KALI LP-6 Professional Studio Monitors User Guide

: June 6, 2024
: KALI

Table of Contents

Important Safety Information
About Your Studio Monitor
Features
About Your Studio Monitor
Specifications
Inputs and Controls
Inputs and Controls
Dip Switches
Climate Considerations
Troubleshooting
Warranty
Read User Manual Online (PDF format)
Download This Manual (PDF format)

Project Lone Pine
Professional Studio Monitors
LP-6/LP-8 v2
User’s Guide

KALI AUDIO LP-6/LP-8 2nd Wave Studio Monitors User’s Guide

Important Safety Information

Read these instructions.
Keep these instructions.
Heed all warnings.
Follow all instructions.
Do not use this apparatus near water.
Power the product down, and unplug it from power before cleaning.
Clean only with a dry cloth.
Do not block any ventilation openings.
Keep ventilation opening free of dust or other matter.
Do not install near any heat sources such as radiators, heat registers, stoves, or other
apparatus (including amplifiers) that produce heat.
No naked flame sources (such as lighted candles,) should be placed on the product.
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades, with one blade wider than the other. A grounding-type plug has
two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for the replacement of the obsolete outlet.
Protect the power cord from being walked on or pinched, particularly at plugs, receptacles, and at the point where they exit the apparatus.
Use only attachments and/or accessories specified by the manufacturer.
Use only with a cart, stand, tripod, plate, bracket, or table specified by the manufacturer. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
Unplug this apparatus during lightning storms or when unused for long periods of time.
This apparatus shall not be exposed to dripping or splashing.
No object filled with liquids, such as a vase or a glass, should be placed on the apparatus.
This apparatus is to be used in a moderate climate. Do not expose to extremely high or low temperatures.
Do not apply any sticker or decal to the speakers.
Refer all servicing to qualified service personnel. Servicing is required when:
A. The apparatus is damaged in any way
B. The power supply cord or plug is damaged
C. Liquid or other objects have fallen into the product
D. The product has been exposed to rain or moisture
E. The product does not operate normally
F. The product has been dropped
High sound pressure in excess of 85 dB can cause hearing damage and/or loss. Do not expose yourself to high sound pressure levels.

| CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN|
---|---|---
WARNING: SHOCK HAZARD-DO NOT OPEN.
AVIS:RISQUE DE CHOC ELECTRIQUE-NE PAS OUVRI
| The lightning bolt with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated “dangerous voltage” within the product’s enclosure that may be of sufficient magnitude to constitute a risk of
electric shock to persons.
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| The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operation and maintaining (servicing) instructions in the literature accompanying the appliance.

About Your Studio Monitor

Congratulations on your Kali Audio LP-Series Studio monitors! These monitors were designed to deliver exceptional accuracy in all sorts of recording, mixing, and production applications. We’re confident that no matter what genre or format you’re working in, you will come to depend on these monitors for their accuracy, reliability, and superior design and construction.
Where does “LP” come from?
The official name of this product line is “Project Lone Pine.” Kali names all of our product lines after towns in California. Lone Pine is a small town in the Eastern Sierra that acts as a departure point for hikers and climbers hoping to summit Mt. Whitney, the highest mountain in the contiguous US. We felt that this was an appropriately ambitious namesake for our first product line.

Features

Output

The LP-6 Professional Studio Monitor is designed to have a continuous output of 85 dB at 2.9 meters with 20 dB of headroom. In practical terms, this means that the speaker has sufficient output to listen at safe levels for long periods of time in most listening environments that were designed for 1 or 2 listeners.
The LP-8 has a slightly longer listening distance of 3.6 meters. This makes it ideal for larger rooms, where up to 3 people may be listening at any time.
20 dB of headroom ensures that momentary peaks in sound pressure level, including instruments like kick drums and effects like gunshots or explosions, can be reproduced accurately and with minimal distortion.

Limiter
The LP-6 and LP-8 are both equipped with a limiter circuit that will protect the speaker from unsafe voltage levels. This will be plainly audible as distortion, indicating that the
speaker is receiving too much input signal. If this is the case, it is recommended to reduce the volume of the playback material.

About Your Studio Monitor

Features

Low Noise Port Tube

The port tube on the LP-Series was designed to deliver all the benefits of a front-firing port tube, without any drawbacks associated with noise.
On most port tubes, air leaves at different speeds from different points of the opening, creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air

sound coming from the monitor. This sound will add to the noise floor and obscure the details of the low end.

The port tube on LP-Series was designed to ensure that all of the air leaves the port tube at the same velocity. This helps add to the low-end response of the speaker while keeping the bass clean, tight, and devoid of extra noise.
3-D Imaging Waveguide
The 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of speakers. By matching the shape of the waveguide to the interactions of the HF and LF
drivers, this waveguide produces a coherent stereo image that is wider, taller, and deeper than the space where the speakers are placed.

The LP-Series accomplishes this by ensuring that the speaker’s reflected sound matches its direct sound. Every time you hear a loudspeaker, you’re hearing both the direct sound

from the speaker, and reflections from the room.
When those reflections are congruent with the direct sound from the speaker, listeners perceive a better sound overall, and are able to make out very subtle details like where

microphones are placed in a room.

High-Performance Woofer
The LP-Series uses a woofer with an exceptionally large voice coil and magnet. This allows for greater linearity, resulting in exceptional dynamic range and clarity, as well as extended low-end response. All of this is delivered with minimal distortion.
DSP
The LP-6 and LP-8 are equipped with digital signal processing (DSP.) The DSP on the LP-Series controls the loudspeaker’s tuning, the limiter function, the crossover, the
boundary EQs, and user-definable HF and LF trim.

2nd Wave
The LP-Series now uses Kali’s 2nd Wave technology platform, which realizes several advantages over our older products. As of November 2021, all Kali Audio studio monitors
are now in their 2nd Wave. If you purchased an LP-series monitor before that date, it may be a 1st Wave product. This manual only applies to 2nd Wave versions of the LP-6 and LP-8. A manual for the 1st Wave products can be found at KaliAudio.com/Product-History
To learn more about our 2nd Wave platform, and to check whether the monitor you have is the original version or 2nd Wave, visit KaliAudio.com/secondwave.

Boundary Compensation EQs
Kali’s team came up with boundary compensation EQ settings at The Village Studios in Los Angeles to help you get the optimum sound for where you need to put your speakers. Combined with the LF and HF trims, this will ensure that the speakers sound their best no matter what room you’re mixing in.
A full listing of the different boundary EQ settings and how to use them can be found on page 12 of this manual.

Accurate Frequency Response
The LP-6 and LP-8 are tuned to be as accurate as possible. Full resolution measurement data can be downloaded from our website.

Specifications

| LP-6| LP-8
---|---|---
Powered:| Yes
Amplifier Class:| D
Power Configuration:| Bi-Amped
HF Power:| 40W (Continuous)
LF Power:| 40W (Continuous)| 60W (Continuous)
Total Power:| 80W (Continuous)| 100W (Continuous)
HF Driver:| 1-Inch Textile Dome
LF Driver:| 6.5-Inch Optimized Paper| 8-Inch Optimized Paper
Crossover:| 1500 Hz| 1800 Hz
Frequency Response: (-10dB)| 39 Hz – 25 kHz| 37 Hz – 25 kHz
Frequency Range: (+/-3 dB)| 47 Hz – 21 kHz| 45 Hz – 21 kHz
Recommended Listening Distance:| ****

.5 – 2.5 Meters

| ****

.5 – 3.5 Meters

Max SPL (Peak @ 1M):| 115 dB| 117 dB

System THD:

| <3% from 80 Hz to 1.7 kHz

<2% above 1.7 kHz

(90dB SPL @1m)

| <2.5% from 80 Hz to 400 Hz

<1.4% above 400 Hz

(90dB SPL @1m)

Inputs and Controls

Dip Switch Quick Reference Guide
The quick reference guide on the back of the speaker can help you set the dip switches to the appropriate positions for your application without needing to consult this
manual.
Dip Switches
The dip switches control Boundary EQ, HF, and LF Trim, and power to the RCA input. A full explanation of the operation of the dip switches can be found on page 11.RCA Input (-10 dBV Sensitivity) The RCA input is for use with consumer devices like record players, laptops, smartphones, and media players. Commonly, the playback device will either have an RCA or a 3.5mm (Aux) output. Cables from either of these outputs to RCA are easy to find.
By default, the RCA input on the speaker is OFF. This is to prevent interference when that input is not being used. When connecting to the RCA input, enable it by moving switch #8 on the dip switches UP to the ON position. If the RCA input is no longer being used, be sure to move switch #8 back DOWN to the OFF position.
XLR Input (+4 dBu Sensitivity)
The XLR input is for use with professional audio devices like mixers, interfaces, and controllers. Depending on your device, it will either use XLR or ¼” TRS outputs, and either can be used with this speaker. However, do not connect both XLR and TRS to the same speaker at the same time.
TRS Input (+4 dBu Sensitivity)
The TRS input is for use with professional audio devices like mixers, interfaces, and controllers. Depending on your device, it will either use XLR or ¼” TRS outputs,
and either can be used with this speaker. However, do not connect both XLR and TRS to the same speaker at the same time. Unbalanced, TS 1/4-inch cables may also be used, although these are far more susceptible to noise.
Volume Control
The volume control allows users to adjust the output of the speaker from -∞ to +6 dB. There is a center detente at the +0 dB setting, and this is where Kali recommends you leave the volume setting, adjusting the level instead of from your device. Two notable exceptions to this recommendation are 1. If you are working in an asymmetrical room, it may be necessary to have one monitor louder than the other to achieve balance. 2. If your playback device does not have an independent volume control, it will be necessary to adjust the volume directly from the speaker.
Power Input
Connect the provided power cord to this input. The LP-Series monitors have an international switch-mode power supply, so there is no need to set the speaker for your local voltage.
On/Off Switch
Power the speaker on and off. Be sure to power the speaker off when connecting or disconnecting the power cable, during lightning storms, or during extended periods of disuse.

Boundary EQs & Dip Switches

One of the most innovative features of the Lone Pine Series monitors is the boundary compensation EQs. These EQs were made to compensate for low-frequency interactions that the speakers will have with various surfaces in many common placements.
Each set of dip switches controls one aspect of the speaker’s performance, independent of the other switches. Switches 1-3 control the boundary compensation EQs. Switches 4
and 5 control the LF trim. Switches 6 and 7 control the HF trim. Switch 8 controls power to the RCA. For this reason, the explanations of the different dip switch settings will only reference the set of switches currently applicable.

Switches 1-3: Boundary Compensation EQs
Position 1: Free Space The speaker is on a monitor stand, at least .5 meters (about 20 inches) away from any walls. This is the ideal position for the loudspeaker.
Switch 1: DOWN
Switch 2: DOWN
Switch 3: DOWN

Position 2: On Stands, Close to a Wall The speaker is on a monitor stand, and is within .5 meters (20 inches) of a wall, without being butted right against one.
Switch 1: UP
Switch 2: DOWN
Switch 3: DOWN
Position 3, On Stands, Against a Wall
The speaker is on a monitor stand, and is within .5 meters (20 inches) of a wall, without being butted right against one.
Switch 1: DOWN
Switch 2: UP
Switch 3: DOWN

Dip Switches

Switches 1-3: Boundary Compensation EQs
Position 4: Console Bridge
The speaker is on a console bridge or meter bridge.
Switch 1: UP
Switch 2: UP
Switch 3: DOWN
Position 5: On a Desk, Away from Walls
The speaker is on a desk or table, and is more than .5 meters (20 inches) away from any walls.
Switch 1: DOWN
Switch 2: DOWN
Switch 3: UP

Position 6: On a Desk, Close to a Wall

The speaker is on a desk or table, and is within .5 meters (20 inches) of a wall, without being butted right against one.
Switch 1: UP
Switch 2: DOWN
Switch 3: UP

Position 7: On a Desk, Against a Wall
The speaker is on a desk or table and is as close to a wall as possible without- pinching any cables.
Switch 1: DOWN
Switch 2: UP
Switch 3: UP

Position 8: Desktop with Stands

The speaker is on a desk with speaker stands, or on a purpose-built studio desk.
Switch 1: UP
Switch 2: UP
Switch 3: UP

Switches 4 &5: Low-Frequency Trim
The Low-Frequency trim will add or subtract 2 dB from the Low-Frequency response of the speaker. This can be done as a matter of personal taste, or if the room you’re mixing in requires additional adjustment beyond what is offered by the boundary compensation EQs.
Switch 4: Engage LF Trim
DOWN: LF Trim Disengaged
UP: LF Trim Engaged
Switch 5: Adjust LF Trim:
DOWN: -2 dB in Low Frequencies
UP: +2 dB in Low Frequencies
Note: Switch 5 does not function independently of switch 4. If switch 4 is DOWN, the LF trim will be DISENGAGED, and switch 5 will have no effect.

Switches 6 &7: High-Frequency Trim
The High-Frequency trim will add or subtract 2 dB from the High-Frequency response of the speaker. This can be done as a matter of personal taste, or if the room you’re mixing in requires additional adjustment beyond what is offered by the boundary compensation EQs.

Switch 6: Engage HF Trim
DOWN: HF Trim Disengaged
UP: HF Trim Engaged
Switch 7: Adjust HF Trim:
DOWN: -2 dB in High Frequencies
UP: +2 dB in Low Frequencies
Note: Switch 7 does not function independently of switch 6. If switch 6 is DOWN, the HF trim will be DISENGAGED, and switch 7 will have no effect.

Switch 8: RCA
Switch 8 turns the RCA input on and off. By default, the RCA input on the speaker is OFF. This is to prevent interference when that input is not being used. When connecting to the RCA input, enable it by moving switch #8 on the dip switches UP to the ON position. If the RCA input is no longer being used, be sure to move switch #8 back DOWN to the OFF position.

Climate Considerations

The Lone Pine Series’ studio monitors’ enclosures are made of MDF wood and wrapped in vinyl, which is sensitive to heat and humidity. The product should be kept and used in a climate-controlled environment. Exposure to direct sunlight, moisture, or consistent humidity above 65% may cause the vinyl to peel nd wrinkle. This is not covered under warranty.
First Time Setup
Before you plug the speaker in, make sure that the power switch is in the OFF position
Plug the speaker in
Connect audio cables
◊ If you’re connecting RCA, make sure that dip switch #8 is switched UP to the ON position
◊ If you’re connecting XLR or TRS, make sure that dup switch #8 is switched DOWN to the OFF position
◊ Do not connect more than one audio cable to the speaker at the same time.
Turn the volume knob counterclockwise as far as it will go
Turn the speaker on
Start playing material from your playback device at a low volume
Slowly turn the volume knob clockwise to the center detente, -0 dB position. Make sure you hear what you’re playing
Set the boundary EQ for your application. Refer to page 11 above.
Repeat these steps for every speaker you’re using.
Sit in your listening position, and turn the volume up on your playback device to the desired level
Enjoy your new studio monitors!

Troubleshooting

I opened the speaker, and it is damaged.
If you received a speaker that is obviously damaged, please contact your dealer immediately.
The speaker is making no sound.
• Is the speaker plugged in?
• Is the speaker turned on? There should be a blue LED on the front of the speaker if it’s on. If this light is
off, the speaker is turned off.
• Is the volume turned up?
• Are all cables plugged into both your playback device and the speaker?
• Are you passing audio via your playback device?
• Are you using RCA? If so, have you moved dip switch #8 UP to the ON position?
If you’ve answered “Yes” to all the above and the speaker is still not making any sound, refer to number 5 below.
The speaker sounds distorted.
• Is the speaker playing too loud?
Turn down the volume on the back of the speaker. If the distortion goes away, you may be playing the speaker too loud. Besides the problem of distortion, this can be damaging to your hearing if you are close to the speaker.
If you’ve turned down the volume on the speaker, and you’re still hearing distortion, refer to number 5 below.
I hear cracks, hums, or buzzing.
• Are you using RCA?
a. If “yes,” be advised that RCA is an unbalanced connection, and is prone to picking up noise as sig nal travels through the cable. This is especially true if you are using very long RCA cables.
b. If “no,” be sure that the dip switch # 8 is moved DOWN to the OFF position.
• Is the speaker close to electronics like a television, wireless router, phone, motor, or radio? If so, these can interact with the speaker’s magnet in ways that cause unwanted noise. Try moving the speaker at least .5 Meters (20 inches) from any such devices.
• Are there loose objects in the room that may be buzzing with the bass? Low frequencies can cause objects in a room to vibrate loudly. Make sure that small, hard objects like screws and other hardware are secure.
If none of the above solves the problem, refer to number 5 below.
Isolate the problem
There are many issues in the signal path which might be causing any of the above problems. Before you initiate a return, do your best to make sure that the problem isn’t with your cables or your playback device. Here’s a simple way to check:
• Disconnect your speaker from your source.
• Plug in the problematic speaker and allow it to play for a minute. Take careful note of the problems you’re hearing.
• Disconnect the problematic speaker, and plug that same cable into another speaker. If you’re hearing the same issues, there is likely a problem in your signal path, and not the speaker.
• If you’ve determined that your problem is with your speaker, contact your dealer to initiate a return.

Warranty

What does this warranty cover?
This warranty covers defects in materials or workmanship for a period of one year (365
days) after the purchase date of the product.
What will Kali do?
If your product is defective (materials or workmanship,) Kali will replace or repair the
product at our discretion – free of charge.
How do you initiate a warranty claim?
Contact the retailer from whom you bought the product to initiate a warranty process.
You will need the original receipt showing the date of purchase. The retailer may ask you
to provide specific details about the nature of the defect.
What is not covered?
The following cases are NOT covered by this warranty:

Damage from shipping
Damage from dropping or otherwise mishandling the speakers
Damage resulting from failure to heed any of the warnings outlined on pages 3 and 4 of the user’s manual, including:

Water damage.
Damage from foreign substances or substances entering the port tube.
Damage resulting from an unauthorized person servicing the product.
Damage resulting from the product being left plugged in during an electrical storm.
The warranty applies only in the United States. International Customers should contact their dealer about their warranty policy.