AUDIBAX 1202 FFX 12 Channel Audio Mixer User Manual

1202 FFX 12 Channel Audio Mixer
User Manual

Professional Mixer
1202 FXX

1202 FFX 12 Channel Audio Mixer

IMPORTANT SAFETY SYMBOLS

The symbol is used to indicate that some hazardous live terminals are involved within this apparatus, even under the normal operating conditions, which may be sufficient to constitute the risk of electric shock or death.
 The symbol is used in the service documentation to indicate that specific component shall be replaced only by the component specified in that documentation for safety reasons.
 Protective grounding terminal
 Alternating current/voltage
 Hazardous live terminal
ON:  Denotes the apparatus is turned on
OFF:  Denotes the apparatus is turned off.
WARNING:  Describes precautions that should be observed to prevent the danger of injury or death to the operator.
CAUTION:  Describes precautions that should be observed to prevent danger of the apparatus.

IMPORTANT SAFETY INSTRUCTIONS

• Read these instructions.

• Keep these instructions.

• Heed all warning.

• Follow all instructions.

• Water & Moisture
  The apparatus should be protected from moisture and rain, can not used near water, for example: near bathtub, kitchen sink or a swimming pool, etc.

• Heat
  The apparatus should be located away from the heat source such as radiators, stoves or other appliances that produce heat.

• Ventilation
  Do not block areas of ventilation opening. Failure to do could result in fire. Always install accordance with the manufacturer’s instructions.

• Object and Liquid Entry
  Objects do not fall into and liquids are not spilled into the inside of the apparatus for safety.

• Power Cord and Plug
  Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
  Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is provided for your safety. If the provided plug does not fit into your outlet, refer to electrician for replacement.

• Power Supply
  The apparatus should be connected to the power supply only of the type as marked on the apparatus or described in the manual. Failure to do could result in damage to the product and possibly the user.
  Unplug this apparatus during lightning storms or when unused for long periods of time.

• Fuse
  To prevent the risk of fire and damaging the unit, please use only of the recommended fuse type as described in the manual. Before replacing the fuse, make sure the unit turned off and disconnected from the AC outlet.

• Electrical Connection
  Improper electrical wiring may invalidate the product warranty.

• Cleaning
  Clean only with a dry cloth. Do not use any solvents such as benzol or alcohol.

• Servicing
  Do not implement any servicing other than those means described in the manual. Refer all servicing to qualified service personnel only.

• Only use accessories/attachments or parts recommended by the manufacturer.

• Warning
  Please remember the high sound pressure do not only temporarily damage your sense of hearing, but can also cause permanent damage. Be careful to select a suitable volume.

INTRODUCTION

Congratulations on the purchase of your Series mixer Professional. Please take the time to read this manual completely in order to ensure that you get the most from your Series mixer

FEATURES

• 6 balanced/ unbalanced mono line input 1202FXX
•  6 low noise, high headroom XLR mic inputs 1202FXX
• 3 band EQ in each input channel (12KHz, 1KHz, 80Hz) 80Hz, 18dB/octave low cut filter on channels 1202FXX 1-6
• 2 Stereo channels (2 switchable stereo 1 switching for PAD; 2switching for line/ USB return channel)2 band EQ(12KHz, 80Hz).
• 2in/ 2out full duplex 16-bit 48KHz USB interface.
• Dedicated USB recording bus.
• Studio grade phantom powered microphone pre-amps.
• Ultra musical 3 band EQ with high pass filters.
• Built-in digital FX with dedicated send.
• Fx auxiliary sends.
•  Pan and balance controls.
• PFL for all channels.
• Control room and headphone outputs.
• Master outputs with XLR and TRS connectors.

MONO CHANNELS

1. Balanced XLR input for connecting microphones.
2. Balanced/Unbalanced TRS input for line level sources.
3. HPF with 80Hz cutoff point.
4.  Gain control for calibrating sources and applying correct gain structure.
5. High EQ centred at 12KHz.
6. Mid EQ centred at 1KHz.
7. Low EQ centred at 80Hz.
8. Switchable pre/post-fader auxiliary send for monitor mixes.
9. Pre/Post switching for Aux.
10.  Sends to the internal FX engine.
11. Used to spatially place the channel within the stereo field.
12.  (Pre Fade Listen) allows you to set the channel gain and monitor the channel in isolation through the control room or headphone outputs.
13.  Indicates that PFL is engaged.
14. Shows when clipping is occurring.
15. Sets the amount of signal sent to the main.

STEREO CHANNELS

16. CD/Tape In-Dual phono inputs for connection of consumer level stereo sources.
17. Unbalanced TRS input for the left channel of stereo line level sources.
18. PAD Switchable, between stereo RCA and line level source.
19.  Unbalanced TRS input for the right channel of stereo line level sources.
20.  High EQ centred at 12KHz.
21. Low EQ centred at 80Hz.
22. Switchable pre/post-fader auxiliary send for monitor mixes.
23. Pre/Post switching for Aux.
24. Sends to the internal FX engine.
25. Used to spatially place the channel within the stereo field.
26. (Pre Fade Listen) allows you to set the channel gain and monitor the channel in isolation through the control room or headphone outputs.
27. Indicates that PFL is engaged.
28. Shows when clipping is occurring.
29. Sets the amount of signal sent to the main.
30. Rec Out – Line level output using phono connectors, provides connection to recording devices.
31. Balanced/Unbalanced TRS input for the left channel or mono line level sources.
32. Switches between USB and line level source.
33. Balanced/Unbalanced TRS input for the right channel of stereo line level sources.

FX AND AUX

34. Adjust the effect of the selected parameters (depth, speed).
35. Sends the FX output to the Auxiliary bus 1 so that FX can be heard in monitor mixes.
36. Sends the output of the FX processor to the main mix bus.
37. Controls the overall level of the Aux bus.
38. Controls the overall level of the FX bus.
39. Selects the effect algorithm as listed below the control.
40. Shows when the FX bus is overloaded.
41. Turns the FX processor on or off.

FRONT PANEL INPUTS AND MASTER OUTPUTS

42. Aux send outputs the signal sent to each respective bus. These can be used to feed processors or monitors.
43. Fx send outputs the signal sent to each respective bus. These can be used to feed processors or monitors.
44. Connects to your computer for full duplex class-compliant recording and playback.
45.  For connecting headphones.
46. Used for control room monitoring, connect directly to your power amplifier or active speakers.
47. This jack allows for the remote on / off switching of the digital effects unit. A normally-open, latching footswitch is required.
48. Switches the +48v phantom power on or off.
49. Indicates AC power supply.
50. Shows the level present at the master bus, when PFL is engaged shows the level of the selected channels (left side of metering only).
51. Indicates +48v phantom power activity.
52. This LED lights up to indicate when any channel SOLO button is engaged.
53. Controls the level of the control room and headphone Outputs.
54. Controls the master level of the main mix bus.

Rear Panel Outputs

55. IEC receptacle for AC power supply
56. Toggles the power on or off
57. Balanced XLR main outputs
58. Balanced/unbalanced TRS main outputs

INSTALLATION

8.1 Cable connections
You will need a larger number of cable for the various connections to and from the console. The illustrations below show. The wing of these cables. Be sure to use only high-grade cable.

8.2 Audio connections
Please use commercial RCA cables to wire the 2-track inputs and outputs.
You can, of course, also connect unbalanced devices to the balanced input/outputs. Use either mono plugs, or ensure that ring and sleeve are bridged inside the stereo plug (or pins 1 & 3 in the case of XLR connectors).
Caution! You must never use unbalanced XLR connectors (pin 1 and 3 connected) on the MIC inputs if you in tend to use the phantom power supply.

USB INTERFACE

The USB connector enables computers with USB connectivity to interface directly with the me Series mixer for full duplex recording and playback. In recent years the introduction of USB connectivity has ushered a new appreciation of  the capabilities of computer audio, helping to fuse both digital and analogue and open up endless possibilities for the recording musician. The internal AD (Analogue to Digital) and DA (Digital to Analogue) converters are 16-bit/48KHz  enabling recording and playback above CD quality, ensuring that recordings that you make with an me Series Mixer have outstanding quality.

SPECIFICATIONS

Maximum Balanced Output Level (1%T.H.D. at 1kHz )| Main XLR Balanced out +26dBut1dBu
---|---
Main 1/4″ Jack Balanced out +26dBuildBu
Maximum Unbalanced Output Level (1%T.H.D. at 1kHz )| Main XLR Unbalanced out +21dBu ±1dBu
Main 1/4″ Jack Unbalanced out +21dBuildBu
Headphone output 150mw±5mw @ 32ohms
THD+N| 0.025% @ + 144Bu ±0.5dBu
Frequency Response| 20Hz-20kHz.t2dB
Hum and Noise 20Hz-20Khz(150R)| 128dBu ±5dBu Mic Pre Equivalent Input Noise
86dBu ±5dBu Residual Noise
SIN| 80d13 ±5dB (§ fader max
Maximum Input Level| Mic +4dBu it dBu
Channel LineA/N
Stereo Line +21dBu ±1 dBu
Impedances| Mic: Balanced 6 Kohms. Unbalanced 3Kohms ±200ohms
Line: Balanced 44 Kohms. Unbalanced 22Kohms ±2kohms
All other Unbalanced outputs:100 ohms. Balanced outputs: 200ohms
Mono Input Channel Gain| 44413 Variable MIC(-16-.60dB)Line(-10dB-+34dB)
Input Channel Ea| High (+/-10dB)t1.5dB 12kHz Shelving
Mid (+/-10dB)+/-1.5dB 1kHz Shelving
Low (+/-10dB)±1.5dB 80Hz Shelving
Effect Out| Effect 16: (1).Reverb Hal11: (2).Reverb Hall2; (3).Reverb Room1:
(4).Reverb Room2; (5).Reverb Stagel: (6).Reverb Stage2, (7).Reverb Plate: (8).Reverb Plate2; (9).Karaoke Echo; (10).Vocal Echo; (11).Chorus1; (12).Chorus2; (13).Flinger; (14).Phaser; (15).Delay: (16).Delay2)
CMRR| 63d13±3dB © 1kHz
FFT| 62d13v ±3dBv (§ gain fader max
Pantom Power| 48Vt2V
Level Meter| 12-Segment LEDx2 (output of +4dB = OdB) Main L/R
AC Power options| AC100V/240V. 50Hz/60z
Dimensions(HxWxD)| 1202FXX: 98mmx310mmx350mm
Weights| 1202FXX: 3.85kg

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