SIMMONS TITAN 50 Electronic Drum Kit With Mesh Heads Owner’s Manual
- June 3, 2024
- SIMMONS
Table of Contents
TITAN 50 Electronic Drum Kit With Mesh Heads
ELECTRONIC DRUM KIT WITH MESH HEADS
SimmonsDrums.net
OWNER’S MANUAL
SAFETY INSTRUCTIONS
THE LIGHTNING FLASH WITH ARROWHEAD SYMBOL WITHIN AN EQUILATERAL TRIANGLE IS
INTENDED TO ALERT THE USER TO THE PRESENCE OF UNINSULATED DANGEROUS VOLTAGE
WITHIN THE PRODUCT’S ENCLOSURE THAT MAY BE OF SUFFICIENT MAGNITUDE TO
CONSTITUTE A RISK OF ELECTRIC SHOCK TO PERSONS.
THE EXCLAMATION POINT WITHIN AN EQUILATERAL TRIANGLE IS INTENDED TO ALERT THE
USER TO THE PRESENCE OF IMPORTANT OPERATING AND MAINTENANCE(SERVICING)
INSTRUCTIONS IN THE LITERATURE ACCOMPANYING THE PRODUCT.
APPARATUS SHALL NOT BE EXPOSED TO DRIPPING OR SPLASHING AND THAT NO OBJECTS
FILLED WITH LIQUIDS, SUCH AS VASES, SHALL BE PLACED ON THE APPARATUS.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with dry cloth.
7. Do not block any ventilation openings. Install in accordance with the
manufacturer’s instructions.
8. Do not install near the heat sources such as radiators, heat registers,
stoves, or other apparatus (including amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or grounding-type plug.
A polarized plug has two blades with one wider than the other. A grounding
type plug has two blades and a third grounding prong. The wide blade or the
third prong are provided for your safety, if the provided plug does not fit
into your outlet, consult an electrician for replacement of the obsolete
outlet.
10. Protect the power cord from being walked on or pinched particularly at
plugs convenience receptacles, and the point where they exit from the
apparatus.
11. Only use attachments/accessories specified by the manufacturer.
12. Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over (Figure1).
Figure 1
13. Unplug this apparatus during lightning storms or when unused for a long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
CAUTION: Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.
CAUTION: Apparatus shall not be exposed to dripping or splashing and no objects filled with liquids, such as vases, shall be placed on the apparatus.
2
CONGRATULATIONS!
…on your purchase of this Simmons Titan 50 Electronic Drum Kit. To get the
most enjoyment from this kit, we recommend that you skim through this manual
at least once, then refer back to it to learn more about specific functions.
CARING FOR YOUR TITAN 50 ELECTRONIC DRUM SET
LOCATION · Keep the drum kit away from direct sunlight, high
temperature sources, and excessive humidity to prevent deformation,
discoloration, or more serious damage
POWER SUPPLY · Turn the power switch OFF when the Titan 50 is not in use. ·
The AC adapter should be unplugged from the AC outlet
if the Titan 50 is not to be used for an extended period of time. · Avoid
plugging the AC adapter into AC outlet that is also powering high-consumption
appliances such as electric heaters or televisions. Also avoid using multi-
plug adapters, since these can reduce sound quality, cause operation errors,
and result in possible damage. · To avoid damaging the unit, turn the Titan 50
and all related devices OFF prior to connecting or disconnecting cables.
HANDLING AND TRANSPORT · Never apply excessive force to controls, connectors,
and
other parts. · Unplug cables by gripping the plug firmly. Do not pull on
the cable. · Disconnect all cables before moving the module. · Physical shocks
caused by dropping, bumping, or placing
heavy objects on the module can result in scratches and more serious damage.
CLEANING · Clean the module with a dry, soft cloth. · A slightly damp cloth
may be used to remove stubborn
grime and dirt. · Never use cleaners such as alcohol or thinner. · To avoid
discoloration, do not place vinyl objects on top
of module.
ELECTRICAL INTERFERENCE · The module contains digital circuitry and may cause
interference if placed too close to radio or television receivers. If this
occurs, move the Titan 50 further away from the affected equipment.
SERVICE AND MODIFICATION · There are no user serviceable parts in the drum
module. · Do not attempt to open the sound module or make any
change in the circuits or parts of the unit. This would void the warranty.
OWNER’S MANUAL
3
TABLE OF CONTENTS
SAFETY INSTRUCTIONS. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. .2
CONGRATULATIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . 3
CARING FOR YOUR TITAN 50 ELECTRONIC DRUM SET . . . . 3
FINAL ASSEMBLED KIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . 5
FEATURES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . .6
ASSEMBLING YOUR KIT. . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . 7
CONNECTIONS Connecting the Module and Pads. . . . . . . . . . . . . . . . . .
. . . 10 AC Adapter . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . 11 Connecting Audio Equipment. . . . . . . . . . . .
. . . . . . . . . . . . . .12 Aux Input. . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .12 Connecting MIDI Devices and
Computers . . . . . . . . . . . . . . .13 Bluetooth Wireless Audio and MIDI .
. . . . . . . . . . . . . . . . . . .13 USB Audio and MIDI Connection . . . .
. . . . . . . . . . . . . . . . . . .13 Tablet Shelf. . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . .13
TITAN 50 DRUM MODULE OPERATION Top Panel . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . .14 Bottom Panel . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16 Back Panel .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. .16 Side Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . .16
QUICK START OPERATIONS Turning the Power on the Module . . . . . . . . . . . .
. . . . . . . . . . 17 Basic Operation and Navigation . . . . . . . . . . . .
. . . . . . . . . . 17 Adjusting Values . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . 17
KIT MODE Selecting a Kit . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . .18 Using the Metronome (Click) . . . . . . . . . . . .
. . . . . . . . . . . . . .18 Using a Double-Kick Pedal . . . . . . . . . . .
. . . . . . . . . . . . . . . . .18
KIT MODE – ADVANCED Editing a Drum Sound . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . .19 Editing the Kit Mix. . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . 20 Saving and Naming a Kit . . . . . . .
. . . . . . . . . . . . . . . . . . . . . .21 Factory Reset . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .21
SONG MODE Playing a Song. . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . 22 Muting the Drum Part. . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . 22 Changing the Drum Mix . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . 22 Changing the Tempo of a Song . . . . .
. . . . . . . . . . . . . . . . . . 22 Copying a Song . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . 22
RECORDING A SONG To Record . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . 23
PRACTICE MODE To Use Practice Mode . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . 24 Practice Mode Edit . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . 24 To Select Between the 6 Practice Modes. . . .
. . . . . . . . . . . 25
SET UP MODE Setup Menu . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . 26 MIDI Note Defaults . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . 28 Hi-Hat MIDI Settings . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . 28 USB Operations . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
BLUETOOTH Bluetooth Wireless MIDI . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . 29 Bluetooth Wireless Audio . . . . . . . . . . . . . . . . . .
. . . . . . . . . . 29
APPENDIX Sound List . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . 30 Kit List . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . 33 Song List . . . . . . . .
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 MIDI
Implementation Charts . . . . . . . . . . . . . . . . . . . . . . . . . 34
Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . 35 Customer Service. . . . . . . . . . . . . . . . . . . . . .
. . . . . . . . . . . . . . 36
4
FINAL ASSEMBLED KIT
OWNER’S MANUAL
5
FEATURES
TITAN 50 SOUND MODULE GENERAL FEATURES POLYPHONY · Voices – 64
SOUND · Drum Voices – 187 · Drum Kits – 25 Preset / 10 User · Songs – 3 Preset
/ 1 User
EFFECTS · Reverb: Hall1, Hall2, Room1, Room2, Room3, Stage1,
Stage2, Plate, Delay, Echo, Off. · Compressor: Easy, Grind, Roomy, Pummel,
Stomp, Spank,
Pump, Nuke, Off
TRIGGER INPUTS · 25-Pin Multi Trigger Input · 1/4″ Tom 4 Input · 1/4″ Crash 2
Input
EXTERNAL CONNECTIONS · 1/8″ Headphone Output · 1/4″ Master Outputs (x2) · 1/4″
Pad Inputs (x2) · 1/8″ TRS Aux Input · USB Connection for MIDI via computer ·
Bluetooth Wireless Audio and MIDI
SEQUENCER · Preset Songs – 3 · User Songs – 7 · Tempo- 20-280 BPM ·
Click/Metronome- Time Signature, Tempo
POWER · 9v, 600mA, Center Positive
OTHER HARDWARE · Drum Rack and mounts · Kick Drum pad · 10″ Dual-zone Snare
mesh drum · 8″ Single-zone Tom mesh drums (x3) · 10″ Single zone Hi Hat pad ·
10″ Single zone Crash Cymbal pad with Choke · 10″ Single zone Ride Cymbal pad
· Hi-Hat pedal (x1) · Kick Beater pedal (x1)
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ASSEMBLING YOUR KIT
INSIDE THIS PACKAGE Before assembly, please make sure that all the items
listed below are present.
OWNER’S MANUAL
Cymbals
Single Zone 10″ Ride Cymbal Pad
Single Zone with Choke 10″ Crash Cymbal Pad
Single Zone 10″ Hi-Hat Cymbal Pad
Accessories
AC Adaptor
Multi-pin Cable Harness
TSCYM10S
Drum Pads
Dual Zone 10″ Snare Mesh Drum
TSCYM10SC
TSCYM10S
Single Zone 8″ Tom Mesh Drums
Drum Key 4 LRods for Pads
8 Cable Rack
Clips
1 Pair Drumsticks Hi-Hat Arm (Short)
2 Cymbal Arms (Long)
4 Hook-and-Loop
Cable Strips
T50PAD10D
T50PAD8S
Kick Pad
Bass Drum Pad & Pedal
Hi-Hat Pedal
Foot Controller
Drum Rack
T50KP6 / TSKPDL
Drum Module & Tablet Shelf
T50HHC
T50M/TS
T50RK
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ASSEMBLING YOUR KIT
For a video demonstration on how to set up your kit, visit
simmonsdrums.net/titan50-setup or scan the QR code here:
The Titan 50 rack comes pre-assembled with all clamps already in place 1. Pull
rack out of box. 2. Loosen nuts on side arms and snare clamps so you can
rotate bars. The Simmons logo in the middle of the rack should face the back
of the kit. 3. Pull the side arms and snare arm out into their playing
positions. 4. Tighten nuts on side arm clamps. 5. Loosen L-rod wing nuts on
tom clamps: the clamps that angle up above the rack. Insert plastic of L-rod
into tom clamps and tighten wing nuts. Add another L-rod to the snare clamp,
the one that faces the player on the short arm. NOTE 1: We recommend putting
the Titan 50 on a drum rug to keep the components together. NOTE 2: The right-
side bar has a pass-through clamp, designed to make the rack expandable. You
can make this arm shorter when you assemble the kit to save space. If you
expand the kit without optional Titan 50 Expansion Kit, you can lengthen that
arm to accommodate the extra tom and cymbal.
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ASSEMBLING YOUR KIT
ATTACHING THE CYMBAL PADS 1. Insert the two longest cymbal arms into the flat
rack
clamps facing behind the rack. 2. Insert the shorter hi-hat arm on the left-
side arm’s
cymbal clamp. 3. Remove top wing nut and felt from cymbal arm. Place
cymbal pad on the cymbal arm. 4. Re-attach the felt washer and wing nut.
Tighten wing
nut. NOTE: If you want the cymbal pads closer, you can angle the bottom
section from the clamp and use the “boom” joint to make the cymbal flat or any
angle you want.
ATTACHING THE DRUM MODULE AND DRUMS 1. Loosen wing screws on the snare and tom
drum clamps. 2. Place the L-rods into the opening of the drum clamps,
as shown in the image above. The shorter, thicker end of the L-rod goes into
the clamp and the longer, metal end faces the drummer. 3. Slide the drum pads
onto the L-rods. The 10″ snare pad goes on the arm closest to the drummer. The
other three 8″ tom pads go on the other three clamps. 4. Loosen the module
clamp, the one furthest to the drummer’s left. Insert the module into the
clamp and tighten.
BASS DRUM AND HI-HAT PEDAL 1. Place the hi-hat pedal on the floor and to the
left, as
illustrated below. 2. Connect the kick drum pedal to the front of the kick
drum pad. The clamp on the back of the kick pedal attaches to the metal lip on
the front of the kick pad. Replace with your own kick pedal if you want,
nearly any kick pedal should fit the clamp. 3. Place the bass pad and beater
pedal on the floor in the center of the rack as illustrated.
OWNER’S MANUAL
9
CONNECTIONS
CONNECTING THE SOUND MODULE AND PADS
CAUTION!
To prevent electric shock and damage to the device, make sure the power is
switched OFF on the sound module and all related devices before making any
connection.
Using the provided cables, connect the 1/4″ jacks to the corresponding drum
pads, cymbal pads and kick pad. The 25-pin connector will attach to the multi-
pin connector serial port on the bottom of the sound module.
(See illustration below)
The voice of the hi-hat pad is controlled by the hi-hat pedal. Plug into the
Hi-Hat pedal the plug that is labeled “HH Pedal.” Similar to a real drum kit,
the hi-hat pad functions as an open hi-hat’ when the pedal is released. When the pedal is pressed down, it functions as a
closed hi-hat’.
Cymbal Pads
To Crash To Hi-Hat
Sound Module
From Sound Module to 7 Pads
Drum Pads To Tom 1
To Tom 2
To Snare
To Ride To Tom 3
Hi-Hat Pedal
To Kick
To Hi-Hat Control
*See Appendix for Pad, Triggers, Name and MIDI chart.
10
Kick Beater Pedal
CONNECTIONS
CONNECTING THE SOUND MODULE AND PADS Using the provided cables, connect the
1/4″ jacks to the corresponding drum pads, cymbal pads and kick pad. The pin
connection will attach to the serial port of the sound module. (See
illustration.) The cables have some extra length so you can customize the kit,
for example swapping the crash and ride for left-handed players.
OWNER’S MANUAL
NOTE: Use the included cable clips to attach cables to the back of the rack
and the hook-and-loop ties to attach cables to the vertical sections of the
rack.
AC ADAPTER The Titan 50 module uses an external power supply called an AC
Adapter. This plugs into the back of the module. Make sure the power is
switched OFF on the module and connect the power adaptor with the DC IN jack
on the rear panel. For extra protection, there is a cable clip for the power
cable on the bottom of the module. Insert the power cable through the C-shaped
opening. NOTE: To protect the speakers, amplifier and the drum module from
damage, lower the volume to the minimum level before switching the power ON.
Make sure the power is switched OFF when connecting the drum module to
external devices.
11
CONNECTIONS
CONNECTING AUDIO EQUIPMENT Mixers and Amplifiers 1. To listen to the module,
send the outputs to a mixer
or drum amplifier. Connect the Output L/MONO and R jacks on the rear panel to
your amp. (For monaural playback, only use the L/MONO jack; for stereo
playback, connect both L/MONO and R jacks.) 2. The volume from the module is
adjusted with the VOLUME knob. This controls both the line outputs and the
headphone output volume. 3. You can connect a standard pair of headphones to
the Titan 50 module to listen to your electronic drum set without disturbing
others. Connect the headphones to the 1/8″ headphone jack located on the left
side of the drum module. Adjust the volume to a comfortable level to avoid
damaging your hearing.
AUX INPUT This input allows you to mix the input from external audio sources
with the Titan 50 module’s internal sounds. 1. Plug the audio output of your
smartphone, tablet,
or other audio source into the AUX IN jack on the back panel.
12
CONNECTIONS
CONNECTING MIDI DEVICES AND COMPUTERS MIDI stands for Musical Instrument
Digital Interface, which is a world-wide standard communication interface that
enables electronic musical instruments and computers (of all brands) to
communicate with each other. MIDI sends note and other communication between
devices. This exchange of information makes it possible to create a system of
MIDI instruments and devices that offer greater versatility and control than
is available with isolated instruments. Whether you interface with computers,
sequencers, expanders or other controllers, your musical horizons will be
greatly enhanced.
BLUETOOTH WIRELESS AUDIO AND MIDI The Titan 50 includes Bluetooth wireless
audio and MIDI for connection to apps like the Simmons App for iOS. (See page
29) for connection instructions.
USB AUDIO AND MIDI CONNECTION
The USB connector allows you to connect the module directly to your computer.
It can be connected without driver installation under the Windows & macOS
environment. The module will be recognized to receive and transmit Audio and
MIDI messages through a single USB cable, The Titan 50 module will appear as
“Titan 50″ in the USB device options of your software. (See page 28 for more
information)
NOTE: When the USB is connected to a computer, all MIDI messages will be
received and transmitted via USB.
TABLET SHELF The Titan 50 includes a smartphone and tablet shelf. Press this
shelf into the slots on the back of the module until you feel a click. You can
rest your device here and rubber padding keeps it from moving too much.
Excessive playing will vibrate the shelf, however, so keep an eye on your
device when thrashing the drums. You can also put this manual or music
notation on the shelf.
OWNER’S MANUAL
13
TITAN 50 DRUM MODULE OPERATION
TOP PANEL
15 14
16
4
5
2
6
1
3
7
10 13 11 8 12 9
14
OWNER’S MANUAL
TITAN 50 DRUM MODULE OPERATION
TOP PANEL
1. Volume Knob: Controls Line Outputs and Headphone Output.
2. Power Button: Switches the module on and off.
3. + and Buttons: Change kits, songs, or values in menus
4. Kit Button: Press this to exit out of menus and back to the main screen of
the module, Kit Mode.
5. Song Button: Press once to access Song Mode to play the preset and user
songs. Press a second time to enter Practice mode. (see page 24)
6. Tempo: Press Tempo then + or to change the tempo of the song or
metronome. You can also tap the tempo button to the rhythm you want to set it
to automatically.
7. Edit/Sel: In Kit mode, press this to change drum sounds and drum sound
parameters. In Song or Practice mode, press this to change the song settings.
To access more parameters for editing, keep pressing this button. Press Kit or
Song to exit this edit mode.
8. Rec: Press to begin recording your own song to the User Song as a MIDI
performance.
9. Click: Turn the Metronome on or off.
10. Mix/Mute: In Kit mode, press this button to change the level, pan, and
effects for the drum kit. In Song or Practice mode, press this button to
change the balance between the drum sounds and the backing tracks. Also in
Song mode, press and hold this button to mute the drums so you can play along
with the backing tracks.
11. Play: Press once to start song playback. Press a second time to stop
playback.
12. Setup: Press this button to change global settings like trigger
sensitivity and MIDI. Press the button repeatedly to select other parameters
for editing.
13. Save: Press the Mix/Mute and Play buttons at the same time to Save your
drum kit edits to a User Kit.
14. LED Display: This display shows any information you need to know about
the drum kit.
15. Drum Display: Lights up when you play a drum. When in editing mode, the
selected drum will slowly flash. For example, press Kit then Edit/Sel, then
play the snare drum. The snare LED will pulse to show it is selected for
editing. All of the drums pads light up white except the snare rim, which
lights up in red.
16. Bluetooth Indicator: When a device is connected to the module over
Bluetooth, this LED will light up blue.
15
TITAN 50 DRUM MODULE OPERATION
BOTTOM PANEL 1. 25-pin Connection Jack for the pad trigger cables. 2. Cable
hook for power cable.
2
1
BACK PANEL 1. USB: Connect to computer for MIDI in and out. 2. Crash 2 and Tom
4: Used to connect the optional Titan
50 Expansion Pack. 3. MIDI Out: Connect to equipment that accepts a 5-pin
DIN MIDI output. 4. 1/8″ Aux Input: Connect a tablet, smartphone, or other
audio device here and it will play through the line outputs and headphone
outputs. 5. Left/Mono and Right: Line outputs to connect to a sound system or
drum monitor. If you only plug into the Left/Mono output, it will include both
left and right signals over one cable. 6. Power: Connect the included power
adapter. (9V/600mA, center positive)
SIDE PANEL 1. Headphone Out: Located on the left side of the module
near the display, this 1/8” stereo output works with most consumer and
professional headphones 2. Tablet/Smartphone Shelf: Holds a tablet or
smartphone so you can play along with music and videos or use apps. Rubber
padding on the shelf keeps devices from falling off.
16
12
45 6
3
2
1
QUICK START OPERATIONS
TURNING THE POWER ON THE MODULE 1. Connect the AC Adapter to the drum module.
2. Press the power switch on the top panel to turn on the
module. NOTE: There is an automatic power off function that turns off the
module when the kit is not being used for a certain period of time. The
default setting is off. If this gets changed you can reset this in the Utility
mode.
BASIC OPERATION AND NAVIGATION There are 4 main modes for the module: KIT,
SONG, PRACTICE and SETUP. To enter these modes press the corresponding buttons
on the top panel of the module. Pressing the Song button repeatedly toggles
between Song and Practice mode.
OWNER’S MANUAL
ADJUSTING VALUES
1. Select the parameter to be adjusted. When you first turn on the module,
Kit Number is selected for changes.
2. Adjust the value using + / – buttons.
17
KIT MODE
SELECTING A KIT 1. Press the KIT button. The current Kit number and Kit
name are displayed. 2. Press the /+ buttons to select the 25 Preset or 10
User
Kits.
USING THE METRONOME (CLICK) The CLICK is the metronome sound that is played
when you are listening to play along with. 1. Press the CLICK button to switch
the metronome on or
off. 2. Press the Tempo button to change the tempo using the
+ and buttons. 3. To change the time signature of the metronome, press
SETUP until you see “TimeSig” and choose the desired signature. The default is
4/4 and the other choices are: 1/4, 2/4, 3/4, 5/4, 6/4, 7/4, 3/8, 6/8. 7/8,
9/8, and 12/8. 4. When the click is active, you will see the display animate
the metronome back and forth to the tempo you set.
USING A DOUBLE-KICK PEDAL The kick pad on the Titan 50 was designed to work
with a double kick pedal. When playing with a double-kick pedal, you might
want to play a closed high-hat sound, similar to “opening the choke” on an
acoustic hi-hat stand. Here’s how you do this on the Titan 50: 1. Press SETUP
2. The first display should read “Hi-Hat:Pedal” This is
the default setting, the hi hat controller pedal controls whether the hi hat
is open or closed. 3. Press the + button to change this to “Hi-Hat: Mid.” This
is the equivalent to opening the choke on your hi-hat stand so that the
cymbals touch. This gives a trashier sound for playing hard rock or metal
styles. 4. Press the + button again to change this setting to “Hi-Hat: Cl.”
This is a dryer, closed sound equivalent to tightening the choke on your hi-
hat stand. 5. If you step on the pedal, even after exiting this menu, the hi-
hat control will revert to “Pedal” for normal operation.
18
OWNER’S MANUAL
KIT MODE – ADVANCED
EDITING A DRUM SOUND
1. Press the KIT button.
2. Press the EDIT/SEL button to see the screen for the current sound.
3. Strike a drum pad to view the Voice currently assigned. The LED for that
drum pad will pulse in the drum display to the right of the LED display.
4. Press the -/+ buttons to change the current parameter. The first parameter
selected is Drum Sound. Press + and at the same time to return to the preset
setting.
5. Press EDIT/SEL again to select a different parameter to change.
6. Press the SAVE buttons (MIX/MUTE + PLAY) to save the assignment to a User
Kit. (See Saving a kit)
Parameter D:
DCat: Pitch Decay
Definition Drum Sound
Drum Category Drum Pitch Drum Decay time
Notes
Press +/- to select a drum sound in the current sound category (Snare, Kick,
Perc, etc.) Press EDIT/SEL again to choose a different category of sounds to
assign.
Select a different category of sounds for the current pad.
Change the Pitch of the current sound. Range is 0 to -24 (pitch change is
negative only)
Range is -64 to 0 to +63. In most cases a + value won’t change the sound. This
simulates damping the drum with tape or a wallet
19
KIT MODE – ADVANCED
EDITING THE KIT MIX
1. Press the KIT button.
2. Press the MIX/MUTE button to see the screen for the current sound.
3. Strike a drum pad to view the Voice currently assigned. The LED for that
drum pad will pulse in the drum display to the right of the LED display.
4. Press the -/+ buttons to change the parameter. The first parameter
selected is Drum Level. Press + and at the same time to return to the preset
level.
5. Press MIX/MUTE again to select a different parameter to change.
6. Press the SAVE buttons (MIX/MUTE + PLAY) to save the assignment to a User
Kit. (See Saving a kit)
Parameter Level
Pan
RevSend RevProg RevLevel: CompProg CompThr EQ High EQ Low
Definition Drum Level
Drum Pan
Reverb Send Reverb Program Reverb Level Compressor Program Compressor
Threshold EQ high shelf gain EQ low shelf gain
Notes
Press the + and buttons to change the volume of the current drum sound. The
default for most kits is to have the snare levels at 127 for the best noise
performance. So if you want the snare to be louder, you need to turn all the
other drums down. Drum Level and Pan are always shown in the bottom left
corner in mix edit modes.
Press the + and buttons to change the panning or balance of the current drum
sound. The default for most kits is to have all the drum panning at center,
because most of the acoustic drum samples are in stereo (even the hi hats!)
Drum Level and Pan are always shown in the bottom left corner in mix edit
modes.
Change the amount of reverb send for the current pad to the internal reverb
effect. Note that Reverb Level needs to be turned up to hear the effect
Change the reverb program from a concert hall to a small room, etc.
This is the overall level of the reverb effect. If there is too much or too
little reverb, you can change this one setting instead of each individual
reverb send level.
This chooses one of the compressor presets to change the sound of that effect
The Compressor Threshold is the level where the compressor takes effect. If
this setting is high, you won’t hear much effect. As you turn this lower, you
will hear more compression.
Increases or decreases the high (treble) frequencies of the drum kit
Increases or decreases the low (bass) frequencies of the drum kit
20
KIT MODE – ADVANCED
SAVING AND NAMING A KIT 1. Select and edit a Kit. 2. Press SAVE (both the
MIX/MUTE + PLAY buttons). 3. Press the -/+ buttons to choose a User kit to
save over.
(You can’t write over the preset drum kits) 4. Press the SAVE button again. 5.
To rename the Kit, press + and to change a letter. Press
EDIT/SEL to move the cursor to the next letter to change. 6. Press the SAVE
one last time to write the kit. The display
will read “Saved” then return to Kit mode.
FACTORY RESET If you ever want to return all settings to the defaults from
when the kit was new, or if he module starts acting strangely, a reset may fix
this issue
1. Switch the module off. 2. Hold the + and buttons. 3. Switch the module
on. The screen will read
“FactoryReset” and all settings will return to their defaults. Any changes to
trigger settings, user kits, etc. will be lost.
OWNER’S MANUAL
21
SONG MODE
The Song button toggles between the Song and Practice modes. When you press
it, you will see “SongPractice,” and the word that flashes is the mode that
you’re in. Also, you will see the word “Practice” on the screen when the
module is in this mode. The next section is about Song mode.
PLAYING A SONG 1. Press SONG, select a song number, then PLAY to play
a song. 2. Press the PLAY button to stop playback of the song. NOTE: You can
temporarily change the tempo of a song while playback is in progress. The song
returns to its preset tempo when a different song is selected.
MUTING THE DRUM PART 1. While a Song is playing press and hold the MIX/MUTE
Button. This will mute the drum part. The screen will show the mute status
“Mute On” or “Mute Off”. 2. To unmute the Drums press and hold MIX/MUTE again.
3. To change the balance between the song instruments and drums, press
MIX/MUTE and then use the + and buttons to change the balance.
CHANGING THE DRUM MIX After muting the drum part in the step above, you change
the balance between your drum sounds and the backing track with the Mix/Mute
button.
1. While in Song mode, press the MIX/MUTE Button. You will see the mix
displayed, “Mix: 50%/50%”.
2. Press the + and buttons to change the balance between the drums and the
accompaniment (guitar and bass).
CHANGING THE TEMPO OF A SONG 1. Press the SONG Button. The current song will
be
displayed. 2. Press Play to start song playback. 3. Press TEMPO, then press +
or to change the tempo.
You can also press the TEMPO button to the rhythm you want to play and it will
automatically set the tempo. NOTE: The song sounds best at its default tempo.
COPYING A SONG You can copy a Preset song to a user song, then replace the
drum track.
1. Select a Song. 2. Press the SAVE button to save the to a User song. 3.
Press the -/+ buttons to choose the User song to save
to. 4. Press the SAVE button to rename the User song. 5. Press the EDIT button
to move the cursor.
22
6. Press [+/-] to change the character. 7. Press the SAVE button one more
time to save the song to
a user location. NOTE: If you want to rename a user song, save the song to the
same position, then use the rename instructions.
RECORDING A SONG
TO RECORD 1. Press the Song button. 2. Select one of the User songs. Songs 1-3
are presets that
you can’t record over, songs 4-10 are user songs. If you don’t select a song,
it will record to song 4 (User Song 1). 3. Press the Record button. You will
hear the Click metronome sound count in. Begin playing after the count off.
NOTE: To hear the metronome click during recording, open Setup and change
“ClickRec” to On. (See page 27 for more info).
4. To stop recording, press Rec again.
OWNER’S MANUAL
23
PRACTICE MODE
When in Song mode, pressing Song again allows the user to enter Practice Mode.
Practice mode has the goal of making you a more accurate drummer.
The Practice display on the bottom right corner of the display shows how close
you are to playing exactly on the beat. In this example, the player was
slightly late in their playing so the display shows just right of center. If
the drummer was ahead of the beat (early), the circle would land on the left
side of that display. The display is only active for the quarter note downbeat
on kick and snare. If you are 100% accurate for that quarter-note beat timing,
the center circle will light up each time. Playing at 99% will light the
circle to the left, and 101% would light the circle to the right.
As the difficulty moves up, you need to be even more accurate. 99.5% accuracy
would be enough to trigger the next circle down instead of the center circle.
TO USE PRACTICE MODE: 1. Press Song twice to enter practice mode. (Pressing
Song
toggles between Song and Practice modes. The Practice Meter shows up in the
display in Practice Mode.) 2. Press + or to select one of the Practice
songs. Press Edit to change other settings. 3. Press Play. There will be a
1-bar intro that plays the drum beat along with the click. Then the drum part
stops and it starts listening for your playing. Practice Mode listens only on
the quarter note beat. Each beat is scored using the Practice Meter. 4. Every
four bars, the “Level” number indicator gives an average accuracy score like
“82%.” 5. When finished, press the Play button again. The final percentage and
score is shown, like: “Score: 2105.” The score is weighted to consider which
exercise is selected, the difficulty, the starting tempo, and whether tempo
shift is on or off.
PRACTICE MODE EDIT When in Practice Mode, press EDIT to select and then edit
one of the following settings:
· Difficulty (Easy, Medium, Hard): This setting decreases the timing range
that is acceptable for being played “on time.”
· Tempo Shift (On/Off): When this is switched on, the tempo will accelerate in
the fourth bar of the cycle, then the tempo will be +20 bpm for the next three
bars. Then it will accelerate again, landing on another tempo that is +20 bpm
for the next three bars. The cycle goes: regular tempo, +20, +20, -20, -20
(regular tempo), -20, -20, +20, then repeats.
24
PRACTICE MODE
TO SELECT BETWEEN THE 6 PRACTICE MODES: 1. Click: Play along with the band and
the click. 2. NoClik: Play along with the band but no click. 3. NoClik3/1:
Play along with the song. The click will play
for three bars, then the click and band will be silent for one bar.
4. NoClik1/1: The click will play for one bar, then the click and band will
be silent for one bar.
5. NoClik1/3B: The backing track and click will play for one bar, then the
click and band will be silent for one bar. On bar three, only the bass part
will come back. Then it will be silent for one more bar, then repeat to the
beginning.
6. NoClik1/3: The band and click play for 1 bar. Then there are three bars of
silence, then it repeats.
Press the Mix button in practice mode to change the balance between your drums
and the “band” backing you up. The works the same as Song mode, see previous
section for details.
OWNER’S MANUAL
25
SETUP MODE
The Setup menu is for setting triggers and MIDI parameters that effect the
entire kit. For trigger settings, use the LEDs to the right side of the
display to see which pad is selected for editing. To select another pad, play
that pad. Press the SETUP button repeatedly to select other parameters to
change. Here is a list of available settings:
Hi-Hat This parameter disables the hi-hat pedal for use with a double-kick
pedal. See page 18, “Using a DoubleKick Pedal.”
Time Sig Changes the time signature of the metronome click. The default is 4/4
and the other choices are: 1/4, 2/4, 3/4, 5/4, 6/4, 7/4, 3/8, 6/8. 7/8, 9/8,
and 12/8.
Sens (each pad input) This control changes the input level of the trigger.
Turn this level lower, and it will take more force to play the drum at its
highest dynamic. Turn it higher, and it will take less force to play the
highest dynamic.
Retrigger (each pad input) This controls how quickly you can play on a pad. If
you find that you are playing fast and some drum hits are being missed, turn
this down. If you head double-triggers when you only hit the pad once, turn
this value up
Threshold (each pad input) This controls how softly you can play on a pad. If
very soft hits aren’t being picked up, turn this control down. If you are
hearing false triggers (you played a different pad but heard this one), try
turning this up.
Curve (each pad input) This changes the way dynamics work on the pad. “Normal”
is the default setting. For a bigger change from soft to loud, try “Dyn”
(dynamic.) To make the kit easier to play, use “Easy” or “Fixed.”
X- Talk (Crosstalk, each pad input) When two pads are mounted on the same
stand, the vibration produced by hitting one pad may trigger the sound from
another pad unintentionally. This is called crosstalk. You can avoid this
problem by adjusting Crosstalk Cancel on the pad that is sounding
inadvertently. If the value is set too high, then when two pads are played
simultaneously, the one that is struck less forcefully will not sound. Be
careful when setting this parameter to the minimum value required to prevent
crosstalk.
MIDI Note Number (each pad input) When using the drum module with another
sound source like a DAW plug-in, each pad you play sends a MIDI note. The
default note numbers follow the General MIDI standard for drum sounds. If your
software requires different notes or note numbers, you can change them here.
Play a pad then press + and to change to a different note value. The Titan
50 sends and receives on MIDI channel 10. See the next section, “MIDI Note
Defaults” for the preset note numbers.
Local (MIDI Local Control) When using the Titan 50 with a DAW, recording MIDI
and playing it back to the module, you might want to disable the sounds from
the pads. Local On is the default, playing the pads plays the drum sounds.
Switch to Local Off if you want to play the pads into a DAW, out of the DAW,
then back into the sound module for MIDI sequencing.
26
OWNER’S MANUAL
ClickRec (Click in Record) Switch this parameter on if you want to hear the
metronome while recording. By default you hear four clicks and then no other
accompaniment while recording a song. When you set this to On, the click sound
will continue during recording. Bluet (Bluetooth) Bluetooth is on by default.
It is always listening for a connection from a smartphone or other device. If
you would like to disable this feature, switch this control to Off. AutoPwr
(Auto Power Off) If you would like the drum set to power off when it hasn’t
been played for a while, turn on Auto Power Off. The default setting is Off,
the drum kit will stay on until you press the power button to switch it off.
Tom Type The tom pad inputs on the Titan 50 are dual-zone, even though the
pads that come with the kit are single-zone. This means you can expand your
kit one of two ways. Either replace the tom with a dual-zone pad (head and
rim), or use a cable to split the ¼” TRS cable into a pair of TS ¼” cables and
purchase an additional tom pad. To use a dual-zone pad, set this control to
“Dual.” To split the signal to two different tom pads, set this parameter to
“Split” Ratio This parameter goes with the “Tom Type” parameter above. If you
are using a dual-zone tom, you might not want the rim zone to be as loud as
the pad zone. This setting allows you to change the balance between the center
and rim zones. This parameter also works on the snare drum: turn up the ratio
to make the rimshot more sensitive.
If you change the trigger or other settings and want to go back to the factory
default settings, you can always reset your module by holding the + and
buttons while powering it on. You will see “FactoryReset” on the display and
all settings will be wiped and returned to the defaults.
27
SETUP MODE
MIDI NOTE DEFAULTS The Titan 50 default note numbers are shown below. You can
change these note number assignments, please check the previous section for
instructions.
MIDI Note 36 38 40 48 45 43 41 46 42 44 85 86 49 57 51
Pad Kick Snare Center Snare Rim Tom 1 Tom 2 Tom 3 Tom 4 Hi Hat – Open Hi Hat – Closed Hi Hat – Pedal Hi Hat – Splash Hi-Hat – Semi-Open Crash Crash 2 Ride
HI-HAT MIDI SETTINGS
The Titan 50 Hi-Hat sends MIDI controller 4 information when the hi-hat pedal
is moved up and down. If your MIDI sound source or plug-in doesn’t have a note
value for “HalfOpen Hi-Hat,” change that note value to the same note number
you’re using for open hi-hat.
USB OPERATIONS
The Titan 50 Module will show up to your computer and devices as a 2-in, 2-out
audio interface, and also as a USB MIDI interface. Both are “Class-Compliant”
for macOS and Windows computers, no driver is required. Just plug it into your
computer and your DAW software should recognize the device.
You might need to set up the Titan 50 as a new MIDI device in your DAW
software before it can be used. Refer to your DAW software documentation to do
this.
The Titan 50 also works as a USB host for devices like an iPad. Plug the iPad
into the Titan 50’s USB jack using a USB cable and/or adapter, and the iPad’s
audio will come through the Titan 50’s line and headphone outputs. MIDI will
also play into and out of the USB jack. This is great for playing along with
music or using educational apps.
28
BLUETOOTH
The Titan 50 works with both Bluetooth MIDI and Audio. Bluetooth MIDI is often
used for apps, like the Simmons app for iOS. Bluetooth Audio allows you to
play music from your phone or tablet into the Titan 50, and that sound will
come through the line outputs and headphone outputs. The Titan 50 module is
always listening for a Bluetooth connection, simply use your phone or tablet
to connect. When a Bluetooth connection is active, the Bluetooth LED on the
front panel and the indicator in the display will turn on.
NOTE: Because the low bandwidth in Bluetooth, you can only use Bluetooth Audio
or Bluetooth MIDI not both at once. If you need both MIDI and Audio
connections, you need to use a USB connection with your device.
BLUETOOTH WIRELESS MIDI The Titan 50 includes Bluetooth wireless MIDI for
connection to apps like the Simmons App for iOS. To connect the drum module to
your tablet or smartphone, open the Bluetooth MIDI settings in your app and
select the Titan 50. The Bluetooth indicator in the display and front-panel
LED should both light up.
BLUETOOTH WIRELESS AUDIO The Titan 50 can also operate as a Bluetooth Audio
receiver. To send sound through the module’s line out and headphone out,
simply choose the Titan 50 device from your smartphone, tablet, or computer.
Again, both the display Bluetooth icon and the front panel LED will light when
a Bluetooth connection is active.
NOTE: The Titan 50 can’t act as a Bluetooth Audio Transmitter to Bluetooth
wireless speakers or headphones. The reason is that the latency delay is too
long on headphones like these, so you would hear a noticeable delay between
hitting the pad and hearing a sound.
OWNER’S MANUAL
29
APPENDIX
SOUND LIST Category
Kick Kick Kick Kick Kick Kick Kick Kick
Sound # 1
2 3 4 5 6 7 8
Snare
9
Snare
10
Snare
11
Snare
12
Snare
13
Snare
14
Snare
15
Snare
16
Snare
17
Snare
18
Snare
19
Snare
20
Snare
21
Snare
22
Snare
23
Snare
24
Snare
25
Snare
26
Snare
27
Snare
28
Snare
29
Snare
30
Snare
31
Snare
32
Snare
33
Snare
34
30
Sound Name
TamIm14x24 TmSSC18x22 GrtBC16x22 LudMp14x22 TamImpDamp GrtBC+Room TmSSCLayer
80sGated
LudCOB-Sn LudCOB-RS JnkFbr-Sn JnkFbr-RS BkwdCop-Sn BkwdCop-RS GrtBlBr-Sn
GrtBlBr-RS KepSS-Sn KepSS-RS PrlPicc-Sn PrlPicc-RS GrtBBDn-Sn GrtBBDn-RS
AVH-Sn AVH-RS 80sGate-Sn 80sGate-RS Jk+Room-Sn Jk+Room-RS LdCOBDm-Sn LdCOBDm-
RS KepLyer-Sn KepLyer-RS PnkRing-Sn PnkRing-RS
Category
Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms
Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms Toms
Sound # 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62
Hi-Hat
63
Hi-Hat
64
Hi-Hat
65
Hi-Hat
66
Hi-Hat
67
Hi-Hat
68
Sound Name
TamImp-13 TamImp-16 TamImp-18 TamImp-20 TamSSC-10 TamSSC-12 TamSSC-14
TamSSC-16
GrtBC-12 GtrBC-13 GrtBC-14 GrtBC-16 LudMpl-12 LudMpl-14 LudMpl-16 LudMpl-18
TamDamp-13 TamDamp-16 TamDamp-18 TamDamp-20 80sGate-Hi 80sGateMid 80sGateLow
80sGateXL MetalTom1 MetalTom2 MetalTom3 MetalTom4
IstXt14-Cl IstXt14-HO IstXt14-Op IstXt14-Ft IstXt14-Sp Past14-Cl
APPENDIX
SOUND LIST Category
Hi-Hat Hi-Hat Hi-Hat Hi-Hat
Sound # 69
70
71
72
Crash
73
Crash
74
Crash
75
Crash
76
Crash
77
Crash
78
Crash
79
Crash
80
Ride
81
Ride
82
Ride
83
Ride
84
Perc
85
Perc
86
Perc
87
Perc
88
Perc
89
Perc
90
Perc
91
Perc
92
Perc
93
Perc
94
Perc
95
Perc
96
Perc
97
Perc
98
Perc
99
Perc
100
Sound Name
Past14-HO Past14-Op Past14-Ft Past14-Sp
IstXist19 ZilAThin19 IstXstB17 ZilKDk18 ZilKSw17 SabSplash8 ZilChina18
ZilChina22
IstXstBr22 Ist22toBel ZilKSw21 ZilKSw23
Shaker Clave Whistle CongaOpen CongaSlap Agogo CaixaRim CaixaCentr Cajon
Cowbell FingCymbal Maracas TimbaleHi TimbaleLow Tumba TumbaLow
OWNER’S MANUAL
Category
Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc Perc
Sound # 101 102 103
104 105 106 107 108 109 110 111 112 113 114
EKick
115
EKick
116
EKick
117
EKick
118
EKick
119
EKick
120
EKick
121
ESnare
122
ESnare
123
ESnare
124
ESnare
125
ESnare
126
ESnare
127
ESnare
128
ESnare
129
ESnare
130
ESnare
131
ESnare
132
ESnare
133
Sound Name
Tambourn SurdoHi SurdoLow Pandero
TablaDGEE TablaDGMK TableDINM1 TablaNAH3
IndiaCnt1 IndiaCnt2 Gadasing GadasingDb AapaKalai1 AapaKalai2
T909Long SDSV Kick TechnoKick HipHopKick NastyKick SDS7LoKick MetalKick
C78 Snare T909 Sn+Cl T909 Snare TechnoSnr HipHopSn1 HipHopSn2 SDS7AnaSnr SDS7
LoSnr SDSV Clap PiccAnimal SDSVSnNse MetalSnare
31
APPENDIX
SOUND LIST Category
ESnare
Sound #
134
ETom
135
ETom
136
ETom
137
ETom
138
ETom
139
ETom
140
ETom
141
ETom
142
ETom
143
ETom
144
ETom
145
ETom
146
ETom
147
ETom
148
ETom
149
ETom
150
ETom
151
ETom
152
ETom
153
ETom
154
ETom
155
ETom
156
ETom
157
EHi-Hat
158
EHi-Hat
159
EHi-Hat
160
EHi-Hat
161
EHi-Hat
162
EHi-Hat
163
EHi-Hat
164
EHi-Hat
165
EHi-Hat
166
32
Sound Name
MetalSnRS
SDSV Tom 1 SDSV Tom 2 SDSV Tom 3 SDSV Tom 4 SDSV TomSt SDS7 Tom 1 SDS7 Tom 2
SDS7 Tom 3 TechTom 1 TechTom 2 TechTom 3 TechTom 4 C78 Tom 1 C78 Tom 2 C78 Tom
3 C78 Tom 4 T909 Tom 1 T909 Tom 2 T909 Tom 3 RattleTom1 RattleTom2 RattleTom3
RattleTom4
TechHat-Cl TechHat-Op RnB Hat Cl HipHopHHCl HipHopHHOp SDS7 HH-Cl SDS7 HH-Op
SDS7 HH-Ft SDS7 HH-Fr
Category
EHi-Hat EHi-Hat EHi-Hat EHi-Hat EHi-Hat
Sound # 167
168
169
170
171
ECymbal
172
ECymbal
173
ECymbal
174
ECymbal
175
ECymbal
176
ECymbal
177
ECymbal
178
ECymbal
179
ECymbal
180
ECymbal
181
ECymbal
182
EPerc
183
EPerc
184
EPerc
185
EPerc
186
EPerc
187
Sound Name
SDSV HH-Cl SDSV HH-Op SDSV HH-Ft RingrHH-Cl RingrHH-Op
T909 Crash T909 Ride C78 Cymbal T808 Cymb SDS7 Crash SDS7Cymbal SDSV Cymb1
SDSV Cymb2 TechCymb1 TechCymb2 MetalCymb
Scratch Brains Bubbles Swarm Strike
APPENDIX
KIT LIST # 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25
Kit Name Heavy Rock Modern Pop
Metallic Americana Funk Booty Yacht Rock Fusion Club Sunset Strip
Empire Punchy Rock
Big Ballad Top 40
Young Punk High Volume
Metalstar 80s Gated
Nails Tekno Hip Hop SDS7 House Rave SDSV Latin India Brazil
SONGS LIST #
Song 01 Song 02 Song 03 Song 04 Song 05 Song 06 Song 07 Song 08 Song 09 Song
10
OWNER’S MANUAL
Display Name Classic Rock R&B Metal User Song 1 User Song 2 User Song 3 User
Song 4 User Song 5 User Song 6 User Song 7
33
APPENDIX
MIDI IMPLEMENTATION CHART
Function
Transmitted
Basic Default Channel Changed
10 CH Only X
Mode
Default Messages Altered
Mode 3 X **
Note Number: True voice
0~127 **
Velocity Note ON Note OFF
O 9nH,v=1-127 O 8nH,v=0
Affter Key’s
X
Pitch Bender
X
Control Change 0, 32
X
1
X
6
X
7
X
10
X
11
X
64
X
66
X
67
X
80, 81
X
84
X
91, 93
X
100, 101
X
121
X
Program Change: True
O 0-127 0-127
System Exclusive
X
System: Song Position
X
Song Select
X
Common: Tune
X
Aux:
Local on/off
X
All Notes Off
X
Messages: Active Sense
X
Reset
X
Recognized
1-16 CH 1-16 CH
Mode 3 X X
0~127 0~127
O 9nH,v=1-127 O 9nH,v=0 or 8nh
X
O
O O O O O O O O O O O O O (*1) O
O 0-127 0-127
O
X X X
O O X X
Mode 1: OMNI ON, POLY Mode 2: OMNI ON, MONO Mode 3: OMNI OFF, POLY Mode 4: OMNI OFF, MONO
*1: Registered parameter number: #0: Pitch sensivity #1: Fine tuning in cents #2: Coarse tuning in half-tones
O: Yes X: NO
34
Remarks
Bank Select Modulation Data Entry Volume Pan Expression Sustain Sostenuto Soft
pedal DSP TYPE Portamento DSP DEPTH RPN LSB,MSB Reset all Controllers
WARRANTY
Two (2) Years Limited Warranty Subject to the limitations set forth below,
Simmons® hereby represents and warrants that the components of this product
shall be free from defects in workmanship and materials, including implied
warranties of merchantability or fitness for a particular purpose, subject to
normal use and service, for two (2) years to the original owner from the date
of purchase.
Retailer and manufacturer shall not be liable for damages based upon
inconvenience, loss of use of product, loss of time, interrupted operation or
commercial loss or any other incidental or consequential damages including but
not limited to lost profits, downtime, goodwill, damage to or replacement of
equipment and property, and any costs of recovering, reprogramming, or
reproducing any program or data stored in equipment that is used with Simmons®
products. This guarantee gives you specific legal rights. You may have other
legal rights which vary from state to state. Some states do not allow
limitations on how long an implied warranty lasts, so the above limitation may
not apply to you.
Simmons P.O. Box 5111 Thousand Oaks, CA 91359-5111
All trademarks and registered trademarks mentioned herein are recognized as
the property of their respective holders.
FCC STATEMENT
1. Caution: Changes or modifications to this unit not expressly approved by
the party responsible for compliance could void the user’s authority to
operate the equipment. 2. Note: This equipment has been tested and found to
comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection
against harmful interference in a residential installation. This equipment
generates, uses, and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference
to radio communications. However, there is no guarantee that interference will
not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by
turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures: · Reorient or relocate
the receiving antenna. · Increase the separation between the equipment and
receiver. · Connect the equipment into an outlet on a different circuit.
OWNER’S MANUAL
35
References
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