M-AUDIO Keystation 88 MK3 USB Powered MIDI Controller User Guide
- June 14, 2024
- M-AUDIO
Table of Contents
- Introduction
- Quick Start
- Configuration
- Features
- Advanced Functions
- Transposition
- Program Change
- Modulation Wheel Assignment
- Expression Pedal Assignment
- Troubleshooting
- Appendix
- Technical Specifications
- Trademarks & Licenses
- References
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
Key station 88 MK3 USB Powered MIDI Controller
User Guide
Introduction
Thank you for purchasing the Keystation 88 MK3. At M-Audio, we know how serious music is to you. That’s why we design our equipment with only one thing in mind—to make your performance the best it can be.
Box Contents
Keystation 88 MK3
USB Cable
Software Download Card
User Guide
Safety & Warranty Manual
Support
Visit m-audio.com to view and download the latest
documentation, system requirements, and other information about your product.
For additional product support, visit
m-audio.com/support.
Quick Start
Connecting Your Keyboard
You can power the keyboard either via a powered USB port or a third-party
power supply. The Keystation are low-power devices and an external power
supply is not necessary unless using the Keystation without being connected to
a computer (e.g., controlling external synthesizers). It is recommended that
you connect the Keystation to an onboard USB port or to a powered USB hub. Use
a USB cable to power Keystation when connecting to a computer to trigger
software synths.
You can also use Keystation 88 MK3 with your iPad to control supported music
creation apps.
Connecting your Keystation 88 MK3 to an iPad requires the iPad Camera
Connection Kit, which is available from the Apple Store.
Recommended Installation
Software: We’ve included Pro Tools | First M-Audio Edition, MPC Beats, and
Ableton Live Lite with your Keystation 88 MK3 so you can get started making
music with professional software right out of the box. Register your
Keystation 88 MK3 on m-audio.com, and follow the
install instructions in your User Account. Also, visit
ableton.com to check for any available software updates.
Virtual Instruments: Follow the instructions on the software download
card for installing the included virtual instrument plugins. After
installation, most DAWs will not load virtual instrument plugins
automatically. In order to access the virtual instrument plugins with Pro
Tools | First M-Audio Edition and Ableton Live Lite, you will need to choose
the plugin folder for the software to scan:
Pro Tools | First M-Audio Edition/AAX plugin folders:
Windows (32-bit):
C:\Program Files (x86)\Common Files\Avid\Audio\Plug-Ins
Windows (64-bit):
C:\Program Files\Common Files\Avid\Audio\Plug-Ins
Mac:
Macintosh HD/Library/Application Support/Avid/Audio/Plug-Ins
Ableton/VST Plugins:
Windows (32-bit):
C:\Program Files (x86)\VSTplugins
Windows (64-bit):
C:\Program Files\VSTplugins
MacOS:
Macintosh HD\Library\Audio\Plugins\VST
To set your plugin folder in Ableton Live Lite:
- Go to the Preferences menu.
- Select the File Folder tab. Under Plug-In Sources click Browse and select the appropriate plugin folder.
- After making your selection, the Use VST Custom Plug-In Folder button should be ON.
If it is not, click the button to turn it on.
Exit the Preferences menu.
Ableton Live Lite Setup
- First, connect Keystation 88 MK3 to an available USB port on your computer using the supplied USB cable, and launch Ableton Live Lite.
- Next, open the Ableton Live Lite Preferences window. Choose your Audio Device in the Audio tab. This will be dependent upon the audio interface that you are using. MAC: Select Live > Preferences PC: Select Options > Preferences
- Select the MIDI/Sync tab. Within the MIDI Ports section, adjust the settings as listed below: Next to Input: Keystation 88, toggle the On button in the Track and Remote columns. Next to Output: Keystation 88, toggle the On button in the Track and Remote columns.
- Next, at the top of the window under Control Surface, choose Mackie Control from the drop-down list in row 1. Under the Input column in Row 1, choose Keystation 88 MK3 (Port 2). Ensure the third dropdown menu in Row 1 under Output is set to None. The Transport control (Play, Stop, and Record) on the Keystation 88 MK3 controller will now control and correspond with the Transport functions in Ableton Live Lite. In addition, the Directional buttons on the Keystation series controller will now control selecting tracks and triggering clips.
- Close the Preferences window.
- To add an instrument or plugin to Ableton Live Lite in order to generate sound, in the Categories column, choose Instruments or Plug-ins.
- In the Name column just to the right of the Categories column, locate the Instrument or Plug-in of your choice. Click-and-drag the instrument to a MIDI track in Ableton Live Lite to load the instrument. The Instrument can now be triggered with Keystation 88 MK3.
Note: In order to use Mackie Control, the Keystation 88 MK3 must be in Mackie Control mode, Please see the Directional Buttons and Transport Controls section for assigning the Keystation 88 MK3 to Mackie Control.
Pro Tools | First M-Audio Edition Setup
- Connect Keystation 88 MK3 to an available USB port on your computer using the supplied USB cable, and launch Pro Tools | First M-Audio Edition.
- Open or Create a Project.
- Select the Setup pulldown menu and open MIDI Input Devices. Enable MIDI Input from the Keystation 88 MK3 by clicking the box next to the Keystation 88 MK3.
- Select the Setup pulldown menu and open Playback Engine. Choose your audio device from the Playback Engine pulldown menu.
- To create a new Instrument track, select the Track pulldown menu and select New.
- In the New pulldown menu, select Stereo, and then Instrument Track.
- In the newly created track, add an Insert to your track by clicking in your track’s Inserts A-E and selecting Multichannel Plugin > Instrument and select the instrument you would like to use, such as Xpand!2 (Stereo). The plugin can now be triggered with Keystation 88 MK3.
Note: Windows users will need either an external soundcard (such as the AIR 192|4) or a low-latency ASIO driver.
Configuration
Once you have finished installation you will need to configure your MIDI software to use the Keystation. Please note that when you press a key on the keyboard, you will not hear any sound. This is because pressing a key causes the keyboard to send out MIDI data. MIDI data gives instructions on how a sound should play, but in order to actually hear that sound you need to configure your music software to read the MIDI data being sent from the Keystation and play the sound back accordingly. This setup will more than likely entail going into an Options or Device Set-Up menu in your music software application and selecting the appropriate device. The Keystation should appear under the name “USB Audio Device” for Windows 8, or as “Keystation 88 MK3” for other operating systems in the MIDI devices section of your music software application. Please consult the manual that came with your software for the proper setup procedure.
Features
Top Panel
-
Keyboard: Most of the white keys and black keys on the Keystation are labeled with names. When in the Advanced mode, pressing any of the labeled keys will allow for special operations such as adjusting the MIDI channel, transposing, and sending program change messages.
-
Octave Buttons: If you press the octave “+” button once, the LED above the octave “-” button will turn off, indicating the keyboard’s octave is now shifted up. If you press the octave “+” key again, you will shift one more octave up, and so on. It is possible to shift the keyboard up 4 octaves or down 4 octaves from 0 octave shift.
To shift the octave down, press the octave “-” button and notice that the LED above the octave “+” turns off. If only the LED above the octave “-” key is lit, the octave is shifted down and, if only the LED above the octave “+” key is lit, the octave is shifted up. The octave “+” and octave “-” LEDs will change color when moving up or down more than one octave.
To return the octave shift to 0, press both the octave “+” and “-” keys together. Both LEDs will light, indicating that the octave shift has returned to 0. The Octave “+” and “-” buttons may be assigned to control one of seven possible MIDI functions. (See Advanced Functions for more information.) -
Volume Slider: The Volume Slider sends a MIDI message that controls the volume of the notes you are playing. The Volume Slider can also be assigned to different effects such as pan (balance), attack, reverb, chorus and many more. (See Advanced Functions for more information.)
-
Pitch Bend Wheel : As the name indicates, the pitch bend wheel is primarily used to bend the notes played on the keyboard up or down. This allows you to play phrases not normally associated with keyboard playing, such as guitar-style riffs. Your sound source determines how far you can bend the note. The usual setting is two semitones, but it can be up to two octaves up or down.
-
Modulation Wheel: The modulation wheel is typically used for modulation of the sound you are playing. This type of real-time controller was originally introduced on electronic keyboard instruments to give the performer options such as adding vibrato, just like players of acoustic instruments do. The modulation wheel is fully MIDI-assignable.
-
Advanced Button: The Advanced button is used to access all the advanced functions of the keyboard. When the Advanced button is pressed, the keyboard goes into “Edit Mode.” In Edit Mode, the keys on the keyboard are used for selecting functions and entering data. The LED above the Advanced button indicates whether or not Edit Mode is engaged. In Edit Mode, the black keys on the keyboard are used for selecting functions, while the white keys are used for data entry, channel selection, and DAW selection. Your keyboard will exit out of Edit Mode as soon as a function is selected, or the Advanced button, CANCEL or ENTER key is pressed (the LED above the Advanced button will turn off). The keyboard can then be used to play notes again. Note: Refer to the Advanced section for more information.
-
Directional Buttons: These buttons can use the MIDI, Mackie Control ® or HUI ® protocols to control certain functions in software that support them. Please see the Directional Buttons and Transport Buttons section of the Advanced Functions chapter for more information.
-
Transport Buttons: These buttons can use the MIDI, Mackie Control or HUI ® protocols to control certain functions in software that support them. Please see the Directional Buttons and Transport Buttons section of the Advanced Functions chapter for more information.
Rear Panel
-
Kensington® Lock: Use this port to attach a security cable to the unit.
-
DC Power Adapter Input: If you do not wish to power Keystation through the USB connection and are using the MIDI connector to trigger an external sound module, connect a DC 9 V, 500 mA power adapter (sold separately) here.
-
USB Port: The USB port delivers power to the keyboard and transmits MIDI data when connected to a computer to trigger a software synth or MIDI sequencer.
-
MIDI Out: Use a five-pin MIDI cable (sold separately) to connect this jack to the MIDI IN of an external sound module or to the MIDI In of a synthesizer.
-
Sustain Pedal Input: This socket accepts a momentary-contact foot pedal (sold separately). When pressed, this pedal will sustain the sound you are playing without having to keep your fingers pressed down on the keys.
Note: for realistic pedal action, check out the SP-2. The SP-2 is M-Audio’s switchable sustain pedal with the ability to connect to the sustain pedal input on Keystation 88 MK3.
Note: the polarity of the sustain pedal is determined by the keyboard upon startup. When Keystation 88 MK3 is powering up, the sustain pedal is assumed to be in the “up” (off) position. It is important that the sustain pedal is not pressed during startup, otherwise the pedal will reverse its operation, and notes will sustain when the pedal is not pressed.
Note: a foot pedal can be used for sustaining the sound that you are playing without having to keep your hands on the keyboard (just like the sustain pedal on a piano).
You can plug a foot pedal of any polarity into the foot pedal input on your M-Audio keyboard. The keyboard will automatically detect the correct polarity when powering up. If you want to reverse the polarity, simply depress the pedal when you switch on your keyboard. -
Expression Pedal Input : Connect a 1/4″ TRS expression pedal (sold separately) to this input for adjusting the volume vibrato, or reverb depth of an instrument patch.
-
On/Off Switch: Use this switch to power the device on or off.
Advanced Functions
In addition to setting an octave shift, the two OCTAVE “+” and “-” buttons
discussed earlier in the manual under the section “Octave Buttons” can also be
used to control one of seven MIDI functions.
The first 7 black keys are used to select the function of the octave buttons.
Some of the functions that these keys can be used for cannot send out a value
less than 0. When used to control these functions, both LEDs above the buttons
will remain on, regardless of the current setting of that function.
To select an alternate function:
- Press the Advanced button, putting the keyboard into Edit Mode.
- Press the black key that represents the function you want. With the exception of CC, Edit Mode will finish as soon as you have selected the function and you will be able to play notes again.
Octave Shift
Another method of shifting the Keystation octaves is with the use of the keys
labeled “Octave +” and “Octave -”. After the Advanced button has been pressed,
placing the keyboard in Edit Mode, pressing these keys will shift the
keyboard’s pitch up or down one or more octaves (one for each time pressed).
The default octave shift designation is “0” and will be the octave setting
each time you power up the keyboard. The lights above the octave buttons
indicate that 0 octave shift is set when both are on.
To assign the “+” and “-” keys to control the octave:
- Press the Advanced button to get the keyboard into Edit Mode.
- Press the black key representing “OCTAVE”. Edit Mode will finish as soon as OCTAVE has been pressed.
There is also a method of performing a quick octave change, which can be useful when using the octave buttons to control another MIDI function. This is accomplished as follows:
- Press the Advanced button to put the keyboard in Edit Mode.
- Press the black key representing “OCTAVE +”, increasing the octave by 1 (you may press it again to increase the octave by 2, and so on). Press the black key representing “OCTAVE -”, decreasing the octave by 1 (you may press it again to decrease the octave by 2, and so on). Press the black key representing “OCTAVE 0” to reset the octave shift to 0.
- When you have chosen your octave shift press “ENTER,” to select your Octave and leave Edit Mode. Selecting Cancel or Advanced will cancel the selection, and exit from Advanced mode.
Transposition
In some cases, it may be useful to reduce or increase the pitch by a number of
semitones rather than an entire octave. For example, if you are playing a song
with a singer that is having difficulty hitting the top notes, you may want to
reduce the pitch by one or two semitones. This is achieved using a MIDI
function called “Transpose.”
Transpose works in the same way as Octave Shift, except the shift can be up to
+/- 12 semitones. As with Octave Shift, there are two ways of transposing the
keyboard. You can use the Octave “+” and “-” buttons, or the black keys
“TRANSPOSE -,” “TRANSPOSE 0” and “TRANSPOSE +,” respectively.
To assign the Octave “+” and “-” buttons to transpose:
- Press the Advanced button to engage Edit Mode.
- Press the black key labeled “TRANSPOSE” (Eb1). (Edit Mode will disengage as soon as “TRANSPOSE” has been pressed.)
- Press the “+” key and you will hear the pitch of the note you play go up.
- Press the “-” key to transpose the keyboard down a half-step.
- Press both “+” and “-” together to return to no transposition change.
MIDI Channel
MIDI data from the keyboard can be sent on any of 16 MIDI Channels. However,
certain MIDI devices and MIDI software applications require the keyboard to
send data on a specified channel. If this is the case, you can change the
channel the data is sent using the following method:
- Press the Advanced button to engage Edit Mode.
- Press one of the 16 Channel keys (D1 to E3), according to the Channel that you need.
For example, if a device specifies that you need to send data on Channel 10, press the Advanced button, and select Channel 10. The Channel can also be assigned to the Octave “+” and “-” buttons. Once assigned, pressing “+” or “-” will increase or decrease the channel incrementally. When Channel 16 is reached and “+” is pressed, Channel 1 will be selected. Pressing both the “+” and “-” buttons together will recall Channel 1.
Control Change
To assign the Octave/Data buttons to send Control Change messages that can be toggled on and off, follow these steps:
- Press the Advanced button to engage Edit Mode.
- Press the black key labeled “CC” (Eb2).
- Use the Numerical Data Entry keys G4-B5 to enter the number of the Control Change to assign to the +/- buttons.
- The unit will transmit the assigned MIDI Control Change messages that toggle on and off (press once On, press again Off).
- Press the Enter key.
The Octave +/- buttons can also send momentary MIDI Control Change messages. To assign the Octave/Data buttons to Control Change momentary messages, follow these steps:
-
Press the Advanced button to engage Edit Mode.
-
Press the black key labeled “CC” (Eb2) 2 times.
Note: The Advanced LED will flash/blink when assigning a momentary CC message to the -/+ buttons. -
Use the Numerical Data Entry keys G4-B5 to enter the number of the Control Change to assign to the +/- buttons.
-
The unit will transmit the assigned MIDI Control Change messages (press On, Release Off).
-
Press the Enter key.
Program Change
Program Changes are used to change the instrument or voice you are using. For
the sake of example, we will change the instrument to a bass sound. To do this
we need to send a program change of 32. There are two ways to send a program
change:
Incremental/Decremental Program Change:
- Press the Advanced button.
- Press the black key labeled “PROGRAM” (F#1).
- Now the Octave “+” and “-” keys can be used to change the program.
- Press “+” and continue to play notes until you find the instrument you want.
This method is useful if you want to cycle through different instruments to
see which sounds best in your song.
Quick Select Program Change:
- Press the Advanced button.
- Press the black key labeled “PROGRAM #.”
- Press keys “3,” “2,” “ENTER.” Now the keyboard will play a bass sound: Number 32.
This method is useful if you want to select a specific number, as is the case here.
If the Octave “+” and “-” keys are selected to vary the Program number (Method
1). Pressing both the “+” and “-” buttons together will recall Program 0,
which selects a grand piano sound.
Bank LSB and Bank MSB
Program Changes are most commonly used to change instruments and voices.
However, the number of instruments accessible via Program Changes is limited
to 128. Some devices have more than 128 voices and require a different method
to access these extra voices. Generally, these devices use Bank LSB and Bank
MSB messages.
Incremental/Decremental Bank LSB and Bank MSB Changes:
- Press the Advanced button.
- Press the black key labeled “Bank LSB” (Bb1) or “Bank MSB” (G#1), respectively.
- Now the Octave “+” and “-” keys can be used to change the Bank LSB or Bank MSB.
- Press “+” and continue to play notes until you find the instrument you want.
Using the Quick Select Method:
- Press the Advanced button.
- Press the black key labeled “Bank LSB #” or “Bank MSB #,” respectively.
- Press keys “3,” “2,” “ENTER.”
As with Program Change, if the Octave “+” and “-” keys are selected to vary
the Bank LSB or MSB number (Method 1). Pressing both the “+” and “-” buttons
together will recall Bank 0.
Volume Slider Assignment
To assign the Volume Slider to an effect:
- Press the Advanced button to engage Edit Mode.
- Press the black key labeled “SLIDER.”
- Use the Numerical Data Entry keys to enter the CC number you want to assign to the Volume Fader.
If you have made an error while entering the numerical data value, you can press the “CANCEL” key to exit Edit Mode without changing the effect assigned to the Volume Slider.
Modulation Wheel Assignment
It is possible to assign different CC, and MIDI messages to the Modulation
Wheel. Some useful messages are: MIDI CC 01 (Modulation), MIDI CC 07 (Volume),
MIDI CC 10 (Pan), and MIDI CC 05 (Portamento).
There are 132 messages in total. However, for these messages to have any
affect on the sound, the receiving MIDI device must be able to read and
respond to these MIDI messages.
Most devices will at least respond to volume, modulation, and pan data.
To assign a message to the Modulation Wheel:
- Press the Advanced button to engage Edit Mode.
- Press the black key labeled “WHEEL.”
- Use the Numerical Data Entry keys to enter the number of the message you want to assign to the Modulation Wheel.
If you have made an error while entering the numerical data value, you can
press the CANCEL key to exit Edit Mode without changing the effect assigned to
the Modulation Wheel.
For the sake of example, we will assign CC number 10 (pan, or balance) to the
Modulation Wheel.
- Press the Advanced button to engage Edit Mode.
- Press the black key labeled “WHEEL.”
- Press “1.”
- Press “0” so you have entered “10.”
- Press “ENTER.”
Expression Pedal Assignment
It is possible to assign MIDI effects to the Expression Pedal. Some useful
effects are: MIDI CC 01 (Modulation), MIDI CC 07 (Volume), MIDI CC 10 (Pan),
and MIDI CC 05 (Portamento).
There are 132 effects in total. However, for these effects to have any affect
on the sound, the receiving MIDI device must be able to read and respond to
these MIDI effect messages. Most devices will at least respond to volume,
modulation, and pan data.
To assign an effect to the Expression Pedal:
- Press the Advanced Functions button to engage Edit Mode.
- Press the black key representing “EXPR PEDAL.”
- Use the Numerical Data Entry keys to enter the number of the effect you want to assign to the Expression Pedal.
Instead of entering in the value number, you can cycle through each effect one
at a time using the “+” and “-” buttons. Once the correct value has been
selected, press the ENTER key.
If you have made an error while entering the numerical data value, you can
press the CANCEL key to exit Edit Mode without changing the effect assigned to
the Expression Pedal.
Note that each time the keyboard is turned off, the data assigned to the
Expression Pedal will be lost. Each time the keyboard is powered up, the
Expression Pedal will be assigned to modulation (effect number 01) by default.
For the sake of example, we will assign effect number 10 (pan, or balance) to
the Expression Pedal.
- Press the Advanced button to engage Edit Mode.
- Press the black key labeled “EXPR PEDAL.”
- Press “1.”
- Press “0” so you have entered “10.”
- Press “ENTER.”
Directional Buttons and Transport Controls
The directional buttons and transport buttons use the MIDI, Mackie Control, or
HUI protocols to control certain functions in software that support them.
To select which protocol these buttons use to communicate with your software:
-
Press the Advanced button to get the keyboard into Edit Mode.
-
Press the key labeled “DAW”.
Note: “+” and “-” LEDs will be lit green when in Mackie Control mode, red when in HUI mode, and orange when in MIDI mode. -
Press Enter.
Note: Your software must also be set to receive commands from an external device (i.e., Keystation) using the MIDI, Mackie Control, or HUI protocol. MIDI, Mackie Control, and HUI controls are sent on Virtual Port 2.
Troubleshooting
General
Here are answers to common questions you may have, using your Keystation
keyboard:
Problem 1: My M-Audio hardware suddenly stopped working after having
performed fine since installation.
Solution 1: Switch off the unit and let it sit for 10 seconds. Then
restart your computer and try again.
Problem 2: I have plugged a sustain pedal into my M-Audio keyboard, but
it works the wrong way around.
Solution 2: The polarity of the sustain pedal is calculated by the
keyboard when it is powered up. On power up, the sustain pedal is assumed to
be in the OFF position. So if you want the sustain pedal to be off when it is
not depressed, make sure the pedal is not depressed when you power up.
Problem 3: When I press a key, there is a delay before I hear any sound.
Solution 3: This delay is known as latency. Latency with MIDI signals is
due to the software application you are using. MIDI data is simply control
data. The MIDI data is read by your software. The software then completes a
large number of complex calculations in order to produce the sound you
hear—all this takes time.
We strongly recommend a proper audio interface. Refer to
m-audio.com for a selection of options. If you already
have an adequate audio interface, try reinstalling the latest drivers for the
audio interface, or try reducing the buffer sizes of the audio drivers.
MIDI Functionality
The Keystation keyboards have been designed to make working with MIDI on
your computer as simple as possible. Nonetheless, you may still experience
some difficulties. In many cases, the keyboard is not at fault; the problem
lies with the receiving device. To counter this, there is a useful MIDI
function: R eset All Controllers.
Reset All Controllers
If you find there is an effect on a voice that you do not want, rather than
having to isolate and identify that effect, you can send a “Reset All
Controllers” MIDI message by performing hollowing:
- Press the Advanced button to engage Edit Mode.
- Press the black key representing “RESET.”
- Edit Mode will disengage, eliminating all effects.
Factory Reset
- Power off Keystation.
- Hold down the buttons “+” and “-” simultaneously, until step 4.
- Power on Keystation.
- Release the buttons.
The Keyboard is now back to the factory default settings.
MIDI Out
The MIDI Out port is located on the back of the keyboard, and can be used to
connect the keyboard to an external sound module or MIDI keyboard.
By default (when you switch the unit on), all controller data is sent out via
the MIDI output as well as the USB out. If you want the MIDI output to act
like a traditional USB-to-MIDI interface, engage “MIDI Out” mode by carrying
out the following:
- Press the Advanced button to engage Edit Mode.
- Press the black key representing “MIDI OUT.”
- Edit Mode will disengage.
- The keyboard is now able to send data received from the computer via its MIDI OUT jack to whatever device is connected.
In order to use the MIDI output, select the Keystation USB MIDI Out as the MIDI output device in your sequencer.
Appendix
+/- Button User Assignments
00 Bank Select | 39 Channel Volume LSB | 73 Attack Time |
---|---|---|
01 Modulation | 40 Balance LSB | 74 Cut- off Frequency |
02 Breath Control | 41 Controller 41 | 75 Controller 75 |
03 Controller 3 | 42 Pan LSB | 76 Controller 76 |
04 Foot Control | 38 Data Entry LSB | 77 Controller 77 |
05 Porta Time | 39 Channel Volume LSB | 78 Controller 78 |
06 Data Entry | 40 Balance LSB | 79 Controller 79 |
07 Channel Volume | 41 Controller 41 | 80 Gen Purpose 5 |
08 Balance | 42 Pan LSB | 112 Controller 112 |
09 Controller 9 | 43 Expression LSB | 113 Controller 113 |
10 Pan | 44 Controller 44 | 114 Controller 114 |
11 Expression | 45 Controller 45 | 115 Controller 115 |
12 Effects Controller 1 | 46 Controller 46 | 116 Controller 116 |
13 Effects Controller 2 | 47 Controller 47 | 117 Controller 117 |
14 Controller 14 | 48 Gen Purpose 1 LSB | 118 Controller 118 |
15 Controller 15 | 49 Gen Purpose 2 LSB | 119 Controller 119 |
16 Gen Purpose 1 | 50 Gen Purpose 3 LSB | Channel Mode Messages: |
17 Gen Purpose 2 | 51 Gen Purpose 4 LSB | 120 All Sound off |
18 Gen Purpose 3 | 52 Controller 52 | 121 Reset all Controllers |
19 Gen Purpose 4 | 53 Controller 53 | 122 Local Control |
20 Controller 20 | 54 Controller 54 | 123 All Notes Off |
21 Controller 21 | 55 Controller 55 | 124 Omni Off |
22 Controller 22 | 56 Controller 56 | 125 Omni On |
23 Controller 23 | 57 Controller 57 | 126 Mono On (Poly Oft) |
24 Controller 24 | 58 Controller 58 | 127 Poly On (Mono Off) |
25 Controller 25 | 59 Controller 59 | Extra RPN Messages: |
26 Controller 26 | 60 Controller 60 | 128 Pitch Bend sensitivity |
27 Controller 27 | 61 Controller 61 | 129 Fine Tune |
28 Controller 28 | 62 Controller 62 | 130 Coarse Tune |
29 Controller 29 | 63 Controller 63 | 131 Channel Pressure |
30 Controller 30 | 64 Sustain Pedal | |
31 Controller 31 | 65 Portamento | |
32 Bank Select LSB | 66 Sostenuto | |
33 Modulation LSB | 67 Soft Pedal | |
34 Breath Control LSB | 68 Legato Pedal | |
35 Controller 35 | 69 Hold 2 | |
36 Foot Control LSB | 70 Sound Variation | |
37 Porta Time LSB | 71 Resonance | |
38 Data Entry LSB | 72 Release Time |
Technical Specifications
Power| via USB or DC 9 V, 500 mA center-positive power supply (sold
separately)
---|---
Dimensions
(width x depth x height)| 54.24” x 8.52” x 2.88”
137.77 x 21.64 x 7.31 cm
Weight| 13.75 lbs.
6.24 kg
Specifications are subject to change without notice.
Trademarks & Licenses
M-Audio is a trademark of in Music Brands, Inc., registered in the U.S. and other countries. Kensington and the K & Lock logo are registered trademarks of ACCO Brands. iPad and macOS are trademarks of Apple Inc., registered in the U.S. and other countries. Windows is a registered trademark of Microsoft Corporation in the United States and other countries. Ableton is a trademark of Ableton AG. AAX, Avid and Pro Tools are trademarks or registered trademarks of Avid Technology, Inc. in the U.S. and other countries. VST is a trademark of Steinberg Media Technologies GmbH. All other product names, company names, trademarks, or trade names are those of their respective owners.
References
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