behringer EUROPORT EPA900 Ultra-Compact 900 Watt 8 Channel Portable PA System User Manual
- June 13, 2024
- Behringer
Table of Contents
- Thank you
- Important Safety Instructions
- LIMITED WARRANTY
- Before You Get Started
- Installation
- Control Elements and Connections
- Mono Channels (1-4)
- Applications
- Specifications
- Effects Table
- FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
- References
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
behringer EUROPORT EPA900 Ultra-Compact 900 Watt 8 Channel Portable PA System
Thank you
Thank you for purchasing the EUROPORT EPA900. The EPA900 is a portable, ultra-
compact powered mixer/loudspeaker combination with enormous power,
unbelievable sound, and an extremely low weight. The mixer unit has 8 input
channels (4 mono and 2 stereo channels), an internal 24-bit studio-quality
effects processor, and a 7-band graphic equalizer with FBQ feedback detection.
All channels have ultra-high precision 2-band EQs and CLIP LEDs for total
control.
At 900 Watts, the high-performance power amp is properly sized, and with the 2
supplied loudspeakers a microphone, including cable, you can get going right
away!
With the EPA900, you can quickly and easily master any sound situation.
We at BEHRINGER hope you enjoy your new acquisition.
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CAUTION
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RISE OF ELECTRIC SHOCK! DO NOT OPEN!
Important Safety Instructions
Terminals marked with this symbol carry electrical current of suffi cient
magnitude to constitute risk of electric shock.
Use only high-quality professional speaker cables with ¼” TS or twist-locking
plugs pre-installed. All otherinstallation or modifi cation should be
performed only by qualifi ed personnel.
This symbol, wherever it appears, alerts you to the presence of uninsulated dangerous voltage inside the enclosure – voltage that may be suffi cient to constitute arisk of shock.
This symbol, wherever it appears, alerts you to important operating andmaintenance instructions in the accompanying literature. Please read the manual.
Caution
To reduce the risk of electric shock, do not remove the top cover (or the rear
section).
No user serviceable parts inside. Refer servicing to qualifi ed personnel.
Caution
To reduce the risk of fi re or electric shock, do not expose this appliance to
rain and moisture. The apparatus shall not be exposed to drippingor splashing
liquids and no objects fi lled with liquids, such as vases, shall be placed on
the apparatus.
Caution
These service instructions are for use by qualifi ed service personnel only.
To reduce the risk of electric shock do not perform any servicing other than
that contained in the operationinstructions. Repairs have to be performed by
qualifi ed service personnel.
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Read these instructions.
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Keep these instructions.
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Heed all warnings.
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Follow all instructions.
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Do not use this apparatus near water.
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Clean only with dry cloth.
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Do not block any ventilation openings. Install in accordance with the manufacturer’s instructions.
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Do not install near any heat sources such asradiators, heat registers, stoves, or other apparatus (including amplifi ers) that produce heat.
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Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding-type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If theprovided plug does not fi t into your outlet, consult an electrician for replacement of theobsolete outlet.
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Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the apparatus.
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Use only attachments/accessories specifi ed by the manufacturer.
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Use only with the cart, stand, tripod, bracket, or table specifi ed by the manufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
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Unplug this apparatus during lightning storms or when unused for long periods of time.
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Refer all servicing to qualifi ed service personnel.
Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped. -
The apparatus shall be connected to a MAINS socket outlet with a protective earthing connection.
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Where the MAINS plug or an appliance coupler is used as the disconnect device, the disconnect device shall remain readily operable.
LEGAL DISCLAIMER
TECHNICAL SPECIFICATIONS AND APPEARANCES ARE SUBJECT TO CHANGE WITHOUT NOTICE
AND ACCURACY IS NOT GUARANTEED. BEHRINGER, KLARK TEKNIK, MIDAS, BUGERA, AND
TURBOSOUND ARE PART OF THE MUSIC GROUP (MUSIC-GROUP.COM).
ALL TRADEMARKS ARE THE PROPERTY OF THEIR RESPECTIVE OWNERS. MUSIC GROUP
ACCEPTS NO LIABILITY FOR ANY LOSS WHICH MAY BE SUFFERED BY ANY PERSON WHO
RELIES EITHER WHOLLY OR IN PART UPON ANY DESCRIPTION, PHOTOGRAPH OR STATEMENT
CONTAINED HEREIN. COLORS AND SPECIFICATIONS MAY VARY FROM ACTUAL PRODUCT.
MUSIC GROUP PRODUCTS ARE SOLD THROUGH AUTHORIZED FULLFILLERS AND RESELLERS
ONLY.
FULLFILLERS AND RESELLERS ARE NOT AGENTS OF MUSIC GROUP AND HAVE ABSOLUTELY NO
AUTHORITY TO BIND MUSIC GROUP BY ANY EXPRESS OR IMPLIED UNDERTAKING OR
REPRESENTATION. THIS MANUAL IS COPYRIGHTED. NO PART OF THIS MANUAL MAY BE
REPRODUCED OR TRANSMITTED IN ANY FORM OR BY ANY MEANS, ELECTRONIC OR
MECHANICAL, INCLUDING PHOTOCOPYING AND RECORDING OF ANY KIND, FOR ANY PURPOSE,
WITHOUT THE EXPRESS WRITTEN PERMISSION OF MUSIC GROUP IP LTD.
ALL RIGHTS RESERVED.
© 2013 MUSIC Group IP Ltd.
Trident Chambers, Wickhams Cay, P.O. Box 146,
Road Town, Tortola, British Virgin Islands
LIMITED WARRANTY
or the applicable warranty terms and conditions and additional information regarding MUSIC Group’s Limited Warranty, please see complete details online at www.music-group.com/warranty.
Before You Get Started
Shipment
Your EPA900 was carefully packed at the factory, and the packaging was designed to protect the unit from rough handling. Nevertheless, we recommend that you carefully examine the packaging and its contents for any signs of physical damage that may have occurred during transit.
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If the unit is damaged, please do NOT return it to BEHRINGER.
Instead, notify your dealer and the shipping company immediately. Otherwise, claims for damage or replacement may not be honored. -
Always use the original packing carton to prevent damage during storage or transport.
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Make sure that no children are left unsupervised with the unit or its packaging.
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Please ensure proper disposal of all packing materials.
Initial operation
Be sure that there is enough space around the unit for cooling. To avoid overheating, please do not place the EPA900 near radiators and other equipment emanating heat.
- Blown fuses must be replaced by fuses of the same type and rating!
Please refer to the “TECHNICAL SPECIFICATIONS” section for the correct rating. To avoid an electric shock, turn off and unplug the unit before replacing the fuse. For more information, please see Chapter 3.8 and Figure 3.9.
The mains connection is made using the enclosed power cord and a standard IEC receptacle. It meets all of the international safety certification requirements.
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Before connecting the unit to the mains, please check that it is set to the correct supply voltage.
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You have to use another fuse if you set the unit to another supply voltage. The correct value is specified in Chapter “Specifications”.
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Please make sure that all units have a proper ground connection.
Foryour own safety, never remove or disable the ground conductor from the unit or of the AC power cord. The unit shall always be connected to the mains socket outlet with a protective earthing connection. -
Please ensure that only qualified people install and operate the mixing console. During installation and operation, the user must have sufficient electrical contact to earth, otherwise electrostatic discharges might affect the operation of the unit.
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The sound quality may diminish within the range of powerful broadcasting stations and high-frequency sources. Increase the distance between the transmitter and the device and use shielded cables for all connections.
Online registration
Please register your new BEHRINGER equipment right after your purchase by visiting http://behringer.com and read the terms and conditions of our warranty carefully.
Should your BEHRINGER product malfunction, it is our intention to have it repaired as quickly as possible. To arrange for warranty service, please contact the BEHRINGER retailer from whom the equipment was purchased. Should your BEHRINGER dealer not be located in your vicinity, you may directly contact one of our subsidiaries. Corresponding contact information is included in the original equipment packaging (Global Contact Information/European Contact Information). Should your country not be listed, please contact the distributor nearest you. A list of distributors can be found in the support area of our website (http://behringer.com).
Registering your purchase and equipment with us helps us process your repair claims more quickly and efficiently.
Thank you for your cooperation!
Installation
The EPA900 mobile PA system consists of two loudspeakers and a powered mixer that easily join into a portable, wheeled unit for easy transportation. In the following sections, you will find out how to set up and start up the PA system.
Setup preparations
Follow the instructions to ensure straightforward and reliable operation of the EPA900.
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Open the upper latch.
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Open the latches on the sides of the PA unit by pressing and then lifting them.
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With one hand, grab hold of the recessed handle above the latch on the side of the loudspeaker and hold the upper handle with the other hand.
Fig. 2.1: EPA900 setupThen, carefully remove the loudspeaker sideways from the mixer.- Be careful to prevent the loudspeaker from accidentally falling on
your foot.
- Be careful to prevent the loudspeaker from accidentally falling on
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Repeat Step 3 for the second loudspeaker.
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Place the mixer in an upright position.
- To assemble the PA unit for transportation, perform the steps in the reverse order.
Setup
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Separate the three pieces of the PA unit as described in Chapter 2.1.
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Place the mixing console and loudspeakers in the required positions in the venue.
- Use of the optional loudspeaker stands ensures a wider, more even dispersion of sound.
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Using the supplied cables, connect the loudspeakers to the rear loudspeaker outputs
Caution
ONLY connect the EPA900’s loudspeakers, never other equipment, via the rear loudspeaker connectors. Otherwise, your equipment could get damaged. -
Connect instruments, microphones, and additional equipment via the remaining connectors on the mixer (see Chapter 4).
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If you have an active subwoofer available (not included), connect it to the SUB OUT socket.
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Ensure that the two volume control knobs in the MAIN LEVEL CONTROL have been turned counterclockwise as far as possible.
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Use the IEC power cord to connect the mixer’s power inlet to an AC outlet.
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Turn on the imixer.
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Make the desred settings.
Caution
We would like to point out that high volume levels could damage your hearing.
Always make sure that the appropriate volume is set.
Control Elements and Connections
The EPA900 mixer is equipped with 4 mono and 2 stereo inputs and an additional AUX input. The input signals are internally distributed to a stereo bus. It is also possible to use its channels separately (mono), such as when used for FOH/PA and stage. Depending on the requirements, one stereo or two independent mono sounds can be run. An internal effect can be used as an AUX effect from each channel. The 7-band graphic equalizer is used to process the stereo bus or the two mono paths.
Mono Channels (1-4)
Channels 1-4 are designed as mono channels and are used to connect microphones or mono line-level sources. The connectors are balanced to ensure high interference resistance. If possible, you should use balanced cable connectors to profit from the advantages of this type of connection.
Microphone/Line Inputs
MIC
You can connect either dynamic microphones or condenser microphones to the MIC connector using XLR plugs.
LINE IN
Via the LINE IN connector, you can connect instruments (e.g., keyboards, electric guitars) or other line-level sources (e.g., CD player, external mixers, notebook sound card). The ¼” jack accepts both balanced and unbalanced connectors.
PAD
With the PAD switch, you can weaken loud input signals by 20 dB. Use this function if the CLIP LED is lit up and the level cannot be reduced any further using the LEVEL control.
PHANTOM
With the PHANTOM switch, you can activate the phantom power supply for all microphone channels. Use the supply for condenser microphones.
Stereo Channels (5/6-7/8)
Channels 5/6-7/8 are designed as stereo channels and are used to connect stereo line-level sources.
Line Inputs
LEFT (L) / RIGHT (R)
Via these connectors, you can connect stereo line-level sources (e.g., keyboard, CD player, external mixers, notebook sound card). Either the cinch jacks or the ¼” jacks can be used, but not both at the same time.
VOICE CANCELLER (Channel 7/8)
The VOICE CANCELLER function enables voice to be filtered out of stereo
signals.
This function is useful for karaoke applications with a player (CD/MP3 player,
etc.).
Channel strips
Each channel strip is equipped with an equalizer section, an effects control,
and one control each for signal routing and volume control.
TREBLE/BASS
The equalizer section comprises these two controls. With the TREBLE control, you can modify the high frequencies, and with the BASS control the low frequencies. Rotate the control knob:
- clockwise to boost the frequency range by max. 15 dB.
- counterclockwise to cut the frequency range by max. 15 dB.
- If you use the equalizer section to boost frequencies, the signal level of the channel increases. If the CLIP LED lights up, you need to reduce the level using the corresponding LEVEL control.
EFFECTS
With the EFFECTS control, you can specify the portion of the channel signal to be routed to the effects unit. The further clockwise you turn the control knob, the greater the effect that is applied to the signal. Turning the knob counterclockwise as far as possible results in a signal with no effects.
BAL
Use the BAL control of the mono channels to adjust the position of the signal within the stereo image (left/right) or for both mono paths. Turn the control:
- completely to the left to hear the signal only on the left side, that is the LEFT/MAIN path.
- completely to the right to hear the signal only on the right side, that is the RIGHT/MAIN path.
Positions between these settings will result in a proportionate signal allocation between LEFT/MAIN and RIGHT/MAIN.
The BAL control determines the levels of a stereo source’s left and right input signals in relation to each other. Turn the control:
- completely to the left to hear only the left signal component of the stereo source on the LEFT/MAIN path.
- completely to the right to hear only the right signal component of the stereo source on the RIGHT/MAIN path.
Positions between these settings will result in a proportionate signal allocation of the left/right signal component between LEFT/MAIN and RIGHT/MAIN.
CLIP
When lit up, the CLIP LED indicates that the corresponding channel is being overdriven. If this LED lights up regularly, you need to reduce the level of the respective channel using the LEVEL control and/or the PAD switch.
LEVEL
The LEVEL control is used to set the volume of the channel signal. If the CLIP LED is lit up, the level has to be reduced using this control.
Additional connections
The EPA900 is equipped with additional inputs and outputs as well as a
footswitch connector.
STEREO AUX IN
The STEREO AUX IN sockets are designed as separate ¼” jacks and as a stereo minijack. You can connect additional devices with adjustable line levels (e.g., other mixers, MD player) here. The signal is sent directly to the output busses, with no further adjustment possible. Use either the minijack or the two ¼” jacks, not both types at the same time. For mono sources, use the LEFT connector.
EFFECTS FOOTSW
The EFFECTS FOOTSW socket is used to connect a footswitch. You can switch the effect on and off with the foot switch.
SUB OUT
You can connect an active subwoofer to the SUB OUT socket.
TAPE OUT
You can connect a 2-track recorder (DAT, MD, etc.) to the TAPE OUT sockets. The two TAPE OUTs carry the output bus signals.
Speaker outputs
The SPEAKER OUTPUTS connectors on the back of the unit are used to connect the supplied loudspeakers.
Caution
The outputs are powered outputs, which put out a strong, amplified signal (not a low-level LINE signal!). For this reason, only PASSIVE loudspeaker systems can be connected. Other devices could get damaged.
- If loudspeakers with an impedance of 4 Ω are used, the two outputs have a maximum power of 900 W.
- If loudspeakers with an impedance of 8 Ω are used, the two outputs have a maximum power of 800 W.
Graphic equalizer
The EPA900 is equipped with a 7-band graphic equalizer, which enables you to
adapt the sound to the room conditions and your own ideas for the sound.
The equalizer always processes the LEFT/MAIN and RIGHT/MAIN bus equally.
EQ ON
You can activate the equalizer using the EQ ON switch.
FBQ ON
Using the FBQ ON switch, you can activate the feedback detection circuit.
This function only has an effect if the equalizer is active. For every
frequency that causes feedback, the corresponding LED on a slide control
lights up. Lowering the displayed frequency minimizes feedback.
Effects unit
The EPA900 is equipped with an internal stereo effects processor, which offers
100 different standard effects, including reverb, chorus, flanger, and echo,
as well as various multieffects. It is permanently integrated into the mixer
as a Send/ Return effect; i.e., an adjustable signal portion can be routed to
the effects unit from every input channel. The selected effect is applied to
the signal portions of the channels, and the signals are then mixed with the
direct signals via the stereo bus.
CLIP/SIG
The CLIP and SIG LEDs provide information on the signal level on the effects unit.
- When continuously lit up, the CLIP LED indicates a signal overdrive. In this case, the effects unit input level should be reduced through lowering of the Send level using the EFFECTS controls for the input channels.
- The SIG LED signalizes that the effects processor is receiving a signal and is working. If the LED is not lit up, the input signal is too weak.
PROGRAM (PUSH)
You can turn the PROGRAM control knob to select an effects preset. Then press the knob to activate the selected effect.
EFFECTS (LEVEL)
The EFFECTS (LEVEL) control is used to adjust the effects signal volume.
Main Power Section
The operating volume of the sound system is set via the main power section
(MAIN LEVEL CONTROL).
LEFT/MAIN and RIGHT/MAIN
The two controls are used to adjust the volume of the corresponding loudspeaker outputs.
MODE
With the MODE switch, the power amplifier section can be switched to stereo or mono mode. Depending on the setting, the limiter, which provides overdrive protection for the system, works in coupled stereo or independent mono mode.
- Always remember to set the switch according to the given application to avoid incorrect limiter behavior!
Power supply and serial number
FUSE HOLDER/IEC SOCKET
Connection to an AC power supply is made via an IEC socket. It complies with
applicable safety regulations. A suitable AC power cord is included. Replace
the fuse with a fuse of the same type.
- To avoid an electric shock, turn off and unplug the unit before replacing the fuse.
POWER Switch
Use the POWER switch to start up the unit. The POWER switch should be in the “Off” position when you connect the unit to the AC power supply.
To disconnect the unit from the power supply, pull out the power plug. When starting up the unit, ensure that the power plug is easily accessible.
- Please note: Switching the POWER switch off does not completely disconnect the unit from the power supply. For this reason, you should unplug the power cord if the unit is not going to be used for a long period of time.
VOLTAGE SELECTOR
The VOLTAGE SELECTOR switch lets you set the correct operating voltage.
- Before connecting the unit to the mains, please check that it is set to the correct supply voltage.
- You have to use another fuse if you set the unit to another supply voltage. The correct value is specified in Chapter “Specifications”.
SERIAL NUMBER
The serial number can be found on the back of the mixer. It is needed for online registration.
Applications
The EPA900 can be used for simple sound tasks, e.g., amplification of the
presenter’s voice, playback sound, or karaoke applications, as well as for
demanding tasks such as band amplification or stage monitor sound. A typical
example of use as a sound system for music with live instruments and players
is given below.
Specifications
Inputs 1-4
Type 4 x XLR, electronically balanced, 4 x ¼” TRS jack, electronically
balanced
Impedance approx. 2.2 kΩ , balanced, approx. 1.1 kΩ , unbalanced
Input sensitivity -21 dBu @ PAD/OFF
Max. gain +30 dB to +10 dB
Phantom power supply +48 V
Signal-to-noise ratio -90 dB, A-weighted
Channel separation 70 dB
Inputs 5-8
Type 4 x ¼” TS jack, unbalanced 4 x RCA phono jack, unbalanced
Impedance approx. 20 kΩ , unbalanced
Input sensitivity -15 dBu
Max. gain +20 dB
Signal-to-noise ratio -85 dB, A-weighted
Stereo Aux In
Type 1 x ¼” TS jack, unbalanced 1 x stereo minijack, unbalanced
Impedance approx. 100 kΩ , unbalanced
Input sensitivity -8 dBu
Signal-to-noise ratio -90 dB, A-weighted
Tape Out
Type 2 x cinch jack, unbalanced
Impedance approx. 1 kΩ
Max. output level +17 dBu, unbalanced
Channel separation > 70 dB
Sub Out
Type 1 x ¼” stereo jack, unbalanced
Impedance approx. 1 kΩ
Max. output level + 21 dBu, unbalanced
Channel EQ
BASS ±15 dB @ 80 Hz
TREBLE ±15 dB @ 27 kHz
Effects
Converter 24-bit delta-sigma
Sampling frequency 40 kHz
Display 2-digit, 7-segment
EQ
Type 7-band
Loudspeaker Outputs
Type 2 x ¼” TS jack
Load impedance 8 Ω
Output Power
RMS @ 1% THD (sine signal) 8 Ω 2 x 360 W; 4 Ω 2 x 400 W
Peak power 8 Ω 2 x 400 W; 4 Ω 2 x 450 W
System Specifications
Frequency response 50 Hz to 44 kHz, ± 3 dB
Distortion (THD + N) 0.32% @ 1 W
Power Supply
Power consumption 1,000 W
Fuse T 10 A H 250 V (100 –120 V~, 50/60 Hz)
T 10 A H 250 V (220 –240 V~, 50/60 Hz)
Dimensions/Weight
Dimensions (H x W x D) approx. 26.0 x 13.9 x 34.8″ approx. 660 x 354 x 883 mm Weight approx. 82.5 lbs / 37.5 kg BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from time to time to existing products without prior notice. Specifications and appearance may differ from those listed or liiustrated.
Effects Table
EFFECT PRESETS
ON | EFFECT | Description |
---|---|---|
00 | SMALL HALL 1 | approx. 1.0s reverb decay |
01 | SMALL HALL 2 | approx. 1.2s reverb decay |
02 | SMALL HALL 3 | approx. 1.5s reverb decay |
03 | MID HALL 1 | approx. 1.8s reverb decay |
04 | MID HALL 2 | approx. 2.0s reverb decay |
05 | MID HALL 3 | approx. 2.5s reverb decay |
06 | BIG HALL 1 | approx. 2.8s reverb decay |
07 | BIG HALL 2 | approx. 3.2s reverb decay |
08 | BIG HALL 3 | approx. 4s reverb decay |
09 | CHURCH | approx. 7s reverb decay |
HALL 00-09
10| SMALL ROOM 1| approx. 0.5s reverb decay
11| SMALL ROOM 2| approx. 0.8s reverb decay
12| SMALL ROOM 3| approx. 1.0s reverb decay
13| MID ROOM 1| approx. 1.2s reverb decay
14| MID ROOM 2| approx. 1.5s reverb decay
15| MID ROOM 3| approx. 1.8s reverb decay
16| BIG ROOM 1| approx. 2.0s reverb decay
17| BIG ROOM 2| approx. 2.2s reverb decay
18| BIG ROOM 3| approx. 2.5s reverb decay
19| CHAPEL| approx. 3s reverb decay
ROOM 10-19
20| SHORT PLATE| approx. 1.0s reverb decay
21| MID PLATE| approx. 1.5s reverb decay
22| LONG PLATE| approx. 2.2s reverb decay
23| VOCAL PLATE| approx. 1.2s reverb decay
24| DRUMS PLATE| approx. 1.0s reverb decay
25| GOLD PLATE 1| approx. 1.2s reverb decay
26| GOLD PLATE 2| approx. 2.0s reverb decay
27| SHORT SPRING| approx. 1.0s reverb decay
28| MID SPRING| approx. 2.0s reverb decay
29| LONG SPRING| approx. 2.5s reverb decay
PLATE 20-29
20| SHORT PLATE| approx. 1.0s reverb decay
21| MID PLATE| approx. 1.5s reverb decay
22| LONG PLATE| approx. 2.2s reverb decay
23| VOCAL PLATE| approx. 1.2s reverb decay
24| DRUMS PLATE| approx. 1.0s reverb decay
25| GOLD PLATE 1| approx. 1.2s reverb decay
26| GOLD PLATE 2| approx. 2.0s reverb decay
27| SHORT SPRING| approx. 1.0s reverb decay
28| MID SPRING| approx. 2.0s reverb decay
29| LONG SPRING| approx. 2.5s reverb decay
GATED/REVERSE 30-39
30| GATED REV SHORT| approx. 0.8s gate time
31| GATED REV MID| approx. 1.2s gate time
32| GATED REV LONG| approx. 2.0s gate time
33| GATED REV XXL| approx. 3.0s gate time
34| GATED REV DRUMS 1| approx. 0.8s gate time
35| GATED REV DRUMS 2| approx. 1.2s gate time
36| REVERSE SHORT| approx. 0.8s reverb raise
37| REVERSE MID| approx. 1.2s reverb raise
38| REVERSE LONG| approx. 2.0s reverb raise
39| REVERSE XXL| approx. 3.0s reverb raise
EARLY REFLECTIONS 40-49
40| EARLY REFLECTION 1| Short
41| EARLY REFLECTION 2| Medium-short
42| EARLY REFLECTION 3| Medium-long
43| EARLY REFLECTION 4| Long
44| SHORT AMBIENCE| Short
45| MID AMBIENCE| Medium-short
46| LIVE AMBIENCE| Medium-short
47| BIG AMBIENCE| Medium-long
48| STADIUM| Long
49| GHOST AMBIENCE| Extra-long special FX
DELAY 50-59
50| SHORT DELAY 1| Like a short shattering
51| SHORT DELAY 2| 1-2 short impulse(s)
52| SHORT DELAY 3| 1-2 short impulse(s)
53| MID DELAY 1| Classical Delay for up-tempo music (115-125 BPM)
54| MID DELAY 2| Classical Delay for mid-tempo music (105-115 BPM)
55| MID DELAY 3| Classical Delay for slow-tempo music (95-105 BPM)
56| LONG DELAY 1| Classical Delay for reggae-tempo music (85-95 BPM)
57| LONG DELAY 2| Classical Delay for dub-tempo music (75-85 BPM)
58| LONG DELAY 3| Extra long (nearly infinite) delay effect
59| LONG ECHO| Extra long canyon echo effect
CHORUS 60-69
60| SOFT CHORUS 1| Unobtrusive effect
61| SOFT CHORUS 2| Unobtrusive effect with different color
62| WARM CHORUS 1| Analog sounding
63| WARM CHORUS 2| Analog sounding with different color
64| PHAT CHORUS 1| Pronounced chorus effect
65| PHAT CHORUS 2| Pronounced chorus effect with different color
66| CLASSIC FLANGER| Standard flanger effect
67| WARM FLANGER| More analog touch
68| DEEP FLANGER| Deep modulation impression
69| HEAVY FLANGER| Extremely pronounced effect
PHASE/PITCH 70-79
70| CLASSIC PHASER| Standard phaser effect
71| WARM PHASER| More analog touch
72| DEEP PHASER| Deep modulation impression
73| HEAVY PHASER| Extreme strong effect
74| PITCH SHIFT DETUNE| 2-3-times detune for a wider solo voice sound
75| PITCH SHIFT +3| Minor third added voice
76| PITCH SHIFT +4| Major third added voice
77| PITCH SHIFT +7| Quint above added voice
78| PITCH SHIFT -5| Fourth down added voice
79| PITCH SHIFT -12| 1 octave down added voice
MULTI 1 80-89
80| CHORUS + REVERB 1| Soft chorus + medium-short reverb
81| CHORUS + REVERB 2| Deep chorus + medium-long reverb
82| FLANGER + REVERB 1| Soft flanger + medium-short reverb
83| FLANGER + REVERB 2| Deep flanger + medium-long reverb
84| PHASER + REVERB 1| Soft phaser + medium-short reverb
85| PHASER + REVERB 2| Deep phaser + medium-long reverb
86| PITCH + REVERB 1| Soft voice detuning + medium-short reverb
87| PITCH + REVERB 2| Fourth above interval + medium-long reverb
88| DELAY + REVERB 1| Short delay + medium-short reverb
89| DELAY + REVERB 2| Medium-long delay + medium-long reverb
MULTI 2 90-99
90| DELAY + GATED REV| Short delay + medium-long gated reverb
91| DELAY + REVERSE| medium-short delay + medium-long reverse reverb
92| DELAY + CHORUS 1| Short delay + soft chorus
93| DELAY + CHORUS 2| Medium-long delay + deep chorus
94| DELAY + FLANGER 1| Short delay + soft flanger
95| DELAY + FLANGER 2| Medium-long delay + deep flanger
96| DELAY + PHASER 1| Short delay + soft phaser
97| DELAY + PHASER 2| Medium-long delay + deep phaser
98| DELAY + PITCH 1| Short delay + fourth down interval
99| DELAY + PITCH 2| Medium-long delay + minor third above interval
FEDERAL COMMUNICATIONS COMMISSION COMPLIANCE INFORMATION
Responsible Party Name: MUSIC Group Services US Inc.
Address: 18912 North Creek Parkway, Suite 200 Bothell, WA 98011,
USA
Phone/Fax No.: Phone: +1 425 672 0816
Fax: +1 425 673 7647
EUROPORT EPA900
complies with the FCC rules as mentioned in the following paragraph:
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
- Reorient or relocate the receiving antenna.
- Increase the separation between the equipment and receiver.
- Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
- Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC rules. Operation is subject to the following two conditions:
- this device may not cause harmful interference, and
- this device must accept any interference received, including interference that may cause undesired operation. Important information:
Changes or modifications to the equipment not expressly approved by MUSIC Group can void the user’s authority to use the equipment.
References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>