CASIO S90 88 Key Digital Piano Bundle Instruction Manual

CASIO S90 88 Key Digital Piano Bundle

Product Information

The CDP-S90 is a MIDI device manufactured by CASIO COMPUTER CO., LTD. It consists of two sections – the Performance ControllerSection and the Sound Generator Section. The Performance Controller   Section is responsible for keyboard play, controller operations, and generating performance messages. These performance messages are sent to external destinations and also transmitted to the Sound Generator Section. The channel number of the sent channel message corresponds to the instrument part number of the CDP-S90.

Product Usage Instructions

1. Connect the CDP-S90 to your computer or other MIDI devices using a MIDI cable.
2. Power on the CDP-S90 and ensure it is properly connected.
3. Select the desired instrument part number on the CDP-S90.
4. Use the keyboard to play notes and perform controller operations.
5. The Performance Controller Section will generate performance messages based on your actions.
6. These performance messages will be sent to external destinations and also transmitted to the Sound Generator Section.
7. Adjust the channel settings on the CDP-S90 to control which MIDI channel the performance messages are sent to.
8. Make sure the external destinations or connected MIDI devices are set to receive MIDI messages.
9. Experiment with different instrument part numbers and settings to achieve desired sounds and effects.

Part I MIDI Message Overview

Product Configuration as a MIDI Device
As a MIDI device, this Instrument consists of the Performance Controller Section and Sound Generator Section described below. Each of these sections can send and receive specific MIDI Messages by its function.

Performance Controller Section
The Performance Controller Section performs keyboard play, controller operations, etc., and generates performance messages. Generated performance messages are sent to external destinations while also being transmitted to the Sound Generator Section. The channel number of the sent channel message is by the Instrument’s instrument part number. MIDI Output Performance Information The following describes the performance information that is output and is not output as MIDI signals.

• Output performance
  • Keyboard play and controller operations by the musician
• Non-output performance
  • Demo Songs

Sound Generator Section
The Sound Generator Section mainly receives performance information and sound source setting information. It consists of a common part that does not depend on the channel and a musical instrument part that is independent of each channel.

Sound Generator Common Block
The common block consists of system effects, mixer master control, etc. A number of the parameters of these items can be controlled by universal system exclusive messages.

Instrument Part Block
The instrument part section consists of a total of 32 instrument parts, divided into two groups, named Group A and Group B of 16 instruments each. Each part can perform operations and setting changes using channel messages. Only Group B can be controlled by external channel messages. As shown in the following table, there is a fixed relationship between channel message receive channel numbers and instrument parts.

Timbre Type Specific Operation
The sound source operation performed for a sound generator instrument receiving a message may depend on the value of the Timbre Type (see “About the Timbre Type” in “9 Program Change”) of each part’s operation mode. For details, see the explanation for each message.

Conditions that Disable Message Send and Receive
The main conditions when MIDI messages sent and received are disabled by the Instrument are those described below.

• While the instrument is accessing flash memory.

Part II Channel Message

Receive Channel
The channel number of the channel message received by each part is shown in the table under “1.2.2 Instrument Part Block”.

Send Channel
The MIDI channel of the channel message sent when the Instrument is played coincides with the MIDI channel of the part being played. Note, however, that the MIDI channel of the performance information that corresponds to the keyboard main part depends on the MIDI Out Channel setting value.

Note Off

• Message Format: 8nH kkH via 9nH kkH 00H(receive only)
• n : MIDI Channel Number
• kk : Key Number
• vv : Velocity(Send:40H, Receive:Ignored)

Transmit
Sent when the keyboard is played. The key number changes by the Transpose function. Receive Receipt stops a note being sounded by a note on message.

Note On

• Message Format : 9nH kkH vvH
• n : MIDI Channel Number
• kk : Key Number
• vv : Velocity
  • Transmit : Sent when the keyboard is played. The key number changes by the Transpose function.
  • Receive : Receipt sounds a note of the corresponding instrument part.

Control Change

• Message Format : BnH ccH vvH
• n : MIDI Channel Number
• cc : Control Number
• vv : Value

For details about messages, see each section of this manual that covers them.

Bank Select (00H,20H)

• Message Format: BnH 00H mmH (MSB) BnH 20H llH (LSB)
• n : MIDI Channel Number
• mm : MSB Value(Note1)
• ll : LSB Value(Send:00H, Receive:Ignored)

Note 1 : For details about the relationship between the MSB value and the tone, see the Tone List that comes with the Instrument.

• Transmit : Sent when a tone is selected.
• Receive : Receipt causes a change in the tone bank number stored in Instrument memory, but the tone is not changed until a Program Change message is received. For details, see “9 Program Change”.

Modulation (01H)

• Message Format : BnH 01H vvH
• n : MIDI Channel Number
• vv : Value
  • Receive : Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In the case of a tone that already has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according to the tone being used.

Portamento Time(05H)

• Message Format : BnH 05H vvH
• n : MIDI Channel Number
• vv : Value
  • Receive: Receipt changes the portamento application time.

Data Entry (06H,26H)

• Message Format : BnH 06H mmH (MSB) BnH 26H llH (LSB)
• n : MIDI Channel Number
• mm : MSB Value
• ll : LSB Value
  • Transmit: Sent when there is a change to the parameter assigned to RPN.
  • Receive: Receipt changes the parameter assigned to RPN.

Volume (07H)

• Message Format : BnH 07H vvH
• n : MIDI Channel Number
• vv : Value
  • Receive: Receipt changes the volume of the corresponding part.

Pan (0AH)

• Message Format : BnH 0AH vvH
• n : MIDI Channel Number
• vv : Value(Note1)

Note 1 : For information about the relationship between setting values and send/receive values, see “14.3 Pan Setting Value Table” in “IV Setting Values and Send/Receive Values”.

• Receive : Receipt changes the pan of the corresponding part.

Expression (0BH)

• Message Format : BnH 0BH vvH
• n : MIDI Channel Number
• vv : Value
  • Receive: Receipt changes the Expression value of the corresponding part.

Damper Pedal (Sustain) (40H)

• Message Format : BnH 40H vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1 : For information about the relationship between setting values and send/receive values, see the “14.1 Off/On Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Transmit : Sent when a pedal that has a sustain (damper) function is operated.
• Receive : Receipt operates equivalent to a sustain pedal operation.

Timbre Type Specific Operation
This operation differs by the Timbre Type (see “About the Timbre Type” in “9 Program Change”) setting.

• Timbre Type: Melody
  • Sustain off/on control is performed by the value of the received message.
• Timbre Type: Drum

The received message does not affect sound source operation.

Portamento On/Off(41H)

• Message Format : BnH 41H vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1 : For information about the relationship between setting values and send/receive values, see the “14.1 Off/On Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Receive Receipt changes the portamento on/off setting.

Sostenuto (42H)

• Message Format: BnH 42H vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1: For information about the relationship between setting values and send/receive values, see the “14.1 Off/On Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Receive : Receipt operates equivalent to a sostenuto pedal operation.

Soft (43H)

• Message Format : BnH 43H vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1: For information about the relationship between setting values and send/receive values, see the “14.1 Off/On Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Receive: Receipt performs an operation equivalent to a soft pedal operation.

Filter Resonance(47H)

• Message Format : BnH 47H vvH
• n : MIDI Channel Number
• vv : Value
  • Receive: Receipt changes the filter resonance intensity.

Release Time (48H)

• Message Format: BnH 48H vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1: For information about the relationship between setting values and send/receive values, see the “14.2 –64 – 0 – +63 Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Receive: Receipt makes a relative change in the time it takes for a note to decay to zero after a key is released.

Attack Time (49H)

• Message Format: BnH 49H vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1: For information about the relationship between setting values and send/receive values, see the “14.2 –64 – 0 – +63 Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

Receive: Receipt makes a relative change in the time it takes for a note to rise to its maximum level.

Filter Cutoff (4AH)

• Message Format: BnH 4AH vvH
• n : MIDI Channel Number
• vv : Value (Note1)

Note 1: For information about the relationship between setting values and send/receive values, see the “14.2 –64 – 0 – +63 Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Receive: Receipt changes the filter cut-off frequency.

Portamento Control(54H)

• Message Format: BnH 54H vvH
• n : MIDI Channel Number
• vv : Source Key Number
  • Receive: Receipt of this message first stores the Source Note Number for the next note. When the next

Note : On is received, the portamento effect is applied to the note using this Source Note Number as the pitch start point and the Note On event key number as the end point. If there already is a note being sounded by Source Note Number at this time, the new note on is not performed and the portamento effect is applied to the pitch of the note being sounded. That is to say that legato play is performed.

Reverb Send Level (5BH)

• Message Format : BnH 5BH vvH
• n : MIDI Channel Number
• vv : Value
  • Receive Receipt changes the reverb send of the corresponding part.

RPN (Registered Parameter Number) LSB/MSB (64H,65H)

• Message Format : BnH 64H llH (LSB) BnH 65H mmH (MSB)
• n : MIDI Channel Number
• ll : LSB Value
• mm : MSB Value

Pitch Bend Sensitivity

• Message Format:
  • BnH 64H 00H
  • BnH 65H 00H
  • BnH 06H mmH
  • BnH 26H llH
• n : MIDI Channel Number
• mm : MSB Value(00H – 0CH)
• ll : LSB Value(Send:00H, Receive:Ignored)
  • Receive: Receipt changes Bend Range of the corresponding part.

Channel Fine Tuning

• Message Format:
  • BnH 64H 01H
  • BnH 65H 00H
  • BnH 06H mmH
  • BnH 26H llH
• n : MIDI Channel Number
• mm : MSB Value
• ll : LSB Value
  • Receive: Receipt changes the fine tune of the corresponding part.

Channel Coarse Tuning

• Message Format :
  • BnH 64H 02H
  • BnH 65H 00H
  • BnH 06H mmH
  • BnH 26H llH
• n : MIDI Channel Number
• mm : MSB Value
• ll : LSB Value
  • Receive: Receipt changes the coarse tune of the corresponding part. Does not affect sound source operation when the Timbre Type (see “About the Timbre Type” in “9 Program Change”) is Drum.

RPN Null

• Message Format : BnH 64H 7FH,BnH 65H 7FH
• n : MIDI Channel Number
  • Receive Receipt de-selects RPN.

All Sound Off (78H)

• Message Format : BnH 78H 00H
• n : MIDI Channel Number
  • Receive: Receipt stops all voices that are sounding.

Reset All Controllers (79H)

• Message Format : BnH 79H 00H
• n : MIDI Channel Number
  • Receive: Receipt initializes each performance controller.

All Notes Off (7BH)

• Message Format : BnH 7BH 00H
• n : MIDI Channel Number
  • Receive  Receipt releases (key release) all voices that are sounding.

Omni Mode Off (All Notes Off) (7CH)

• Message Format : BnH 7CH 00H
• n : MIDI Channel Number
  • Receive: Receipt performs the same operation as when All Notes Off is received.

Omni Mode On (All Notes Off) (7DH)

• Message Format : BnH 7DH 00H
• n : MIDI Channel Number
  • Receive: Receipt performs the same operation as when All Notes Off is received.

Mono Mode On (Poly Mode Off) (All Notes Off) (7EH)

• Message Format : BnH 7EH 00H
• n : MIDI Channel Number
  • Receive: Receipt performs the same operation as when All Notes Off is received.

Poly Mode On (Mono Mode Off) (All Notes Off) (7FH)

• Message Format : BnH 7FH 00H
• n : MIDI Channel Number
  • Receive: Receipt performs the same operation as when All Notes Off is received.

Program Change

• Message Format: CnH ppH
• n : MIDI Channel Number
• pp : Program Number (Note1)

Note 1: For details about the relationship between the program number and the tone, see the Tone List that comes with the Instrument.

• Transmit : Sent when a tone is selected.
• Receive : The receipt changes the tone of the corresponding part. The selected tone is determined by the program value of this message and the Bank Select message value received prior to this message. Also note that receipt of this message also may change the Timbre Type that corresponds to the selected tone. For more information, see “About the Timbre Type” below.

About the Timbre Type
Tones that are selected by each Instrument part have an attribute that depends on the sound source operation type. This attribute is called the “timbre type,” which is one of the types described below.

• Melody
  This timbre type optimizes for normal melody tones.

• Drum
  This setting optimizes for drum sounds. The damper pedal does not function. The Hold1, Channel Coarse Tune, and Master Coarse Tune messages are ignored if they are received.

Channel Pressure (Aftertouch)

• Message Format : DnH vvH
• n : MIDI Channel Number
• vv : Value
  • Receive: Receipt adds, to the tone being sounded, modulation of a depth specified by the value. In the case of a tone that already has modulation applied, receipt of this message increases the modulation depth. The modulation effect differs according to the tone being used.

Pitch Bend Change

• Message Format : EnH llH mmH
• n : MIDI Channel Number
• ll : Value LSB
• mm : Value MSB
  • Receive: Receipt changes the pitch of the currently sounding note. The range of the pitch change depends on the Pitch Bend Range value setting.

Part III System Message

Active Sensing

• Message Format : FEH
  • Receive: Once this message is received, the Active Sensing mode is entered. If no MIDI message is received for a specified amount of time, voices being sounded by this Instrument’s sound source are released, the controller is reset, and the Active Sensing mode is exited.

System Exclusive Message

• Message Format : F0H….F7H

The Instrument sends and receives universal system exclusive messages.

Universal Real-Time System Exclusive Message

• Message Format : F0H 7FH….F7H

Master Volume

• Message Format : F0H 7FH 7FH 04H 01H llH mmH F7H
• ll : LSB Value(Send:00H, Receive:Ignored)
• mm : MSB Value
  • Receive: Receipt changes the Master Volume.

Master Fine Tuning

• Message Format : F0H 7FH 7FH 04H 03H llH mmH F7H
• ll : LSB Value(Note1)
• mm : MSB Value(Note1)

Note 1 : For information about the relationship between setting values and send/receive values, see “14.4 Fine Tune Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Transmit: This message is sent when the Tuning setting is changed.
• Receive: Receipt changes the Master Fine Tuning.

Master Coarse Tuning

• Message Format : F0H 7FH 7FH 04H 04H llH mmH F7H
• ll : LSB Value(Send:00H, Receive:Ignored)
• mm : MSB Value
  • Receive: Receipt changes the Master Coarse Tune parameter. Does not affect sound source operation when the Timbre Type (see “About the Timbre Type” in “9 Program Change”) is Drum.

Reverb Type

• Message Format : F0H 7FH 7FH 04H 05H 01H 01H 01H 01H 01H 00H vvH F7H
• vv : Value(Note1)

Note 1 : For information about the relationship between setting values and send/receive values, see “14.5 Reverb Type Setting Value Table” in “IV Setting Values and Send/Receive Values” of this document.

• Transmit : Sent when Reverb Type is changed.
• Receive:  Receipt changes the Reverb Type.

Universal Non-Real Time System Exclusive Message

• Message Format : F0H 7EH 7FH….F7H

GM System On

• Message Format: F0H 7EH 7FH 09H 01H F7H
  • Receive: Receipt puts the sound source into a GM sound source mode.

GM System Off

• Message Format: F0H 7EH 7FH 09H 02H F7H
  • Receive: Receipt changes the sound source setting to the Instrument presetting.

GM2 System On

• Message Format: F0H 7EH 7FH 09H 03H F7H
  • Receive: Though the Instrument does not support GM2, receipt of the GM2 System On message has the same result as receipt of the GM System On message.

Part IV Setting Values and Send/ Receive Values

Setting Value Tables

Off/On Setting Value Table

–64 – 0 – +63 Setting Value Table

Pan Setting Value Table

Fine Tune Setting Value Table

(LSB,| MSB)| (LSB,| MSB)| – (LSB,| MSB)|
---|---|---|---|---|---|---
(43H,| 00H)| (00H,| 00H)| – (5FH,| 00H)| 415.5 Hz
(65H,| 00H)| (60H,| 00H)| – (7FH,| 00H)| 415.6 Hz
(07H,| 01H)| (00H,| 01H)| – (1FH,| 01H)| 415.7 Hz
(29H,| 01H)| (20H,| 01H)| – (3FH,| 01H)| 415.8 Hz
:|  | :|  |  |  | :
(40H,| 3FH)| (30H,| 3FH)| – (4FH,| 3FH)| 439.8 Hz
(60H,| 3FH)| (50H,| 3FH)| – (6FH,| 3FH)| 439.9 Hz
(00H,| 40H)| (70H,| 3FH)| – (1FH,| 40H)| 440.0 Hz
(20H,| 40H)| (20H,| 40H)| – (3FH,| 40H)| 440.1 Hz
(40H,| 40H)| (40H,| 40H)| – (5FH,| 40H)| 440.2 Hz
:|  | :|  |  |  | :
(54H,| 7EH)| (50H,| 7EH)| – (6FH,| 7EH)| 465.6 Hz
(73H,| 7EH)| (70H,| 7EH)| – (0FH,| 7FH)| 465.7 Hz
(11H,| 7FH)| (10H,| 7FH)| – (2FH,| 7FH)| 465.8 Hz
(30H,| 7FH)| (30H,| 7FH)| – (7FH,| 7FH)| 465.9 Hz

Reverb Type Setting Value Table

Chorus Type Setting Value Table

Part V MIDI Implementation Notation

Value Notation

Hexadecimal Notation
MIDI implementation sometimes requires that data be expressed in hexadecimal format. Hexadecimal values are indicated by the letter “H” after the value. The hexadecimal equivalents of decimal values 10through 15 are expressed as the letters A through F. The table below shows the hexadecimal equivalents for decimal values 0 through 127, which are often used in MIDI messages.

Decimal| Hexadecimal| Decimal| Hexadecimal| Decimal| Hexadecimal| Decimal| Hexadecimal
---|---|---|---|---|---|---|---
0| 00H| 32| 20H| 64| 40H| 96| 60H
1| 01H| 33| 21H| 65| 41H| 97| 61H
2| 02H| 34| 22H| 66| 42H| 98| 62H
3| 03H| 35| 23H| 67| 43H| 99| 63H
4| 04H| 36| 24H| 68| 44H| 100| 64H
5| 05H| 37| 25H| 69| 45H| 101| 65H
6| 06H| 38| 26H| 70| 46H| 102| 66H
7| 07H| 39| 27H| 71| 47H| 103| 67H
8| 08H| 40| 28H| 72| 48H| 104| 68H
9| 09H| 41| 29H| 73| 49H| 105| 69H
10| 0AH| 42| 2AH| 74| 4AH| 106| 6AH
11| 0BH| 43| 2BH| 75| 4BH| 107| 6BH
12| 0CH| 44| 2CH| 76| 4CH| 108| 6CH
13| 0DH| 45| 2DH| 77| 4DH| 109| 6DH
14| 0EH| 46| 2EH| 78| 4EH| 110| 6EH
15| 0FH| 47| 2FH| 79| 4FH| 111| 6FH
16| 10H| 48| 30H| 80| 50H| 112| 70H
17| 11H| 49| 31H| 81| 51H| 113| 71H
18| 12H| 50| 32H| 82| 52H| 114| 72H
19| 13H| 51| 33H| 83| 53H| 115| 73H
20| 14H| 52| 34H| 84| 54H| 116| 74H
21| 15H| 53| 35H| 85| 55H| 117| 75H
22| 16H| 54| 36H| 86| 56H| 118| 76H
23| 17H| 55| 37H| 87| 57H| 119| 77H
24| 18H| 56| 38H| 88| 58H| 120| 78H
25| 19H| 57| 39H| 89| 59H| 121| 79H
26| 1AH| 58| 3AH| 90| 5AH| 122| 7AH
27| 1BH| 59| 3BH| 91| 5BH| 123| 7BH
28| 1CH| 60| 3CH| 92| 5CH| 124| 7CH
29| 1DH| 61| 3DH| 93| 5DH| 125| 7DH
30| 1EH| 62| 3EH| 94| 5EH| 126| 7EH
31| 1FH| 63| 3FH| 95| 5FH| 127| 7FH

Binary Notation
When a MIDI implementation data value is expressed in binary, the letter “B” (for “binary”) is affixed at the end of the value. The table below shows the binary equivalents for the decimal values 0 through 127, which are often used for settings.

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