as well as smooth and unique high mid and high frequencies. Using premium quality and reliable components, this microphone will withstand use in a recording studio for many years.
- The electronic circuitry of the microphone exhibits less than 12dB of self-noise and a maximum SPL level of 130dB (-10dB pad engaged) allowing it to record both quiet and loud sound sources. The 31.25mm diaphragms are made of an ultra-thin plastic material with a layer of gold on one side. The body helps prevent RF interference allowing you to successfully use the microphone near transmitter stations and wireless microphones or other communications equipment.
- The Atlantis FC-387 features three switches on each side and back of the microphone just below the microphone grill. These switches allow you to adjust the polar patterns; output gain and timbre (see Fig. 1, 2, and 3 below).
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Gain/Pad Switch
On the left side of the microphone is the gain and pad switch (refer to Fig. 1). This microphone is unique to other microphones on the market in that it allows you to increase and decrease the output gain by 10 dB. This feature is extremely useful when using inferior preamplifiers such as those built into many consumer-grade recording interfaces or when recording very quiet sound sources. This +10dB gain switch allows you to get more of the microphone character and rely less on the gain from the preamp.
There is also a -10dB pad selection that allows you to reduce the output of the microphone when recording very loud sound sources, or if you want to have more of the preamp character in your recording. The 0dB setting is the default level. -
Polar Pattern Switch
The polar pattern switch (refer to Fig. 2) is located on the right side of the microphone. The selectable polar patterns are Figure 8 (top), cardioid (center), and omnidirectional (bottom). The ability to select different polar patterns allows this microphone to be used in many recording situations. -
Voicing Switch
The voicing switch (refer to Fig. 3) makes the Atlantis an extremely diverse microphone. The options are F (Forward), N (Neutral), and G (Gentle). Forward offers a very open response with accentuated mid and high frequencies for a very modern, revealing sound. Neutral is a more even response with a slight de-emphasis on mid and high frequencies for a more classic sound. Gentle offers the ability to tame harsh, bright or very forward sources or for a more vintage sound.
Power Requirements
This microphone requires +48v phantom power. Phantom power can be found as a built-in feature on most modern recording interfaces and microphone preamplifiers, or you may use an external +48v phantom power supply.
- Do not connect this microphone to any power source other than +48v phantom power.
- Using +48v phantom power is the only way to ensure safe and reliable operation.
Connections
Always use a high-quality 3-pin XLR microphone cable with your microphone. Connect the female end of the XLR cable to the microphone and the male end of the XLR cable to your recording interface.
Recommended Uses
This microphone is designed to offer you sonically smooth and rich recordings. We recommend using it for micing solo voices and instruments and also for distance micing as overheads or room mics. The microphone may also be used on various other sources including but not limited to those listed below. We recommend the FC-387 for the following recording applications.
Sound Source
Lead/Solo Vocals
Backing Vocals/Choirs
Speech & Voice-over
Piano (Grand & Upright)
Bass Drum
Toms
Snare Drum
Acoustic Guitar
Electric Guitar
Electric Bass
Violin
Cello
Organ
Trumpet
Trombone
French Horn
Tuba
Saxophone
Flute
Clarinet
Harmonica
Cymbals
Bongos
Placement and Techniques
Below are general tips for microphone placement; the recording environment plays a significant role in the success of any technique. We suggest experimenting extensively.
Lead/Solo Vocals| Distance from source: 6 to 12 inches. Pattern: Cardioid, use pop screen or foam
windscreen. Depending on the tone and style of the singer try the different voicing settings.
---|---
Choirs| Two mics in stereo and one spot mic for each soprano, alto,
tenor, and bass section, or one set of spaced mics in stereo.
Backing Vocals| Individual micing: distance from source should be 6 to
12 inches. Pattern: Cardioid, use pop screen or foam windscreen. Group micing:
use cardioid or omni and place
vocalists in a semi-circle in front of a microphone.
Violin & Viola| Position the microphone to the “f” holes from a height of 6 to 10 inches depending on the musician’s stance. Use cardioid or omni-polar pattern. For increased presence
use +10dB gain.
Cello, Upright Bass| Position the microphone about 12 to 18 inches from and facing one of the “f” holes. Use cardioid or omni-polar pattern. For increased presence use +10dB gain.
Acoustic Guitar
| Single micing: Place the mic 6 to 12 inches from the guitar between the sound hole and where the neck meets the body. Use cardioid polar pattern.
Stereo micing: Place one mic 6 to 12 inches between the end of the body and the sound
hole aiming at the sound hole with the second mic 1 to 2 feet from the bridge. Use cardioid polar pattern.
Flute
| Single micing: Place the mic on one side of the flutist and align the mic with the flutist’s mouth. Use cardioid or omni-polar pattern.
Stereo micing: Place the mic on one side of the flutist and align the mic with the flutist’s mouth. Place a second mic aimed at the side of the instrument. Use cardioid or omni-polar pattern.
Clarinet| Place one microphone 5 to 10 inches from the lowest key and slightly to the side to
reduce key noise. Use cardioid polar pattern.
Saxophones| Place the microphone 12 to 30 inches away aiming at the
middle of the instrument. Use cardioid polar pattern.
Trumpet| Place the mic 10 to 15 inches in front of the instrument.
Rotate the microphone slightly off-axis. Use a 10dB pad and foam windscreen to
increase SPL handling and reduce blowing noise. Use cardioid polar pattern.
Grand Piano
| Technique 1: Place an XY, MS, or ORTF pair in the middle of the strings from a height of 4 to 8 feet.
Technique 2: Place two mics 6 to 18 inches above the strings. One mic should be placed above the treble strings and another above the bass strings.
Upright Piano| Open the lid and place two mics 6 to 18 inches above the strings. One mic should be
placed above the treble strings and another above the bass strings. For increased or decreased hammer character place mics closer or further away.
Electric Guitar or Bass| Position the mic 2 to 8 inches from the center
of the speaker cone. Rotate the mic slightly off-axis. Use -10dB pad and
cardioid polar pattern.
Drum Overheads| Place two mics in AB or XY configuration 2 to 6 feet
above the drummer’s head. Use cardioid or omni-polar patterns.
Tom Toms| Use one mic for each tom or two toms. Align the mic 1 to 3
inches away from the top rim
and angle the mic slightly toward the drum head. Use -10dB pad.
Floor Tom| Place the mic 1 to 3 inches away from the top rim and angle
the mic slightly toward the drum head. Use -10dB pad.
Bass Drum| Place mic 6 to 24 inches from the front of the bass drum
aiming directly at it or the cut-out hole if it has one. Remove the front head
if you feel necessary. Use
-10dB pad.
Snare Drum| Place the mic 1 to 3 inches away from the top rim and angle the mic slightly toward the drum head. Use -10dB pad and cardioid polar pattern.
Care and Cleaning
THERE ARE NO SERVICEABLE PARTS INSIDE THE MICROPHONE Only authorized Lauten Audio technicians should perform disassembly and maintenance on any part of this microphone. Disassembling and modifying any part of this microphone by anyone other than an authorized technician will void its warranty. NEVER DISASSEMBLE ANY PART WHEN POWER IS BEING SUPPLIED
- This microphone is a precise and delicate instrument. Do not drop or allow the microphone to collide with other objects as this may damage the internal components.
- The metal surfaces of the microphone can be cleaned with mild mineral spirits or alcohol on a lightly dampened very soft cloth. Be very careful not to get any moisture inside the microphone grill or microphone.
Warranty
All Lauten Audio products offer a 3-year warranty from the date of purchase through an authorized retailer or distributor. In order to receive your full 3-year warranty you must register your microphone with Lauten Audio. A copy of your original sales receipt may be requested to verify the original purchase date. Please keep your receipt. To register your microphone, please visit LautenAudio.com for the most up-to-date registration method.
Technical Specifications
Type:
| ****
31.25mm dual large diaphragm pressure gradient transducer microphone.
---|---
Polar Patterns:
| ****
Omnidirectional, Cardioid, and Figure-8 are selectable.
Circuit:
| ****
Low-noise solid-state FET
Frequency Range:
| ****
20Hz-20KHz
Dynamic Range:
| ****
130dB minimum
Impedance:
| ****
< 200 ohms
Max. SPL:
| ****
0.5%THD@1000Hz: 130dB (-10dB Pad engaged)
Self-noise Level:
| ****
< 12dB(A)
Sensitivity:
| ****
16mV/Pa OR -36±2dB 0dB=1V/Pa 1000Hz
Special Features:
| -10 dB attenuation and +10dB gain switch
3-way Forward, Neutral, Gentle voicing switch
Connector:
| ****
3-Pin standard XLR
Power Requirement:
| ****
+48V phantom power
Frequency Response and Polar Pattern Plots
Lauten Audio 1817 Houret Ct. Milpitas, CA 95035
- Phone: 877-721-7018
- Webpage: www.lautenaudio.com
- Email: crm@lautenaudio.com
This manual is printed in the USA on recycled paper. © 2004-2019 LAUTEN AUDIO ALL RIGHTS RESERVED
FREQUENTLY ASKED QUESTIONS
What is the Lauten Audio FC-387 Condenser Microphone?
The Lauten Audio FC-387 is a high-quality condenser microphone designed for professional audio recording applications, known for its sensitivity and ability to capture detailed audio.
What makes the FC-387 microphone stand out in its class?
The FC-387 microphone distinguishes itself through its exceptional build quality, versatility, and its ability to capture a wide range of sounds with precision.
What type of microphone is the FC-387?
The FC-387 is a condenser microphone, favored for its sensitivity and suitability for studio-quality recording.
What is the intended use of the FC-387 microphone?
The FC-387 is designed for various recording applications, including vocals, instruments, podcasting, voiceovers, and studio recording.
Does the FC-387 require phantom power?
Yes, the FC-387 is a condenser microphone and typically requires +48V phantom power for proper operation. Ensure your audio interface or mixer can provide this power.
What are the available polar patterns on the FC-387 microphone?
The FC-387 often features selectable polar patterns, such as cardioid, omnidirectional, and figure-eight, offering versatility for various recording scenarios.
What is the frequency response range of the FC-387?
The FC-387 is designed to capture audio within a wide frequency response range 20Hz covering a broad spectrum of sounds.
Does the FC-387 come with a built-in shock mount or suspension system?
Some versions of the FC-387 may include a built-in shock mount or suspension system to reduce vibrations and handling noise during recording.
Are there any included accessories with the FC-387 microphone, such as a pop filter or carrying case?
The package contents may vary, but some FC-387 microphones come with accessories like pop filters or carrying cases. Check the product listing for details.
Is the FC-387 compatible with standard microphone stands and boom arms?
Yes, the FC-387 typically features a standard microphone mount, making it compatible with most microphone stands and boom arms.
What is the warranty period for the FC-387 microphone?
Warranty periods for the FC-387 microphone may vary, but they often range from 1 year to several years.
Can I use the FC-387 with USB audio interfaces?
Yes, you can often use the FC-387 with USB audio interfaces by using an appropriate XLR to USB adapter or interface.
Is the FC-387 suitable for live performances?
While it's primarily designed for studio recording, some users may choose to use the FC-387 for live performances, particularly in controlled sound environments.
Are there any known compatibility issues with specific audio interfaces or recording software?
The FC-387 is generally compatible with a wide range of equipment, but it's advisable to check the product specifications and consult with the manufacturer for any specific compatibility concerns.
How should I care for and maintain the FC-387 microphone?
Proper care includes protecting it from physical damage, keeping it clean, and storing it in a suitable carrying case when not in use. Refer to the user manual for detailed maintenance instructions.
Where can I purchase the Lauten Audio FC-387 Condenser Microphone?
You can typically purchase the Lauten Audio FC-387 Condenser Microphone from authorized audio equipment retailers, music stores, or reputable online marketplaces to ensure you receive a genuine product.
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