eve audio SC2070 Studio Monitor Released Instruction Manual

SC2070 Studio Monitor Released
Instruction Manual

SAFETY INSTRUCTIONS

To avoid the risk of electrical shock, do not attempt to open the unit. There are no user-serviceable parts inside.
Do not attempt to service the equipment yourself. In case of problems, please contact your local dealer or distributor.
This unit should be connected to a grounded power outlet. If you use extension cords and power distributors they should be grounded as well.
Verify that the specified operating voltage on the rear side matches the local mains voltage. If these values do not match you will have to adjust the loudspeaker setting   appropriately and change the fuse type.
Use only the fuse types specified on the rear side of the unit. Never bypass the fuse.
Make sure that no liquids wet the inside of the cabinet. Never spray, pour or spill liquids directly onto the unit.
Do not use a wet cloth nor flammable or acid chemicals for cleaning.
Do not touch the diaphragms of the loudspeaker and do not obstruct the bass reflex ports.
Make sure there is enough air flow behind the loudspeaker to maintain the electronic components cool.
Do not expose this product to extreme temperatures.
The diaphragms build up a magnetic field around the loudspeaker.
High sound pressure levels can damage your hearing permanently! Avoid standing close to loudspeakers producing high sound pressure levels.

INTRODUCTION

Thank you for your time and interest in the EVE Audio product range.
EVE Audio is a loudspeaker manufacturer based in Berlin, Germany, that specializes in the development and design of unique studio monitors.
The use of first-class components is our highest priority because we firmly believe this is the only way to manufacture first-class products.
You have chosen a loudspeaker from our Silvercone SC series. The SC2070 was conceived as a two-way system. The features allow multiple applications for use in  professional recording studios as well as home studios.
The SC2070 combines a 6.5 ” SilverCone chassis with the Air Motion Transformer developed by EVE Audio for the RS series. The loudspeaker system is completed by high- performance amplifiers and high-resolution DSP technology. The woofer of the SC2070 is powered by a dedicated 150W amplifier, while the tweeter is fed by a 100W  amplifier.
We wish you enjoy your new EVE Audio monitor. If you have any questions regarding our products, do not hesitate to contact your nearest dealer or get directly in touch  with us… We will be more than happy to help you out!
The EVE Audio Team
EVE Audio

QUICK START

• If you already have experience with studio monitors, the Quick Start guide ought to be more than enough to get you started.
• For unexperienced users we recommend reading the whole user ’s manual in order to prevent any misuse.

2.1 First Steps
Check the package components (loudspeaker, user ’s manual, power cord, grid, rubber feet).
Check the voltage setting (see “Mains Voltage Selector ”).
Check the setting of the DIP Switches (variable).

2.2 Speaker Connection
Connect one of the monitor inputs on the rear side (RCA or XLR) to the line output of a playback source, for instance an audio interface. The output level should be as low  as possible.

2.3 Powering
Engage the Power switch on the rear side of the loudspeaker to turn it on or off.
The LEDs around the Volume control on the front panel will light up clockwise. If the LED on
the right end is dimly lit, this indicates that the loudspeaker is in Standby Mode. Press the Volume control to turn the loudspeaker on. If you turn the Volume control counter  clockwise until the LED on the left end lights up dimly the loudspeaker will be muted.
Increase the output level on the source device until the LED ring starts to blink, then reduce the output level a bit. The maximum operating level for the input (i.e. the analog  to digital converter) is now set optimally. To set the desired listening volume use the Volume control on the loudspeaker.
The LED ring indicates the volume setting. If the LED ring starts to blink, reduce the output level on the signal source.

Check the package components (loudspeaker, user’s manual, power cord, grid, rubber feet).
Check the voltage setting (see “Mains Voltage Selector”).
Check the setting of the DIP Switches (variable).
Connections: there are two input connectors on the rear side. These allow the connection of
balanced sources with XLR connectors or unbalanced sources with RCA connectors.

• Pin assignment XLR: 1 = Shield, 2 = hot (+), 3 = cold(-).
• Pin assignment RCA: Center conductor = Signal, Ring = Shield.

Both analog inputs can be used simultaneously, whereby the signals are summed.
The maximum level of the source signal should not exceed 8dBu. If the input is overloaded the LED ring will start blinking.

3.2 Operating Modes
Standby Mode | Volume Mode (-10dB) | Setting Menu (Low filter @ -2dB)

3.3 Powering on/off: Standby Mode
Press and hold the control three seconds in order to put the monitor in Standby Mode. The volume will decrease gradually while the LED ring lights up once around the  Volume control. Afterwards, the LED on the right end will light dimly and the power consumption is reduced to 1 watt.
！ To exit the Standby Mode press briefly the Volume control once again. The level will increase gradually.

3.4 Volume Mode

• Level adjustment
  The maximum input level for balanced (XLR) and unbalanced signals (RCA) is +7dBu or +22dBu, depending on the position of the Max. Input switch on the rear panel  (see DIP Switches). Higher levels produce distortion due to the overloading of the analog to digital converter.

• Given that some professional studio devices can produce in excess of +22dBu, the LED ring will start blinking whenever the AD converter is overloading. If that is the  case, the output level of the source should be reduced.

• Volume adjustment
  Turn the knob to adjust the volume. Depending on the LED mode selected (see LED Mode), the volume will be displayed as a dim/bright circle or as a dim/bright  point.

The control’s response curve is not linear. The increments become finer as the volume increases:

• 80dB (minimum) to -48dB: 2dB
• 48dB to -20dB: 1dB
• 20dB to 0dB (maximum): 0.5dB

Mute
To mute the monitor, turn the Volume control counter clockwise until you reach the minimum level. When the LED on the left end lights up dimly the Mute Mode is activated.
! To exit the Mute Mode simply turn the control clockwise until you reach the desired volume.

3.5 Settings Menu
Press the control once to enter the Settings menu. Here you can set four different filters (High, Mid, Desk, Low), as well as the LED ring’s behavior. The LED of the currently active function will blink.
Turn the control to choose the filter or LED mode desired. The blinking LED indicates the function selected while the steady-on LED indicates the value assigned to that  function.
Press the control to confirm your selection. The blinking will stop once the selection is confirmed.
Turn the control to adjust the filter or the LED behavior.
When you are satisfied with the setting, press the control again to go back to the Settings menu. You can then select and edit another function.
！To exit the Settings menu press and hold the control for three seconds or simply wait 10 seconds.
The loudspeaker will then return automatically to the Volume Mode.

3.6 Filters
The filters of the EVE Audio monitors were specially developed to offer you the possibility of adjusting your monitoring system to the characteristics of your room.
These filters help correct the alterations to the frequency response produced by the room acoustics and listening distance. Do bear in mind that correcting bad room  acoustics with filters will only achieve average results. In any case, you should try to use the filters as little as possible.

3.7 Low Filter
The Low-Shelf Filter allows you to boost or attenuate frequencies below 300Hz in 0.5dB steps. Use this filter whenever the acoustics of your room cause problems in the low  frequency range. 

If the low frequencies are boosted by the room, you can attenuate them with the Low-Shelf Filter. The reasons for this boost could be the room modes or the loudspeakers  being too close to the walls. In the same way, if the low frequencies are to weak, you can boost them to balance the frequency response.

3.8 High Filter

The High-Shelf Filter allows you to boost or attenuate frequencies above 3kHz in 0.5dB steps. High frequencies are affected depending on the distance from the sound  source to the listening position. The further you are from the loudspeakers, the weaker the high frequencies. In such cases the filter should be set to boost them. In desktop  applications, distances can be as short as 1m (3ft), which results in the high frequencies being boosted. To compensate for this effect you should use the HighShelf Filter to  attenuate the high frequencies.
If you have a very dead room, it might be wise to boost the high frequencies in order to have a more balanced overall sound. When the listening position is too close to the  loudspeakers or the room has reflective surfaces, it is reasonable to attenuate the high frequencies.

3.9 Mid Filter

The Mid Filter is a bell filter with 1kHz center frequency. It allows you to boost or cut the mid range up to +/-3dB in 0.5dB steps.
This frequency range is very important for the balance between lower mid and higher mid frequencies. Use the Mid filter to adjust the balance between fundamental and  harmonic frequencies in the music material. Depending on the acoustics of your room, some of the sound energy produced by the monitors may be reflected by surfaces like  walls, floor and/or ceiling in the room, thus altering the perceived sound.

3.10 Desk Filter

The Desk Filter has two functions. When turned down it acts as a narrow- band EQ set to 170Hz.
The reflections of mixers and similar surfaces usually result in the boosting of low mids. With the
Desk Filter you can lessen this effect by turning down the filter gain.
When turned up, the Desk Filter also works as an EQ but this time set to 80Hz. This allows you to
give more punch to the lower frequencies.
!The following applies to the Low, High and Desk filters:

• Every step represents a 0.5dB increment.
• Maximal boost is +3dB and maximal attenuation is -5dB.
• Refer to the chapter on POSITIONING to set the filters of your EVE Audio monitors effectively.

3.11 LED Mode
The LED Mode determines in which of the four available fashions the LED ring displays the volume level. The LEDs represent given levels, which are displayed and  adjusted according to four steps. Intermediate steps are indicated by the brightness between two adjacent LEDs.

POSITIONING

4.1 Speaker Positioning + Rubber Feet
Ideally, there should be no objects or obstacles between the loudspeakers and the listening position. Furthermore, a symmetrical positioning is important. This applies to the  distance between speakers as well as to the walls, ceiling and floor. In order to have a symmetrical stereo image it is also important to have symmetrical reflections. We recommend to keep a distance of at least 0.5m (19 inches) to the walls, in order to avoid low frequency boosting.
EVE Audio monitors can also be flush-mounted in a wall, in which case there should be enough air flow. This is important to keep the electronic components cool but also  to allow for the best performance of the bass reflex ports. We recommend to keep at least 3cm (1 in) to the sides and top.
The SC2070 monitor was especially designed to be placed vertically. Fix the supplied rubber feet to the bottom side of the monitor and place it on an even and steady surface.
If the room conditions force you to place the SC2070 monitor in horizontal position, make sure that the tweeter is pointing to the outside and that the loudspeakers are  angled towards the listening position. In any case, you should also try placing the tweeters pointing to the inside. Regardless of the position, always mind the symmetry (both tweeters should point either to the inside or to the outside)!
Rubber feet: your EVE Audio monitors are supplied with four self-adhesive rubber feet. Fix them to the bottom of your loudspeakers to place the monitors safely on an even surface. Furthermore, the rubber feet improve the acoustic decoupling of the loudspeakers from the surface.

4.2 Height and Distance

The tweeter of your EVE Audio monitors should be ideally placed at the same height as your ears. If this is not possible tilt the monitors so that the tweeter is directed to your ears.
The ideal distance between the SC2070 and the listening position is 1-2 m (3.4-6.5 ft).
！These values are only meant as a reference and depend a lot on the characteristics of the room. In live rooms you will be forced to reduce the distance, while in dead  rooms the distance to the loudspeakers can be larger.

4.3 Stereo Setup
The so-called “stereo triangle” is the best way to place speakers in a stereo setup, i.e. the monitors and the listening position should form an equilateral triangle. Try the  following:
Establish the ideal distance to the listening position (see “Height & Distance”).
Place the monitors in such a way that the distance from each other and to the listening position is the same.
Turn both monitors so that their front panels are pointed towards the listening position (all angles of the stereo triangle should be 60º).

4.4 Stereo Setup + Subwoofer (2.1)
In such a setup, the subwoofer is fed by the stereo signal source. The subwoofer filters the low frequency components of the stereo channels and sums them to produce a  mono signal which it then reproduces. The high frequencies are forwarded to the full-range satellite speakers.
Ideally, such a system would comprise two EVE Audio SC2070 monitors plus one EVE Audio TS110 or TS112 subwoofer, or even two TS108 subwoofers. All these subwoofers allow you to set the crossover frequency for the satellite speakers and the subwoofer.
The positioning of the two satellites should be done in the same manner as in a stereo setup (see “Stereo Setup”).
The subwoofer should be placed on the ground between both satellites. Considering that low frequencies are omnidirectional, the subwoofer does not have to be centered  exactly between the two satellites. The subwoofer can be moved back a bit so that it is at the same distance from the listening position as the satellites. This guarantees all  transducers are aligned in time.

4.5 Multichannel Setup (5.1)
The most common 5.1 systems consist of three front channels (left, right and center), two surround channels (left/right) and a subwoofer for the low frequencies. The  speakers form a circle around the listening position.

Ideally, a 5.1 system would comprise five EVE Audio SC2070 and a TS110 or TS112 subwoofer. Other combinations are also possible.

The positioning of the two front speakers and the subwoofer should be done in the same manner as in a stereo setup with a subwoofer (see“Stereo Setup + Subwoofer“).
Place the center monitor directly in front of the listening position, i.e. right in the center between both front satellites.
The rear satellites should form an isosceles triangle with the listening position forming an angle of 140º.
Verify that all speakers are at the same distance from the listening position, so that they are aligned in time.

4.6 Mixer/Workplace Reflections
Regardless of whether the monitors are to be used in a recording studio with a mixing desk and meter bridge or in a desktop environment, hard surfaces can produce  annoying reflections that alter the natural reproduction of the loudspeakers. Especially in the low-mid frequency range.

If this is the case with your setup, use the Desk Filter of your EVE Audio monitors to reduce the impact of the reflections from the desk or mixer.

4.7 Room Acoustics
In order for the described measures to work effectively, we recommend that you put special attention to the room acoustics.
The size, contents, wall parallelism, proportion, and reflective behavior of the room, as well as the corners, the building materials and their characteristics play a very  important role in the acoustics of a room.
Room acoustics is a science in itself and it is unfortunately out of the scope of this manual. However, we have put together a short bibliography for you:
„Recording Studio Design“ (Englisch), Philip Newell. ISBN: 0-240-51917-5
„Home Recording Studio – Build it like the Pros“ (Englisch), Rod Gervais. ISBN: 1-59863-034-2
„Studio Akustik“ (German), Andreas Friesecke. ISBN: 978-3-932275-81-4
„Praktische Raumakustik“ (German), Thomas Hentschel. ISBN 978-3-8364- 6800-8
„Handbuch der Tonstudiotechnik“ Band 1 (German), Michael Dickreiter. ISBN 3-598-11321-8
„Handbuch der Audiotechnik“ (German), Stefan Weinzierl (Ed). ISBN 978- 3-540-34300-4

TECHNICAL SPECIFICATIONS

Product SC2070
Description：2-Way Monitor
Dimensions (WxHxD)：230 x 345 x 304
Dimensions (WxHxD)：9.05 x 13.58 x 11.96
Free-field frequency range： 38Hz – 25kHz
Tweeter: AMT TW-RS7
Woofer：165mm / 6.5”
Crossover frequency： 2,200Hz
Maximum SPL @ 1m：116dB
Number of amplifiers： 2
Total short-term output power：250W
Short-term out power (woofer)：150W
Short-term out power (tweeter)：100W
Protection limiter： yes
Settings
Volume： -inf. – +6dB
High-shelve filter (-5db – +3dB)： > 3kHz
Mid EQ (-5db – +3dB)： 1kHz
Desk filter boost (0db – +3dB)： 80Hz
Desk filter cut (-5db – 0dB)： 170Hz
Low-shelve filter (-5db – +3dB)： < 300Hz
LED brightness setting： yes
Max. Input dip switch: +7dBu / +22dBu
Level-lock dip switch： yes
Filter-lock dip switch: yes

DECLARATION OF CONFORMITY

We,
EVE Audio GmbH
EVE Audio GmbH
whose registered office is situated at
Ernst Augustin Str. 7, 12489 Berlin, Deutschland declare under our sole responsibility that the SC2070 product
SC2070 product complies with the following directives and standards:
EC standards:
EN 62368-1: 2014 + A11: 2017
EC Regulation 1275/2008 EN 50564: 2011
EMC standards:
FCC Part 15, Subpart B ANSI C63.4:2014
ANSI C63.4a-2017
EN 55032: 2015+A1:2020
EN 55035: 2017+A11:2020
EN IEC 61000-3-2: 2019+A1:2021 EN 61000-3-3:2013+A2:2021
This declaration attests that the manufacturing process quality control and product documentation accord with the need to assure continued compliance.
Issued in Berlin.
Signed:

Director EVE Audio
EVE Audio

WARRANTY

▷ The manufacturer warranty is valid for a period of two (2) years after the date of purchase.
▷ The warranty covers repair costs (labor and spare parts), product replacement if applicable, and return transport within the country where the product was bought.
▷ The warranty will be void if any of the following applies:

• Damages have been caused by incorrect installation and/or connection,
• Damages have been caused by misuse or negligence,
• The unit has been tampered or modified in any way,
• The unit has been repaired or modified by unqualified personnel,
• Damages have been caused by factors beyond the reasonable control of EVE Audio (lightning, fire, flood, etc.).

▷ The client should always keep the original packaging of any EVE Audio product. Only products with original packaging are eligible for warranty service. If the product is  not packaged in its original box, EVE Audio will not be liable for any damages occurred during transit.
▷ Should service be required during or after the warranty period, please contact your local EVE Audio dealer or distributor.
This device complies with part 15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this  device must accept any interference received, including interference that may cause undesired operation.

Jul 2022 © EVE Audio. All rights reserved.
EVE Audio reserves the right to make changes in or additions to the information provided at any time.

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