D R AXUM Digital Audio Mixing System User Manual
- June 9, 2024
- D R
Table of Contents
- AXUM Digital Audio Mixing System
- Package Contents
- Introduction
- System overview
- Control Surfaces
- AXUM Engine
- Surface(s) website
- Block diagrams – Must be created
- I/O Rack description
- Available I/O rack cards
- Patch panels
- Specifications AXUM digital audio system
- Declaration Of Conformity
- Product Safety
- Disclaimer
- Appendix A – Network design for AXUM
- Appendix B – Surface service
- Appendix C – Engine functions
- References
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
AXUM Digital Audio Mixing System
User Manual
DIGITAL AUDIO MIXING SYSTEM
A·X·U·M
User Manual
VERSION 3.02
AXUM Digital Audio Mixing System
Dear Customer,
Thank you for choosing the AXUM audio mixing system.
Specialists in the field of Radio/TV Broadcast and audio production designed
the AXUM.
It is a system that is capable of working in a multitude of applications that
need a 24-hour “On-Air”/Production system.
To be able to improve our products we always value suggestions once you have
become familiar with your system. We will certainly learn from your comments
and very much appreciate you dropping us a mail at
info@d-r.nl
We are confident that you will be using the AXUM for many years to come, and
wish you lots of success in your business.
And… please take some time to read this manual first to avoid unnecessary
questions to yourself and to us.
With kind regards,
Package Contents
The AXUM package comes normally with the following parts inside:
- AXUM Getting started document
- AXUM System in the configuration you have ordered.
- One or more 19” IO-Racks with the I/O, DSP and power supply cards.
- Optional Control Surface(s) with external power supply.
- Optional patch panels.
- Optional RJ45 Shielded cables.
- AXUM user manual
WARNING: A network switch is not included but required to interconnection multiple system parts and a laptop/PC for configuration. You may use any Ethernet switch for this purpose!
Introduction
This manual will give you an overview of the functionality of the AXUM digital
audio system and all its features. It is advisable to read this manual at
least once before touching any control, or even thinking about hooking up the
system. We know that this is actually the first thing you want to do, but
please do not and discipline yourself to read the manual first.
The manual gives all sorts of valuable information before getting started and
it saves you from getting all sorts of questions. After installing this manual
can be used as a reference.
In the first chapter, we will give you an overview of the AXUM and its
features.
In this way, you have an impression on how to implement the system in your
application.
The next chapters will deal with interconnecting the various parts of the
system and its external interfacing with your equipment
When installing and wiring the AXUM, you can finalize its interfacing with the
instructions in the following chapters.
System overview
The Axum is a digital modular audio system that can solve your digital
mixing/routing requirements in your broadcast studio or in your complete
broadcast facility. The modular system can be used in all your mixing/routing
applications like on-air broadcast, self-op, production and voice tracking.
4.1 System parts
To make a functional mixing console you require at least a 19” rack with a DSP
card (32 stereo channels), the desired I/O cards and a control surface that
can control all the mixing power. The connection between the 19” rack(s) and
control surface(s) rely on a network protocol that is been called Mamba Net.
Mamba Net works on Ethernet layer 2, there for no IP-addresses have to be
setup for the ‘real-time’ functionality.
WARNING: Do not connect multiple AXUM engines/racks in the same Ethernet
network (Layer 2)To connect surface(s) and 19” rack(s) you can built on this
known Ethernet standard with common switches till advanced managed switches
with all the security solutions as there are STP (spanning tree protocol),
Trucking etc.
For (remote) configuration the well known we browser is used to access the
consoles webserver. Of course this happens on a IP-based level of
communication, which makes it possible to configure system over the internet.
The defaults IP-addresses for configuration pages are:
http://192.168.0.200 for the configuration in main
menu
http://192.168.0.23x for the controller surface
configuration. (for the first surface set x to 4, for a second surface set x
to 5, etc.).
To prevent other people to access the Axum configuration pages you need to
logon.
The default logon is:
Username: service
Password: service
This account may change, which is explained in chapter 6.2.6 (Change web
accounts).
Network specialists can find some more information in chapter 18 (Appendix A).
4.2 Communication
All control communication takes place with Mamba Net and gives the surface
flexibility and power to the AXUM digital audio system. To understand the AXUM
digital audio system it would help to know some principles of Mamba Net.
Mamba Net definitions:
– Objects
A fader, switch will have to trigger an action in the AXUM digital audio
system. In Mamba Net, we call these faders and switches ‘objects’.
– Nodes
In the hardware the faders and switches are grouped on modular blocks (think
of a single PCB), such blocks are represented as ‘nodes’ in Mamba Net.
– Engine
In the Axum digital system the engine is in fact your mixing console. The
functions available in the ‘engine’ can connect to one or more objects found
in your network.
In practice, this means you can connect any surface element like switches and
faders to any function of your mixing console(s). From now on, you can design
your own functionality at the control surface.
Information for manufacturers and developers is located at
http://www.mambanet.org/ , it is possible to make your own communication
with the mixing system; we have a Mamba Net library available for Windows
(DLL) and Linux (lib).
For professional developers it is possible to buy a Manufacture ID from D&R so
you are able to make your own equipment compatible with the Mamba Net
protocol. Secondly, local radio stations can use manufacturer ID 0xFFFF for
some custom implementations.
(All manufacturer IDs are unique except the 0xFFFF, which is free for ‘in-
house’ implementation)
4.3 Features and highlights
Because the AXUM digital audio system is highly flexible, you can make many solutions for your mixing and routing. To have an overview on the power of the Axum digital audio system we made a list of the most important features and highlights:
-
I/O Matrix of 1280×1280 with optional I/O Cards:
– MIC inputs and GPIO’s
– Line inputs and GPIO’s
– Digital in/outputs and GPIO’s
– Line outputs and GPIO’s
– CRM/Phones outputs and GPIO’s
– Cobra Net in/outputs
– Firewire in/outputs
– Hybrid in/outputs -
32 stereo modules per DSP card.
– Gain
– Low cut
– 6 band full parametric EQ
– Voice processing
– one free FX DSP for future use. -
32 busses, default configured if:
console 1 and 2 with each a:
– Stereo Program buss
– Stereo Sub buss
– 4x Stereo Aux buss
– Stereo Dump buss
– Stereo PFL buss -
Up to 4 DSP cards
– up to 128 stereo modules
– up to 16 monitor busses.
(for example it is possible to make 4 studios with one I/O rack, or even 2 studios of 16 stereo modules and 2 stereo monitor busses with a single DSP card in your I/O rack…) -
Advanced preset system.
-
Object oriented control protocol, Mamba Net
-
Configuration of the AXUM nodes using one web server
-
Multiple redundancy solutions
-
Remote configuration via HTTP and TCP/IP
-
Remote control via Mamba Net over UDP/IP and TCP/IP
-
Standardized cabling with RJ45 (shielded for audio connections)
-
Advanced security system based
-
User database for identification
4.4 Principle of operation
4.4.1 AXUM system
The AXUM system will be build up around the matrix/router that gives a lot of
routing flexibility. Up to 4 DSP cards can be inserted to create mixing power
as requested. For example, you can create with one AXUM system (equipped with
one DSP card):
– A single mixing console with 32 stereo modules and 16 stereo busses
– Multiple mixing consoles (maximal 4), 3 consoles are used in our example:
1 consoles with 16 stereo modules and 6 stereo busses
1 consoles with 12 stereo modules and 6 stereo busses
1 console 4 stereo modules and 4 stereo busses
This makes clear we do not talk over a ‘mixing console’, the AXUM is an audio-
platform!
Depending on the configuration, you can make your own studio
console(s)/surface functionality. Al this power is controlled and configured
by the AXUM engine. This engine configuration is described in detail later on.
4.4.2 Mixing console
As mentioned before the configuration is done within the Axum engine, now
we will give a short overview/introduction on the structure of the mixing
console(s) platform solution of the engine.
For the configuration of the busses, monitor busses and modules you can setup
to which console it should belong (1-4). Finally the engine will extract a
‘assignment’ picture from this information which shows clearly the console
blocks. 4.4.2.1 Sources
Each module can receive audio from the matrix using so called ‘sources’. A
source is given a name, left/right physical input and some additional settings
(think of phantom, pad, relight settings). For example if we make source
‘MIC1’ with phantom on we can route this to module 1 and/or module 13. So the
MIC 1 is used at console 1 but also at console 2 (or 3).
4.4.2.2 Destinations
Audio is sent to physical outputs by so called ‘destinations’. A destinations
given a name, left/right physical outputs and some additional settings
(default audio-source, N-1 etc.). For examples we make destinations ‘Line out
1’ and ‘Dig out 1’ which both get the audio from ‘Prog A’.
4.4.2.3 Console/Surface functionality
After the consoles are set-up/configured and the inputs and outputs are set-up
with the correct settings of sources/destinations you can start using the
console functionality. Which functionality is available depends on the
configuration of the system.
It is important to make the required ‘real-time’ functionality available via
the surface and rack configuration menu’s. Actually here you define the ‘knob
functions’.
4.4.2.4 Console startup/Presets
At the console start up it will load the last backup or the programmed
defaults, this depends on a setting in global configuration.
The programmed defaults are:
– The information set within the we browser pages
– For the modules ‘module preset 1A’ is selected by default.
Further in live use of the console(s) you can make use of presets:
– Processing presets
– Module presets
– Console presets
processing preset:
A processing preset contains module-settings (think of EQ, Dynamics etc.
etc.).
When a source is selected by the control surface encoder, the assigned default
processing preset is loaded.
Module preset:
The module preset 1A t/m 4B defines a combination of: Source, Processing
preset and Routing preset.
In this case if module preset 1B is recalled:
– The configured ‘preset 1B source’ is set on the module
– The corresponding processing preset is set on the module. Processing preset
field that not override the module will set according to the module
configuration settings (if ‘Use at source select’ is active).
– The routing as given by ‘module preset 1B’ is restored.
Console preset:
The console preset consists of two main parameters:
– It loads Module preset 1A, 1B, 2A, 2B, 3A, 3B, 4A or 4B.
– It loads a buss/monitor buss preset.
Here also you can define if a separate buss is used within the preset (the
configuration setting ‘Use’ – Yes/No).
In general you can say:
– The console will startup in the defaults like given in the webpage.
– When a source is selected (can also be in the startup-defaults) the
corresponding processing preset is loaded.
– When a module preset is loaded, the complete module settings can be preset.
– With the console preset you are able to change: module-settings , buss
master eon monitor buss settings.
Control Surfaces
The engine will recognize the control surfaces of the AXUM digital audio
system as ‘nodes with objects’. Each object can connect to an engine (mixing
console) function.
Below you see an example of a control surface and a short description of the
node/object structure.
This control surface holds 4 user interfaces nodes:
– 3x four fader panel node
– 1x monitor buss panel node
The ‘four fader panel node’ holds 84 objects:
– 4x Display upper line
– 4x Display lower line
– 4x Encoder
– 4x Encoder-push
– 32x LEDs
– 32x switches with LEDs (16 small, 16 large)
– 4x fader
The ‘monitor buss panel node’ holds 61 objects:
– 1 chip card
– 54 switches with LED’s
– 1 encoder
– 1 encoder push
– 4 potentiometers
AXUM Engine
The engine of the Axum drives all audio processing/routing and from the
surfaces and remote locations, it can be controlled using Mamba Net. Therefore
it is required that you setup the engine/system with your settings before it
will work according your requirements. Of course, we deliver the system in a
default configuration that will cover 90% of the functionality you wish.
Setting up the engine (your mixing console) is done using your web browser.
Simply enter the IP address of the 19” rack in your browser and log-on to the
configuration pages.
By default the IP Address is: http://192.168.0.200
(at the first startup you can use a network or cross wire with a static IP
given to your network interface, e.g.
192.168.0.10).
On the Axum website, you find all necessary options to configure your system
as full functioning mixing console(s), it’s the most to start with the Console
1-4 configuration. In this menu you may easy step from top to bottom.
6.1 Console 1-4 configuration
This pages shows all configuration possibilities to setup your console 1-4. Your system is preconfigured but you may step through the menus for personal adjustments.
6.1.1 IP/Clock configuration
6.1.1.1 IP
Here you can setup the network settings to be compatible with the required
settings in your situation and you can set the time zone to where you are.
It’s possible to change the IP, subnet, gateway and DNS server address by
clicking on the address.
For more information on IP addressing:
https://en.wikipedia.org/wiki/IP_address
WARNING: These setting become active after reboot.
6.1.1.2 Engine Mamba Net servers
To enable and/or disable a specific server for Ethernet, UDP and/or TCP you
can select here de y/n field. Also the used UDP and TCP port can be changed to
a non default value.
WARNING: These setting become active after reboot.
6.1.1.3 Clock
To change the time zone, click on the used time zone (in our example
‘Europe/Amsterdam’). You can select the desired time zone in the list box.
The AXUM uses the NTP protocol for accurate clock synchronization. In the
section ‘current’ you find the IP address of the used ‘clock master’ and its
‘stratum’. For more information on NTP:
https://en.wikipedia.org/wiki/Network_Time_Protocol
When IP and DNS settings are setup correct, the AXUM will automatically
synchronize to a pool of time servers. The AXUM is also able to use a GPS
receiver via USB for time synchronization. next, the AXUM may function as a
NTP server for the surfaces. There for, on the webserver of the control
surfaces you can configure the ‘optional nap server’ and fill in the IP
address of the nap server (e.g. 192.168.0.200).
Set date/time may be used on system without any synchronization to set the
correct time.
In the popup window it is possible to give to correct time and if you click on
the ‘day’ it will become direct changed/activated.
Remember that all other changes (NTP and IP settings) will become effective
after reboot.
6.1.2 Global configuration
Some overall system settings can be filled in on this webpage.
-
Sample rate
You can select a sample rate of 32 kHz, 44.1 kHz eon 48kHz. According to this setting, the filters are setup so you have to make sure to select the sample rate you work with. Also when using an external clock. -
Extern(al) clock
If you want to use the external clock (Frame clock in) you can turn it on here. -
Headroom
The internal headroom is fixed at 20 dB, to adjust the headroom on a local input/output you can give an offset level to the sources/destinations or at the rack configuration. -
Fader top level|
You can make the fader work with or without 10 dB fader reserve. In the last situation the faders will be 0 dB (unity gain) when the fader is fully up (maximum position). -
Auto momentary
Most switch functions can work in a auto-momentary mode. When set to yes a knob will function latching when pressed shortly. But with a long press (>750 MS) the knob reacts like a momentary switch (function active while pressed). -
Startup state
Here you can select to use a known startup state which is the ‘programmed defaults’ or use a ‘backup of the last situations
Programmed defaults are the defaults as setup in the web-configuration. An backup of the console is saved once a minute, which means you will return to (almost) the last situation. -
Console information
Here you can share some details to have an easier identification in a multi- studio environment.
6.1.3 Mix buss configuration
You have to setup the busses to create the names, console assignment and
functionality of the Busses. Here we see the setup for a single console buss
setup:
-
Label
The name given to this buss. -
2 Mono busses
It is possible to make 2 mono busses from one stereo buss. All buss-sends, to this buss, on the module’s will now include stereo to mono summing. -
Master pre/post
You can choose the buss to be pre or post ON, level (comparable with pre/post fader) and balance (could be your pan-pot). -
Master level/state
This setting is used as programmed startup level, so the buss masters are in a known state. -
Interlock
If you make a buss interlock, only 1 module can be assigned at the same time. -
Exclusive
When routing to an Dump/Rec exclusive buss is made, the routing to all other busses on that module will be disabled. This is useful for a so called ‘dump bus
The selections COMM technician and COMM producer are used if you want to make a communication buss. Such buss makes it possible to let presenters talk with hybrid or to talk with an technician/producer. -
Buss reset
This setting can be used to create a CUE/PFL buss with auto-reset (CUE Reset).
If you have multiple studios and CUE/PFL busses you may assign reset to multiple busses. -
Console
You can select to which console a buss belongs. -
6.1.4 Monitor buss configuration
Per DSP card, you have 4 stereo monitor busses that can be used. They need a name, console assignment and configuration so they can work properly: -
Label
Here you give a name to this monitor buss -
Interlock
Yes means only one source is active at the same time, on this monitor buss. -
Default selection
If the last selected source is turned off it will always go to the default selection.
This selection is also your startup default. -
Automatic switching.
You can tell the Engine that a monitor buss switches automatically when the ‘source buss’ is activated.
Also known as ‘PFL to CRM’. If you have two separate studios’ you can have multiple automatically switched busses (e.g. PFL 1 and PFL 2).
When to mix buss is an exclusive buss, the monitor buss will also switch ‘exclusive’; normally automatic switching will be summing with the set up ‘Dim level’. -
Dim level
When you have set the monitor buss to switch automatically, the source signal is dimmed by the filled in level and the buss that is switched on to the Monitor buss is at unity gain (0 dB). -
Console
You can select to which console a monitor buss belongs.
6.1.5 Source configuration
The 19” rack unit can accept various I/O cards. These inserted I/O cards can
accept audio in various formats.
This is because the audio connected to the I/O cards can have different
channel relations (mono, stereo). To create a user readable label you have to
configure sources.
Such a source is the entity you can select to be the input of your module in
the mixing console. See below for a simple source list example:
-
Nr
Here you can reposition the destination to make the list in a convenient order. -
Label
Name of the source you are creating. -
Input 1/2
Here you select the physical slot and input of the card you want to assign to this source.|
For mono sources you selected the same input for left and right. -
Phantom
-
The phantom power for this source is turned on/off at startup. (this field is only available when the source-phantom function is also assigned to an object; e.g. via rack configuration)
-
Pad
The PAD for this source is turned on/off at startup. (this field is only available when the source-pad function is also assigned to an object; e.g. via rack configuration) -
Gain
The source gain for this source is at startup set to this level. (this field is only available when the source-gain function is also assigned to an object; e.g. via rack configuration) -
Processing preset
If this source is selected on a module, by the ‘source select’ function (not via module or console preset),this processing preset is ‘set’ on the module. -
Trigger star t
Here you can configure how the source start/stop change is triggered:
– Dedicated, the module fader and on are not triggering start/stop only the dedicated start/stop controllers.
– Module fader on, the fader on will trigger the start as well.
– Module on, the on switch will trigger the start as well.
– Module fader on & on, the fader must be open and on active then the start is triggered.
Dedicated start/stop objects will work in parallel with these ‘trigger start/stop’ modes -
Trigger stop
Here you can configure how the source start/stop change is triggered:
– Dedicated, the module fader and on are not triggering start/stop only the dedicated start/stop controllers.
– Module fader off, the fader off will trigger the stop as well.
– Module off, the on switch will trigger the stop as well.
– Module fader off & off, the fader must be closed or on inactive then the stop is triggered.
Dedicated start/stop objects will work in parallel with these ‘trigger start/stop’ modes -
Red-light.
When this source becomes active on a module, the corresponding Red-light buss becomes active. -
Monitor destination mute
When this source becomes active on a module, the corresponding monitor buss will be muted. -
Related destination
When you give a source a related destination it is possible to use TB functions on the module and communication features from the GPIOs. For example you will make the relation announcer microphone to announcer headphone. -
Delete
When you click on this column the source will be deleted (and also all references are deleted). -
Create a new source
By clicking on this link a popup will appear where you have to setup the physical inputs and label for the new source.
6.1.6 Extern source configuration
Each DSP card can handle four stereo monitor busses (with 4 DSP cards a max
of 16 stereo monitor busses is possible). For each DSP card you can configure
8 external stereo sources, beyond the 16 stereo mixing busses which are fixed
available in the monitor section.
-
Safe
Extern source can be configured to be ‘interlock safe’.
Normally only one buss or external input can be active on the monitor buss if configured to be ‘interlock’. But sometimes it is important your signal will not disappear if another CRM-source is selected, in that case you can set the external source to be ‘safe’. -
Source
Here you can select which signal routes to this ‘external inputs
You can choose:
– Input sources (Mic, line, dig etc. etc.)
– Mix busses
– Monitor busses
– Insert outs (of modules)
– N-1 signals (for a single module)
6.1.7 Destination configuration
The 19” rack unit can accept various I/O cards. With these cards, you can send audio from the Axum digital audio system to the audio format you require. Because the audio connected to the I/O cards can have different channel relations (mono, stereo) a combination has to be made. A user readable label has to be created to configure destinations. Such destination is the entity you can select to be the output of a mixing buss of the mixing console. See an example destination list:
-
Nr
Here you can reposition the destination to make the list in a convenient order. -
Label
Name of the destination you are setting up. -
Output 1/2
Here you select the physical slot and output of the card you want to assign to this destination.
For a mono output you have to select only one of the left or right outputs to a physical slot/Ch. -
Level
The destination level for this source is at startup set to this level; for example to adjust headroom for a single output. (this field is only available when the destination-level function is also assigned to an object; e.g. via rack configuration) -
Default signal from
This destination/output will send audio from the default selected source (except if a N-1 is active, then automatically the N-1 signal is selected).
You can choose:
– Input sources (Mic, line, dig etc. etc.)
– Mix busses
– Monitor busses
– Insert outs (of modules) -
Default signal routing
Here you can choose which signal feeds the physical outputs:
Stereo (if no mix minus source is assigned):
Output left and right received their corresponding signal Left:
Output left and right both receive the left signal.
Right:
Output left and right both receive the right signal.
Mono (only if a mix minus source is assigned):
The mix minus signal is always a mono signal. -
N-1 from/mix minus source
When the selected source is assigned to a module, this destination automatically creates an N-1 using the selected source. There is no limitation on the amount of N-1s, every module is able to make its own N-1. -
Delete
When you click on this column the destination will be deleted (and also all references are deleted). -
Create a new destination
By clicking on this link a popup will appear where you have to setup the physical outputs and label for the new destination. When you select the same output for both channels, the system will use it on the left output and set the right to none.
6.1.8 Talkback configuration
This page makes it possible to select the sources for the 16 talkback busses
available in the AXUM.
A talkback buss may be summed/switched to any destination of the AXUM system,
this will not require any DSP resources.
- Source
Here you can select which signal routes to a talkback buss.
You can choose:
– Input sources (Mic, line, dig etc. etc.)
– Mix busses
– Monitor busses
– Insert outs (of modules)
– N-1 signals (for a single module)
6.1.9 Processing presets
It is possible to set the module processing when a source is selected (via ‘source select’ or a module preset) , the information for this functionality is stored in the processing presets.
-
Nr
Here you can reposition the preset to make the list in a convenient order. -
Label
Name of the preset. -
Settings.
Shows a new page where you can configure the preset. -
Delete
When you click on this column the preset will be deleted (and also all references are deleted). -
Copy to new preset
This function can be used to get the current settings copied in a new preset.
A popup will appear where you have to setup the label for the new preset. -
Create new preset
By clicking on this link a popup will appear where you have to setup the label for the new preset.
6.1.9.1 Settings
All processing parameters can be configured in the processing preset
settings webpage
-
Override module
If set to no, the module setting will not be affected by this preset.
If set to yes, this preset will change the settings of the module for the corresponding processing section (Digital gain, Low cut etc. etc.) -
State
if the override is turned to yes, you can set the processing section to ‘on’ or ‘off’. for example:
– Microphones will often have the state EQ on
– CD players will often have the state EQ off -
Value
if the override is turned to yes, this value is set for the corresponding processing section.
For EQ and dynamics, a popup window is shown. Here you can set multiple values.
EQ Range
Maximal adjustment you may generate with this band.
EQ Level
Level of the band that this preset will set.
The value must be within the EQ Range
EQ Frequency
Frequency of the band that this preset will set.
The frequency range is 20-20000 Hz.
EQ Bandwidth
Bandwidth of the band that this preset will set.
The bandwidth range is 0.1 – 10
EQ type
Type of the band that this preset will set.
You can choose:
– Off
– High pass filter (6 dB/Oct)
– Low shelf
– Peaking (is the normal EQ curve)
– High shelf
– Low pass filter
– Band pass filter
– notch filter
Downward expander threshold
Threshold of the downward expander (to reduce ambient sound) that this preset
will set.
The threshold range is -50 dB till 0 db.
AGC ratio
The ratio for this automatic gain control is given in 1:1 to 1:25
AGC threshold
Threshold of the AGC, above the threshold the AGC tries to hold the signal 0
db. the threshold range is -30 till 0 db.
(Be aware with a low threshold, you may generate a lot of gain) A pop up
screen in the right up corner will show the EQ settings as well as the
dynamics settings
6.1.10 Module assignment
Modules can be assigned to one of the 4 consoles, after this and a correct
assignment of the busses (in buss configuration) to the consoles you may click
‘generate’ to make a correct assignment configuration.
Afterwards you can override the generate assignments by clicking the ‘y’/’n’
fields. For example you can create a buss that is available to all consoles.
6.1.11 Module configuration
The module configuration makes it possible to give modules a default
setting (after powering on) and you can also configure module presets 1A/1B,
2A/2B, 3A/3B, 4A/4B.
-
Console
Shows to which console the module is assigned. -
Preset 1A/1B, 2A/2B, 3A/3B, 4A/4B
Shows the source and processing preset selected for corresponding module preset. If the ‘#’ symbol appears there is an active routing preset.
(click on the link to go to the configuration page for the module) -
Processing
Here you can see if there is any processing done. (click on the link to go to the configuration page for the module) -
Routing
(click on the link to go to the configuration page for the module)
6.1.11.1 Module configuration page
On this page you can setup the default module configuration, used at
startup if programmed default is selected in global configuration. If you have
made your settings and you would like to copy them to all modules in this
console (for example if you want to use the same EQ center frequencies) you
can simply hit ‘To all console x modules’ after you made and checked the
settings on the current module.
6.1.11.2 Module preset 1A/1B, 2A/2B, 3A/3B, 4A/4B
Here you select the source, processing preset and routing preset that is used when module preset 1A/1B, 2A/2B, 3A/3B, 4A/4B is selected. After a click on ‘routing’ a popup appears with the routing possibilities (this depends on the console assignment).
-
Source
If you click here a popup appears with a list of all available sources. Select the source you want to use in this module preset. -
Processing
If you click here a popup appears with a list of all available processing presets. Select the source you want to use in this module preset. -
Routing Preset
Override module
If set to no, the module setting will not be affected by this preset. If set
to yes, this preset will change the settings of the module for the
corresponding buss.
Level
If the override is turned to yes, this will set the send level to the buss for
this module when current preset is selected.
State
If the override is turned to yes, this will set the buss state to ‘on’ or
‘off’ for this module when this module preset is select.
Pre/Post
If the override is turned to yes, this will set the buss pre or post for this
module when this module preset is select.
Balance
If the override is turned to yes, this will set the buss balance for this
module when this module preset is select.
To all console 1-4 module
With this link you can copy the current settings to the same routing preset
(1A/1B, 2A/2B, 3A/3B, 4A/4B) at all modules of the console where this module
is assigned to.
• Ignore module state
When presets are recalled, it checks the module state to prevent recalling
‘onia’ signals. The preset will wait till the module is switched off air.
If the ignore module state function is switched to yes, the presets will not
check the module state and forces the recall to be done always!
6.1.11.3 Processing
These are the programmed processing defaults for the modules. Depending on the
startup settings these processing defaults will be used at startup (programmed
defaults in global configuration).
The field ‘Use at source select’ determines if the default module processing
in the source configuration is used when a source is assigned via the module
source select functionality and no processing preset is assigned in the
‘source configuration’.
The following state/value processing sections are available:
-
Digital Gain level
You can enter a default gain level for each module and determine if the default state must be on or off. -
Low cut frequency
You can enter a default frequency of the low cut filter and determine if the default state must be on or off. -
Insert
You may select a source to be your insert return for this module and determine if the default state must be on or off. -
Phase
Set the phase default settings (Left only, right only or both channels are phase reversed). It is also possible to determine if the default state must be on or off. -
Mono
Give the mono settings default values (left, right or mono-sum of left and right). It is also possible to determine if the default state must be on or off. -
EQ
By clicking on EQ you can set the default equalizer settings it will appear in a popup window. The state may be used to set the EQ default on or off. -
Dynamics
This setting is used as default, the popup shows the parameters to setup. The state may be used to set the dynamics to be default on or off -
Module
Here you may set the default module level at startup, the state will be the default module on/off state.
The ‘Ignore module state’ function makes it possible to load a processing preset even if the module is active (fader open and module on). This may be necessary if you use presets on a ‘virtual console’.
6.1.11.4 Routing
The field ‘Use at source select’ determines if the default module routing is
used when a source is assigned via the module source select functionality .
The following routing sections are available:
-
Buss level
You may predefine the send level of a module to the busses (e.g. Aux send). -
Buss status
You have to setup the startup status for the busses. With this setting you set the buss routing (e.g. Program on/off or CUE on/off). -
Buss Pre/Post
It’s possible to have pre/post selection per module, the startup setting can be configured here. -
Balance
You can select the balance of the buss sent.
6.1.11.5 Set module to programmed startup state
When you click this button the module will directly load the setup module
defaults.
6.1.12 Mix/monitor buss presets
It is possible to make mix/monitor buss presets to make sure the correct
buss master states and levels are set for different programs. Also you can
make sure the required monitor buss selection is made.
-
Nr
Here you can reposition the preset to make the list in a convenient order. -
Label
Name of the preset. -
Settings.
Shows a new page where you can configure the preset. -
Delete
When you click on this column the preset will be deleted (and also all references are deleted). -
Create new buss preset
By clicking on this link a popup will appear where you have to setup the label for the new preset.
6.1.12.1 Settings
On this page you can set the required levels and state for all busses and monitor busses which are used in the mix/monitor buss preset.
6.1.12.2 Mix buss settings
-
Console
Displays the console where this mix buss is assigned to. -
Use
When set to ‘yes’ the settings for this mix buss overrides the current mix settings if the preset is loaded. -
Master level
Here you can give the preset master level of the corresponding mix buss. -
Master state
Here you can give the preset master state of the corresponding mix buss.
6.1.12.3 Monitor buss settings
-
Console
Displays the console where this monitor buss is assigned to. -
Use
When set to ‘yes’ the settings for this monitor buss overrides the current monitor settings if the preset is loaded. -
State
This must be set to ‘on’ to force this monitor-buss routing to be active. When it is set to ‘off’ the monitor-buss routing will be forced to go ‘off’.
6.1.13 Console presets
To recall a complete console you use the console presets, what exactly is
recalled is depending on the underlying configuration of:
– Source configuration
– Processing presets
– Module configuration
– Mix/monitor buss presets
When a console preset is recalled it will set all modules to the module preset ‘A’-‘H’ as configured. Secondly it will load the Mix/monitor preset as given in the console preset.
-
Nr
Here you can reposition the preset to make the list in a convenient order. -
Label
Name of the preset. -
Console
Select to which console or consoles this preset is active. -
Module preset
Here you can select to use module preset 1A/1B, 2A/2B, 3A/3B, 4A/4B. -
Mix/monitor buss preset
Here you can select one of the mix/monitor buss presets to use in this console preset. -
Recall time
A console preset can be recalled on-air safe, so active channels are not recalled. Default you have to press the preset button for 1 second before an ‘safe’ recall is done. After pressing 3 seconds the active channels are recalled as well (forced).
You can setup the delay time for the safe and forced console presets, when you give 0 seconds the recall will be done ‘direct’ when the button is pressed. -
Delete
When you click on this column the preset will be deleted (and also all references are deleted). -
Create new console preset
By clicking on this link a popup will appear where you have to setup the label for the new preset.
6.1.14 Surface configuration
You can see an overview of the boards in the surface(s) on this page. These
are grouped together, like their physical layout. A node shows gray-out if it
is not active at this moment.
-
MambaNet Address
Show information on the internal used MambaNet addresses -
Node name
Logical name of the node -
Default
Number of objects that have a default value set. -
Config
Number of objects that are configured to an engine function. -
Import/Export
Once you have configured the defaults and used engine functions you can export and import these settings. With export the current configuration is stored in the database, where you have to give a logical name (e.g. Module 5-8). With import you can restore a configuration to the same or a different node (of the same type). When you import Module 5-8 with an offset of -4 the configuration will be as -
User level
Here you can define to which console the module belongs in terms of user level. The user level depends on the user logged on to the AXUM system. If ‘None’ is selected this node will always have full access. -
Configure
When you follow the link configure, you are able to setup the functionality for the different objects on the node. The sensor and actuator data types determine which function is able to connect to the object.
For a complete list of the functions, you can go to chapter 20 Appendix C – Engine functions. -
Default
The gray value is the startup default, this may be changed by assigning a custom value.
When you submit an empty box the object returns to the startup default value. -
Function
Here you may select which engine function is connected to the object -
Label
Here you may change the label, which is a shortcut for the selected function, if none is given the default function label will be used (the label will appear in the remote configuration software). -
User level
Per user level you can overwrite the default level per function. If y is selected the function will be available in the selected user level. If n is selected the function won´t be available. if the y/n value is shown light gray, the function default user level is used.
In the column headers you may toggle the user level for all objects in the node.
6.1.15 Rack configuration
You can see an overview of the cards in the rack on this page. You can find
information like the slot number, MambaNet address, card name, number of
inputs and outputs.
The link Configure will go to a page for connecting objects of the card to
Axum engine’s functions.
You can consider this as the remote control configuration. For example you can
connect:
-
Start/stop functionality to remote outputs
-
Source gain functionality to MIC gain
-
Speaker level to CRM output level
-
etc. etc.
-
Slot
Slot number where the I/O card is located. -
MambaNet Address
Show information on the internal used MambaNet addresses -
Node name
Logical name of the node -
Inputs
Number of mono input channels -
Outputs
Number of mono output channels -
Default
Number of objects that have a default value set. -
Config
Number of objects that are configured to an engine function. -
Import/Export
Once you have configured the defaults and used engine functions you can export and import these settings. With export the current configuration is stored in the database, where you have to give a logical name (e.g. Module 5-8). With import you can restore a configuration to the same or a different node (of the same type). When you import Module 5-8 with an offset of -4 the configuration will be as you expect Module 1-4. -
User level
Here you can define which console user level the I/O card will use (e.g. for its GPIs). -
Configure
The page shown below gives an indication how the CRM output level objects connect to the Speaker level engine functions. By following the links, you can reconfigure the functions that connect to the objects. The sensor and actuator data types determine which function assigns to the object. For a complete list of the functions, you can look up chapter 20 Appendix C – Engine functions.. -
Label
Here you may change the label, which is a shortcut for the selected function, if none is given the default function label will be used (the label will appear in the remote configuration software). -
User level
Per user level you can overwrite the default level per function. If y is selected the function will be available in the selected user level. If n is selected the function won´t be available. if the y/n value is shown light gray, the function default user level is used. In the column headers you may toggle the user level for all objects in the node.
6.1.16 Source pools
You can see an overview of the source pools on this page. A source pool may
be assigned to a user to give them a comfortable source list for selection
from the control surface.
-
Type
Type of the source. -
Label
Name of the source. -
Source pool
Per console there are 2 source pools A/B If y is selected the source will be available in the selected source pool. If n is selected the source won´t be available.
6.1.17 Preset pools
You can see an overview of the preset pools on this page. A preset pool may
be assigned to a user to give them a comfortable source list for selection
from the control surface.
-
Label
Name of the preset. -
Preset pool
Per console there are 2 preset pools A/B
If y is selected the preset will be available in the selected preset pool. If n is selected the preset won´t be available.
6.1.18 Users
You can see an overview of the users on this page. You can see the user
level/preset per user and per console.
-
Login
Here you can login as a user to the selected console. -
Write
Here you can write the selected user to a plugged in chipcard. -
Active account
The account that is currently active in this console (this may be different from the chipcard if overruled by software). -
Chipcard account
The name of the user of a plugged in chipcard, will appear here. -
Add
With this button you can add the user from a chipcard to the AXUM system. -
Nr
Here you can reposition the user to make the list in a convenient order. -
Active
You may disable an account using this switch. -
Username
Here you can enter the name of the user. -
Password
Here you can enter the password of the user. -
Logout to idle
Removal of the chipcard can be used to stay in the last user or to jump to the idle situation. -
User level
Here you can select the user level of the user (see also 6.1.14 Surface configuration and 6.1.15 Rack configuration) -
Console preset
It is possible to select a console preset which will be loaded if the user logs in. -
Pool
Per console you can select which preset and which source pool the user may use. Per pool you can choose between A, B or all. (see also 6.1.16 Source pools and 6.1.17 Preset pools) -
Delete
-
When you click on this column the user will be deleted.
Create new user
By clicking on this link a popup will appear where you have to setup the
username and password for the new user.
6.2 System configuration
If you browse to the url http://192.168.0.200/system (where 192.168.0.200
should be your local AXUM IP address) you have a system menu with give some
management/service possibilities.
-
MambaNet node overview
Will show all nodes that are found in the local Ethernet network. -
Generate sources
WARNING: this function deletes all sources and their configuration.
After all sources are deleted, it will generate new sources regarding the ‘rack layout’ found. -
Generate destinations
WARNING: this function deletes all destinations and their configuration.
After all sources are deleted, it will generate new sources regarding the ‘rack layout’ found. -
Templates
Shows a list of all known node types. The learner did read these templates from the nodes. -
Predefined node configurations
Shows a list of configurations stored by the export function in surface/rack configuration. -
Engine functions
Shows a list of all engine functions available. -
Package versions
Shows the packages, version and build/install date. -
Download backup
Downloads a file which is a complete image of the internal flash disk (under development). -
Change web accounts
Here you can change the password for the webserver console configuration and system configuration. -
SSH
Here the SSH server (port 22) may be disabled or enabled for remote service.
6.2.1 MambaNet node overview
This pages shows all nodes found in the local Ethernet network. Also nodes
that are not online can be seen as ‘grayed out’ nodes.
-
Address
This is the MambaNet address used in this setup. This address is used for all communication and configuration. -
UniqueID
This shows the ‘ManufacturerID:ProductID:UniqueID’ in hexadecimal format. When a node is offline you will see the ‘UniqueID’ is a link. This can be used to transfer the configuration of the offline node to another online node of the same type. -
Node name
Here you can change a node name to a logical correct name, this makes identification in the system easier. -
Engine
If you use multiple engines into a single Ethernet you can give here which engine is used by the node. Address ‘00000000’ means the node communicates with all engines in parallel; which is most easy for systems with only one engine. -
Parent
Easy node can store its parent node so we can determine the physical-location of nodes. -
User level
Here you can define which console user level the node will use. -
Default, Config and Objects
This column shows the numbers of objects and how many have a default value or configuration -
Delete/Refresh
Grayed out nodes may be deleted by pressing the delete image.
WARNING: When a node is deleted the configuration is also removed!
Only nodes do not have a delete image, but a refresh image. This can be used to force a refresh of the node name and parent.
6.2.2 Templates
The learner continuously checks for unknown nodes. When a unknown node is
found it will read the object information and store it in the database. A
template is unique by:
ManufactureID, ProductID and Major Firmware Revision.
Figure 33: Node templates
-
Count
Shows the number of objects that are located in this template. -
Delete
When because of a failure a template is wrong you may delete it so the learner will read the information again.
6.2.3 Predefined node configurations
The configurations that are exported are listed here. When you mistakenly
did export a configuration you may delete it from here.
-
Config
Config gives the number of configured objects that are stored. -
Default
-
Default gives the number of configured defaults that are stored.
6.2.4 Engine functions
This is a list of all available engine functions.
-
Pos
Here it is possible to reposition the functions for easier/faster access in the surface/rack configuration menu’s -
Type
Shows the group the functions belongs to and determines which number range is used.
– Module: 1-128
– Busses: 1-16
– Monitor busses: 1-16
– Global: 0
– Source: 1-1280
– Destination: 1-1280 -
Function
Is the description of the engine function -
Rcv
The receive column shows which datatype is required at the object-sensor to be able to control this functions. -
Xmt
The transmit column shows which datatype is required at the object-actuator to be able to receive data from the engine. -
Label
This label will be used if default function label for remote software applications. It can be changed here globally. In the surface/rack configuration you may give labels per configured object-function. -
User levels
For each user level you can select the default state, if ‘y’ this function can be used for this user level, if ‘n’ this functions can not be used for this user level. The function default setting can be overruled in the node configuration.
6.2.5 Package versions
This page shows the installed packages with their version number, build and
install date.
6.2.6 Change web accounts
The webserver requires authentication. On this page you change the username
and password.
Surface(s) website
To set the time displayed in the meter of the console.
Simply enter the IP address of the console in your browser and log-on to the
configuration pages.
By default the IP Address is: http://192.168.0.234
(at first time startup you can use a network or cross wire with a static IP
given to your network interface, e.g. 192.168.0.10).
On the console website, you find the ip/clock configuration:
7.1 IP/Clock configuration
7.1.1.1 IP
Here you can setup the network settings to be compatible with the required
settings in your situation and you can set the time zone to where you are.
It’s possible to change the IP, subnet, gateway and DNS server address by
clicking on the address.
For more information on IP addressing:
https://en.wikipedia.org/wiki/IP_address
7.1.1.2 Pre-configured engine connections
An surface may connect to a rack via different protocols, here you may select
the destination IP and port to connect to.
In the field ‘MambaNet over’ you select the protocol to use, where Ethernet
may be used in a LAN (with only one rack) and UDP or TCP may be used in LAN
and WAN; even with multiple consoles hooked up in the LAN (They should have
‘MambaNet over Ethernet’ enabled).
7.1.1.3 Clock
To change the time zone, click on the used time zone (in our example
‘Europe/Amsterdam’). You can select the desired time zone in the list box.
The AXUM uses the NTP protocol for accurate clock synchronization. In the
section ‘current’ you find the IP address of the used ‘clock master’ and its
‘stratum’. For more information on NTP:
https://en.wikipedia.org/wiki/IP_address
When IP and DNS settings are setup correct, the AXUM will automatically
synchronize to a pool of time servers. The AXUM is also able to use a GPS
receiver via USB for time synchronization. next, the AXUM may function as a
NTP server for the surfaces. There for, on the webserver of the control
surfaces you can configure the ‘optional ntp server’ and fill in the IP
address of the ntp server (e.g. 192.168.0.200).
Set date/time may be used on system without any synchronization to set the
correct time.
In the popup window it is possible to give to correct time and if you click on
the ‘day’ it will become direct changed/activated.
Remember that all other changes (NTP and IP settings) will become effective
after reboot.
Block diagrams – Must be created
With all configuration options, it is possible to make many different systems
using a single I/O rack.
We will show some example block diagrams on possible setups within an Axum
system.
32 stereo module, 16 stereo buss and 4 stereo monitor buss console:
Note:
These diagrams will follow in future manuals, sorry
I/O Rack description
The AXUM digital audio system has a 19” rack (for 21 slots) that requires at
least one power supply (3 slots) and one engine card (2 slots). You then have
space for a maximum of 16 in and output cards. Because the AXUM is a modular
system it is up to you how many in and output cards are necessary to do the
job.
For the connections, we use standard RJ45; an example for other connectors is
ADAT that uses the well-known ADAT optical connector. Connection between de
RJ45s in the rack and your patch units is by standard STP (Shielded Twisted
Pair) cable.
9.1 Power supply
At the far left in the I/O RACK is the position where the power supply Card is
inserted; an optional second power supply card can be inserted alongside this
first one. With two power supplies, you have created automatic power supply
redundancy.
The LED will blink green to show the power supply is up and running. At
failure of the local power, this LED activity will be blinking red or not
blinking at all.
The NEUTRIK™ PowerCON™ will feed 100-240V power to the supply.
With the power switch you can turn off the local power supply.
WARNING:
Before you insert a second power supply please turn on the power of this
second unit first to make sure you will influence the internal power-lines.
9.2 Engine
The engine is the controller card of the AXUM Digital audio system. This card
has a fixed location at the far right side. For proper functioning of the
system, you absolutely have to insert this card to your digital audio systems
network.
The RJ45 is a default 100Mbit Ethernet port and over this network connection,
the following information is send:
- MambaNet: control protocol
- HTTP: Configuration of your engine via web server
- FTP: Firmware/configuration update and backup via a file server.
Currently, the serial RS232, VGA, Keyboard, mouse and USB connection can be
used for service purposes only.
Via the BNC connectors you synchronize this entire rack to an external frame
clock as well as to remote equipment with the clock of this 19”rack.
With the 75R switch, you can turn on/off a 75-Ohm termination on the receiving
frame clock connector.
The ACT(ive) LED will blink to show proper functioning of the Engine card.
On the next page, you find the pin information for all the connectors:
Pin | Pin name | Function | Comment |
---|---|---|---|
1 | Centre | Frame Clock in | 32kHz, 44.1kHz, 48kHz, +/- 100ppm, +5V TTL, |
switchable 750hm terminator.
GND| GND| Ground Frame Clock in
9.3 GPIO
In rack configuration you can connect objects of MambaNet nodes to AXUM
engine functions. Here you can also configure the GPIO objects of your I/O
cards (MambaNet nodes). By following the links, you can reconfigure the
functions that connect to the objects. The sensor and actuator data types
determine which function assigns to the object.
For a complete list of the functions, you can look up chapter 20 Appendix C –
Engine functions.
- Function
Here you may select which engine function is connected to the object. To use the GPI functions you must select the hardware jumper setting TLL mode on the board (see chapter 11.3.1 GPIO TTL/Relay selection). The default jumper setting is GPO-Relay for all cards except for the MIC input card. The default jumper setting for the MIC input card is GPIO-TTL for GPIO 1, 3, 5 and 7 and GPO-Relay for GPIO 2, 4, 6 and 8.
9.3.2 GPI Active-state
- Default
The gray value ‘1’ is the startup default, this may be changed by assigning a custom value (0 or 1). A value of ‘1’ makes sure that if the GPI is +5V the function is made active. The value ‘0’ makes sure that if the GPI is 0V the function is made active.
When you submit an empty box the object returns to the startup default value.
9.3.3 GPO
-
Default
The gray value is the startup default, this may be changed by assigning a custom value(0 or 1). A value of ‘1’ makes sure the GPO is active at startup. A value of ‘0’ makes sure the GPO is inactive at startup.
The GPO output state is also depending on the GPO active-state setting.
When you submit an empty box the object returns to the startup default value. -
Function
Here you may select which engine function is connected to the object. To use the GPO functions you should maybe change the hardware jumper setting on the board (see chapter 11.3.1 GPIO TTL/Relay selection) to enable the given engine function The default jumper setting is GPO-Relay for all cards except for the MIC input card. The default jumper setting for the MIC input card is GPIO-TTL for GPIO 1, 3, 5 and 7 and GPO-Relay for GPIO 2, 4, 6 and 8.
9.3.4 GPO Time
- Default
The gray value is the startup default, this may be changed by assigning a custom value.
The value must be between 0 – 250, where 0 is a continuous signal and 1 – 250 is the pulse width in milliseconds.
When you submit an empty box the object returns to the startup default value.
9.3.5 GPO Active-state
- Default
The gray value ‘1’ is the startup default, this may be changed by assigning a custom value (0 or 1). A value of ‘1’ makes sure that if the GPO is active the output is +5V in TTL mode or A/B connected for relay mode. The value ‘0’ makes sure that if the GPO is active the output is 0V in TTL mode or A/B disconnected in relay mode.
When you submit an empty box the object returns to the startup default value.
Available I/O rack cards
Depending on your audio-connections, you can select the I/O cards.
The next paragraphs will give you a detailed overview on the currently
available cards.
10.1 MIC input card
There are four balanced MIC inputs available on each card.
Each RJ45 connector represents a MIC input and two GPIO’s which can be
connected to the 19” patch panels with a shielded twisted pair (STP) cable.
On each MIC input you can individual activate the +48V phantom power and PAD
(-20dB).
For each GPIO you can choose, by way of a hardware jumper on the board,
between TTL
Input/output or Photo-MOS relay output see chapter 11.3.1 GPIO TTL/Relay
selection. For software configuration see chapter 9.3 GPIO.
Pin | Con. | Pair | Pin name | Function | Comment |
---|---|---|---|---|---|
1 | 1A | 1 | +Audio 1 | MIC input in-phase | Imp. 2k0 |
max. level +20dBu
2| 1B| -Audio 1| MIC input out-phase
3| 2A| 2| +Audio 2| not used|
6| 2B| -Audio 2| not used
| | If jumper TTL-GPIO| If jumper GPO| see chapter 11.3.1
5| 3A| 3| GP101a| GP-Out (TTL)| Photo MOS relay
(max 50V, 200mA)
4| 3B| GP101 b| nGP-In (TTL)
7| 4A| 4| GPIO2a| GP-Out (TTL)| Photo MOS relay
(max 50V, 200mA)| see chapter 11.3.1
8| 4B| GPIO2b| nGP-In (TTL)
S| GND| S| Shield| GND| Audio ground and reference for GP-In
10.2 Line input card
There are four balanced stereo line inputs available on each card.
Each RJ45 connector represents a stereo line input and two GPIO’s which can be
connected to the 19” patch panels with a shielded twisted pair (STP) cable.
For each GPIO you can choose, by way of a hardware jumper on de board, between
TTL Input/output or Photo-MOS relay output see chapter 11.3.1 GPIO TTL/Relay
selection. For software configuration see chapter 9.3 GPIO.
Pin | Con. | Pair | Pin name | Function | Comment |
---|---|---|---|---|---|
1 | 1A | 1 | +Audio 1 | Left line input in-phase | Imp. 20k0 |
max. level +26dBu
2| 1B| -Audio 1| Left line input out-phase
3| 2A| 2| +Audio 2| Right line input in-phase| Imp. 20k0
max. level +26dBu
6| 2B| -Audio 2| Right line input out-phase
| | If jumper TTL-GPIO| If jumper GPO| see chapter 11.3.1
5| 3A| 3| GP101 a| GP-Out (TTL)| Photo MOS relay
(max 50V, 200mA)
4| 3B| GP101b| nGP-In (TTL)
7| 4A| 4| GPIO2a| GP-Out (TTL)| Photo MOS relay
(max 50V, 200mA)| see chapter 11.3.1
8| 4B| GPIO2b| nGP-In (TTL)
S| GND| S| Shield| GND
Audio ground and| reference for GP-1n
10.3 Digital in/output card (optional SRC)
There are four balanced digital inputs and outputs available on each card.
Each RJ45 connector represents a stereo line input and two GPIO’s which can be
connected to the 19” patch panels with a shielded twisted pair (STP) cable.
There is also a card available with built in sample rate converters (SRC).
For each GPIO you can choose, by way of a hardware jumper on de board, between
TTL Input/output or Photo-MOS relay output see chapter 11.3.1 GPIO TTL/Relay
selection. For software configuration see chapter 9.3 GPIO.
Pin | Con. | Pair | Pin name | Function | Comment |
---|---|---|---|---|---|
1 | 1A | 1 | +Audio 1 | Digital input in-phase | Imp. 1100/750 optional SRC: |
32..96kHz
2| 1B| -Audio 1| Digital input out-phase
3| 2A| 2| +Audio 2| Digital output in-phase| Imp. 1100/750 32, 44.1, 48kHz
6| 2B| -Audio 2| Digital output out-phase
| | If jumper TTL-GPIO| If jumper GPO| see chapter 11.3.1
5| 3A| 3| GPIO1a| GP-Out (TTL)| Photo MOS relay
(max 50V, 200mA)
4| 3B| GP101b| nGP-In (TTL)
7| 4A| 4| GPIO2a| GP-Out (TTL)| Photo MOS relay
(max 50V, 200mA)| see chapter 11.3.1
8| 4B| GPIO2b| nGP-In (TTL)
S| GND| S| Shield| GND| Audio ground and reference for GP-In
With jumper on the I/O card it is possible to select the impedance for S/P-DIF (75Ω) or AES-3 (110 Ω) This figures shows the jumper location on the I/O card
10.7 Dante in/output card
This Dante In/output card converts the Dante network signals into digital
audio so it can be processed in the AXITE system’s 19” inch rack.
The Dante In/out card can be ordered with various channel counts, please
contact your sales contact for the available options.
The AES67/USB card of the AXUM system can communicate with all equipment which
is AES67 compliant.
When speaking about Dante there are two flavors :
– Native Dante equipment (This is older equipment which does
– ONLY support native Dante and is NOT AES67 compliant)
Dante + AES67 support equipment.
Do we offer a AES67 card with Dante support?
Well, it depends on the equipment you want to connect.
If it is equipment which supports only native Dante it won’t work!
If the equipment is Dante WITH AES67 support, then it will work!
Please read the info on these links:
https://www.audinate.com/meet-dante/what-is-dante
https://ravenna-network.com/wp-
content/uploads/2020/02/RAVENNA___AES67_V1.0.pdf
10.8 AES67 in/output card (not available anymore)
The AES67/ USB card is a 16 channel in-out Audio over IP card including an
additional USB interface.
that also can handle 16 I/O signals.
To be able to communicate all 16 channels with a PC you need a software driver
such as the LAWO RELAY Matrix shown above. The AES67/USB card of the AXUM
system can communicate with all equipment which is AES67 compliant.
When speaking about Dante there are two flavors : – Native Dante equipment
(This is older equipment which does ONLY support native Dante and is NOT AES67
compliant) – Dante + AES67 support equipment.
Do we offer a AES67 card with Dante support? Well, it depends on the equipment
you want to connect. If it is equipment which supports only native Dante it
won’t work! If the equipment is Dante WITH AES67 support, then it will work!
Please read the info on these links:
https://www.audinate.com/learning/faqs/aes67-interoperability
ADAT in/output card (Not available anymore)
This ADAT In/output card converts the ADAT optical signals into digital audio
which can be received by the 19” inch rack.
The ADAT card has to run synchronous with the connected devices, allowed
sample rate frequencies are 32kHz, 44.1kHz or 48kHz.
10.9 Hybrid in/output card
Pin connection Hybrid card.
Pin RJ14| Pin RJ11| Pin name| Pair| Function| Comment
1| | R2 +| 2| To Handset R +|
2| 1| R1 –| 1| From Wall R-|
3| 2| T1 +| From Wall T+|
4| | T2 –| 2| To Handset T –|
Table 10-8 Hybrid Rj14 (Telephone) connection
This Hybrid In/output card converts the analog telephone signals into
digital audio so it can be processed by the 19” inch rack.
The Hybrid card allows external callers to be connected to the AXUM. A
connection can be established via the start/stop function in the engine.
If a local phone is connected, it is possible to originate a call to a remote
side. If no local phone is present, someone at a remote site must call you.
10.10 Firewire in/output card (not available anymore)
This Firewire In/output card converts the Firewire digital signals into
digital audio which can be processed by the 19” inch rack.
The Firewire card has to run synchronous with the connected devices, allowed
sample rate frequencies are 32kHz, 44.1kHz or 48kHz.
WDM and ASIO Drivers are available.
Via WDM driver the device is seen as a single multi-channel WDM device (16
mono channels).
Normally this means your card may act like a 7.1 surround card, unless your
software is capable of using the 8 stereo channels separate.
Via ASIO driver all 16 mono channels are available.
10.11 DSP card
The DSP card adds mixing capabilities to your 19” rack. In combination with
the Axum engine, this card gives you 32 stereo processing channels to create a
mixing desk.
The system may be loaded with four DSP cards, which generates a mixing console
with 128 stereo channels.
The ACT(ive) LED blinks when this card functions properly.
Patch panels
All distribution of audio within the AXUM digital audio system is with
shielded twisted pair cable.
The Breakout 19” panels, you need to connect equipment use standard audio
connectors.
11.1 19” Patch panels / Breakout panels
The AXUM 19” Break out patch panels convert the RJ45 Shielded connection to
the industry standard connectors such as XLR and Jack. There are various patch
panels available for the AXUM for example:
11.2 Wiring
11.2.1 GPIO/Remote
The remote jack connects to all kinds of remote in-/outputs. Such as remote
start/stop, external red lights or cough.
The function of the remote jack depends on the I/O card and function setup for
this GPIO. The software determines its function and where it is connected to.
! NEVER CONNECT HIGH POWER VOLTAGE (WALL POWER) TO THE REMOTE-JACK !
If the GPIO jumper setting on the Axum-Rack-Board is set for GPO the remote
becomes only a Remote-Output by a build in Solid State Relay. The relay is
situated between Tip and Ring of the remote jack.
Normally the GPIO jumper setting on the Axum-Rack-boards are set for GPO.
11.2.2 MIC
The MIC input connects microphones to the AXUM. The AXUM Mic Rack Module
supports 48 volts DC phantom power if it is switched on in the software.
Female XLR | Pin | Function | Comment |
---|---|---|---|
2 _ | +Audio | Audio in phase | |
Audio | Audio out phase | ||
1 | Shield | Ground |
11.2.3 Phones
The Phones jacks connect headphones to the AXUM console. The PHONES-A and
PHONES-B female jack outputs all carry a stereo headphones signal. The phones
connection connects to the CRM-DA module.
Jack | Name | Function |
---|---|---|
Tip | Audio left | |
Ring | Audio right | |
Sleeve | Shield |
Table 11-2: Phones patch panel jack wiring
11.2.4 Stereo line input and output
The line I/O jack patch panel houses female jack connecters, the line I/O XLR
patch panel houses XLR type connectors (male or female).
Female XLR | Male XLR | Name | Function | Pinning |
---|---|---|---|---|
2 | +Audio | Audio in phase | ||
3 | -Audio | Audio out phase | ||
1 | Shield | Ground |
11.3 Standard RJ45 wiring
| Pin 1| Pin 2| Pin 3| Pin 4| Pin 5| Pin 6|
Pin 7| Pin 8| Shield
---|---|---|---|---|---|---|---|---|---
RJ45 name| 1A| 1B| 2A| 3B| 3A| 2B| 4A| 413| S
Ball| Left (Hot)| Left (Cold)| Right (Hot)| GPIOI| GPIO I| Right (Cold)|
GPIO2| GPIO2| Shield
Phones| Left 1| Right 1| Left 2| Right 2
Table 11-4: Standard RJ45 wiring
11.3.1 GPIO TTL/Relay selection
Each RJ45 connection on I/O cards handles audio signals and GPIOs.
The GPIO pins can be configured to work as:
- TTL in and out this is selected by GPIO1 jumpers in the place 12 and GPIO2 jumpers in place 45. These jumpers are located on the I/O cards, close to the RJ45 connectors.
Pin | Con. | Pair | Pin name | Function | Comment |
---|---|---|---|---|---|
1 | 1A | 1 | +Audio 1 | Left audio input or output in-phase | Imp. 2k Ohm |
max. level +20dBu
2| 1B| -Audio 1| Left audio input or output out-phase
3| 2A| 2| +Audio 2| Right audio input or output in-phase| Imp. 2k Ohm
max. level +20dBu
6| 2B| -Audio 2| Right audio input or output out-phase
5| 3A| 3| GPIO1a| GP-Out| +5V TTL out, 560R
4| 3B| GP101b| GP-In| +5V TTL in, 10kR int. pull-up
7| 4A| 4| GPIO2a| GP-Out| +5V TTL out, 560R
8| 4B| GPIO2b| GP-In.| +5V TTL in, 10kR int. pull-up
S| GND| S| Shield| GND| Audio ground and reference for GP-In
- Relay out (no input available).
this is selected by GPIO1 jumpers in the place 23 and GPIO2 jumpers in place
- These jumpers are
Pin | Con. | Pair | Pin name | Function | Comment |
---|---|---|---|---|---|
1 | 1A | 1 | +Audio 1 | Left audio input or output in-phase | specifications |
depends on I/O card
2| 1 B| -Audio 1| Left audio input or output out-phase
3| 2A| 2| +Audio 2| Right audio input or output in-phase| specifications
depends on I/O card
6| 2B| -Audio 2| Right audio input or output out-phase
5| 3A| 3| GP101a| Relay, connecting a&b| Photo MOS relay Bidirectional Max.
50V, 200mA
4| 3B| GP101b
7| 4A| 4| GPIO2a| Relay, connecting a&b| Photo MOS relay Bidirectional Max.
50V, 200mA
8| 4B| GPIO2b
S| GND| S| Shield| GND
Audio ground and| A
reference for GP-In
The figure shows how the jumper selection on the I/O card looks:
Specifications AXUM digital audio system
12.1 Input/output cards
Mic inputs| : Electronically balanced
: Input impedance 2k Ohm
: Input sensitivity -70dBu up to +20dBu (PAD)
: CMRR MIC inputs: 85dB @ 1kHz, maximum gain
: Phantom is switchable +48 Volts
: Optional is transformer balancing
---|---
Line inputs| : Electronically balanced
: Input impedance 10k Ohm
: input sensitivity +6dBu, maximum input +26dBu (+/- 20dB gain range).
: CMRR Line inputs: 30dB @ 1 kHz, maximum gain
: Transformer balancing is optional on the patch panels
Line Outputs| : Electronically balanced
: Output impedance 56R Ohm.
: Nominal output level +6dBu, maximum output +26dBu
: Optional is transformer balancing
Digital Inputs| : AES/EBU (AES3) or S/P-DIF
: 16/20/24 bit, 32kHz to 96kHz (optional built in sample rate converter)
: Input Impedance: 110R Ohm/75R Ohm
Digital outputs| : AES/EBU (AES3) or S/P-DIF.
: 16/20/24 bit, 32kHz to 48kHz
: Output level: 2 to 5 volt
: Output Impedance: 110R Ohm/75R Ohm
GPIOs| : All GPO’s are by opto isolated relays able to handle a maximum of 50V
at 200mA
: All GPI’s have a 5V TTL 100kOhm circuitry
: GPIO-MIC has a 5V/600Ohm LED driver circuit
12.2 DSP processing
General processing:| floating point
32 stereo channel per DSP card.
Insert and N-1 per stereo channel.
4 monitor busses per DSP card.
16 mixing busses
---|---
6 Bands EQ:| 18 dB, 20 – 20000 Hz
0.1Q – 10Q LPF
Low shelf, Peaking, High self, HPF, BPF, Notch
Dynamics:| Downward expander with variable threshold -50 to 0 dB.
AGC/Compressor with threshold of -50 to 0 dB and ratio of 1:1 till 1:25
12.4 DIMENSIONS
FRAME-10
Outside
Drop through
Weight| : 492 x 410 x 60/90mm
: 486 x 430mm
: 10kg
---|---
FRAME-14
Outside
Drop through
Weight| : 684 x 410 x 60/90mm
: 678 x 430mm
: 15kg
AXUM dimensions for drop through mounting
Declaration Of Conformity
Manufacturers Name: | D&R Electronica B.V. |
---|---|
Manufacturers Address: | Rijnkade 15B |
1382 GS Weesp
Netherlands
| Declares that the product
AXUM digital audio system
conforms to the following product specifications:
EMC:| NEN-EN 55103-1
NEN-EN 55103-2
NEN-EN 55013-1| 1995
1995
1994
---|---|---
Supplementary Information:
The product herewith complies with the requirements of the EMC Directive
89/336/EEC (1989) as amended by the CE Marking Directive 93/68/EEC (1993).
D&R Electronica Weesp B.V.
Rijnkade 15 B
1382 GS WEESP
The Netherlands
President of Engineering
Product Safety
This product is been manufactured with the highest standards and is double- checked in our quality control department for reliability in the “HIGH VOLTAGE” section.
CAUTION
- Never remove any panels, or open this equipment.
- No user serviceable parts inside.
- Equipment power supply must be grounded at all times.
- Only use this product as described, in user manual or brochure.
- Do not operate this equipment in high humidity or expose it to water or other liquids.
- Check the AC power supply cable to assure secure contact.
- Have your equipment checked yearly by a qualified dealer service center.
- Hazardous electrical shock can be avoided by carefully following the above rules.
PLEASE READ THE FOLLOWING INFORMATION VERY CAREFULLY
Voltage and current cause an electrical shock. In practice the higher the
voltage the higher the current will be and the higher the shock. However,
there is another thing to consider and that is resistance. When the
resistance in Ohms is high between two poles, the current will be low and visa
versa. All three of these; voltage, current and resistance are important in
determining the effect of an electrical shock.
The severity of a shock is caused by the amount of current flowing through a
person.
A person can feel a shock because the muscles in a body respond to electric
current. Current can also be fatal when it causes the chest muscles to
contract and stop breathing.
At what potential is current dangerous? Well the first feeling of current is a
tingle at 0.001 Amp of current.
The current between 0.1 Amp and 0.2 Amp is fatal.
Imagine that your home fuses of 16 Amp can handle 200 times more current than
is necessary to kill. How does resistance affect the shock a person feels? A
typical resistance between your two hands “dry” condition could be well over
100,000 Ohm. But if your body is transpiring extensively your body resistance
is lowered by more than 50%. This is a situation in which current can easily
flow.
Always earth all your equipment by the grounding pin in your main plug. Proper
wiring and isolation input/output transformers should only cure hum loops.
Always replace fuses with the same type and rating after the equipment has
been turned off and unplugged.
If the fuse blows again you have an equipment failure. Do not use it again and
return it to your dealer for repair.
And last but not least be careful not to touch a person being shocked as you,
yourself could also be shocked.
Once removed from the shock, have someone send for medical help immediately!
Always keep the above-mentioned information in mind when using electrically
powered equipment.
Disclaimer
Due to a policy of continuous product improvement, D&R Electronica Weesp B.V.
reserves the right to change specifications, appearance and performance
without prior notice.
Since the use of this information and the conditions by which the products are
used are beyond the control of D&R Electronica Weesp B.V., it is the
obligation of the owner and/or the equipment operator to determine the
correct and safe selection, settings and conditions of use of the equipment
and products.
To the extent that the law permits, any liability which may be incurred as a
result of the use or future use of a product manufactured or sold by D&R
Electronica Weesp B.V. is limited to the cost of repairing or replacing the
failing product or component at the discretion of D&R Electronica Weesp B.V.
Either within or outside of warranty periods.
This does not extend to any loss or damage caused because of misuse or failure
of the equipment or products.
D&R Electronica Weesp B.V. shall not in any event be liable for economic lost
of profits including without limitation any incidental or consequential
damage, expenses or other damages arising out of the use or inability to use
the product and/or software even if D&R Electronica Weesp B.V. has been
advised of the possibility of such a damage or for any claim by another party.
You agree to indemnify, hold harmless, and defend D&R Electronica Weesp B.V.,
its parent, and their licensors, suppliers, officers, directors, employees,
agents, affiliates, subsidiaries (collectively “Indemnified Parties”) from
and against any and all liability incurred by or made against the Indemnified
Parties in connection with any claim arising from or related to your use.
Appendix A – Network design for AXUM
The platform AXUM design is according to the OSI-Model and makes use of
protocols on different levels. It is important to understand the philosophy on
the different levels in networking and the way the AXUM implemented this.
With this knowledge, you can make an advanced network setup within your
studio(s) give you possibilities for:
– Remote configuration
– Remote service
– Connecting multiple AXUM racks to internet.
– Secure working within office-networks.
18.1 Network levels
Most of the people are aware of IP addresses. IP stands for ‘Internet
Protocol’ and is in the OSI-Model called a ‘level 3’ protocol. In smaller
office-networks, you normally only have to care about this ‘level 3’ (so IP).
The LAN connections (Local Area Network) normally use the Ethernet technology.
Where the Ethernet is called a ‘level 2’ protocol.
For your understanding ‘level 1’ is the physical cable like CAT5e (often
called RJ45-cable or Ethernet-cable).
An example how these ‘levels’ are used in an office network is your connection
to the Internet:
– Your LAN connections are Ethernet
– Your WAN connection is DSL or GPRS/HDSPA
The fact is that the ‘level 3’ IP can be send on LAN and WAN, but the ‘level
2’ Ethernet is only available in the local area.
18.2 AXUM Network implementation
The AXUM system communication, where you have to think of fader, knob data
etc. is based on the protocol MambaNet. MambaNet may run over other protocols
and this can be L2 and L3 protocols.
Two examples of a valid AXUM solution:
18.2.1 MambaNet example 1
– MambaNet over layer 2 (Ethernet)
Is used for the Axum internal communication, where you have to think of fader,
knob data etc. etc.
– Configuration over layer 3 (IP)
Is used for the Axum configuration and service access.
This makes sense because then the AXUM internal communication is independent
of any IP address assignment and will always work independent on the IP-
configuration. Second, the configuration is based on IP so with a good
network design you can access configuration and service functionality over
Internet.
Because layer 2 is a package switched solution this gives the restriction you
can only use one AXUM rack in the Ethernet network. The next example can be
used in a multi- rack network setup.
18.2.2 MambaNet example 2
-
MambaNet over layer 3(UDP or TCP)
Is used for the Axum internal communication, where you have to think of fader, knob data etc. etc. -
Configuration over layer 3 (IP)
Is used for the Axum configuration and service access.
The MambaNet over UDP (and TCP) is connection oriented. With the destination IP address you determine to which rack this surface hooks up.
18.3 Network design (MambaNet over Layer 2)
An AXUM system require to have an own LAN (layer 2) to work without risk of
interference with office networks and or other AXUM systems. The most basic
way of describing this is: “Each Axum system requires its own Ethernet
switch”.
As you can understand this means there is no connection (so communication
possible) between the separate LANs. This creates the problem you cannot
access the console(s) from a single internet connection or from your office
network. To overcome this problem you have to design the network with a
separation on ‘level 2’ (Ethernet) but a connection over ‘level 3’ (IP) must
be possible.
Most simple example on such separation is:
Here you see two LAN networks, both connected to internet. With correct IP-
addressing Office 1 and 2 can reach each other using the IP protocol. However,
there will be no interference between Office 1 and 2 on Ethernet. In fact,
you have to create the same network level-structure in your studio for correct
function.
In the next chapters we show you some solutions how to implement this
structure. Because these structures are well known in network-technologies
there are also several different solutions where you can pick the most
interesting/efficient for you.
18.3.1 Practical solution 1: Physical separated switches and IP router
If you give the AXUMs and OFFICE networks their own physical Ethernet
switch, you ofcourse have good ‘level 2’ (Ethernet) separation. If you
additional hook up an IP router to the Ethernet switches it is possible to
make IP routes between the different networks, without ‘level 2’ interference.
18.3.2 Practical solution 2: single managed level 3 switch/router
When you select an level 3 managed switch with the following features:
– Port VLAN
– Inter VLAN routing (IP)
(VLAN stands for Virtual Local Area Network)
It will be possible to hook up all your network equipment to the same switch
and configure the switch so it functions equal to ‘Practical solution 1’.
Therefore you have to make 3 VLANs and make correct Inter VLAN IP routes.
Appendix B – Surface service
If you browse to the url http://192.168.0.234/service (where 192.168.0.234 should be your local console IP address) you have a service menu with give some management possibilities.
-
Package versions
Shows the packages, version and build/install date. -
Download backup
Downloads a file which is a complete image of the internal flash disk. -
Change password
Here you can change the password for the webserver -
Upload logo
Here you can upload your own logo which will appear on the meter screen.
19.1 Package versions
This page shows the installed packages with their version number, build and
install date.
19.2 Change password
The webserver requires authentication. On this page you change the username
and password.
19.3 Upload logo
On this page you can upload you own logo which will appear on the meter
screen.
- Logo upload
Choose the logo you want to use and upload it to the website. The logo must be a .png image. It will be resized to 256×150 pixels.
After a reboot the logo will be visible on the meter screen from the AXUM console.
Appendix C – Engine functions
The engine houses all mixing console functions and is able to connect various
objects to its function as has been described in the previous chapters. Below
we give a list of all available functions within the engine.
20.1 Modules
If four DSP cards are inserted, it is possible to have 128 modules (32
stereo modules per DSP card). For each module, you are able to connect objects
to the following functions:
Function name| comments| Example object to connect to|
Version
2.0
---|---|---|---
Label| Label of the module| Display
Source| Steps through the source list at the current module| Encoder, Display|
2.0
Module preset A| Select the pre configured module preset 1A, 2A, 3A or
4A.(Which of the 4 depends on the last console preset used).| Switch| 2.
Module preset B| Select the pre configured module preset 1B, 2B, 3B or
4B.(Which of the 4 depends on the last console preset used).| Switch| 1 . 1
Module preset AB| Toggle the pre configured module preset 1A/1B, 2A/2B, 3A/3B
or 4A/4B. (Which of the 4 depends on the last console preset used).| Switch| 1
. 1
Module preset IA| Select the pre configured Module preset 1 A| Switch| 2.
Module preset 1B| Select the pre configured Module preset 1B| Switch| 2.
Module preset 2A| Select the pre configured Module preset 2A| Switch| 2.
Module preset 2B| Select the pm configured Module preset 2B| Switch| 2.
Module preset 3A| Select the pre configured Module preset 3A| Switch| 2.
Module preset 3B| Select the pre configured Module preset 3B| Switch| 2.
Module preset 4A| Select the pre configured Module preset 4A| Switch| 2.
Module preset 4B| Select the pre configured Module preset 4B| Switch| 2.
Source phantom| Toggles phantom power on the source routed to this module|
Switch| 2.0
Source pad| Toggles PAD on the source routed to this module| Switch| 2.0
Source gain level| changes (analog) gain on the source routed to this module|
Encoder| 2.0
Source gain level reset| changes (analog) gain on the source routed to this
module| Switch| 2.0
Insert on/off| Switches the insert retum on/off| Switch| 2.0
Phase| Change phase of all channels in the module| Switch| 2.0
Phase on/off| Switches the phase on/off| Switch| 2.
Gain level| Controls the gain in steps of 0.1 dB| Encoder, Display| 2.0
Gain level reset| Sets the gain to 0 dB| Encoder switch| 2.0
Low cut frequency| Low cut frequency control.| Encoder, Display| 2.0
Low cut on/off| Select the low cut on/off| Switch| 2.0
EQ Band I Level| Controls the EQ level in steps of 0.1 dB| Encoder| 2.0
EQ Band 1 Frequency| Controls the EQ frequency| Encoder| 2.0
EQ Band 1 Bandwidth| Controls the EQ bandwidth| Encoder| 2.0
EQ Band 1 Level reset| Sets the EQ level to the band default| Encoder Switch|
2.0
EQ Band 1 Frequency reset| Sets the EQ frequency to the band default| Encoder
Switch| 2.0
EQ Band 1 Bandwidth reset| Sets the EQ bandwidth to the band default| Encoder
Switch| 2.0
EQ Band 1 Type| Steps through the EQ band types available| Encoder| 2.0
EQ Band 2 Level| Controls the EQ level in steps of 0.1 dB| Encoder| 2.0
EQ Band 2 Frequency| Controls the EQ frequency| Encoder| 2.0
EQ Band 2 Bandwidth| Controls the EQ bandwidth| Encoder| 2.0
EQ Band 2 Level reset| Sets the EQ level to the band default| Encoder Switch|
2.0
EQ Band 2 Frequency reset| Sets the EQ frequency to the band default| Encoder
Switch| 2.0
EQ Band 2 Bandwidth reset| Sets the EQ bandwidth to the band default| Encoder
Switch| 2.0
EQ Band 2 Type| Steps through the EQ band types available| Encoder| 2.0
EQ Band 3 Level| Controls the EQ level in steps of 0.1 dB| Encoder| 2.0
EQ Band 3 Frequency| Controls the EQ frequency| Encoder| 2.0
EQ Band 3 Bandwidth| Controls the EQ bandwidth| Encoder| 2.0
EQ Band 3 Level reset| Sets the EQ level to the band default| Encoder Switch|
2.0
EQ Band 3 Frequency reset| Sets the EQ frequency to the band default| Encoder
Switch| 2.0
EQ Band 3 Bandwidth reset| Sets the EQ bandwidth to the band default| Encoder
Switch| 2.0
EQ Band 3 Type| Steps through the EQ band types available| Encoder| 2.0
EQ Band 4 Level| Controls the EQ level in steps of 0.1 dB| Encoder| 2.0
Function name| comments| Example object to connect to|
Version
2.0
---|---|---|---
EQ Band 4 Frequency| Controls the EQ frequency| Encoder
EQ Band 4 Bandwidth| Controls the EQ bandwidth| Encoder| 2.0
EQ Band 4 Level reset| Sets the EQ level to the band default| Encoder Switch|
2.0
EQ Band 4 Frequency reset| Sets the EQ frequency to the band default| Encoder
Switch| 2.0
EQ Band 4 Bandwidth reset| Sets the EQ bandwidth to the band default| Encoder
Switch| 2.0
EQ Band 4 Type| Steps through the EQ band types available| Encoder| 2.0
EQ Band 5 Level| Controls the EQ level in steps of 0.1 dB| Encoder| 2.0
EQ Band 5 Frequency| Controls the EQ frequency| Encoder| 2.0
EQ Band 5 Bandwidth| Controls the EQ bandwidth| Encoder| 2.0
EQ Band 5 Level reset| Sets the EQ level to the band default| Encoder Switch|
2.0
EQ Band 5 Frequency reset| Sets the EQ frequency to the band default| Encoder
Switch| 2.0
EQ Band 5 Bandwidth reset| Sets the EQ bandwidth to the band default| Encoder
Switch| 2.0
EQ Band 5 Type| Steps through the EQ band types available| Encoder| 2.0
EQ Band 6 Level| Controls the EQ level in steps of 0.1 dB| Encoder| 2.0
EQ Band 6 Frequency| Controls the EQ frequency| Encoder| 2.0
EQ Band 6 Bandwidth| Controls the EQ bandwidth| Encoder| 2.0
EQ Band 6 Level reset| Sets the EQ level to the band default| Encoder Switch|
2.0
EQ Band 6 Frequency reset| Sets the EQ frequency to the band default| Encoder
Switch| 2.0
EQ Band 6 Bandwidth reset| Sets the EQ bandwidth to the band default| Encoder
Switch| 2.0
EQ Band 6 Type| Steps through the EQ band types available| Encoder| 2.0
EQ On/Off| Select the EQ on/off (all bands!)| Switch| 2.0
Downward expander threshold| Selects the threshold for the downwards expander
in the range from -50 to 0 dB| Encoder, Display| 2.
AGC threshold| Selects the threshold for the AGC (automatic gain control) in
the range from -30-0 dB| Encoder, Display| 2.
AGC ratio| Steps through the ratio of AGC (1:1 – 1:25)| Encoder, Display| 2.
Dynamics On/Off| Select the dynamics on/off (dynamics is AGC+Expander)|
Switch| 2.0
Mono| Makes the module output mono| Switch| 2.0
Mono On/Off| Select the Mono on/off| Switch| 2.0
Pan| Steps the panning from left to right| Encoder, Display| 2.0
Pan reset| Sets the panning to the center| Encoder switch| 2.0
Module level| This function handles the fader functionality| Fader| 2.0
Module on| This function handles like a on-switch (press = on)| Switch| 2.0
Module off| This function handles like a off-switch (press = off)| Switch| 2.0
Module on/off| This function handles like a on/off-switch (press = toggle
between on and off)| Switch| 2.0
Fader and on active| This function shows a ‘1’ if the fader and on are active.
When received a ‘1’ the fader and on are activated| Switch, GPIO| 2.
Fader and on inactive| This function shows a 1 ‘ if the fader and on are
inactive. When received a ‘1’ the fader and on are made inactive.| Switch,
GPIO| 2.
Fader and on active/inactive| This function shows a ‘1’ if the fader and on
are active. When received a •1′ the ‘fader and on’-state toggles between
active and inactive| Switch, GPIO| 2.
Fader on| This function handles like a fader-on-switch (press = fader at 0
dB)| Switch| 2.
Fader off| This function handles like a fader-off-switch (press = fader is
closed)| Switch| 2.
Fader on/off| This function handles like a fader on/off-switch (press = toggle
between fader 0 dB and off)| Switch| 2.
Buss 1/2 level| Controls the sent level to the buss for this module| Encoder,
Fader| 2.0
Buss 1/2 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current state|
Encoder Switch| 2.0
Buss 1/2 on| Select the buss on| Switch| 2.
Buss 1/2 off| Select the buss off| Switch| 2.
Buss 1/2 on/off| Select the buss on/off| Switch| 2.0
Buss 1/2 pre| Select if this module sent pre or post fader signal to the buss|
Switch| 2.0
Buss 1/2 balance| The balance of the module signal sent to the buss| Encoder|
2.0
Buss 1/2 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 3/4 level| Controls the sent level to the buss for this module| Encoder,
Fader| 2.0
Buss 3/4 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current state|
Encoder Switch| 2.0
Buss 3/4 on| Select the buss on| Switch| 2.
Buss 3/4 off| Select the buss off| Switch| 2.
Buss 3/4 on/off| Select the buss on/off| Switch| 2.0
Buss 3/4 pre| Select if this module sent pre or post fader signal to the buss|
Switch| 2.0
Buss 3/4 balance| The balance of the module signal sent to the buss| Encoder|
2.0
Function name| comments| Example object to connect to|
Version
---|---|---|---
Buss 3/4 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 5/6 level| Controls the sent level to the buss for this module| Encoder,
Fader| 2.0
Buss 5/6 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current state|
Encoder Switch| 2.0
Buss 5/6 on| Select the buss on| Switch| 2.2
Buss 5/6 off| Select the buss off| Switch| 2.2
Buss 5/6 on/off| Select the buss on/off| Switch| 2.0
Buss 5/6 pre| Select if this module sent pre or post fader signal to the buss|
Switch| 2.0
Buss 5/6 balance| The balance of the module signal sent to the buss| Encoder|
2.0
Buss 5/6 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 7/8 level| Controls the sent level to the buss for this module| Encoder,
Fader| 2.0
Buss 7/8 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current state|
Encoder Switch| 2.0
Buss 7/8 on| Select the buss on| Switch| 2.2
Buss 7/8 off| Select the buss off| Switch| 2.2
Buss 7/8 on/off| Select the buss on/off| Switch| 2.0
Buss 7/8 pre| Select if this module sent pre or post fader signal to the buss|
Switch| 2.0
Buss 7/8 balance| The balance of the module signal sent to the buss| Encoder|
2.0
Buss 7/8 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 9/10 level| Controls the sent level to the buss for this module| Encoder,
Fader| 2.0
Buss 9/10 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current state|
Encoder Switch| 2.0
Buss 9/10 on| Select the buss on| Switch| 2.2
Buss 9/10 off| Select the buss off| Switch| 2.2
Buss 9/10 on/off| Select the buss on/off| Switch| 2.0
Buss 9/10 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 9/10 balance| The balance of the module signal sent to the buss| Encoder|
2.0
Buss 9/10 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 11/12 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 11/12 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 11/12 on| Select the buss on| Switch| 2.2
Buss 11/12 off| Select the buss off| Switch| 2.2
Buss 11/12 on/off| Select the buss on/off| Switch| 2.0
Buss 11/12 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 11/12 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 11/12 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 13/14 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 13/14 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 13/14 on| Select the buss on| Switch| 2.2
Buss 13/14 off| Select the buss off| Switch| 2.2
Buss 13/14 on/off| Select the buss on/off| Switch| 2.0
Buss 13/14 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 13/14 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 13/14 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 15/16 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 15/16 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 15/16 on| Select the buss on| Switch| 2.2
Buss 15/16 off| Select the buss off| Switch| 2.2
Buss 15/16 on/off| Select the buss on/off| Switch| 2.0
Buss 15/16 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 15/16 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 15/16 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 17/18 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 17/18 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 17/18 on| Select the buss on| Switch| 2.2
Buss 17/18 off| Select the buss off| Switch| 2.2
Buss 17/18 on/off| Select the buss on/off| Switch| 2.0
Buss 17/18 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 17/18 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 17/18 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 19/20 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 19/20 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 19/20 on| Select the buss on| Switch| 2.2
Function name| comments| Example object to connect to|
Version
---|---|---|---
Buss 19/20 off| Select the buss off| Switch| 2.2
Buss 19/20 on/off| Select the buss on/off| Switch| 2.0
Buss 19/20 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 19/20 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 19/20 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 21/22 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 21/22 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 21/22 on| Select the buss on| Switch| 2.2
Buss 21/22 off| Select the buss off| Switch| 2.2
Buss 21/22 on/off| Select the buss on/off| Switch| 2.0
Buss 21/22 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 21/22 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 21/22 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 23/24 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 23/24 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 23/24 on| Select the buss on| Switch| 2.2
Buss 23/24 off| Select the buss off| Switch| 2.2
Buss 23/24 on/off| Select the buss on/off| Switch| 2.0
Buss 23/24 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 23/24 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 23/24 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 25/26 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 25/26 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 25/26 on| Select the buss on| Switch| 2.2
Buss 25/26 off| Select the buss off| Switch| 2.2
Buss 25/26 on/off| Select the buss on/off| Switch| 2.0
Buss 25/26 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 25/26 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 25/26 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 27/28 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 27/28 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 27/28 on| Select the buss on| Switch| 2.2
Buss 27/28 off| Select the buss off| Switch| 2.2
Buss 27/28 on/off| Select the buss on/off| Switch| 2.0
Buss 27/28 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 27/28 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 27/28 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 29/30 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 29/30 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 29/30 on| Select the buss on| Switch| 2.2
Buss 29/30 off| Select the buss off| Switch| 2.2
Buss 29/30 on/off| Select the buss on/off| Switch| 2.0
Buss 29/30 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 29/30 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 29/30 balance reset| This resets the balance to the center position|
Switch| 2.0
Buss 31/32 level| Controls the sent level to the buss for this module|
Encoder, Fader| 2.0
Buss 31/32 level reset| Select ‘Off ‘or ‘On = 0 dB’ depending on current
state| Encoder Switch| 2.0
Buss 31/32 on| Select the buss on| Switch| 2.2
Buss 31/32 off| Select the buss off| Switch| 2.2
Buss 31/32 on/off| Select the buss on/off| Switch| 2.0
Buss 31/32 pre| Select if this module sent pre or post fader signal to the
buss| Switch| 2.0
Buss 31/32 balance| The balance of the module signal sent to the buss|
Encoder| 2.0
Buss 31/32 balance reset| This resets the balance to the center position|
Switch| 2.0
Source start| Start (GPO) for current source| Switch| 2.0
Source stop| Stop (GPO) for current source| Switch| 2.0
Source start/stop| Toggle between start/stop for current source| Switch| 2.0
Cough on/off| Toggle between Cough On and Cough off.| GPI, Switch| 2.0
Function name| comments| Example object to connect to|
Version
---|---|---|---
Source alert| Do/signal a alert from the selected source| GPI, Switch| 2.0
Control| Control 1-4 data value (1-4 depends on console number for this
module)
The data interpretation depends on the mode of this control (source, gain, aux level etc. etc)
| Encoder| 2.1
Control label| Set label of the current selected control 1-4 mode (1-4 depends
on console number for this module)
(Source, gain, aux level etc. etc)
| Display| 2.1
Control reset| Sets the data to the control 1-4 default value or toggle
functions (1-4 depends on console number for this module).
The data interpretation depends on the mode of this control (source, gain, aux level etc. etc)
| Encoder switch| 2.1
Control 1| Control 1 data value
The data interpretation depends on the mode of this control 1 (source, gain, aux level etc. etc)
| Encoder| 2.0
Control 1 label| Set label of the current selected control 1 mode (Source,
gain, aux level etc. etc)| Display| 2.0
Control 1 reset| Sets the data to the control 1 default value
The data interpretation depends on the mode of this control 1 (source, gain, aux level etc. etc)
| Encoder switch| 2.0
Control 2| Control 2 data value
The data interpretation depends on the mode of this control 2 (source, gain, aux level etc. etc)
| Encoder| 2.0
Control 2 label| Set label of the current selected control 2 mode (Source,
gain, aux level etc. etc)| Display| 2.0
Control 2 reset| Sets the data to the control 2 default value
The data interpretation depends on the mode of this control 2 (source, gain, aux level etc. etc)
| Encoder switch| 2.0
Control 3| Control 3 data value
The data interpretation depends on the mode of this control 3 (source, gain, aux level etc. etc)
| Encoder| 2.0
Control 3 label| Set label of the current selected control 3 mode (Source,
gain, aux level etc. etc)| Display| 2.0
Control 3 reset| Sets the data to the control 3 default value
The data interpretation depends on the mode of this control 3 (source, gain, aux level etc. etc)
| Encoder switch| 2.0
Control 4| Control 4 data value
The data interpretation depends on the mode of this control 4 (source, gain, aux level etc. etc)
| Encoder| 2.0
Control 4 label| Set label of the current selected control 4 mode (Source,
gain, aux level etc. etc)| Display| 2.0
Control 4 reset| Sets the data to the control 4 default value
The data interpretation depends on the mode of this control 4 (source, gain, aux level etc. etc)
| Encoder switch| 2.0
Peak| Shows when this module has a peak in the audio level| LED| 2.0
Signal| Shows when audio is received at the module| LED| 2.0
Processing preset| With this function you can scroll through all processing
presets.| Encoder, Display| 2.1
Routing preset 1A| Loads module routing preset 1A| Switch| 2.2
Routing preset 1B| Loads module routing preset 1B| Switch| 2.2
Routing preset 2A| Loads module routing preset 2A| Switch| 2.2
Routing preset 2B| Loads module routing preset 2B| Switch| 2.2
Routing preset 3A| Loads module routing preset 3A| Switch| 2.2
Routing preset 3B| Loads module routing preset 3B| Switch| 2.2
Routing preset 4A| Loads module routing preset 4A| Switch| 2.2
Routing preset 4B| Loads module routing preset 4B| Switch| 2.2
Talkback 1 to related destination| Switches talkback 1 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 2 to related destination| Switches talkback 2 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 3 to related destination| Switches talkback 3 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 4 to related destination| Switches talkback 4 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 5 to related destination| Switches talkback 5 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 6 to related destination| Switches talkback 6 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 7 to related destination| Switches talkback 7 to all output where the
current source its related destination is used.| Switch| 2.1
Talkback 8 to related destination| Switches talkback 8 to all output where the
current source its related destination is used.| Switch| 2.1
Function name| comments| Example object to connect to|
Version
---|---|---|---
Talkback 9 to related
destination
| Switches talkback 9 to all output where the current source
its related destination is used.
| Switch| 2.1
Talkback 10 to related destination| Switches talkback 10 to all output where
the current source its related destination is used.| Switch| 2.1
Talkback 11 to related destination| Switches talkback 11 to all output where
the current source its related destination is used.| Switch| 2.1
Talkback 12 to related destination| Switches talkback 12 to all output where
the current source its related destination is used.| Switch| 2.1
Talkback 13 to related destination| Switches talkback 13 to all output where
the current source its related destination is used.| Switch| 2.1
Talkback 14 to related destination| Switches talkback 14 to all output where
the current source its related destination is used.| Switch| 2.1
Talkback 15 to related destination| Switches talkback 15 to all output where
the current source its related destination is used.| Switch| 2.1
Talkback 16 to related destination| Switches talkback 16 to all output where
the current source its related destination is used.| Switch| 2.1
Select 1| When module select for console 1 is activated the current module
will be selected for a super module or the EQ window| Switch| 2.3
Select 2| When module select for console 2 is activated the current module
will be selected for a super module or the EQ
window
| Switch| 2.3
Select 3| When module select for console 3 is activated the current module
will be selected for a super module or the EQ
window
| Switch| 2.3
Select 4| When module select for console 4 is activated the current module
will be selected for a super module or the EQ
window
| Switch| 2.3
Console| Tells on which console the current module is configured| Selected
module indicator| 2.3
Audio level left| Left audio level of the module input| Level meter| 2.3
Audio level right| Right audio level of the module input| Level meter| 2.3
Audio phase| Phase between left and right of the module input| Phase meter|
2.3
20.2 Busses
The Axum has 16 stereo busses. For each buss, you are able to connect
objects with the following functions:
Function name | comments | Object to connect to | Version |
---|---|---|---|
Buss master level | Controls the buss master level | Encoder, Fader | 2.0 |
Buss master level reset | Select ‘On and 0 dB’ | Encoder switch | 2.0 |
Buss master on/off | Select buss on/off | Switch | 2.0 |
Buss master pre | Switches the total buss pre or post | Switch | 2.0 |
Buss Label | Label of the buss | Display | 2.0 |
Buss Audio level left | Left audio level of the buss | Level meter | 2.0 |
Buss Audio level right | Right audio level of the buss | Level meter | 2.0 |
Buss Audio phase | Phase between buss left/right | Phase meter | 2.3 |
Select 1 | When buss select for console 1 is activated the current buss will be |
selected
| meter-selector| 2.3
Select 2| When buss select for console 2 is
activated the current buss will be selected
| meter-selector| 2.3
Select 3| When buss select for console 3 is
activated the current buss will be selected
| meter-selector| 2.3
Select 4| When buss select for console 4 is
activated the current buss will be selected
| meter-selector| 2.3
Reset| Resets all routing to this buss| PFL-reset button| 2.5
Talkback 1| Switches all destinations to talkback 1 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 2| Switches all destinations to talkback 2 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 3| Switches all destinations to talkback 3 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 4| Switches all destinations to talkback 4 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 5| Switches all destinations to talkback 5 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 6| Switches all destinations to talkback 6 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 7| Switches all destinations to talkback 7 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 8| Switches all destinations to talkback 8 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 9| Switches all destinations to talkback 9 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 10| Switches all destinations to talkback 10 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 11| Switches all destinations to talkback 11 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 12| Switches all destinations to talkback 12 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 13| Switches all destinations to talkback 13 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 14| Switches all destinations to talkback 14 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 15| Switches all destinations to talkback 15 if this buss is the
‘signal from’ buss| Switch| 2.5
Talkback 16| Switches all destinations to talkback 16 if this buss is the
‘signal from’ buss| Switch| 2.5
20.3 Monitor busses
With 4 DSP cards, the Axum will have 16 stereo monitor busses (4 per DSP
card). For each monitor buss, you are able to connect objects to do the
following functions.
Function name | Comments | Object to connect to | Version |
---|---|---|---|
Buss 1/2 on | Select buss 1/2 for the monitor buss | Switch | 2.2 |
Buss 1/2 off | Deselect buss 1/2 for the monitor buss | Switch | 2.2 |
Buss 1/2 on/off | Toggle buss 1/2 for the monitor buss | Switch | 2.0 |
Buss 3/4 on | Select buss 3/4 for the monitor buss | Switch | 2.2 |
Buss 3/4 off | Deselect buss 3/4 for the monitor buss | Switch | 2.2 |
Buss 3/4 on/off | Toggle buss 3/4 for the monitor buss | Switch | 2.0 |
Buss 5/6 on | Select buss 5/6 for the monitor buss | Switch | 2.2 |
Buss 5/6 off | Deselect buss 5/6 for the monitor buss | Switch | 2.2 |
Buss 5/6 on/off | Toggle buss 5/6 for the monitor buss | Switch | 2.0 |
Buss 7/8 on | Select buss 7/8 for the monitor buss | Switch | 2.2 |
Buss 7/8 off | Deselect buss 7/8 for the monitor buss | Switch | 2.2 |
Buss 7/8 on/off | Toggle buss 7/8 for the monitor buss | Switch | 2.0 |
Buss 9/10 on | Select buss 9/10 for the monitor buss | Switch | 2.2 |
Buss 9/10 off | Deselect buss 9/10 for the monitor buss | Switch | 2.2 |
Buss 9/10 on/off | Toggle buss 9/10 for the monitor buss | Switch | 2.0 |
Buss 11/12 on | Select buss 11/12 for the monitor buss | Switch | 2.2 |
Buss 11/12 off | Deselect buss 11/12 for the monitor buss | Switch | 2.2 |
Buss 11/12 on/off | Toggle buss 11/12 for the monitor buss | Switch | 2.0 |
Buss 13/14 on | Select buss 13/14 for the monitor buss | Switch | 2.2 |
Buss 13/14 off | Deselect buss 13/14 for the monitor buss | Switch | 2.2 |
Buss 13/14 on/off | Toggle buss 13/14 for the monitor buss | Switch | 2.0 |
Buss 15/16 on | Select buss 15/16 for the monitor buss | Switch | 2.2 |
Buss 15/16 off | Deselect buss 15/16 for the monitor buss | Switch | 2.2 |
Buss 15/16 on/off | Toggle buss 15/16 for the monitor buss | Switch | 2.0 |
Buss 17/18 on | Select buss 17/18 for the monitor buss | Switch | 2.2 |
Buss 17/18 off | Deselect buss 17/18 for the monitor buss | Switch | 2.2 |
Buss 17/18 on/off | Toggle buss 17/18 for the monitor buss | Switch | 2.0 |
Buss 19/20 on | Select buss 19/20 for the monitor buss | Switch | 2.2 |
Buss 19/20 off | Deselect buss 19/20 for the monitor buss | Switch | 2.2 |
Buss 19/20 on/off | Toggle buss 19/20 for the monitor buss | Switch | 2.0 |
Buss 21/22 on | Select buss 21/22 for the monitor buss | Switch | 2.2 |
Buss 21/22 off | Deselect buss 21/22 for the monitor buss | Switch | 2.2 |
Buss 21/22 on/off | Toggle buss 21/22 for the monitor buss | Switch | 2.0 |
Buss 23/24 on | Select buss 23/24 for the monitor buss | Switch | 2.2 |
Buss 23/24 off | Deselect buss 23/24 for the monitor buss | Switch | 2.2 |
Buss 23/24 on/off | Toggle buss 23/24 for the monitor buss | Switch | 2.0 |
Buss 25/26 on | Select buss 25/26 for the monitor buss | Switch | 2.2 |
Buss 25/26 off | Deselect buss 25/26 for the monitor buss | Switch | 2.2 |
Buss 25/26 on/off | Toggle buss 25/26 for the monitor buss | Switch | 2.0 |
Buss 27/28 on | Select buss 27/28 for the monitor buss | Switch | 2.2 |
Buss 27/28 off | Deselect buss 27/28 for the monitor buss | Switch | 2.2 |
Buss 27/28 on/off | Toggle buss 27/28 for the monitor buss | Switch | 2.0 |
Buss 29/30 on | Select buss 29/30 for the monitor buss | Switch | 2.2 |
Buss 29/30 off | Deselect buss 29/30 for the monitor buss | Switch | 2.2 |
Buss 29/30 on/off | Toggle buss 29/30 for the monitor buss | Switch | 2.0 |
Buss 31/32 on | Select buss 31/32 for the monitor buss | Switch | 2.2 |
Buss 31/32 off | Deselect buss 31/32 for the monitor buss | Switch | 2.2 |
Buss 31/32 on/off | Toggle buss 31/32 for the monitor buss | Switch | 2.0 |
Ext 1 on | Select Ext 1 for the monitor buss | Switch | 2.2 |
Ext 1 off | Deselect Ext 1 for the monitor buss | Switch | 2.2 |
Ext 1 on/off | Toggle Ext 1 for the monitor buss | Switch | 2.0 |
Ext 2 on | Select Ext 2 for the monitor buss | Switch | 2.2 |
Ext 2 off | Deselect Ext 2 for the monitor buss | Switch | 2.2 |
Ext 2 on/off | Toggle Ext 2 for the monitor buss | Switch | 2.0 |
Ext 3 on | Select Ext 3 for the monitor buss | Switch | 2.2 |
Ext 3 off | Deselect Ext 3 for the monitor buss | Switch | 2.2 |
Ext 3 on/off | Toggle Ext 3 for the monitor buss | Switch | 2.0 |
Ext 4 on | Select Ext 4 for the monitor buss | Switch | 2.2 |
Ext 4 off | Deselect Ext 4 for the monitor buss | Switch | 2.2 |
Ext 4 on/off | Toggle Ext 4 for the monitor buss | Switch | 2.0 |
Ext 5 on | Select Ext 5 for the monitor buss | Switch | 2.2 |
Ext 5 off | Deselect Ext 5 for the monitor buss | Switch | 2.2 |
Ext 5 on/off | Toggle Ext 5 for the monitor buss | Switch | 2.0 |
Ext 6 on | Select Ext 6 for the monitor buss | Switch | 2.2 |
Function name | Comments | Object to connect to | Version |
--- | --- | --- | --- |
Ext 6 off | Deselect Ext 6 for the monitor buss | Switch | 2.2 |
Ext 6 on/off | Toggle Ext 6 for the monitor buss | Switch | 2.0 |
Ext 7 on | Select Ext 7 for the monitor buss | Switch | 2.2 |
Ext 7 off | Deselect Ext 7 for the monitor buss | Switch | 2.2 |
Ext 7 on/off | Toggle Ext 7 for the monitor buss | Switch | 2.0 |
Ext 8 on | Select Ext 8 for the monitor buss | Switch | 2.2 |
Ext 8 off | Deselect Ext 8 for the monitor buss | Switch | 2.2 |
Ext 8 on/off | Toggle Ext 8 for the monitor buss | Switch | 2.0 |
Mute | Mutes the output | GPO, CRM mute | 2.0 |
Dim | Dims the output | CRM level | 2.0 |
Phones level | Controls the level in steps of 0.1 dB | CRM phones level | 2.0 |
Mono | Mono the output | CRM Mono | 2.0 |
Phase | Phase reverse the right output | CRM Phase | 2.0 |
Speaker level | Controls the level in steps of 0.1 dB | CRM speaker level | 2.0 |
Talkback 1 | Talkback to monitor from Talkback 1 | Switch | 2.0 |
Talkback 2 | Talkback to monitor from Talkback 2 | Switch | 2.0 |
Talkback 3 | Talkback to monitor from Talkback 3 | Switch | 2.0 |
Talkback 4 | Talkback to monitor from Talkback 4 | Switch | 2.0 |
Talkback 5 | Talkback to monitor from Talkback 5 | Switch | 2.0 |
Talkback 6 | Talkback to monitor from Talkback 6 | Switch | 2.0 |
Talkback 7 | Talkback to monitor from Talkback 7 | Switch | 2.0 |
Talkback 8 | Talkback to monitor from Talkback 8 | Switch | 2.0 |
Talkback 9 | Talkback to monitor from Talkback 9 | Switch | 2.0 |
Talkback 10 | Talkback to monitor from Talkback 10 | Switch | 2.0 |
Talkback 11 | Talkback to monitor from Talkback 11 | Switch | 2.0 |
Talkback 12 | Talkback to monitor from Talkback 12 | Switch | 2.0 |
Talkback 13 | Talkback to monitor from Talkback 13 | Switch | 2.0 |
Talkback 14 | Talkback to monitor from Talkback 14 | Switch | 2.0 |
Talkback 15 | Talkback to monitor from Talkback 15 | Switch | 2.0 |
Talkback 16 | Talkback to monitor from Talkback 16 | Switch | 2.0 |
Audio level left | Left audio level of a monitor buss | Level meter | 2.0 |
Audio level right | Right audio level of a monitor buss | Level meter | 2.0 |
Audio phase | Phase between left and right of a monitor buss | Phase meter | 2.3 |
Label | Name of the monitor buss | Display | 2.0 |
Select 1 | When monitor buss select for console 1 is activated the current |
monitor buss will be
selected
| meter-selector| 2.3
Select 2| When monitor buss select for console 2 is activated the current
monitor buss will be
selected
| meter-selector| 2.3
Select 3| When monitor buss select for console 3 is
activated the current monitor buss will be selected
| meter-selector| 2.3
Select 4| When monitor buss select for console 4 is activated the current
monitor buss will be selected| meter-selector| 2.3
20.1 Console
Console functions are extracted from the the global functions in version
engine 2.5.
Function Name | Comments | Object to connect to | Version |
---|---|---|---|
Control mode active | Is active when the control mode is shown | EQ Window | 2.3 |
Control mode source | Select mode source for the controllers | Switch | 2.0 |
Control mode processing preset | Select mode processing preset for the | ||
controllers | Switch | 2.1 | |
Control mode source gain | Select mode source gain for the controllers | Switch |
2.0
Control mode source phantom| Select mode phantom for the controllers| Switch|
2.1
Control mode source pad| Select mode pad for the controllers| Switch| 2.1
Control mode gain| Select mode gain for the controllers| Switch| 2.0
Control mode phase| Select mode phase for the controllers| Switch| 2.0
Control mode low cut| Select mode low cut for the controllers| Switch| 2.0
Control mode Insert on/off| Select mode insert for the controllers| Switch|
2.2
Control mode EQ band 1 level| Select mode EQ band 1 level for the controllers|
Switch| 2.0
Control mode EQ band 1 frequency| Select mode EQ band 1 freq for the
controllers| Switch| 2.0
Control mode EQ band 1 bandwidth| Select mode EQ band 1 bw for the
controllers| Switch| 2.0
Control mode EQ band 1 type| Select mode EQ band 1 type for the controllers|
Switch| 2.0
Control mode EQ band 2 level| Select mode EQ band 2 level for the controllers|
Switch| 2.0
Control mode EQ band 2 frequency| Select mode EQ band 2 freq for the
controllers| Switch| 2.0
Control mode EQ band 2 bandwidth| Select mode EQ band 2 bw for the
controllers| Switch| 2.0
Control mode EQ band 2 type| Select mode EQ band 2 type for the controllers|
Switch| 2.0
Control mode EQ band 3 level| Select mode EQ band 3 level for the controllers|
Switch| 2.0
Control mode EQ band 3 frequency| Select mode EQ band 3 freq for the
controllers| Switch| 2.0
Control mode EQ band 3 bandwidth| Select mode EQ band 3 bw for the
controllers| Switch| 2.0
Control mode EQ band 3 type| Select mode EQ band 3 type for the controllers|
Switch| 2.0
Control mode EQ band 4 level| Select mode EQ band 4 level for the controllers|
Switch| 2.0
Control mode EQ band 4 frequency| Select mode EQ band 4 freq for the
controllers| Switch| 2.0
Control mode EQ band 4 bandwidth| Select mode EQ band 4 bw for the
controllers| Switch| 2.0
Control mode EQ band 4 type| Select mode EQ band 4 type for the controllers|
Switch| 2.0
Control mode EQ band 5 level| Select mode EQ band 5 level for the controllers|
Switch| 2.0
Control mode EQ band 5 frequency| Select mode EQ band 5 freq for the
controllers| Switch| 2.0
Control mode EQ band 5 bandwidth| Select mode EQ band 5 bw for the
controllers| Switch| 2.0
Control mode EQ band 5 type| Select mode EQ band 5 type for the controllers|
Switch| 2.0
Control mode EQ band 6 level| Select mode EQ band 6 level for the controllers|
Switch| 2.0
Control mode EQ band 6 frequency| Select mode EQ band 6 freq for the
controllers| Switch| 2.0
Control mode EQ band 6 bandwidth| Select mode EQ band 6 bw for the
controllers| Switch| 2.0
Control mode EQ band 6 type| Select mode EQ band 6 type for the controllers|
Switch| 2.0
Control mode module EQ on/off| Select mode EQ on/off for the controllers|
Switch| 2.1
Control mode module downward expander threshold| Select mode downward expander
threshold| Switch| 2.1
Control mode AGC threshold| Select mode AGC threshold| Switch| 2.1
Control mode AGC ratio| Select mode AGC ratio for the controllers| Switch| 2.0
Control mode Dynamics on/off| Select mode Dynamics on/off for the controllers|
Switch| 2.2
Control mode mono| Select mode mono for the controllers| Switch| 2.0
Control mode pan| Select mode pan for the controllers| Switch| 2.0
Control mode module level| Select mode module level for the controllers|
Switch| 2.0
Control mode buss ½| Select mode buss 1/2 for the controllers| Switch| 2.0
Control mode buss 1/2 balance| Select mode buss 1/2 bal. for the controllers|
Switch| 2.0
Control mode buss 3/4| Select mode buss 3/4 for the controllers| Switch| 2.0
Control mode buss 3/4 balance| Select mode buss 3/4 bal. for the controllers|
Switch| 2.0
Control mode buss 5/6| Select mode buss 5/6 for the controllers| Switch| 2.0
Control mode buss 5/6 balance| Select mode buss 5/6 bal. for the controllers|
Switch| 2.0
Control mode buss 7/8| Select mode buss 7/8 for the controllers| Switch| 2.0
Control mode buss 7/8 balance| Select mode buss 7/8 bal. for the controllers|
Switch| 2.0
Control mode buss 9/10| Select mode buss 9/10 for the controllers| Switch| 2.0
Control mode buss 9/10 balance| Select mode buss 9/10 bal. for the
controllers| Switch| 2.0
Control mode buss 11/12| Select mode buss 11/12 for the controllers| Switch|
2.0
Control mode buss 11/12 balance| Select mode buss 11/12 bal. for the
controllers| Switch| 2.0
Control mode buss 13/14| Select mode buss 13/14 for the controllers| Switch|
2.0
Control mode buss 13/14 balance| Select mode buss 13/14 bal. for the
controllers| Switch| 2.0
Control mode buss 15/16| Select mode buss 15/16 for the controllers| Switch|
2.0
Control mode buss 15/16 balance| Select mode buss 15/16 bal. for the
controllers| Switch| 2.0
Function Name| Comments| Object to connect to| Version
---|---|---|---
Control mode buss 17/18| Select mode buss 17/18 for the controllers| Switch|
2.0
Control mode buss 17/18 balance| Select mode buss 17/18 bal. for the
controllers| Switch| 2.0
Control mode buss 19/20| Select mode buss 19/20 for the controllers| Switch|
2.0
Control mode buss 19/20 balance| Select mode buss 19/20 bal. for the
controllers| Switch| 2.0
Control mode buss 21/22| Select mode buss 21/22 for the controllers| Switch|
2.0
Control mode buss 21/22 balance| Select mode buss 21/22 bal. for the
controllers| Switch| 2.0
Control mode buss 23/24| Select mode buss 23/24 for the controllers| Switch|
2.0
Control mode buss 23/24 balance| Select mode buss 23/24 bal. for the
controllers| Switch| 2.0
Control mode buss 25/26| Select mode buss 25/26 for the controllers| Switch|
2.0
Control mode buss 25/26 balance| Select mode buss 25/26 bal. for the
controllers| Switch| 2.0
Control mode buss 27/28| Select mode buss 27/28 for the controllers| Switch|
2.0
Control mode buss 27/28 balance| Select mode buss 27/28 bal. for the
controllers| Switch| 2.0
Control mode buss 29/30| Select mode buss 29/30 for the controllers| Switch|
2.0
Control mode buss 29/30 balance| Select mode buss 29/30 bal. for the
controllers| Switch| 2.0
Control mode buss 31/32| Select mode buss 31/32 for the controllers| Switch|
2.0
Control mode buss 31/32 balance| Select mode buss 31/32 bal. for the
controllers| Switch| 2.0
Master control mode buss 1/2| Select mode for the master controllers| Switch|
2.0
Master control mode buss 3/4| Select mode for the master controllers| Switch|
2.0
Master control mode buss 5/6| Select mode for the master controllers| Switch|
2.0
Master control mode buss 7/8| Select mode for the master controllers| Switch|
2.0
Master control mode buss 9/10| Select mode for the master controllers| Switch|
2.0
Master control mode buss 11/12| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 13/14| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 15/16| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 17/18| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 19/20| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 21/22| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 23/24| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 25/26| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 27/28| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 29/30| Select mode for the master controllers|
Switch| 2.0
Master control mode buss 31/32| Select mode for the master controllers|
Switch| 2.0
Master control| Data value of master controllers| Encoder| 2.0
Master control reset| Sets master controllers to the default value| Encoder
switch| 2.0
Reset console to programmed defaults| After pressing one second, console is
reset to the programmed defaults| Switch| 2.1
Master & control mode buss 1/2| Master control mode & module control mode are
switched to buss 1/2| Switch| 2.0
Master & control mode buss 3/4| Master control mode & module control mode are
switched to buss 3/4| Switch| 2.0
Master & control mode buss 5/6| Master control mode & module control mode are
switched to buss 5/6| Switch| 2.0
Master & control mode buss 7/8| Master control mode & module control mode are
switched to buss 7/8| Switch| 2.0
Master & control mode buss 9/10| Master control mode & module control mode are
switched to buss 9/10| Switch| 2.0
Master & control mode buss 11/12| Master control mode & module control mode
are switched to buss 11/12| Switch| 2.0
Master & control mode buss 13/14| Master control mode & module control mode
are switched to buss 13/14| Switch| 2.0
Master & control mode buss 15/16| Master control mode & module control mode
are switched to buss 15/16| Switch| 2.0
Master & control mode buss 17/18| Master control mode & module control mode
are switched to buss 17/18| Switch| 2.0
Master & control mode buss 19/20| Master control mode & module control mode
are switched to buss 19/20| Switch| 2.0
Master & control mode buss 21/22| Master control mode & module control mode
are switched to buss 21/22| Switch| 2.0
Master & control mode buss 23/24| Master control mode & module control mode
are switched to buss 23/24| Switch| 2.0
Master & control mode buss 25/26| Master control mode & module control mode
are switched to buss 25/26| Switch| 2.0
Master & control mode buss 27/28| Master control mode & module control mode
are switched to buss 27/28| Switch| 2.0
Master & control mode buss 29/30| Master control mode & module control mode
are switched to buss 29/30| Switch| 2.0
Master & control mode buss 31/32| Master control mode & module control mode
are switched to buss 31/32| Switch| 2.0
Console preset label| Returns the name of the last used preset on the console|
Display| 2.0
Module select| Function to select a module on the console| Module select
encoder| 2.3
Selected module active| Is active for 10 seconds when a module parameter is
changed| Show module parameters| 2.5
20.1 Destinations
Some objects have functionality that relates to the destination selected on
a send module. For example if you have a GPI that should trigger a TB or MUTE
send module function.
This group with destination functions makes it possible to have destination
related send module functionality:
Name | Comments | Example object to connect to | Version |
---|---|---|---|
Label | Shows the name of the current destination | Display | 2.0 |
Source | Selects the source for this destination | Encoder/Display | 2.0 |
Monitor speaker level | If the source is a monitor buss and the speaker level | ||
is changed this destination will follow | I/O card level | 2.0 | |
Monitor phones level | If the source is a monitor buss and the phones level is | ||
changed this destination will follow | I/O card level | 2.0 | |
Level | This adjust the level of this destination | Encoder | 2.0 |
Mute | Mutes this destination | Switch, I/O card mutes | 2.0 |
Mute & Monitor mute | Mutes this destination if the source is a monitor buss |
and the monitor buss mute is activated or its local mute is set.
| I/O card mutes| 2.0
Dim| Dims this destination| Switch, I/O card dim| 2.0
Dim & Monitor dim| Dims this destination if the source is a monitor buss and
the monitor buss dim is activated or its local dim
is set.
| I/O card dim| 2.0
Mono| Make this destination mono| Switch, I/O card mono| 2.0
Mono & Monitor mono| Make this destination mono if the source is a monitor
buss and the monitor buss mono is activated or its
local mono is set.
| I/O card mono| 2.0
Phase| Changes phase for this destination| Switch, I/O card phase| 2.0
Phase & Monitor phase| Changes phase for this destination if the source is a
monitor buss and the monitor buss phase is activated
or its local phase is set.
| I/O card phase| 2.0
Talkback 1| Do talkback to this destination| Switch, I/O card talkback 1| 2.0
Talkback 1 & Monitor talkback 1| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is
activated or its local talkback is set.
| I/O card talkback 1| 2.0
Talkback 2| Do talkback to this destination| Switch, I/O card talkback 2| 2.0
Talkback 2 & Monitor talkback 2| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is
activated or its local talkback is set.
| I/O card talkback 2| 2.0
Talkback 3| Do talkback to this destination| Switch, I/O card talkback 3| 2.0
Name| Comments| Example object to connect to| Version
---|---|---|---
Talkback 3 & Monitor talkback 3| Do talkback to this destination if the source
is a
monitor buss and the monitor buss talkback is activated or its local talkback is set.
| I/O card talkback 3| 2.0
Talkback 4| Do talkback to this destination| Switch, I/O card talkback 4| 2.0
Talkback 4 & Monitor talkback 4| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is activated or its local
talkback is set.| I/O card talkback 4| 2.0
Talkback 5| Do talkback to this destination| Switch, I/O card talkback 5| 2.0
Talkback 5 & Monitor talkback 5| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is activated or its local
talkback is set.| I/O card talkback 5| 2.0
Talkback 6| Do talkback to this destination| Switch, I/O card talkback 6| 2.0
Talkback 6 & Monitor talkback 6| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is activated or its local
talkback is set.| I/O card talkback 6| 2.0
Talkback 7| Do talkback to this destination| Switch, I/O card talkback 7| 2.0
Talkback 7 & Monitor talkback 7| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is activated or its local
talkback is set.| I/O card talkback 7| 2.0
Talkback 8| Do talkback to this destination| Switch, I/O card talkback 8| 2.0
Talkback 8 & Monitor talkback 8| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is activated or its local
talkback is set.| I/O card talkback 8| 2.0
Talkback 9| Do talkback to this destination| Switch, I/O card talkback 9| 2.0
Talkback 9 & Monitor talkback 9| Do talkback to this destination if the source
is a monitor buss and the monitor buss talkback is activated or its local
talkback is set.| I/O card talkback 9| 2.0
Talkback 10| Do talkback to this destination| Switch, I/O card talkback 10|
2.0
Talkback 10 & Monitor talkback 10| Do talkback to this destination if the
source is a monitor buss and the monitor buss talkback is activated or its
local talkback is set.| I/O card talkback 10| 2.0
Talkback 11| Do talkback to this destination| Switch, I/O card talkback 11|
2.0
Talkback 11 & Monitor talkback 11| Do talkback to this destination if the
source is a monitor buss and the monitor buss talkback is activated or its
local talkback is set.| I/O card talkback 11| 2.0
Talkback 12| Do talkback to this destination| Switch, I/O card talkback 12|
2.0
Talkback 12 & Monitor talkback 12| Do talkback to this destination if the
source is a monitor buss and the monitor buss talkback is
activated or its local talkback is set.
| I/O card talkback 12| 2.0
Talkback 13| Do talkback to this destination| Switch, I/O card talkback 13|
2.0
Talkback 13 & Monitor talkback 13| Do talkback to this destination if the
source is a monitor buss and the monitor buss talkback is activated or its
local talkback is set.| I/O card talkback 13| 2.0
Talkback 14| Do talkback to this destination| Switch, I/O card talkback 14|
2.0
Talkback 14 & Monitor talkback 14| Do talkback to this destination if the
source is a monitor buss and the monitor buss talkback is activated or its
local talkback is set.| I/O card talkback 14| 2.0
Talkback 15| Do talkback to this destination| Switch, I/O card talkback 15|
2.0
Talkback 15 & Monitor talkback 15| Do talkback to this destination if the
source is a
monitor buss and the monitor buss talkback is activated or its local talkback is set.
| I/O card talkback 15| 2.0
Talkback 16| Do talkback to this destination| Switch, I/O card talkback 16|
2.0
Talkback 16 & Monitor talkback 16| Do talkback to this destination if the
source is a
monitor buss and the monitor buss talkback is activated or its local talkback is set.
| I/O card talkback 16| 2.0
Routing| Makes it possible to select which channels are going to this
destination. The options are Left, Right, Stereo| Encoder, Display| 2.1
Select 1| When destination select for console 1 is activated the destination
will be selected| future use| 2.3
Select 2| When destination select for console 2 is activated the destination
will be selected| future use| 2.3
Select 3| When destination select for console 3 is activated the destination
will be selected| future use| 2.3
Select 4| When destination select for console 4 is activated the destination
will be selected| future use| 2.3
AXUM from D&R – Phone: +31 294 418014 – E-Mail: info@d-r.nl
References
- D&R Broadcast Mixing Consoles | radio console
- D&R Broadcast Mixing Consoles Netherlands
- The audio equipment control protocol
- IP address - Wikipedia
- AES67 Interoperability | Audinate | FAQs
- What is Dante? | Audinate | Dante Pro AV Networking
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