Blackstar Dept. 10 AMPED 2 100-watt Guitar Amplifier Pedal Owner’s Manual

Dept. 10 AMPED 2 100-watt Guitar Amplifier Pedal

Product Information:

The Blackstar Amplification Ltd is a high-quality amplifier designed and engineered in the UK. The amplifier has a compact and portable design, making it perfect for use at home, in the studio or for live performances. The device has high internal operating voltages and should not be opened, as there are no user-serviceable parts inside. Any servicing should be conducted by qualified service personnel. The amplifier is designed to produce a high-quality sound and has a range of features to enhance the user experience.

Product Usage Instructions

1. Read the user manual carefully before using the device. Keep the manual for future reference.
2. Clean the amplifier only with a dry cloth. Do not use any liquids to clean the device.
3. Do not block any ventilation openings on the device.
4. The amplifier should be installed in accordance with the manufacturer’s instructions.
5. The device should not be installed near heat sources such as radiators, heat registers, stoves or other apparatus that produces heat.
6. The amplifier should not be used near water.
7. Only use attachments/accessories specified by the manufacturer.
8. Unplug the amplifier during lightning storms or when unused for long periods of time.
9. To completely disconnect the amplifier from the AC mains, disconnect the power supply cord plug from the AC receptacle.
10. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
11. Do not defeat the safety purpose of the polarized or grounding-type plug.
12. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles and the point where they exit from the device.
13. Before switching on the amplifier, allow it to reach room temperature if it has been moved from a cold environment to a warmer location.
14. Heed all warnings and instructions marked on the product.
15. Refer all servicing to qualified service personnel. By following these usage instructions, users can ensure the Blackstar Amplification Ltd amplifier is used safely and effectively.

IMPORTANT SAFETY INSTRUCTIONS

1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any ventilation openings.
8. Install in accordance with the manufacturer’s instructions.
9. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
10. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
11.  Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
12.  Only use attachments/accessories specified by the manufacturer.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

“TO COMPLETELY DISCONNECT THIS APPARATUS FROM THE AC MAINS, DISCONNECT THE POWER SUPPLY CORD PLUG FROM THE AC RECEPTACLE”

WARNING: TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, DO NOT EXPOSE THIS APPARATUS TO RAIN OR MOISTURE AND OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHOULD NOT BE PLACED ON THIS APPARATUS”.

This symbol is intended to alert the user to the presence of important operation and maintenance (servicing) instructions in the literature accompanying the appliance.
This symbol is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons.

Warning

Important safety information

READ THE FOLLOWING INFORMATION CAREFULLY. SAVE ALL INSTRUCTIONS FOR FUTURE REFERENCE!
Follow all warnings and instructions marked on the product! Danger! High internal operating voltages.

Do not open the equipment case. There are no user serviceable parts in this equipment. Refer all servicing to qualified service personnel. Clean only with a dry cloth.
Condensation can form on the inside of an amplifier if it is moved from a cold environment to a warmer location. Before switching the unit on, it is recommended that the unit be allowed to reach room temperature. Unauthorised modification of this equipment is expressly forbidden by Blackstar Amplification Ltd. Never push objects of any kind into ventilation slots on the equipment casing. Do not expose this apparatus to rain, liquids or moisture of any type. Avoid placing vessels filled with liquid on top of the amplifier. Do not place this product on an unstable trolley, stand or table. The product may fall, causing serious damage to the product or to persons! Do not cover or block ventilation slots or openings. This product should not be placed near a source of heat such as a stove, radiator, or another heat producing amplifier. Use only the supplied power adaptor which is compatible with the mains voltage supply in your area. The power supply adaptor should always be handled carefully and should be replaced if damaged in any way. Never break off the earth (ground) pin on the power supply adaptor. The power supply adaptor should be unplugged when the unit is to be unused for long periods of time.
Before the unit is switched on, the loudspeaker should be connected as described in the handbook using the lead recommended by the manufacturer. Always replace damaged fuses with the correct rating and type. Never disconnect the protective mains earth connection. High loudspeaker levels can cause permanent hearing damage. You should therefore avoid the direct vicinity of loudspeakers operating at high levels. Wear hearing protection if continuously exposed to high levels. If the product does not operate normally when the operating instructions are followed, then refer the product to a qualified service engineer. Only suitable for safe use under non-tropical climate conditions. Maximum ambient temperature for operation: 35°C Always make sure that the power adaptor is connected to a socket/outlet with an earthed connection. Mains Voltage: 100-240V~ 50/60Hz. This amplifier is only designed and evaluated for safety at a maximum altitude of 2000m. The U.S. Government´s Occupational Safety and Health Administration (OSHA) has specified the following permissible noise level exposu res:
Duration Per Day In Hours Sound Level dBA, Slow Response

According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Ear plug protectors in the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss if exposure is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation.

Introduction

Thank you for purchasing this Dept. 10 AMPED guitar amplifier pedal. Like all our products, this amplifier is the result of countless hours of painstaking Research and Development by our world-class design team. Based in Northampton (UK), the Blackstar team are all experienced musicians themselves and the sole aim of the development process is to provide guitarists with the ultimate tools for self-expression. All Blackstar products are subjected to extensive laboratory and road testing to ensure that they are truly uncompromising in terms of reliability, quality and above all TONE. The Dept. 10 AMPED series is packed with innovative, ground-breaking technology allowing the sound in your head to be more portable than ever before. Please read through this handbook carefully to ensure you get the maximum benefit from your new Blackstar product.
To find out more about the Blackstar range of products please visit our website at www.blackstaramps.com.
Thanks!
The Blackstar Team

Features

Since our launch in 2007, Blackstar has led the way in the innovation of guitar amplification. The Dept.10 AMPED 2 represents the culmination of years of technical research and development. AMPED 2 has an intuitive control set like a traditional amp, but the versatility of programmability and Pro Digital Technology. AMPED 2 is a 100W, no compromise guitar amplifier and advanced effects processor pedal capable of delivering the tone and feel of traditional valve amps. The USA and UK Voices offer two of the most revered and popular platforms for pedals and effects, with a beloved hot-rodded bite provided by the Classic Voice. In combination with the four studio quality, fully configurable, built-in effects pedals (Drive, Modulation, Delay and Reverb) your AMPED 2 gives you unparalleled versatility. But it doesn’t end there; MIDI control, 9V isolated pedal power outputs and a fully featured FX loop make your AMPED 2 the ever-expandable hub for your pedalboard. Via the Response control, AMPED 2 offers three distinctly different power valve responses. The power valve responses (EL84, EL34, 6L6) deliver the dynamics, sag and break up characteristics of their analogue counterparts. On top of this, all tones crafted on your AMPED 2 are capable of being delivered with 100W of power at either 8 or 16 ohms, giving you the power to fill any venue. CabRig is Blackstar’s next-generation DSP speaker simulator and creates a fundamental shift in the accessibility of professional recording and performing. CabRig awards musicians the ability to access previously unattainable technology, that has long been reserved for professional sound engineers and producers. The CabRig outputs enable you to get the sound in your head from any speaker including headphones, studio monitors and front of house. AMPED 2 can also be used as an audio interface, recording the sametones you use live straight into your computer via USB-C.

Front Panel

Voice
The Voice control changes the preamp voicing and character.

• USA – Inspired by classic American amps of the mid ’60s. Very clean, dynamic and bright, with a solid low-end and controlled mids. A perfect pedal platform.
• UK – A distinctive preamp based on a much-loved British Class A amplifier of the early ’60s. A low to medium gain preamp that can be used clean, warm or mildly overdriven. Popular choice for a pedal platform or as a responsive crunch tone.
• Classic – Based on Blackstar’s award-winning cascaded valve/tube overdrive circuits and a traditional ‘British style passive tone stack’. Perfect for big chords and crunchy rhythm playing with clear note separation.

Gain
The Gain control adjusts the amount of overdrive or distortion. Low settings, counter clockwise, will deliver a cleaner sound. As the Gain control is turned clockwise the sound will become more overdriven, used in combination with the Voice control to move through beautiful crunch tones, with maximum distortion in the full clockwise position.

Bass
The Bass control adjusts the level of low-end frequencies in your tone. The tone controls are tailored to the selected Voice. For example, the Clean Warm Voice has a more pronounced low end, whereas the Clean Bright Voice has a more controlled bass response.

Middle
The Middle control adjusts the level of mid-range frequencies in your tone. The mid-range frequencies are particularly important in setting the amount of ‘body’ your tone has. With the Middle control set to its minimum position (fully counter clockwise) the sound will be scooped. As the Middle control is increased (clockwise) the amount of ‘body’ is increased.

Treble
The Treble control adjusts the level of high frequencies in your tone. At low settings the sound will be warm and dark in character. As the Treble control is increased the sound will become brighter.

Drive
The Drive pedal is placed before the Amplifier section in the signal chain. Select from the three Drive types using the toggle switch:

• Boost – Boosts the level of the signal into the preamp. The Boost is a great way to access more range from your chosen voice without affecting the overall tone.
• Drive – Adds saturation and distortion to your sound. Perfect for toggling between a clean and dirty rhythm tone when used with a low gain voice.
• Fuzz – Produces gritty and gnarly distortion. The Fuzz reacts differently with each voice, so try the Fuzz in front of each to find your sound.

Fine tune the Drive pedal using the Drive, Tone and Level controls.

Drive Footswitch
The Drive footswitch toggles the Drive pedal on and off. The LED will light up when the Drive pedal is active.

Modulation
Select from the three Modulation types using the toggle switch:

• CH/FL (Chorus/Flanger) – Ranges from lush, glistening Chorus to outrageous, shrieking Flanger.
  • NOTE: The CH/FL Modulation type has a split Depth control. In the lower half of the range the Modulation will be set to Chorus and the depth of the Chorus will be adjusted. In the upper half of the range the Modulation will be set to Flanger and the depth of the Flanger will be adjusted.
  • TIP: Set the Modulation pedal to Post when using the CH/FL setting with a higher gain Voice to get the most impact from the effect. (See below on how to set Modulation Pre/Post).
• Tremolo – Offers everything from subtle undulation to full-on, surgical chopping.
  • NOTE: The Tremolo Modulation type has a split Depth control. In the lower half of the range the Modulation will be set to standard Tremolo and the depth of the Tremolo will be adjusted. In the upper half of the range the Modulation will be set to Harmonic Tremolo and the depth of the Harmonic Tremolo will be adjusted.
  • TIP: Set the Modulation pedal to Pre to try the Tremolo in front of a higher gain Voice to push and pull your sound in and out of distortion (See below on how to set Modulation Pre/Post).
• Phaser – Produces a classic, vocal-like sweep across your sound. Subtly blend the effect or warp your sound into something new.
  • TIP: Experiment with the Phaser set to Pre and Post with the different Voice and Drive options to create unique interactions (See below on how to set Modulation Pre/Post). Fine tune the Modulation pedal using the Time, Depth and Level controls: The Modulation pedal can be placed pre or post the Amplifier section using Blackstar’s Architect deep-editing software. The default setting for Modulation Pre/Post is Pre.

Mod Footswitch
The Mod footswitch toggles the Modulation pedal on and off. The LED will light up when the Modulation pedal is active. When the Modulation pedal is active, holding the Modulation footswitch will activate an ‘Emphasis’ effect. The current settings of the selected Modulation type will be emphasised, with the result being a more intense effect. When the Modulation footswitch is released, the Modulation effect will return to the previous settings.

NOTE: With higher settings of Modulation Depth and Level the ‘Emphasis’ effect will be less pronounced.
TIP: Set your Modulation pedal so that it is barely affecting your sound when active (typically low settings of Modulation Depth and Level), then hold the Modulation footswitch to emphasise the Modulation effect.

Delay
Select from the three Delay types using the toggle switch:

• Linear – Unaltered, and crisp. A great choice for creating intertwined rhythmic delay parts.
• Analogue – Warm, smooth and supportive. Perfect for adding space to your sound without getting in the way.
• Shimmer – Complex, lush and ethereal. Combine with a long Reverb for ambient sound scaping.

Fine tune the Delay pedal using the Time, Feedback and Level controls. The Delay pedal can be placed pre or post the Amplifier section using Blackstar’s Architect deep-editing software. The Delay trails can also be turned on or off using Blackstar’s Architect software. With Delay trails on, when the Delay is deactivated with the Delay footswitch (11) the input to the Delay will be stopped and the Delay sounding at that point will be allowed decay naturally. With Delay trails off, when the Delay is deactivated with the Delay footswitch (11) the Delay sound will stop instantly.

Delay Footswitch
The Delay footswitch toggles the Delay pedal on and off. The LED will light up when the Delay pedal is active. When the Delay pedal is active, holding the Delay footswitch will activate the ‘Freeze’ effect. Whilst the Delay footswitch is held down and the ‘Freeze’ effect is active, the Delay will decay over a much longer period of time. Notes played whilst the Delay footswitch is held will be added to this ‘Freeze’ effect.

Reverb
Use the Reverb type switch to alter the character of the Reverb:

• Room – Dense and intimate
• Spring – Warm and resonant
• Plate – Airy and smooth

Fine tune the Reverb pedal using the Time and Level controls.

The Reverb Tone can be customised for each Reverb type using Blackstar’s Architect deep-editing software and saved to your amp.

Reverb Footswitch
The Reverb footswitch toggles the Reverb effect on and off. The LED will light up when the Reverb is active. When the Reverb is active, holding the Reverb footswitch will activate the ‘Freeze’ effect. Whilst the Reverb footswitch is held down and the ‘Freeze’ effect is active, the Reverb will decay over a much longer period of time, achieving a synth pad-like effect. Notes played whilst the Reverb footswitch is held will be added to this freeze effect.

Tuner
Activate the chromatic Tuner on the integrated OLED display by pressing both the Delay footswitch (11) and Reverb footswitch (13) simultaneously. The note being played will be displayed on screen and the arrows will indicate whether the note is flat (to the left of the screen) or sharp (the right of the screen). The arrows will appear larger in the centre to indicate when the note is in tune. Press any footswitch to deactivate the Tuner.
NOTE: The output will be muted whilst the Tuner is active.

Tap
The Tap footswitch can be used to input a tempo/BPM (Beats Per Minute) for the synced effects pedals. The LED will flash to indicate the current tempo/BPM. When tapping a new tempo/BPM the generated tempo/BPM will be displayed on the screen.

NOTE: When tapping the Tap footswitch to input a new tempo/BPM, the minimum number of taps to generate a tempo/BPM is three. The effects pedals that can be synched to the Tap tempo/BPM are Delay and Modulation. The Delay pedal is permanently synched to the Tap tempo/BPM, but by default the Modulation pedal will not be synced. To sync the Modulation pedal to the Tap tempo/BPM please see the section on Hold: Shift (16).

MIDI: To set the Tap tempo/BPM using the MIDI In, configure a MIDI message with MIDI CC number 100 and a value of 127 (See the MIDI table at the end of this manual for more information). It is important to note that values other than 127 will be ignored when setting the Tap tempo/BPM via the MIDI In, so it is recommended to configure your MIDI controller to “momentary” when setting the Tap tempo/BPM.

Hold: Shift
Secondary functions of the controls can be accessed by holding the Tap footswitch:

• Shift + Drive Tone = Fuzz Bias – When holding the Tap footswitch, turning the Drive Tone will adjust the Fuzz Bias. Turning the Fuzz Bias up will increase the DC offset at the input to the Fuzz. The effect of this is a more gated, tighter sound, tending towards spitting and spluttery as the control is increased.
• NOTE: The default setting for the Fuzz Bias is 0.
• Shift + Modulation Time = Modulation Time Division – When holding the Tap footswitch, turning the Modulation Time knob will adjust the Modulation Time Division. The Modulation pedal will then be synched to the Tap tempo/BPM. The time division of the Modulation can be set in relation to the Tap tempo/BPM by turning the knob:
  • “1/1” = Whole bar
  • “1/2” = ½ notes
  • “1/4” = ¼ notes
  • “1/4D” = Dotted ¼ notes
  • “1/4T” = ¼ note triplets
  • “1/8” = 1/8 notes
  • “1/8D” = Dotted 1/8 notes
  • “1/8T” = 1/8 note triplets
  • “1/16” = 1/16 notes
  • “1/32” = 1/32 notes

NOTE: Once the Modulation pedal is synced to the Tap tempo/BPM it can be un-synced by turning the Modulation Time control after the Tap footswitch has
been released.

• Shift + Delay Time = Delay Time Division – When holding the Tap footswitch, turning the Delay Time knob will adjust the Delay Time Division. The time division of the Delay pedal can be set in relation to the Tap tempo/BPM:
  •  “1/4” = ¼ notes
  •  “1/4D” = Dotted ¼ notes
  • “1/4T” = ¼ note triplets
  • “1/8” = 1/8 notes
  •  “1/8D” = Dotted 1/8 notes
  • “1/8T” = 1/8 note triplets
  • “1/16” = 1/16 notes
  • “1/16D” = Dotted 1/8 note
  • “1/16T” = 1/16 notes
  • “1/32” = 1/32 notes
• Shift + Treble = Presence – When holding the Tap footswitch, turning the Treble knob will adjust the Presence. The Presence control sets the overall treble of the power valve response. Accentuate percussive and articulate high-end or control aggressive, sharp treble with this control.

NOTE: The default setting for the Presence is 5.
NOTE: The secondary function settings can be reset to the defaults using Blackstar’s Architect software (Please see the section below on Blackstar’s Architect).

Response
The Response control delivers three distinctly different and authentic power valve responses – EL84, EL34 and 6L6. Each setting delivers the response, dynamics, sag and break-up characteristics of the selected valve power amp. This means that these amps deliver live without compromise. Blackstar’s power valve responses change the characteristics of the sound from dynamic and tight to compressed and spongy:

• EL84 – Bell-like full bodied Class A with lots of compression and soft break-up
• EL34 – Classic British Class A/B full bodied crunch with focussed mids
• 6L6 – Tight dynamic Class A/B with extended high and lows

Master
This controls the overall volume of your amplifier. Turning it clockwise increases the volume. High levels of Master volume will introduce the effect of valve power amp distortion and compression, the character of which depends on the Response (17) setting you have selected.

Power
This 3-way mini toggle switch allows the user to switch between three different power output settings:

• 100W – This is the full power setting which will give the loudest clean headroom. Ideal for live and stage use.
• 20W – This setting reduces the output power to a maximum of 20 Watts. Use for smaller gigs, when rehearsing, or when a more power amp overdriven tone is desired at a lower level.
• 1W – This is the lowest power setting and reduces the output power down to 1 Watt. Perfect for practising, recording or when a power amp overdriven tone is desired at low volume.

Rear Panel

Mains Input
The supplied detachable mains lead is connected here. Dept. 10 AMPED products use a universal input power supply. This means that the mains input range is rated at 100Vac to 240Vac and capable of operating at 50Hz and 60Hz. Therefore, these products can be used anywhere in the world without needing to adjust anything. Along with the size and weight benefits, this makes them ideal for a musician who travels internationally.

NOTE: The mains input can only be connected to a power outlet that is compatible with the voltage, power and frequency requirements stated on the rear panel. If in doubt, seek advice from a qualified technician.

Power Switch
This switch is used to turn the amplifier on and off.

In
Plug your guitar into this input. Always use a good quality screened instrument lead.

FX Loop Send
Connect to the (mono) input of external effects units here. The Effects Loop Send is taken before the Presence (16) and Master (18) controls. The default for the Effects Loop is for it to be placed before the onboard Reverb in the signal chain. This setting can be changed using Blackstar’s Architect software and saved to the amp.

FX Loop Return
Connect to the (mono) output of external effects units here. As default, the Effects Loop is set to run in series. The Effects Loop can be set to run in parallel using Blackstar’s Architect software and saved to the amp. When running in parallel, Architect also provides control over the Effects Loop Return Level.
TIP: The typical use of a parallel effects loop is to run the looped effects on full ‘wet’. This eliminates the dry signal from the effects loop and offers more control over the wet/dry mix.
NOTE: If the Effects Loop is set to parallel, running effects in the loop that contain a dry signal will result in a level boost when mixed back with the dry pass-through at the Effects Loop Return.

FX Loop Level Switch
The Level switch sets the Effects Loop to either +4dBu or -10dBV, which allows the level to be optimal for use with either professional audio equipment (+4dBu) or with guitar level effects such as effects pedals (-10dBV).
TIP: If you are unsure which setting to use, start with -10dBV.

Out
Connect your AMPED to the input of another amplifier using the Out. The signal for this output is taken after the Presence (16) and Master (18) controls, but the power valve Response (17) is not applied to the tone.

Speaker Outputs
Connect a suitable guitar speaker cabinet to the matching impedance Speaker Output: The output marked ‘16 OHM’ is for the connection of a single 16 Ohm extension speaker cabinet. The output marked ‘8 OHM’ is for the connection of a single 8 Ohm extension cabinet.

WARNING: Do not use both speaker outputs at the same time, doing so will damage your amplifier. Connect the speaker cable to your cabinet first, then your AMPED pedal.

NOTE: If the speaker lead is disconnected at the amplifier end, then your AMPED pedal will automatically switch to a safe, low power consumption mode. Therefore, for example, if you wish to record using the output from either the XLR, stereo jack, or USB, then you can set it on your desk without any need to be connected to a speaker load.

IMPORTANT NOTE: The protection sensing is at the speaker output jacks on the unit. Do not disconnect at the speaker end only. Disconnect at the amp!

Outputs
Use the two isolated 9V DC outputs to power your external pedals up to a maximum combined current of 500mA. Both isolated outputs are centre negative.
WARNING: Do not exceed a combined total current of 500mA from the two outputs. Do not connect pedals that require a centre positive power connection.

USB Audio – CabRig Output
Use the supplied USB-C cable to connect your AMPED 2 directly to your computer. This is for USB digital audio output and for connecting to Blackstar’s Architect software.
Standard audio drivers are used to connect the amplifier to a PC, Mac or other applicable recording device. No specific drivers are required. For a guide on low latency USB recording visit: www.blackstaramps.com/usbrecording

NOTE: Always connect the amplifier via a main USB port, often found on the rear of the computer. CabRig is a next-generation advanced speaker simulator that reproduces the sound and feel of mic’d up guitar speaker cabs in incredible detail. The sound is dependent on the position of the CabRig switch. The CabRig switch has 3 positions to choose between three presets, these presets are completely customisable in the CabRig section of the Architect software. Your AMPED pedal is capable of multiple simultaneous inputs and outputs via USB. The amplifier will appear as an audio capture device within recording software. The audio output via USB from your amplifier directly to your computer is carried across four independent, simultaneous channels:

• Channel 1: CabRig, left channel – The fully processed guitar sound, with power amp and speaker cabinet emulation. This will include the left channel of the CabRig Room. This signal is taken from after the Master volume control.
• Channel 2: CabRig, right channel – The fully processed guitar sound, with power amp and speaker cabinet emulation. This will include the right channel of the CabRig Room. This signal is taken from after the Master volume control.
• Channel 3: Preamp output – The sound of the preamp voices and EQ stages, taken before the reverb and without any speaker or cabinet emulation. Ideal for use with your own effects and power amp/cabinet emulation plugins within your recording software/DAW. This signal is not affected by the Master volume control or any controls within CabRig, but it can be attenuated by up to 20dB using the CabRig Outputs ‘Level’ control on the rear panel.
• Channel 4: Unprocessed dry guitar signal – Unprocessed dry guitar signal

This is the direct signal from your guitar as received by the input stage of the amp. This signal is ideal for reamping. This signal is not affected by any of the amplifier’s controls.
These audio streams can be recorded simultaneously within your chosen recording software/DAW. Control the output levels of Channels 1 and 2 using CabRig within Blackstar’s Architect software.

TIP: To record a stereo Room sound, pan the stereo CabRig left channel 100% left in the mix and pan the right channel 100% right. Your AMPED pedal can also receive audio input from your computer:

• Channel 1: Line input, left channel – Used for audio monitoring or backing track playback via the XLR and Line Out CabRig outputs.
• Channel 2: Line input, right channel – Used for audio monitoring or backing track playback via the Balanced XLR and Line Out CabRig outputs.

MIDI In
To receive MIDI messages, connect your MIDI device here using the supplied TRS MIDI to 5 pin MIDI adaptor. Always use a good quality MIDI lead. The default for receiving MIDI messages via the MIDI In is channel 1. The MIDI channel can be changed using Blackstar’s Architect software. Please refer to the MIDI table at the end of this manual for more details.

MIDI Thru
MIDI messages received at the MIDI In port will be passed, unaffected, to the MIDI Thru. Use this output to chain multiple MIDI devices together.
NOTE: The path from MIDI In to MIDI Thru is a software pass-through.

Balanced – Mono XLR CabRig Output
Use a 3 pin XLR cable to connect this output to an audio interface, stage box or mixing desk. This provides a low noise, low impedance, high quality connection for recording or live use. The signal from this output is the fully processed guitar sound, with power amp and CabRig speaker cabinet emulation. This signal can also be attenuated by up to 20dB using the CabRig Outputs ‘Level’ control. The USB stereo line input will also be affected by the Level control when it is monitored through the XLR output.
NOTE: This signal is taken after the Master volume control.

Line Out – Stereo CabRig Output
This ¼” TRS jack socket provides a stereo connection to a recording device, mixing desk or headphones. Always use a good quality TRS (stereo) type lead or TRS to 2 x TS (mono) lead (see diagram below). The signal from this output is the fully processed guitar sound, with power amp and CabRig speaker cabinet emulation. The sound is dependent on the CabRig switch (34) setting and the more in-depth settings within the CabRig section of Blackstar’s Architect software. The CabRig signal level can also be attenuated by up to 20dB using the Level control (35). The USB stereo line input will also be affected by the Level control when it is monitored through the Line Out.
NOTE: This signal is taken after the Master volume control.

Line Out – Stereo CabRig Output
Use this to switch between the three CabRig settings currently stored in the pedal. You can customise the three factory patches using the CabRig section of Blackstar’s Architect software.

Level – CabRig Outputs
This control allows quick access, physical control over the XLR, Line Out and USB audio channel 3 output level. At maximum (fully clockwise), this control has no effect on the signal level. At minimum (fully anti-clockwise), this control attenuates the signal on these outputs by 20dB.

Kensington Lock
Also known as a Kensington Security Slot or K-Slot this is a specifically sized hole for connecting a compatible Kensington Lock to secure the amplifier to a fixed point. For more information please refer to www.kensington.com

Architect

Amplifier

On this page all of the front panel (outlined in the ‘Front Panel’ section of this manual) controls of your AMPED 2 can be adjusted.

To switch to CabRig page in Architect, click on the CabRig icon at the bottom of the page. Please see the CabRig section below for more information on CabRig.

Local Patches

Click on the ‘Save’ icon in the toolbar to save a Local Patch. All of the front panel settings will be saved in a Local Patch. Local Patch can be recalled by double clicking on the relevant patch in the Patches panel.
NOTE: Local Patches cannot be saved to your amp. They can only be recalled and loaded to your amp when connected to Blackstar’s Architect

Random Preset Generation

Click on the ‘Die’ icon to generate a random amp preset. All front panel controls will be randomised.

Audio Settings

Click on the ‘Audio Settings’ icon to open the Audio Settings panel. Adjust detailed Delay and Modulation settings, Fuzz Bias, Presence, MIDI channel, FX Loop and Reverb settings here. Changes made here will automatically update, but will not be permanently saved to the amp. To save your changes, click “Save Amp Settings” at the bottom of the page.

Tuner

Click on the ‘Tuner’ icon or the screen to activate the Tuner. The behaviour of the Tuner is the same as outlined in the Tuner section (14).
NOTE: The “Wide” setting will enhance and widen the stereo image, resulting in an expansive stereo experience.

CabRig

To access edit CabRig settings you will need Blackstar’s Architect software. Download Architect from the Blackstar website: https://blackstaramps.com/architect

Cab Channel Strip
The Cab Channel strip allows you to craft and control your virtual cabinet tone.

Cab Selection

Select your virtual cabinet using the Cabinet Selection panel. Choose from 23 distinct speaker cabinets or select DI (Direct Injection) for the direct power amp output.
NOTE: For use with 3rd party IR (Impulse Response) loaders, select the DI option. The DI is taken from after the power amp emulation.

Mic Selection

Mic up your virtual cabinet with a choice of 6 industry standard microphones. Toggle the axis of your microphone choice for a different tonal flavour. In general, OFF AXIS will darken your tone and shift the mid-range character.

57 – Dynamic

| Bright and cutting, with controlled lows. A classic microphone choice for recording guitar cabinets. Use this microphone off-axis for a less sharp, mid- focussed tone.
421 – Dynamic| Aggressive and tight. Use this microphone for an up- front sound or off-axis for a more mellow sound.

67 – Condenser

| Balanced with extended top end. Off-axis this microphone gives a similar tone to a ribbon, but with a controlled low end.

414 – Condenser

| Rich and bold. The extended top and bottom end   of this microphone gives your tone a larger-than-life sound.
121 – Ribbon| Thick and warm. A great choice for a vintage sound.

Try off axis for a super smooth sound.

160 – Ribbon

| Punchy mids with smooth highs. Use this microphone for a more controlled ribbon sound or off-axis for a richer tone.

Mix Controls

Balance the levels of your cabs using the channel faders. Use the solo button to isolate your cab and room, or the mute button to silence it. Below is the signal chain for CabRig

Room

Room Selection
Support your cab and mic selection with room ambience. Select the type of room using the drop-down menu. Each room type has a “Damped” option; selecting this will result in a shorter and more refined sound.

Width Selection
Adjust the stereo width of your room choice using this drop-down. These are emulations of three different micing techniques (shown below): mono mic, XY pair and spaced pair.

NOTE: The “Wide” setting will enhance and widen the stereo image, resulting in an expansive stereo experience.

Master

The channel EQs provide the ability to shape the tone of each of your cab and mic combinations individually. The EQ can be bypassed for a quick comparison.

• LOW-CUT: Controls a 2nd order high pass filter
• LOW: Controls a low shelf filter at 120Hz +/- 10dB
• LOW MIDS: Controls a peak filter at 400Hz +/- 10dB
• HIGH MIDS: Controls a peak filter at 1KHz +/- 10dB
• HIGH: Controls a high shelf filter at 4KHz +/- 10dB
• HI-CUT: Controls a 2nd order low pass filter

TIP: Choose one of the EQ Presets from the drop-down box (shown below) for a good place to start. This is like having your own sound engineer, getting you to the sound you want quickly. The EQ Presets also provide a great platform for experimentation should you wish to tweak your tone further.

Patches and Presets

Device (AMPED 2) Patches
These are the patches that are currently loaded on your amplifier, selectable via the CabRig switch. Press the save button and “Save Patch to Device” to save your current CabRig settings to one of your “Device Patches”.

Local Patches
“Local Patches” are saved on your computer (Documents – Blackstar – Saved Patches), instead of loaded onto your amp. To save a local patch, click the save button and “Save Local Patch”. You can save as many “Local Patches” as you like and these can be recalled at any point by double clicking on the patch in the patches panel or right clicking on the patch and selecting “Load Patch”.

TIP: To organise your “Local Patches” in the patch panel go to “Documents – Blackstar – Saved Patches” and create your own folders. Simply drag your patches into the folders you have created and your folders will appear in the patch panel.

Settings Panel

Audio
Adjust detailed Delay and Modulation settings, Fuzz Bias, Presence, MIDI channel, FX Loop and Reverb settings here. Changes made here will automatically update, but will not be permanently saved to the amp. To save your changes, click “Save Amp Settings” at the bottom of the page.

General
Adjust various Architect settings here.

About
Information about your amplifier will be displayed here.

Reset Default Patches and Settings

The default factory amp patches, CabRig patches and settings can be restored to your amplifier at any time. This can only be done using Blackstar’s Architect software. Download Architect from the Blackstar website: https://blackstaramps.com/architect/ Navigate to the ‘General’ settings panel within Architect and click ‘Restore Patches and Settings’. Follow the on screen instructions to complete the reset.
IMPORTANT NOTE: This process will overwrite any user content saved to the amp.

Firmware Upgrade
When a firmware upgrade for your amplifier is available, Architect will automatically prompt you, upon connection to your AMPED 2, to upgrade to the latest version. Follow the onscreen instructions to perform the firmware upgrade.

Technical Specifications

• AMPED 2
• Power (RMS): 100W
• Weight (kg): 1.76
• Dimensions (mm): 285(W) x 80(H) x 150(D)

Voice

| USA| 1| 127 = On
UK| 2| 127 = On
Classic| 3| 127 = On

Preamp

| Bass| 4| 0-127
Middle| 5| 0-127
Treble| 6| 0-127
Gain| 7| 0-127

Response

| EL84| 8| 127 = On
EL34| 10| 127 = On
6L6| 12| 127 = On
Presence| 15| 0-127
 | Master Volume| 16| 0-127

Drive

| Drive Footswitch| 25| 0 = Off

127 = On

Drive Type – Boost| 26| 127 = On
Drive Type – Drive| 27| 127 = On
Drive Type – Fuzz| 28| 127 = On
Drive Drive| 29| 0-127
Drive Tone| 30| 0-127
Drive Level| 31| 0-127

Modulation

| Modulation Footswitch| 38| 0 = Off

127 = On

Modulation Type – Chorus/ Flanger| 39| 127 = On
Modulation Type – Tremolo| 40| 127 = On
Modulation Type- Phaser| 41| 127 = On
Modulation Time| 42| 0-127

Modulation Time Division

|

43

| 0 = 1/1

1 = 1/2

2 = 1/4

3 = 1/4D

4 = 1/4T

5 = 1/8

6 = 1/8D

7 = 1/8T

8 = 1/16

9 = 1/32

Modulation Depth| 44| 0-127
Modulation Level| 45| 0-127
Modulation Hold| 46| 0 = Off

127 = On

Modulation Pre| 47| 127 = On
Modulation Post| 48| 127 = On
 | Function| CC Number| Value
---|---|---|---

Delay

| Delay Footswitch| 51| 0 = Off

127 = On

Delay Type – Linear| 52| 127 = On
Delay Type – Analogue| 53| 127 = On
Delay Type – Shimmer| 54| 127 = On
Delay Time| 55| 0-127

Delay Time Division

|

56

| 0 = 1/4

1 = 1/4D

2 = 1/4T

3 = 1/8

4 = 1/8D

5 = 1/8T

6 = 1/16

7 = 1/16D

8 = 1/16T

9 = 1/32

Delay Feedback| 57| 0-127
Delay Level| 58| 0-127
Delay Hold| 59| 0 = Off

127 = On

Delay Pre| 60| 127 = On
Delay Post| 61| 127 = On

FX Loop

| FX Loop Pre| 75| 127 = On
FX Loop Post| 76| 127 = On
FX Loop Series| 77| 127 = On
FX Loop Parallel| 78| 127 = On

Reverb

| Reverb Footswitch| 86| 0 = Off

127 = On

Reverb Type – Room| 87| 127 = On
Reverb Type – Spring| 88| 127 = On
Reverb Type – Plate| 89| 127 = On
Reverb Time| 90| 0-127
Reverb Level| 91| 0-127
Reverb Hold| 92| 0 = Off

127 = On

 | Tap Footswitch| 100| 127 = Tap

Power Level

| 1W| 110| 127 = On
20W| 111| 127 = On
100W| 112| 127 = On
 | Tuner| 119| 0 = Off

127 = On

References

• Home Page Blackstar Amplification
• Architect Software - Blackstar
• Computer Products & Accessories: Locks & Docks | Kensington
• YouTube
• Computer Products & Accessories: Locks & Docks | Kensington
• Architect Software - Blackstar

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