SIMMONS TITAN 50 Electronic Drum Kit With Mesh Heads Owner’s Manual

TITAN 50 Electronic Drum Kit With Mesh Heads

ELECTRONIC DRUM KIT WITH MESH HEADS

SimmonsDrums.net

OWNER’S MANUAL

SAFETY INSTRUCTIONS

THE LIGHTNING FLASH WITH ARROWHEAD SYMBOL WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE USER TO THE PRESENCE OF UNINSULATED DANGEROUS VOLTAGE WITHIN THE PRODUCT’S ENCLOSURE THAT MAY BE OF SUFFICIENT MAGNITUDE TO CONSTITUTE A RISK OF ELECTRIC SHOCK TO PERSONS.
THE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE(SERVICING) INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THE PRODUCT.
APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR SPLASHING AND THAT NO OBJECTS FILLED WITH LIQUIDS, SUCH AS VASES, SHALL BE PLACED ON THE APPARATUS.

1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
8. Do not install near the heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety, if the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles, and the point where they exit from the apparatus.
11. Only use attachments/accessories specified by the manufacturer.

12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over (Figure1).

Figure 1

13. Unplug this apparatus during lightning storms or when unused for a long periods of time.

14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.

WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.

CAUTION: Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.

CAUTION: Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.

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CONGRATULATIONS!
…on your purchase of this Simmons Titan 50 Electronic Drum Kit. To get the most enjoyment from this kit, we recommend that you skim through this manual at least once, then refer back to it to learn more about specific functions.
CARING FOR YOUR TITAN 50 ELECTRONIC DRUM SET
LOCATION · Keep the drum kit away from direct sunlight, high
temperature sources, and excessive humidity to prevent deformation, discoloration, or more serious damage
POWER SUPPLY · Turn the power switch OFF when the Titan 50 is not in use. · The AC adapter should be unplugged from the AC outlet
if the Titan 50 is not to be used for an extended period of time. · Avoid plugging the AC adapter into AC outlet that is also powering high-consumption appliances such as electric heaters or televisions. Also avoid using multi- plug adapters, since these can reduce sound quality, cause operation errors, and result in possible damage. · To avoid damaging the unit, turn the Titan 50 and all related devices OFF prior to connecting or disconnecting cables.
HANDLING AND TRANSPORT · Never apply excessive force to controls, connectors, and
other parts. · Unplug cables by gripping the plug firmly. Do not pull on
the cable. · Disconnect all cables before moving the module. · Physical shocks caused by dropping, bumping, or placing
heavy objects on the module can result in scratches and more serious damage.
CLEANING · Clean the module with a dry, soft cloth. · A slightly damp cloth may be used to remove stubborn
grime and dirt. · Never use cleaners such as alcohol or thinner. · To avoid discoloration, do not place vinyl objects on top
of module.
ELECTRICAL INTERFERENCE · The module contains digital circuitry and may cause
interference if placed too close to radio or television receivers. If this occurs, move the Titan 50 further away from the affected equipment.
SERVICE AND MODIFICATION · There are no user serviceable parts in the drum module. · Do not attempt to open the sound module or make any
change in the circuits or parts of the unit. This would void the warranty.

OWNER’S MANUAL
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TABLE OF CONTENTS

SAFETY INSTRUCTIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
CONGRATULATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3
CARING FOR YOUR TITAN 50 ELECTRONIC DRUM SET . . . . 3
FINAL ASSEMBLED KIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
FEATURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
ASSEMBLING YOUR KIT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
CONNECTIONS Connecting the Module and Pads. . . . . . . . . . . . . . . . . . . . . 10 AC Adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Connecting Audio Equipment. . . . . . . . . . . . . . . . . . . . . . . . . .12 Aux Input. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .12 Connecting MIDI Devices and Computers . . . . . . . . . . . . . . .13 Bluetooth Wireless Audio and MIDI . . . . . . . . . . . . . . . . . . . .13 USB Audio and MIDI Connection . . . . . . . . . . . . . . . . . . . . . . .13 Tablet Shelf. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
TITAN 50 DRUM MODULE OPERATION Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .14 Bottom Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Back Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Side Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
QUICK START OPERATIONS Turning the Power on the Module . . . . . . . . . . . . . . . . . . . . . . 17 Basic Operation and Navigation . . . . . . . . . . . . . . . . . . . . . . 17 Adjusting Values . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17
KIT MODE Selecting a Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .18 Using the Metronome (Click) . . . . . . . . . . . . . . . . . . . . . . . . . .18 Using a Double-Kick Pedal . . . . . . . . . . . . . . . . . . . . . . . . . . . .18

KIT MODE – ADVANCED Editing a Drum Sound . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19 Editing the Kit Mix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Saving and Naming a Kit . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21 Factory Reset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
SONG MODE Playing a Song. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Muting the Drum Part. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Changing the Drum Mix . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Changing the Tempo of a Song . . . . . . . . . . . . . . . . . . . . . . . 22 Copying a Song . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
RECORDING A SONG To Record . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
PRACTICE MODE To Use Practice Mode . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 Practice Mode Edit . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 To Select Between the 6 Practice Modes. . . . . . . . . . . . . . . 25
SET UP MODE Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26 MIDI Note Defaults . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 Hi-Hat MIDI Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28 USB Operations . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
BLUETOOTH Bluetooth Wireless MIDI . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 Bluetooth Wireless Audio . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29
APPENDIX Sound List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 Kit List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 Song List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 MIDI Implementation Charts . . . . . . . . . . . . . . . . . . . . . . . . . 34 Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 Customer Service. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36

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FINAL ASSEMBLED KIT

OWNER’S MANUAL

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FEATURES
TITAN 50 SOUND MODULE GENERAL FEATURES POLYPHONY · Voices – 64
SOUND · Drum Voices – 187 · Drum Kits – 25 Preset / 10 User · Songs – 3 Preset / 1 User
EFFECTS · Reverb: Hall1, Hall2, Room1, Room2, Room3, Stage1,
Stage2, Plate, Delay, Echo, Off. · Compressor: Easy, Grind, Roomy, Pummel, Stomp, Spank,
Pump, Nuke, Off
TRIGGER INPUTS · 25-Pin Multi Trigger Input · 1/4″ Tom 4 Input · 1/4″ Crash 2 Input
EXTERNAL CONNECTIONS · 1/8″ Headphone Output · 1/4″ Master Outputs (x2) · 1/4″ Pad Inputs (x2) · 1/8″ TRS Aux Input · USB Connection for MIDI via computer · Bluetooth Wireless Audio and MIDI
SEQUENCER · Preset Songs – 3 · User Songs – 7 · Tempo- 20-280 BPM · Click/Metronome- Time Signature, Tempo
POWER · 9v, 600mA, Center Positive
OTHER HARDWARE · Drum Rack and mounts · Kick Drum pad · 10″ Dual-zone Snare mesh drum · 8″ Single-zone Tom mesh drums (x3) · 10″ Single zone Hi Hat pad · 10″ Single zone Crash Cymbal pad with Choke · 10″ Single zone Ride Cymbal pad · Hi-Hat pedal (x1) · Kick Beater pedal (x1)
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ASSEMBLING YOUR KIT
INSIDE THIS PACKAGE Before assembly, please make sure that all the items listed below are present.

OWNER’S MANUAL

Cymbals
Single Zone 10″ Ride Cymbal Pad

Single Zone with Choke 10″ Crash Cymbal Pad

Single Zone 10″ Hi-Hat Cymbal Pad

Accessories
AC Adaptor

Multi-pin Cable Harness

TSCYM10S
Drum Pads
Dual Zone 10″ Snare Mesh Drum

TSCYM10SC

TSCYM10S

Single Zone 8″ Tom Mesh Drums

Drum Key 4 L­Rods for Pads

8 Cable Rack
Clips

1 Pair Drumsticks Hi-Hat Arm (Short)

2 Cymbal Arms (Long)

4 Hook-and-Loop
Cable Strips

T50PAD10D

T50PAD8S

Kick Pad
Bass Drum Pad & Pedal

Hi-Hat Pedal
Foot Controller

Drum Rack

T50KP6 / TSKPDL
Drum Module & Tablet Shelf

T50HHC

T50M/TS

T50RK
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ASSEMBLING YOUR KIT
For a video demonstration on how to set up your kit, visit simmonsdrums.net/titan50-setup or scan the QR code here:
The Titan 50 rack comes pre-assembled with all clamps already in place 1. Pull rack out of box. 2. Loosen nuts on side arms and snare clamps so you can
rotate bars. The Simmons logo in the middle of the rack should face the back of the kit. 3. Pull the side arms and snare arm out into their playing positions. 4. Tighten nuts on side arm clamps. 5. Loosen L-rod wing nuts on tom clamps: the clamps that angle up above the rack. Insert plastic of L-rod into tom clamps and tighten wing nuts. Add another L-rod to the snare clamp, the one that faces the player on the short arm. NOTE 1: We recommend putting the Titan 50 on a drum rug to keep the components together. NOTE 2: The right- side bar has a pass-through clamp, designed to make the rack expandable. You can make this arm shorter when you assemble the kit to save space. If you expand the kit without optional Titan 50 Expansion Kit, you can lengthen that arm to accommodate the extra tom and cymbal.
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ASSEMBLING YOUR KIT
ATTACHING THE CYMBAL PADS 1. Insert the two longest cymbal arms into the flat rack
clamps facing behind the rack. 2. Insert the shorter hi-hat arm on the left- side arm’s
cymbal clamp. 3. Remove top wing nut and felt from cymbal arm. Place
cymbal pad on the cymbal arm. 4. Re-attach the felt washer and wing nut. Tighten wing
nut. NOTE: If you want the cymbal pads closer, you can angle the bottom section from the clamp and use the “boom” joint to make the cymbal flat or any angle you want.
ATTACHING THE DRUM MODULE AND DRUMS 1. Loosen wing screws on the snare and tom drum clamps. 2. Place the L-rods into the opening of the drum clamps,
as shown in the image above. The shorter, thicker end of the L-rod goes into the clamp and the longer, metal end faces the drummer. 3. Slide the drum pads onto the L-rods. The 10″ snare pad goes on the arm closest to the drummer. The other three 8″ tom pads go on the other three clamps. 4. Loosen the module clamp, the one furthest to the drummer’s left. Insert the module into the clamp and tighten.
BASS DRUM AND HI-HAT PEDAL 1. Place the hi-hat pedal on the floor and to the left, as
illustrated below. 2. Connect the kick drum pedal to the front of the kick
drum pad. The clamp on the back of the kick pedal attaches to the metal lip on the front of the kick pad. Replace with your own kick pedal if you want, nearly any kick pedal should fit the clamp. 3. Place the bass pad and beater pedal on the floor in the center of the rack as illustrated.

OWNER’S MANUAL
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CONNECTIONS
CONNECTING THE SOUND MODULE AND PADS

CAUTION!
To prevent electric shock and damage to the device, make sure the power is switched OFF on the sound module and all related devices before making any connection.

Using the provided cables, connect the 1/4″ jacks to the corresponding drum pads, cymbal pads and kick pad. The 25-pin connector will attach to the multi- pin connector serial port on the bottom of the sound module.
(See illustration below)

The voice of the hi-hat pad is controlled by the hi-hat pedal. Plug into the Hi-Hat pedal the plug that is labeled “HH Pedal.” Similar to a real drum kit, the hi-hat pad functions as an open hi-hat’ when the pedal is released. When the pedal is pressed down, it functions as aclosed hi-hat’.

Cymbal Pads

To Crash To Hi-Hat
Sound Module
From Sound Module to 7 Pads

Drum Pads To Tom 1

To Tom 2

To Snare

To Ride To Tom 3

Hi-Hat Pedal

To Kick

To Hi-Hat Control
*See Appendix for Pad, Triggers, Name and MIDI chart.
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Kick Beater Pedal

CONNECTIONS
CONNECTING THE SOUND MODULE AND PADS Using the provided cables, connect the 1/4″ jacks to the corresponding drum pads, cymbal pads and kick pad. The pin connection will attach to the serial port of the sound module. (See illustration.) The cables have some extra length so you can customize the kit, for example swapping the crash and ride for left-handed players.

OWNER’S MANUAL

NOTE: Use the included cable clips to attach cables to the back of the rack and the hook-and-loop ties to attach cables to the vertical sections of the rack.
AC ADAPTER The Titan 50 module uses an external power supply called an AC Adapter. This plugs into the back of the module. Make sure the power is switched OFF on the module and connect the power adaptor with the DC IN jack on the rear panel. For extra protection, there is a cable clip for the power cable on the bottom of the module. Insert the power cable through the C-shaped opening. NOTE: To protect the speakers, amplifier and the drum module from damage, lower the volume to the minimum level before switching the power ON. Make sure the power is switched OFF when connecting the drum module to external devices.
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CONNECTIONS
CONNECTING AUDIO EQUIPMENT Mixers and Amplifiers 1. To listen to the module, send the outputs to a mixer
or drum amplifier. Connect the Output L/MONO and R jacks on the rear panel to your amp. (For monaural playback, only use the L/MONO jack; for stereo playback, connect both L/MONO and R jacks.) 2. The volume from the module is adjusted with the VOLUME knob. This controls both the line outputs and the headphone output volume. 3. You can connect a standard pair of headphones to the Titan 50 module to listen to your electronic drum set without disturbing others. Connect the headphones to the 1/8″ headphone jack located on the left side of the drum module. Adjust the volume to a comfortable level to avoid damaging your hearing.
AUX INPUT This input allows you to mix the input from external audio sources with the Titan 50 module’s internal sounds. 1. Plug the audio output of your smartphone, tablet,
or other audio source into the AUX IN jack on the back panel.
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CONNECTIONS
CONNECTING MIDI DEVICES AND COMPUTERS MIDI stands for Musical Instrument Digital Interface, which is a world-wide standard communication interface that enables electronic musical instruments and computers (of all brands) to communicate with each other. MIDI sends note and other communication between devices. This exchange of information makes it possible to create a system of MIDI instruments and devices that offer greater versatility and control than is available with isolated instruments. Whether you interface with computers, sequencers, expanders or other controllers, your musical horizons will be greatly enhanced.
BLUETOOTH WIRELESS AUDIO AND MIDI The Titan 50 includes Bluetooth wireless audio and MIDI for connection to apps like the Simmons App for iOS. (See page 29) for connection instructions.
USB AUDIO AND MIDI CONNECTION
The USB connector allows you to connect the module directly to your computer. It can be connected without driver installation under the Windows & macOS environment. The module will be recognized to receive and transmit Audio and MIDI messages through a single USB cable, The Titan 50 module will appear as “Titan 50″ in the USB device options of your software. (See page 28 for more information)
NOTE: When the USB is connected to a computer, all MIDI messages will be received and transmitted via USB.
TABLET SHELF The Titan 50 includes a smartphone and tablet shelf. Press this shelf into the slots on the back of the module until you feel a click. You can rest your device here and rubber padding keeps it from moving too much. Excessive playing will vibrate the shelf, however, so keep an eye on your device when thrashing the drums. You can also put this manual or music notation on the shelf.

OWNER’S MANUAL

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TITAN 50 DRUM MODULE OPERATION
TOP PANEL

15 14
16

4

5

2

6

1

3

7

10 13 11 8 12 9

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OWNER’S MANUAL

TITAN 50 DRUM MODULE OPERATION

TOP PANEL
1. Volume Knob: Controls Line Outputs and Headphone Output.
2. Power Button: Switches the module on and off.
3. + and ­ Buttons: Change kits, songs, or values in menus
4. Kit Button: Press this to exit out of menus and back to the main screen of the module, Kit Mode.
5. Song Button: Press once to access Song Mode to play the preset and user songs. Press a second time to enter Practice mode. (see page 24)
6. Tempo: Press Tempo then + or ­ to change the tempo of the song or metronome. You can also tap the tempo button to the rhythm you want to set it to automatically.
7. Edit/Sel: In Kit mode, press this to change drum sounds and drum sound parameters. In Song or Practice mode, press this to change the song settings. To access more parameters for editing, keep pressing this button. Press Kit or Song to exit this edit mode.
8. Rec: Press to begin recording your own song to the User Song as a MIDI performance.
9. Click: Turn the Metronome on or off.
10. Mix/Mute: In Kit mode, press this button to change the level, pan, and effects for the drum kit. In Song or Practice mode, press this button to change the balance between the drum sounds and the backing tracks. Also in Song mode, press and hold this button to mute the drums so you can play along with the backing tracks.

11. Play: Press once to start song playback. Press a second time to stop playback.
12. Setup: Press this button to change global settings like trigger sensitivity and MIDI. Press the button repeatedly to select other parameters for editing.
13. Save: Press the Mix/Mute and Play buttons at the same time to Save your drum kit edits to a User Kit.
14. LED Display: This display shows any information you need to know about the drum kit.
15. Drum Display: Lights up when you play a drum. When in editing mode, the selected drum will slowly flash. For example, press Kit then Edit/Sel, then play the snare drum. The snare LED will pulse to show it is selected for editing. All of the drums pads light up white except the snare rim, which lights up in red.
16. Bluetooth Indicator: When a device is connected to the module over Bluetooth, this LED will light up blue.

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TITAN 50 DRUM MODULE OPERATION
BOTTOM PANEL 1. 25-pin Connection Jack for the pad trigger cables. 2. Cable hook for power cable.
2
1

BACK PANEL 1. USB: Connect to computer for MIDI in and out. 2. Crash 2 and Tom 4: Used to connect the optional Titan
50 Expansion Pack. 3. MIDI Out: Connect to equipment that accepts a 5-pin
DIN MIDI output. 4. 1/8″ Aux Input: Connect a tablet, smartphone, or other
audio device here and it will play through the line outputs and headphone outputs. 5. Left/Mono and Right: Line outputs to connect to a sound system or drum monitor. If you only plug into the Left/Mono output, it will include both left and right signals over one cable. 6. Power: Connect the included power adapter. (9V/600mA, center positive)
SIDE PANEL 1. Headphone Out: Located on the left side of the module
near the display, this 1/8” stereo output works with most consumer and professional headphones 2. Tablet/Smartphone Shelf: Holds a tablet or smartphone so you can play along with music and videos or use apps. Rubber padding on the shelf keeps devices from falling off.
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12

45 6

3

2

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QUICK START OPERATIONS
TURNING THE POWER ON THE MODULE 1. Connect the AC Adapter to the drum module. 2. Press the power switch on the top panel to turn on the
module. NOTE: There is an automatic power off function that turns off the module when the kit is not being used for a certain period of time. The default setting is off. If this gets changed you can reset this in the Utility mode.
BASIC OPERATION AND NAVIGATION There are 4 main modes for the module: KIT, SONG, PRACTICE and SETUP. To enter these modes press the corresponding buttons on the top panel of the module. Pressing the Song button repeatedly toggles between Song and Practice mode.

OWNER’S MANUAL

ADJUSTING VALUES
1. Select the parameter to be adjusted. When you first turn on the module, Kit Number is selected for changes.
2. Adjust the value using + / – buttons.

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KIT MODE
SELECTING A KIT 1. Press the KIT button. The current Kit number and Kit
name are displayed. 2. Press the ­ /+ buttons to select the 25 Preset or 10 User
Kits.
USING THE METRONOME (CLICK) The CLICK is the metronome sound that is played when you are listening to play along with. 1. Press the CLICK button to switch the metronome on or
off. 2. Press the Tempo button to change the tempo using the
+ and ­ buttons. 3. To change the time signature of the metronome, press
SETUP until you see “TimeSig” and choose the desired signature. The default is 4/4 and the other choices are: 1/4, 2/4, 3/4, 5/4, 6/4, 7/4, 3/8, 6/8. 7/8, 9/8, and 12/8. 4. When the click is active, you will see the display animate the metronome back and forth to the tempo you set.
USING A DOUBLE-KICK PEDAL The kick pad on the Titan 50 was designed to work with a double kick pedal. When playing with a double-kick pedal, you might want to play a closed high-hat sound, similar to “opening the choke” on an acoustic hi-hat stand. Here’s how you do this on the Titan 50: 1. Press SETUP 2. The first display should read “Hi-Hat:Pedal” This is
the default setting, the hi hat controller pedal controls whether the hi hat is open or closed. 3. Press the + button to change this to “Hi-Hat: Mid.” This is the equivalent to opening the choke on your hi-hat stand so that the cymbals touch. This gives a trashier sound for playing hard rock or metal styles. 4. Press the + button again to change this setting to “Hi-Hat: Cl.” This is a dryer, closed sound equivalent to tightening the choke on your hi- hat stand. 5. If you step on the pedal, even after exiting this menu, the hi- hat control will revert to “Pedal” for normal operation.
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OWNER’S MANUAL

KIT MODE – ADVANCED
EDITING A DRUM SOUND
1. Press the KIT button.
2. Press the EDIT/SEL button to see the screen for the current sound.
3. Strike a drum pad to view the Voice currently assigned. The LED for that drum pad will pulse in the drum display to the right of the LED display.
4. Press the -/+ buttons to change the current parameter. The first parameter selected is Drum Sound. Press + and ­ at the same time to return to the preset setting.
5. Press EDIT/SEL again to select a different parameter to change.
6. Press the SAVE buttons (MIX/MUTE + PLAY) to save the assignment to a User Kit. (See Saving a kit)

Parameter D:
DCat: Pitch Decay

Definition Drum Sound
Drum Category Drum Pitch Drum Decay time

Notes
Press +/- to select a drum sound in the current sound category (Snare, Kick, Perc, etc.) Press EDIT/SEL again to choose a different category of sounds to assign.
Select a different category of sounds for the current pad.
Change the Pitch of the current sound. Range is 0 to -24 (pitch change is negative only)
Range is -64 to 0 to +63. In most cases a + value won’t change the sound. This simulates damping the drum with tape or a wallet

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KIT MODE – ADVANCED
EDITING THE KIT MIX
1. Press the KIT button.
2. Press the MIX/MUTE button to see the screen for the current sound.
3. Strike a drum pad to view the Voice currently assigned. The LED for that drum pad will pulse in the drum display to the right of the LED display.
4. Press the -/+ buttons to change the parameter. The first parameter selected is Drum Level. Press + and ­ at the same time to return to the preset level.
5. Press MIX/MUTE again to select a different parameter to change.
6. Press the SAVE buttons (MIX/MUTE + PLAY) to save the assignment to a User Kit. (See Saving a kit)

Parameter Level
Pan
RevSend RevProg RevLevel: CompProg CompThr EQ High EQ Low

Definition Drum Level
Drum Pan
Reverb Send Reverb Program Reverb Level Compressor Program Compressor Threshold EQ high shelf gain EQ low shelf gain

Notes
Press the + and ­ buttons to change the volume of the current drum sound. The default for most kits is to have the snare levels at 127 for the best noise performance. So if you want the snare to be louder, you need to turn all the other drums down. Drum Level and Pan are always shown in the bottom left corner in mix edit modes.
Press the + and ­ buttons to change the panning or balance of the current drum sound. The default for most kits is to have all the drum panning at center, because most of the acoustic drum samples are in stereo (even the hi hats!) Drum Level and Pan are always shown in the bottom left corner in mix edit modes.
Change the amount of reverb send for the current pad to the internal reverb effect. Note that Reverb Level needs to be turned up to hear the effect
Change the reverb program from a concert hall to a small room, etc.
This is the overall level of the reverb effect. If there is too much or too little reverb, you can change this one setting instead of each individual reverb send level.
This chooses one of the compressor presets to change the sound of that effect
The Compressor Threshold is the level where the compressor takes effect. If this setting is high, you won’t hear much effect. As you turn this lower, you will hear more compression.
Increases or decreases the high (treble) frequencies of the drum kit
Increases or decreases the low (bass) frequencies of the drum kit

20

KIT MODE – ADVANCED
SAVING AND NAMING A KIT 1. Select and edit a Kit. 2. Press SAVE (both the MIX/MUTE + PLAY buttons). 3. Press the -/+ buttons to choose a User kit to save over.
(You can’t write over the preset drum kits) 4. Press the SAVE button again. 5. To rename the Kit, press + and ­ to change a letter. Press
EDIT/SEL to move the cursor to the next letter to change. 6. Press the SAVE one last time to write the kit. The display
will read “Saved” then return to Kit mode.
FACTORY RESET If you ever want to return all settings to the defaults from when the kit was new, or if he module starts acting strangely, a reset may fix this issue
1. Switch the module off. 2. Hold the + and ­ buttons. 3. Switch the module on. The screen will read
“FactoryReset” and all settings will return to their defaults. Any changes to trigger settings, user kits, etc. will be lost.

OWNER’S MANUAL

21

SONG MODE
The Song button toggles between the Song and Practice modes. When you press it, you will see “SongPractice,” and the word that flashes is the mode that you’re in. Also, you will see the word “Practice” on the screen when the module is in this mode. The next section is about Song mode.
PLAYING A SONG 1. Press SONG, select a song number, then PLAY to play
a song. 2. Press the PLAY button to stop playback of the song. NOTE: You can temporarily change the tempo of a song while playback is in progress. The song returns to its preset tempo when a different song is selected.
MUTING THE DRUM PART 1. While a Song is playing press and hold the MIX/MUTE
Button. This will mute the drum part. The screen will show the mute status “Mute On” or “Mute Off”. 2. To unmute the Drums press and hold MIX/MUTE again. 3. To change the balance between the song instruments and drums, press MIX/MUTE and then use the + and ­ buttons to change the balance.
CHANGING THE DRUM MIX After muting the drum part in the step above, you change the balance between your drum sounds and the backing track with the Mix/Mute button.
1. While in Song mode, press the MIX/MUTE Button. You will see the mix displayed, “Mix: 50%/50%”.
2. Press the + and ­ buttons to change the balance between the drums and the accompaniment (guitar and bass).
CHANGING THE TEMPO OF A SONG 1. Press the SONG Button. The current song will be
displayed. 2. Press Play to start song playback. 3. Press TEMPO, then press + or ­ to change the tempo.
You can also press the TEMPO button to the rhythm you want to play and it will automatically set the tempo. NOTE: The song sounds best at its default tempo.
COPYING A SONG You can copy a Preset song to a user song, then replace the drum track.
1. Select a Song. 2. Press the SAVE button to save the to a User song. 3. Press the -/+ buttons to choose the User song to save
to. 4. Press the SAVE button to rename the User song. 5. Press the EDIT button to move the cursor.
22

6. Press [+/-] to change the character. 7. Press the SAVE button one more time to save the song to
a user location. NOTE: If you want to rename a user song, save the song to the same position, then use the rename instructions.
RECORDING A SONG
TO RECORD 1. Press the Song button. 2. Select one of the User songs. Songs 1-3 are presets that
you can’t record over, songs 4-10 are user songs. If you don’t select a song, it will record to song 4 (User Song 1). 3. Press the Record button. You will hear the Click metronome sound count in. Begin playing after the count off. NOTE: To hear the metronome click during recording, open Setup and change “ClickRec” to On. (See page 27 for more info).
4. To stop recording, press Rec again.

OWNER’S MANUAL

23

PRACTICE MODE
When in Song mode, pressing Song again allows the user to enter Practice Mode. Practice mode has the goal of making you a more accurate drummer.
The Practice display on the bottom right corner of the display shows how close you are to playing exactly on the beat. In this example, the player was slightly late in their playing so the display shows just right of center. If the drummer was ahead of the beat (early), the circle would land on the left side of that display. The display is only active for the quarter note downbeat on kick and snare. If you are 100% accurate for that quarter-note beat timing, the center circle will light up each time. Playing at 99% will light the circle to the left, and 101% would light the circle to the right.
As the difficulty moves up, you need to be even more accurate. 99.5% accuracy would be enough to trigger the next circle down instead of the center circle.
TO USE PRACTICE MODE: 1. Press Song twice to enter practice mode. (Pressing Song
toggles between Song and Practice modes. The Practice Meter shows up in the display in Practice Mode.) 2. Press + or ­ to select one of the Practice songs. Press Edit to change other settings. 3. Press Play. There will be a 1-bar intro that plays the drum beat along with the click. Then the drum part stops and it starts listening for your playing. Practice Mode listens only on the quarter note beat. Each beat is scored using the Practice Meter. 4. Every four bars, the “Level” number indicator gives an average accuracy score like “82%.” 5. When finished, press the Play button again. The final percentage and score is shown, like: “Score: 2105.” The score is weighted to consider which exercise is selected, the difficulty, the starting tempo, and whether tempo shift is on or off.
PRACTICE MODE EDIT When in Practice Mode, press EDIT to select and then edit one of the following settings:
· Difficulty (Easy, Medium, Hard): This setting decreases the timing range that is acceptable for being played “on time.”
· Tempo Shift (On/Off): When this is switched on, the tempo will accelerate in the fourth bar of the cycle, then the tempo will be +20 bpm for the next three bars. Then it will accelerate again, landing on another tempo that is +20 bpm for the next three bars. The cycle goes: regular tempo, +20, +20, -20, -20 (regular tempo), -20, -20, +20, then repeats.
24

PRACTICE MODE
TO SELECT BETWEEN THE 6 PRACTICE MODES: 1. Click: Play along with the band and the click. 2. NoClik: Play along with the band but no click. 3. NoClik3/1: Play along with the song. The click will play
for three bars, then the click and band will be silent for one bar.
4. NoClik1/1: The click will play for one bar, then the click and band will be silent for one bar.
5. NoClik1/3B: The backing track and click will play for one bar, then the click and band will be silent for one bar. On bar three, only the bass part will come back. Then it will be silent for one more bar, then repeat to the beginning.
6. NoClik1/3: The band and click play for 1 bar. Then there are three bars of silence, then it repeats.
Press the Mix button in practice mode to change the balance between your drums and the “band” backing you up. The works the same as Song mode, see previous section for details.

OWNER’S MANUAL

25

SETUP MODE
The Setup menu is for setting triggers and MIDI parameters that effect the entire kit. For trigger settings, use the LEDs to the right side of the display to see which pad is selected for editing. To select another pad, play that pad. Press the SETUP button repeatedly to select other parameters to change. Here is a list of available settings:
Hi-Hat This parameter disables the hi-hat pedal for use with a double-kick pedal. See page 18, “Using a DoubleKick Pedal.”
Time Sig Changes the time signature of the metronome click. The default is 4/4 and the other choices are: 1/4, 2/4, 3/4, 5/4, 6/4, 7/4, 3/8, 6/8. 7/8, 9/8, and 12/8.
Sens (each pad input) This control changes the input level of the trigger. Turn this level lower, and it will take more force to play the drum at its highest dynamic. Turn it higher, and it will take less force to play the highest dynamic.
Retrigger (each pad input) This controls how quickly you can play on a pad. If you find that you are playing fast and some drum hits are being missed, turn this down. If you head double-triggers when you only hit the pad once, turn this value up
Threshold (each pad input) This controls how softly you can play on a pad. If very soft hits aren’t being picked up, turn this control down. If you are hearing false triggers (you played a different pad but heard this one), try turning this up.
Curve (each pad input) This changes the way dynamics work on the pad. “Normal” is the default setting. For a bigger change from soft to loud, try “Dyn” (dynamic.) To make the kit easier to play, use “Easy” or “Fixed.”
X- Talk (Crosstalk, each pad input) When two pads are mounted on the same stand, the vibration produced by hitting one pad may trigger the sound from another pad unintentionally. This is called crosstalk. You can avoid this problem by adjusting Crosstalk Cancel on the pad that is sounding inadvertently. If the value is set too high, then when two pads are played simultaneously, the one that is struck less forcefully will not sound. Be careful when setting this parameter to the minimum value required to prevent crosstalk.
MIDI Note Number (each pad input) When using the drum module with another sound source like a DAW plug-in, each pad you play sends a MIDI note. The default note numbers follow the General MIDI standard for drum sounds. If your software requires different notes or note numbers, you can change them here. Play a pad then press + and ­ to change to a different note value. The Titan 50 sends and receives on MIDI channel 10. See the next section, “MIDI Note Defaults” for the preset note numbers.
Local (MIDI Local Control) When using the Titan 50 with a DAW, recording MIDI and playing it back to the module, you might want to disable the sounds from the pads. Local On is the default, playing the pads plays the drum sounds. Switch to Local Off if you want to play the pads into a DAW, out of the DAW, then back into the sound module for MIDI sequencing.
26

OWNER’S MANUAL
ClickRec (Click in Record) Switch this parameter on if you want to hear the metronome while recording. By default you hear four clicks and then no other accompaniment while recording a song. When you set this to On, the click sound will continue during recording. Bluet (Bluetooth) Bluetooth is on by default. It is always listening for a connection from a smartphone or other device. If you would like to disable this feature, switch this control to Off. AutoPwr (Auto Power Off) If you would like the drum set to power off when it hasn’t been played for a while, turn on Auto Power Off. The default setting is Off, the drum kit will stay on until you press the power button to switch it off. Tom Type The tom pad inputs on the Titan 50 are dual-zone, even though the pads that come with the kit are single-zone. This means you can expand your kit one of two ways. Either replace the tom with a dual-zone pad (head and rim), or use a cable to split the ¼” TRS cable into a pair of TS ¼” cables and purchase an additional tom pad. To use a dual-zone pad, set this control to “Dual.” To split the signal to two different tom pads, set this parameter to “Split” Ratio This parameter goes with the “Tom Type” parameter above. If you are using a dual-zone tom, you might not want the rim zone to be as loud as the pad zone. This setting allows you to change the balance between the center and rim zones. This parameter also works on the snare drum: turn up the ratio to make the rimshot more sensitive.
If you change the trigger or other settings and want to go back to the factory default settings, you can always reset your module by holding the + and ­ buttons while powering it on. You will see “FactoryReset” on the display and all settings will be wiped and returned to the defaults.
27

SETUP MODE
MIDI NOTE DEFAULTS The Titan 50 default note numbers are shown below. You can change these note number assignments, please check the previous section for instructions.

MIDI Note 36 38 40 48 45 43 41 46 42 44 85 86 49 57 51

Pad Kick Snare ­ Center Snare ­ Rim Tom 1 Tom 2 Tom 3 Tom 4 Hi Hat – Open Hi Hat – Closed Hi Hat – Pedal Hi Hat – Splash Hi-Hat – Semi-Open Crash Crash 2 Ride

HI-HAT MIDI SETTINGS
The Titan 50 Hi-Hat sends MIDI controller 4 information when the hi-hat pedal is moved up and down. If your MIDI sound source or plug-in doesn’t have a note value for “HalfOpen Hi-Hat,” change that note value to the same note number you’re using for open hi-hat.
USB OPERATIONS
The Titan 50 Module will show up to your computer and devices as a 2-in, 2-out audio interface, and also as a USB MIDI interface. Both are “Class-Compliant” for macOS and Windows computers, no driver is required. Just plug it into your computer and your DAW software should recognize the device.
You might need to set up the Titan 50 as a new MIDI device in your DAW software before it can be used. Refer to your DAW software documentation to do this.
The Titan 50 also works as a USB host for devices like an iPad. Plug the iPad into the Titan 50’s USB jack using a USB cable and/or adapter, and the iPad’s audio will come through the Titan 50’s line and headphone outputs. MIDI will also play into and out of the USB jack. This is great for playing along with music or using educational apps.

28

BLUETOOTH
The Titan 50 works with both Bluetooth MIDI and Audio. Bluetooth MIDI is often used for apps, like the Simmons app for iOS. Bluetooth Audio allows you to play music from your phone or tablet into the Titan 50, and that sound will come through the line outputs and headphone outputs. The Titan 50 module is always listening for a Bluetooth connection, simply use your phone or tablet to connect. When a Bluetooth connection is active, the Bluetooth LED on the front panel and the indicator in the display will turn on.
NOTE: Because the low bandwidth in Bluetooth, you can only use Bluetooth Audio or Bluetooth MIDI ­ not both at once. If you need both MIDI and Audio connections, you need to use a USB connection with your device.
BLUETOOTH WIRELESS MIDI The Titan 50 includes Bluetooth wireless MIDI for connection to apps like the Simmons App for iOS. To connect the drum module to your tablet or smartphone, open the Bluetooth MIDI settings in your app and select the Titan 50. The Bluetooth indicator in the display and front-panel LED should both light up.
BLUETOOTH WIRELESS AUDIO The Titan 50 can also operate as a Bluetooth Audio receiver. To send sound through the module’s line out and headphone out, simply choose the Titan 50 device from your smartphone, tablet, or computer. Again, both the display Bluetooth icon and the front panel LED will light when a Bluetooth connection is active.
NOTE: The Titan 50 can’t act as a Bluetooth Audio Transmitter to Bluetooth wireless speakers or headphones. The reason is that the latency delay is too long on headphones like these, so you would hear a noticeable delay between hitting the pad and hearing a sound.

OWNER’S MANUAL

29

APPENDIX

SOUND LIST Category
Kick Kick Kick Kick Kick Kick Kick Kick

Sound # 1
2 3 4 5 6 7 8

Snare

9

Snare

10

Snare

11

Snare

12

Snare

13

Snare

14

Snare

15

Snare

16

Snare

17

Snare

18

Snare

19

Snare

20

Snare

21

Snare

22

Snare

23

Snare

24

Snare

25

Snare

26

Snare

27

Snare

28

Snare

29

Snare

30

Snare

31

Snare

32

Snare

33

Snare

34

30

Sound Name
TamIm14x24 TmSSC18x22 GrtBC16x22 LudMp14x22 TamImpDamp GrtBC+Room TmSSCLayer
80sGated
LudCOB-Sn LudCOB-RS JnkFbr-Sn JnkFbr-RS BkwdCop-Sn BkwdCop-RS GrtBlBr-Sn GrtBlBr-RS KepSS-Sn KepSS-RS PrlPicc-Sn PrlPicc-RS GrtBBDn-Sn GrtBBDn-RS
AVH-Sn AVH-RS 80sGate-Sn 80sGate-RS Jk+Room-Sn Jk+Room-RS LdCOBDm-Sn LdCOBDm- RS KepLyer-Sn KepLyer-RS PnkRing-Sn PnkRing-RS

Category
Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms

Sound # 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62

Hi-Hat

63

Hi-Hat

64

Hi-Hat

65

Hi-Hat

66

Hi-Hat

67

Hi-Hat

68

Sound Name
TamImp-13 TamImp-16 TamImp-18 TamImp-20 TamSSC-10 TamSSC-12 TamSSC-14 TamSSC-16
GrtBC-12 GtrBC-13 GrtBC-14 GrtBC-16 LudMpl-12 LudMpl-14 LudMpl-16 LudMpl-18 TamDamp-13 TamDamp-16 TamDamp-18 TamDamp-20 80sGate-Hi 80sGateMid 80sGateLow 80sGateXL MetalTom1 MetalTom2 MetalTom3 MetalTom4
IstXt14-Cl IstXt14-HO IstXt14-Op IstXt14-Ft IstXt14-Sp Past14-Cl

APPENDIX

SOUND LIST Category
Hi-Hat Hi-Hat Hi-Hat Hi-Hat

Sound # 69
70
71
72

Crash

73

Crash

74

Crash

75

Crash

76

Crash

77

Crash

78

Crash

79

Crash

80

Ride

81

Ride

82

Ride

83

Ride

84

Perc

85

Perc

86

Perc

87

Perc

88

Perc

89

Perc

90

Perc

91

Perc

92

Perc

93

Perc

94

Perc

95

Perc

96

Perc

97

Perc

98

Perc

99

Perc

100

Sound Name
Past14-HO Past14-Op Past14-Ft Past14-Sp
IstXist19 ZilAThin19 IstXstB17 ZilKDk18 ZilKSw17 SabSplash8 ZilChina18 ZilChina22
IstXstBr22 Ist22toBel ZilKSw21 ZilKSw23
Shaker Clave Whistle CongaOpen CongaSlap Agogo CaixaRim CaixaCentr Cajon Cowbell FingCymbal Maracas TimbaleHi TimbaleLow Tumba TumbaLow

OWNER’S MANUAL

Category
Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc

Sound # 101 102 103
104 105 106 107 108 109 110 111 112 113 114

EKick

115

EKick

116

EKick

117

EKick

118

EKick

119

EKick

120

EKick

121

ESnare

122

ESnare

123

ESnare

124

ESnare

125

ESnare

126

ESnare

127

ESnare

128

ESnare

129

ESnare

130

ESnare

131

ESnare

132

ESnare

133

Sound Name
Tambourn SurdoHi SurdoLow Pandero
TablaDGEE TablaDGMK TableDINM1 TablaNAH3
IndiaCnt1 IndiaCnt2 Gadasing GadasingDb AapaKalai1 AapaKalai2
T909Long SDSV Kick TechnoKick HipHopKick NastyKick SDS7LoKick MetalKick
C78 Snare T909 Sn+Cl T909 Snare TechnoSnr HipHopSn1 HipHopSn2 SDS7AnaSnr SDS7 LoSnr SDSV Clap PiccAnimal SDSVSnNse MetalSnare
31

APPENDIX

SOUND LIST Category
ESnare

Sound #
134

ETom

135

ETom

136

ETom

137

ETom

138

ETom

139

ETom

140

ETom

141

ETom

142

ETom

143

ETom

144

ETom

145

ETom

146

ETom

147

ETom

148

ETom

149

ETom

150

ETom

151

ETom

152

ETom

153

ETom

154

ETom

155

ETom

156

ETom

157

EHi-Hat

158

EHi-Hat

159

EHi-Hat

160

EHi-Hat

161

EHi-Hat

162

EHi-Hat

163

EHi-Hat

164

EHi-Hat

165

EHi-Hat

166

32

Sound Name
MetalSnRS
SDSV Tom 1 SDSV Tom 2 SDSV Tom 3 SDSV Tom 4 SDSV TomSt SDS7 Tom 1 SDS7 Tom 2 SDS7 Tom 3 TechTom 1 TechTom 2 TechTom 3 TechTom 4 C78 Tom 1 C78 Tom 2 C78 Tom 3 C78 Tom 4 T909 Tom 1 T909 Tom 2 T909 Tom 3 RattleTom1 RattleTom2 RattleTom3 RattleTom4
TechHat-Cl TechHat-Op RnB Hat Cl HipHopHHCl HipHopHHOp SDS7 HH-Cl SDS7 HH-Op SDS7 HH-Ft SDS7 HH-Fr

Category
EHi-Hat EHi-Hat EHi-Hat EHi-Hat EHi-Hat

Sound # 167
168
169
170
171

ECymbal

172

ECymbal

173

ECymbal

174

ECymbal

175

ECymbal

176

ECymbal

177

ECymbal

178

ECymbal

179

ECymbal

180

ECymbal

181

ECymbal

182

EPerc

183

EPerc

184

EPerc

185

EPerc

186

EPerc

187

Sound Name
SDSV HH-Cl SDSV HH-Op SDSV HH-Ft RingrHH-Cl RingrHH-Op
T909 Crash T909 Ride C78 Cymbal T808 Cymb SDS7 Crash SDS7Cymbal SDSV Cymb1 SDSV Cymb2 TechCymb1 TechCymb2 MetalCymb
Scratch Brains Bubbles Swarm Strike

APPENDIX
KIT LIST # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25

Kit Name Heavy Rock Modern Pop
Metallic Americana Funk Booty Yacht Rock Fusion Club Sunset Strip
Empire Punchy Rock
Big Ballad Top 40
Young Punk High Volume
Metalstar 80s Gated
Nails Tekno Hip Hop SDS7 House Rave SDSV Latin India Brazil

SONGS LIST #
Song 01 Song 02 Song 03 Song 04 Song 05 Song 06 Song 07 Song 08 Song 09 Song 10

OWNER’S MANUAL
Display Name Classic Rock R&B Metal User Song 1 User Song 2 User Song 3 User Song 4 User Song 5 User Song 6 User Song 7

33

APPENDIX

MIDI IMPLEMENTATION CHART

Function

Transmitted

Basic Default Channel Changed

10 CH Only X

Mode

Default Messages Altered

Mode 3 X **

Note Number: True voice

0~127 **

Velocity Note ON Note OFF

O 9nH,v=1-127 O 8nH,v=0

Affter Key’s

X

Pitch Bender

X

Control Change 0, 32

X

1

X

6

X

7

X

10

X

11

X

64

X

66

X

67

X

80, 81

X

84

X

91, 93

X

100, 101

X

121

X

Program Change: True

O 0-127 0-127

System Exclusive

X

System: Song Position

X

Song Select

X

Common: Tune

X

Aux:

Local on/off

X

All Notes Off

X

Messages: Active Sense

X

Reset

X

Recognized
1-16 CH 1-16 CH
Mode 3 X X
0~127 0~127
O 9nH,v=1-127 O 9nH,v=0 or 8nh
X
O
O O O O O O O O O O O O O (*1) O
O 0-127 0-127
O
X X X
O O X X

Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO

*1: Registered parameter number: #0: Pitch sensivity #1: Fine tuning in cents #2: Coarse tuning in half-tones

O: Yes X: NO

34

Remarks
Bank Select Modulation Data Entry Volume Pan Expression Sustain Sostenuto Soft pedal DSP TYPE Portamento DSP DEPTH RPN LSB,MSB Reset all Controllers

WARRANTY
Two (2) Years Limited Warranty Subject to the limitations set forth below, Simmons® hereby represents and warrants that the components of this product shall be free from defects in workmanship and materials, including implied warranties of merchantability or fitness for a particular purpose, subject to normal use and service, for two (2) years to the original owner from the date of purchase.
Retailer and manufacturer shall not be liable for damages based upon inconvenience, loss of use of product, loss of time, interrupted operation or commercial loss or any other incidental or consequential damages including but not limited to lost profits, downtime, goodwill, damage to or replacement of equipment and property, and any costs of recovering, reprogramming, or reproducing any program or data stored in equipment that is used with Simmons® products. This guarantee gives you specific legal rights. You may have other legal rights which vary from state to state. Some states do not allow limitations on how long an implied warranty lasts, so the above limitation may not apply to you.
Simmons P.O. Box 5111 Thousand Oaks, CA 91359-5111
All trademarks and registered trademarks mentioned herein are recognized as the property of their respective holders.
FCC STATEMENT
1. Caution: Changes or modifications to this unit not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment. 2. Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: · Reorient or relocate the receiving antenna. · Increase the separation between the equipment and receiver. · Connect the equipment into an outlet on a different circuit.

OWNER’S MANUAL

35

References

• Home - Simmons Drums
• Titan 50 Setup and Assembly Video - Simmons Drums

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