YAMAHA Digital Paino User Guide

YAMAHA Digital Paino

MIDI Functions

You can make detailed adjustments to MIDI settings.
For instructions on how to connect this instrument to the computer, refer to the “Computer-related Operations” downloadable from the Yamaha Downloads website.

MIDI Transmit/Receive Channel Selection

In any MIDI control setup, the MIDI channels of the transmitting and receiving devices must be matched for proper data transfer. This parameter enables you to specify the channel on which the instrument transmits or receives MIDI data.

Setting the Transmit Channel
While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press one of the C4–D#4 keys.
Default setting: 1

Setting the Receive Channel
While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press one of the F4–A4 keys.

MIDI transmission channels in Dual, Split or Duo

Voice 1 data is transmitted on its specified channel and Voice 2 data is transmitted on the next greater channel number relative to the specified channel. In this case, no data is transmitted if the transmit channel is set to “OFF.”

ALL:
“Multi-timbre” Receive. This allows simultaneous reception of different parts on all 16 MIDI channels, enabling the instrument to play multi-channel song data received from a computer.

1+2:
“1+2” Receive. This allows simultaneous reception on channels 1 and 2 only, enabling the instrument to play 1 and 2 channel song data received from a computer.
Program change and other like channel messages received will not affect the panel settings of the instrument or the notes you play on the keyboard.
Data for the Demo Songs and Preset Songs cannot be transmitted via MIDI.

Local Control ON/OFF

“Local Control” refers to the fact that, normally, the keyboard of the instrument controls its internal tone generator, allowing the internal voices to be played directly from the keyboard. This situation is “Local Control On,” since the internal tone generator is controlled locally by its own keyboard. Local control can be turned OFF, however, so that the keyboard of the instrument does not play the internal voices, but the appropriate MIDI information is still transmitted via the [USB TO HOST] terminal when notes are played on the keyboard. At the same time, the internal tone generator responds to MIDI information received via the [USB TO HOST] terminal.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the C5 key. Pressing the C5 key repeatedly toggles between Local Control On and Off.

Program Change ON/OFF

Normally the instrument will respond to MIDI program change numbers received from a computer, causing the same numbered voice to be selected on the corresponding channel (the keyboard voice does not change). The instrument will normally also send a MIDI program change number whenever one of its voices is selected, causing the same numbered voice or program to be selected on the computer if the computer is set up to receive and respond to MIDI program change numbers. This function makes it possible to cancel program change number reception and transmission so that voices can be selected on the instrument without affecting the computer.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the C#5 key. Pressing the C#5 key repeatedly toggles between Program Change On and Off.

Control Change ON/OFF

Normally the instrument will respond to MIDI control change data received from a computer, causing the voice on the corresponding channel to be affected by pedal and other “control” settings received from the controlling device (the keyboard voice is not affected).
The instrument also transmits MIDI control change information when the pedal or other appropriate controls are operated. This function makes it possible to cancel control change data reception and transmission so that, for example, the pedal of the instrument and other controls can be operated without affecting a computer.

While simultaneously holding down the [METRONOME] and [RHYTHM] buttons, press the D5 key. Pressing the D5 key repeatedly toggles between Control Change On and Off.

MIDI Data Format

Many MIDI messages listed in the MIDI Data Format are expressed in decimal numbers, binary numbers and hexadecimal numbers. Hexadecimal numbers may include the letter “H” as a suffix.
Also, “n” can freely be defined as any whole number. To enter data/values, refer to the table below.

decimal| hexadecimal| binary| decimal| hexadecimal| binary| decimal| hexadecimal| binary| decimal| hexadecimal| binary
---|---|---|---|---|---|---|---|---|---|---|---
0| 00| 0000 0000| 32| 20| 0010 0000| 64| 40| 0100 0000| 96| 60| 0110 0000
1| 01| 0000 0001| 33| 21| 0010 0001| 65| 41| 0100 0001| 97| 61| 0110 0001
2| 02| 0000 0010| 34| 22| 0010 0010| 66| 42| 0100 0010| 98| 62| 0110 0010
3| 03| 0000 0011| 35| 23| 0010 0011| 67| 43| 0100 0011| 99| 63| 0110 0011
4| 04| 0000 0100| 36| 24| 0010 0100| 68| 44| 0100 0100| 100| 64| 0110 0100
5| 05| 0000 0101| 37| 25| 0010 0101| 69| 45| 0100 0101| 101| 65| 0110 0101
6| 06| 0000 0110| 38| 26| 0010 0110| 70| 46| 0100 0110| 102| 66| 0110 0110
7| 07| 0000 0111| 39| 27| 0010 0111| 71| 47| 0100 0111| 103| 67| 0110 0111
8| 08| 0000 1000| 40| 28| 0010 1000| 72| 48| 0100 1000| 104| 68| 0110 1000
9| 09| 0000 1001| 41| 29| 0010 1001| 73| 49| 0100 1001| 105| 69| 0110 1001
10| 0A| 0000 1010| 42| 2A| 0010 1010| 74| 4A| 0100 1010| 106| 6A| 0110 1010
11| 0B| 0000 1011| 43| 2B| 0010 1011| 75| 4B| 0100 1011| 107| 6B| 0110 1011
12| 0C| 0000 1100| 44| 2C| 0010 1100| 76| 4C| 0100 1100| 108| 6C| 0110 1100
13| 0D| 0000 1101| 45| 2D| 0010 1101| 77| 4D| 0100 1101| 109| 6D| 0110 1101
14| 0E| 0000 1110| 46| 2E| 0010 1110| 78| 4E| 0100 1110| 110| 6E| 0110 1110
15| 0F| 0000 1111| 47| 2F| 0010 1111| 79| 4F| 0100 1111| 111| 6F| 0110 1111
16| 10| 0001 0000| 48| 30| 0011 0000| 80| 50| 0101 0000| 112| 70| 0111 0000
17| 11| 0001 0001| 49| 31| 0011 0001| 81| 51| 0101 0001| 113| 71| 0111 0001
18| 12| 0001 0010| 50| 32| 0011 0010| 82| 52| 0101 0010| 114| 72| 0111 0010
19| 13| 0001 0011| 51| 33| 0011 0011| 83| 53| 0101 0011| 115| 73| 0111 0011
20| 14| 0001 0100| 52| 34| 0011 0100| 84| 54| 0101 0100| 116| 74| 0111 0100
21| 15| 0001 0101| 53| 35| 0011 0101| 85| 55| 0101 0101| 117| 75| 0111 0101
22| 16| 0001 0110| 54| 36| 0011 0110| 86| 56| 0101 0110| 118| 76| 0111 0110
23| 17| 0001 0111| 55| 37| 0011 0111| 87| 57| 0101 0111| 119| 77| 0111 0111
24| 18| 0001 1000| 56| 38| 0011 1000| 88| 58| 0101 1000| 120| 78| 0111 1000
25| 19| 0001 1001| 57| 39| 0011 1001| 89| 59| 0101 1001| 121| 79| 0111 1001
26| 1A| 0001 1010| 58| 3A| 0011 1010| 90| 5A| 0101 1010| 122| 7A| 0111 1010
27| 1B| 0001 1011| 59| 3B| 0011 1011| 91| 5B| 0101 1011| 123| 7B| 0111 1011
28| 1C| 0001 1100| 60| 3C| 0011 1100| 92| 5C| 0101 1100| 124| 7C| 0111 1100
29| 1D| 0001 1101| 61| 3D| 0011 1101| 93| 5D| 0101 1101| 125| 7D| 0111 1101
30| 1E| 0001 1110| 62| 3E| 0011 1110| 94| 5E| 0101 1110| 126| 7E| 0111 1110
31| 1F| 0001 1111| 63| 3F| 0011 1111| 95| 5F| 0101 1111| 127| 7F| 0111 1111

• Except the table above, for example 144-159(decimal)/9nH/1001 0000-1001 1111(binary) denotes the Note On Message for each channel (1-16). 176-191/BnH/1011 0000-1011 1111 denotes the Control Change Message for each channel (1-16). 192-207/CnH/1100 0000-1100 1111 denotes the Program Change Message for each channel (1-16). 240/FOH/1111 0000 denotes the start of a System Exclusive Message. 247/F7H/1111 0111 denotes the end of a System Exclusive Message.
• aaH (hexadecimal)/0aaaaaaa (binary) denotes the data address. The address contains High, Mid, and Low.
• bbH/0bbbbbbb denotes the byte count.
• ccH/0ccccccc denotes the check sum.
• ddH/0ddddddd denotes the data/value.

Preset Voice List

Program change numbers are often specified as numbers “0 -127.” Since this list uses a “1 – 128” numbering system, in such cases it is necessary to subtract 1 from the transmitted program change numbers to select the appropriate sound: e.g. to select Live Grand in the list below, transmit program change number 1.

Voice Button| Voice Name| MSB (0-127)| LSB (0-127)| Program Change # (1-128)
---|---|---|---|---
[PIANO]| Grand Piano| 108| 0| 1
Live Grand| 108| 2| 2
Ballad Grand| 108| 3| 1
Bright Grand| 108| 0| 2
[E.PIANO]| Stage E.Piano| 108| 0| 5
DX E.Piano| 108| 0| 6
Vintage E.Piano| 108| 1| 5
Synth Piano| 108| 0| 89
[ORGAN]| Jazz Organ| 108| 0| 17
Rock Organ| 108| 0| 19
Organ Principal| 108| 1| 20
Organ Tutti| 108| 0| 20
[CLV./VIB.]| Harpsichord 8’| 108| 0| 7
Harpsi.8’+4’| 108| 1| 7
E.Clavichord| 108| 0| 8
Vibraphone| 108| 0| 12
[STRINGS]| Strings| 108| 0| 49
Slow Strings| 108| 0| 50
Choir| 108| 0| 53
Synth Pad| 108| 0| 90
[+BASS]| Acoustic Bass| 108| 0| 33
Electric Bass| 108| 0| 34
Bass & Cymbal| 108| 1| 33
Fretless Bass| 108| 0| 36

MIDI CHANNEL MESSAGE (1)

MIDI Events

| Status byte| 1st Data byte| 2nd Data byte| ****

MIDI

Formats

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---

Status

|  | ****

Data

| ****

(HEX)

| ****

Parameter

| ****

Data

| ****

(HEX)

| ****

Parameter

| ****

Song

| Main

Layer Left

| Panel

(main genera- tion method)

| ****

Song

Key Off| 8nH| (n:Channel Number)| kk| Key no. (0-127)| vv| Velocity(0-127)| [GM1] [GM2]| O| X| O

(Keyboard)

| X
Key On| 9nH| (n:Channel Number)| kk| Key no. (0-127)| vv| Key On :vv=1-127 Key Off :vv=0| [GM1] [GM2]| O| X| O

(Keyboard)

| X
Control Change| BnH|  | 0| (00H)| Bank Select MSB| 0-127| (00H…7FH)| (00) Normal| [GM2]| O| X| O

(Voice)

| X
1| (01H)| Modulation| 0-127| (00H…7FH)| Data| [GM1] [GM2]| O| X| X| X
5| (05H)| Portamento Time| 0-127| (00H…7FH)| Data| [GM2]| O| X| X| X
6| (06H)| Data Entry MSB| 0-127| (00H…7FH)| Data| [GM2]| O| X| X| X
7| (07H)| Main Volume| 0-127| (00H…7FH)| Data| [GM1] [GM2]| O| X| O

(Voice)

| X
10| (0AH)| Panpot| 0-127| (00H…7FH)| L64…C…R63| [GM1] [GM2]| O| X| O

(Duo)

| X
11| (0BH)| Expression| 0-127| (00H…7FH)| Data| [GM1] [GM2]| O| X| X| X
32| (20H)| Bank Select LSB| 0-127| (00H…7FH)| Data| [GM2]| O| X| O

(Voice)

| X
38| (26H)| Data Entry LSB| 0-127| (00H…7FH)| Data| [GM2]| O| X| X| X
64| (40H)| Sustain(Damper)| 0-127| (00H…7FH)| Data| [GM1] [GM2]| O| X| O

(Pedal)

| X
65| (41H)| Portamento| 0-127| (00H…7FH)| 0…63, 64…127 (OFF, ON)| [GM2]| O| X| X| X
66| (42H)| Sostenuto| 0-127| (00H…7FH)| 0…63, 64…127 (OFF, ON)| [GM2]| O| X| O

(Pedal)

| X
67| (43H)| Soft Pedal| 0-127| (00H…7FH)| 0…63, 64…127 (OFF, ON)| [GM2]| O| X| O

(Pedal)

| X
71| (47H)| Harmonic Content| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
72| (48H)| Release Time| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
73| (49H)| Attack Time| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
74| (4AH)| Brightness| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
75| (4BH)| Decay Time| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
76| (4CH)| Vibrate Rate| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
77| (4DH)| Vibrate Depth| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
78| (4EH)| Vibrate Delay| 0-127| (00H…7FH)| -64…0…+63| [GM2]| O| X| X| X
84| (54H)| Portamento Control| 0-127| (00H…7FH)| Key no. (0-127)|  | O| X| X| X
91| (5BH)| Effect1 Depth (Reverb Send Level)| 0-127| (00H…7FH)| Data| [GM2]| O| X| O

(Voice)

| X
93| (5DH)| Effect3 Depth (Chorus Send Level)| 0-127| (00H…7FH)| Data| [GM2]| O| X| O

(Voice)

| X
94| (5EH)| Effect4 Depth (Variation Send Level)| 0-127| (00H…7FH)| Data|  | O| X| X| X
96| (60H)| RPN Increment| –| –| The data byte is ignored.|  | O| X| X| X
97| (61H)| RPN Decrement| –| –| The data byte is ignored.|  | O| X| X| X
98| (62H)| NRPN LSB| 0-127| (00H…7FH)| Data|  | O| X| X| X
99| (63H)| NRPN MSB| 0-127| (00H…7FH)| Data|  | O| X| X| X
100| (64H)| RPN LSB| 0-127| (00H…7FH)| Data| [GM2]| O| X| X| X
101| (65H)| RPN MSB| 0-127| (00H…7FH)| Data| [GM2]| O| X| X| X
Mode Message| BnH| (n:Channel Number)| 120| (78H)| All Sound Off| 0| (00H)| Data| [GM2]| O| X| X| X
121| (79H)| Reset All Controllers| 0| (00H)| Data| [GM1] [GM2]| O| X| X| X
122| (7AH)| Local Control| 0

127

| (00H)

(7FH)

| OFF ON|  | O| X| X
123| (7BH)| All Note Off| 0| (00H)| Data| [GM1] [GM2]| O| X| X| X
124| (7CH)| Omni Off| 0| (00H)| Data| [GM2]| O| X| X| X
125| (7DH)| Omni On| 0| (00H)| Data| [GM2]| O| X| X| X
126| (7EH)| Mono| 0-16| (00H…10H)| Data| [GM2]| O| X| X| X
127| (7FH)| Poly| 0| (00H)| Data| [GM2]| O| X| X| X
Program Change| CnH| (n:Channel Number)| pp| (00H…7FH)| Voice number (0-127)| –| –| –| [GM1] [GM2]| O| X| O

(Voice)

| X
Channel After Touch| DnH| (n:Channel Number)| vv| (00H…7FH)| Data| –| –| –| [GM1] [GM2]| O| X| X| X
Polyphonic After Touch| AnH| (n:Channel Number)| kk| (00H…7FH)| Key no. (0-127)| vv| (00H…7FH)| Data|  | O| X| X| X
Pitch Bend Change| EnH| (n:Channel Number)| cc| (00H…7FH)| LSB| dd| (00H…7FH)| MSB| [GM1] [GM2]| O| X| X| X
Realtime Message| F8H| MIDI Clock| –| –| –| –|  | X| O
FAH| Start| –| –| –| –|  | O| O
FBH| Continue| –| –| –| –|  | X| X
FCH| Stop| –| –| –| –|  | O| O
FEH| Active Sens| –| –| –| –| [GM2]| O| O
FFH| System

Reset

| –| –| –| –|  | X| X

MIDI CHANNEL MESSAGE (2)

NRPN (Non Registered Parameter Number)

NRPN| Data Entry| ****

Parameter

| ****

Data Range

| ****

MIDI

Formats

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---

MSB

| ****

LSB

| ****

MSB

| ****

LSB

| ****

Song

| Main Layer Left| Panel (main genera-

tion method)

| ****

Song

01H| 08H| mmH| —| Vibrato Rate| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 09H| mmH| —| Vibrato Depth| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 0AH| mmH| —| Vibrato Delay| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 20H| mmH| —| Low Pass Filter Cutoff Frequency| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 21H| mmH| —| Low Pass Filter Resonance| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 30H| mmH| —| EQ BASS| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 31H| mmH| —| EQ TREBLE| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 34H| mmH| —| EQ BASS Frequency| mm : 04H-28H (32. 2.0k[Hz])|  | O| X| X| X
01H| 35H| mmH| —| EQ TREBLE Frequency| mm : 1CH-3AH (500.. 16.0k[Hz])|  | O| X| X| X
01H| 63H| mmH| —| EG Attack Time| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 64H| mmH| —| EG Decay Time| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
01H| 66H| mmH| —| EG Release| mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
14H| rrH| mmH| —| Drum Low Pass Filter Cutoff Frequency| rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
15H| rrH| mmH| —| Drum Low Pass Filter Resonance| rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
16H| rrH| mmH| —| Drum EG Attack Rate| rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
17H| rrH| mmH| —| Drum EG Decay Rate| rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
18H| rrH| mmH| —| Drum Pitch Coarse| rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
19H| rrH| mmH| —| Drum Pitch Fine| rr : drum instrument note number mm : 00H- 40H-7FH (-64…0…+63)|  | O| X| X| X
1AH| rrH| mmH| —| Drum Level| rr : drum instrument note number mm : 00H-7FH (0…127)|  | O| X| X| X
1CH| rrH| mmH| —| Drum Pan| rr : drum instrument note number

mm : 00H, 01H-40H-7FH (RND, L63…C…R63)

|  | O| X| X| X
1DH| rrH| mmH| —| Drum Reverb Send Level| rr : drum instrument note number mm : 00H-7FH (0…127)|  | O| X| X| X
1EH| rrH| mmH| —| Drum Chorus Send Level| rr : drum instrument note number mm : 00H-7FH (0…127)|  | O| X| X| X
1FH| rrH| mmH| —| Drum Variation Send Level| rr : drum instrument note number mm : 00H-7FH (0…127)|  | O| X| X| X
24H| rrH| mmH| —| Drum HPF Cutoff Frequency| rr : drum instrument note number mm : 00H-40H-7FH (-64…0…+63)|  | O| X| X| X
30H| rrH| mmH| —| Drum EQ Bass Gain| rr : drum instrument note number mm : 00H-7FH (0…127)|  | X| X| X| X
31H| rrH| mmH| —| Drum EQ Treble Gain| rr : drum instrument note number mm : 00H-7FH (0…127)|  | X| X| X| X
34H| rrH| mmH| —| Drum EQ Bass Frequency| rr : drum instrument note number mm : 04H-28H (32. 2.0k[Hz])|  | X| X| X| X
35H| rrH| mmH| —| Drum EQ Treble Frequency| rr : drum instrument note number mm : 1CH-3AH (500……………………….. 16.0k[Hz])|  | X| X| X| X
40H| rrH| mmH| —| Drum VELOCITY PITCH SENS.| rr : drum instrument note number mm : 00H-0FH (0…15)|  | X| X| X| X
41H| rrH| mmH| —| Drum VELOCITY LPF CUTOFF SENS.| rr : drum instrument note number mm : 00H-0FH (0…15)|  | X| X| X| X

NRPN MSB: 14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice.
Data Entry LSB: Ignored.

RPN (Registered Parameter Number)

NRPN| Data Entry| ****

Parameter

| ****

Data Range

| ****

MIDI

Formats

| MIDI Reception

(respond/ignored)

| MIDI Transmission

(generated data)

---|---|---|---|---|---|---

MSB

| ****

LSB

| ****

MSB

| ****

LSB

| ****

Song

| Main Layer Left| Panel (main genera-

tion method)

| ****

Song

00H| 00H| mmH| —| Pitch Bend Sensitivity| mm : 00H-18H (0…+24[semitones])| [GM1] [GM2]| O| X| X| X
00H| 01H| mmH| llH| Fine Tune| mm  ll : 00H 00H      -100[cent]

…

mm  ll : 40H 00H       0[cent]

…

mm  ll : 7FH 7FH      100[cent]

| [GM1] [GM2]| O| X| X| X
00H| 02H| mmH| —| Coarse Tune| mm : 28H-40H-58H (-24…0…+24[semitones])| [GM1] [GM2]| O| X| X| X
00H| 05H| mmH| llH| Modulation Sensitivity| mm : Specified in semitone steps ll : Specified in 100/128 cent steps| [GM2]| O| X| X| X
7FH| 7FH| —| —| Null| –| [GM2]| O| X| X| X

MIDI PARAMETER CHANGE TABLE

• Not Received when Receive Parameter SysEx is set to off.
• Not transmitted when Transmit Parameter SysEx is set to off.

MIDI Parameter Change table (XG SYSTEM)

Address (H)

| ****

Size (H)

| ****

Data (H)

| ****

Parameter

| ****

Description

| ****

XG Default (H)

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel

(main genera- tion method)

| ****

Song

00      00         00| 4| 00-0F

00-0F

00-0F

00-0F

| MASTER TUNE| -102.4…0…+102.3[cent]

1st bit3-0gbit15-12 2nd bit3-0gbit11-8 3rd bit3-0gbit7-4 4th bit3-0gbit3-0

| *Panel setting value| O| X| X
04| 1| 00-7F| MASTER VOLUME| 0…127| 7F| O| X| X| X
05| 1| 00-7F| MASTER ATTENUATOR| 0…127| 00| X| X| X| X
06| 1| 28-58| TRANSPOSE| -24…0…+24[semitones]| 40| O| X| X| X
7D| 1| N| DRUM SETUP RESET| N:Drum setup number| –| O| X| X| X
7E| 1| 00| XG SYSTEM ON| 00=XG system ON| –| O| X| X| X
7F| 1| 00| ALL PARAMETER RESET| 00=ON| –| O| X| X| X

MIDI Parameter Change table (SYSTEM INFORMATION)

Address (H)| Size (H)| Data (H)| Parameter| Description| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---

Song

| Main Layer Left| Panel

(main genera- tion method)

| ****

Song

01      00      00

… 0D

| E| 20-7F

… 20-7F

| Model Name 1

…

Model Name 14

| 32…127(ASCII CHARACTER)

…

32…127(ASCII CHARACTER)

| –| –| X| X
0E| 1|  | NOT USED|
0F| 1|  | NOT USED|

TOTAL SIZE 10
Transmitted in response to Dump Request. Not received.

MIDI Parameter Change table (EFFECT1)

Address (H)

| ****

Size (H)

| ****

Data (H)

| ****

Parameter

| ****

Description

| ****

XG Default (H)

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel

(main genera- tion method)

| ****

Song

02      01         00| 2| 00-7F| REVERB TYPE MSB| Refer to Effect Type List (page 15).| 01(=HALL1)| O| O

(Reverb Type)

| X
00-7F| REVERB TYPE LSB| Refer to Effect Type List (page 15).| 00
02| 1| 00-7F| REVERB PARAMETER 1| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
03| 1| 00-7F| REVERB PARAMETER 2| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
04| 1| 00-7F| REVERB PARAMETER 3| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
05| 1| 00-7F| REVERB PARAMETER 4| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
06| 1| 00-7F| REVERB PARAMETER 5| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
07| 1| 00-7F| REVERB PARAMETER 6| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
08| 1| 00-7F| REVERB PARAMETER 7| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
09| 1| 00-7F| REVERB PARAMETER 8| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
0A| 1| 00-7F| REVERB PARAMETER 9| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
0B| 1| 00-7F| REVERB PARAMETER 10| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
0C| 1| 00-7F| REVERB RETURN| -∞dB…0dB…+6dB(0…64…127)| 40| O| X| X
0D| 1| 01-7F| REVERB PAN| L63…C…R63| 40| O| X| X
02      01          10| 1| 00-7F| REVERB PARAMETER 11| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
---|---|---|---|---|---|---|---|---
11| 1| 00-7F| REVERB PARAMETER 12| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
12| 1| 00-7F| REVERB PARAMETER 13| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
13| 1| 00-7F| REVERB PARAMETER 14| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
14| 1| 00-7F| REVERB PARAMETER 15| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X
15| 1| 00-7F| REVERB PARAMETER 16| Refer to Effect Type List (page 15).| Depends on Reverb Type.| O (Depends on Reverb Type.)| X| X

Address (H)

|

Size (H)

|

Data (H)

|

Parameter

|

Description

|

XG Default (H)

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel (main genera-

tion method)

|

Song

02      01         20| 2| 00-7F| CHORUS TYPE MSB| Refer to Effect Type List (page 15).| 41(=CHORUS1)| O| O| X
00-7F| CHORUS TYPE LSB| Refer to Effect Type List (page 15).| 00
22| 1| 00-7F| CHORUS PARAMETER 1| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
23| 1| 00-7F| CHORUS PARAMETER 2| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
24| 1| 00-7F| CHORUS PARAMETER 3| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
25| 1| 00-7F| CHORUS PARAMETER 4| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
26| 1| 00-7F| CHORUS PARAMETER 5| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
27| 1| 00-7F| CHORUS PARAMETER 6| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
28| 1| 00-7F| CHORUS PARAMETER 7| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
29| 1| 00-7F| CHORUS PARAMETER 8| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
2A| 1| 00-7F| CHORUS PARAMETER 9| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
2B| 1| 00-7F| CHORUS PARAMETER 10| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
2C| 1| 00-7F| CHORUS RETURN| -∞dB…0dB…+6dB(0…64…127)| 40| O| X| X
2D| 1| 01-7F| CHORUS PAN| L63…C…R63| 40| O| X| X
2E| 1| 00-7F| SEND CHORUS TO REVERB| -∞dB…0dB…+6dB(0…64…127)| 00| O| X| X
02      01          30| 1| 00-7F| CHORUS PARAMETER 11| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
---|---|---|---|---|---|---|---|---
31| 1| 00-7F| CHORUS PARAMETER 12| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
32| 1| 00-7F| CHORUS PARAMETER 13| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
33| 1| 00-7F| CHORUS PARAMETER 14| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
34| 1| 00-7F| CHORUS PARAMETER 15| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
35| 1| 00-7F| CHORUS PARAMETER 16| Refer to Effect Type List (page 15).| Depends on Chorus Type.| O (Depends on Chorus Type.)| X| X
Address (H)|

Size (H)

|

Data (H)

|

Parameter

|

Description

|

XG Default (H)

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel (main genera-

tion method)

|

Song

02      01         40| 2| 00-7F| VARIATION TYPE MSB| Refer to Effect Type List (page 15).| 05(=DELAY L,C,R)| O| X| X
00-7F| VARIATION TYPE LSB| Refer to Effect Type List (page 15).| 00
42| 2| 00-7F| VARIATION PARAMETER 1 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 1 LSB| Refer to Effect Type List (page 15).
44| 2| 00-7F| VARIATION PARAMETER 2 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 2 LSB| Refer to Effect Type List (page 15).
46| 2| 00-7F| VARIATION PARAMETER 3 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 3 LSB| Refer to Effect Type List (page 15).
48| 2| 00-7F| VARIATION PARAMETER 4 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 4 LSB| Refer to Effect Type List (page 15).
4A| 2| 00-7F| VARIATION PARAMETER 5 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 5 LSB| Refer to Effect Type List (page 15).
4C| 2| 00-7F| VARIATION PARAMETER 6 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 6 LSB| Refer to Effect Type List (page 15).
4E| 2| 00-7F| VARIATION PARAMETER 7 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 7 LSB| Refer to Effect Type List (page 15).
50| 2| 00-7F| VARIATION PARAMETER 8 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 8 LSB| Refer to Effect Type List (page 15).
52| 2| 00-7F| VARIATION PARAMETER 9 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 9 LSB| Refer to Effect Type List (page 15).
54| 2| 00-7F| VARIATION PARAMETER 10 MSB| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
00-7F| VARIATION PARAMETER 10 LSB| Refer to Effect Type List (page 15).
56| 1| 00-7F| VARIATION RETURN| -∞dB…0dB…+6dB(0…64…127)| 40| O| X| X
57| 1| 01-7F| VARIATION PAN| L63…C…R63| 40| O| X| X
58| 1| 00-7F| SEND VARIATION TO REVERB| -∞dB…0dB…+6dB(0…64…127)| 00| O| X| X
59| 1| 00-7F| SEND VARIATION TO CHORUS| -∞dB…0dB…+6dB(0…64…127)| 00| O| X| X
5A| 1| 00-01| VARIATION CONNECTION| INSERTION, SYSTEM| 00| O| X| X
5B| 1| 00-7F| VARIATION PART NUMBER| Reception : Part1…16(0…15) Transmission : Part1…16(0…15) AD(64)

OFF(127)

| 7F| O| X| X
5C| 1| 00-7F| MW VARIATION CONTROL DEPTH| -64…0…+63| 40| O| X| X
5D| 1| 00-7F| BEND VARIATION CONTROL DEPTH| -64…0…+63| 40| O| X| X
5E| 1| 00-7F| CAT VARIATION CONTROL DEPTH| -64…0…+63| 40| O| X| X
5F| 1| 00-7F| AC1 VARIATION CONTROL DEPTH| -64…0…+63| 40| O| X| X
60| 1| 00-7F| AC2 VARIATION CONTROL DEPTH| -64…0…+63| 40| O| X| X
02      01          70| 1| 00-7F| VARIATION PARAMETER 11| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
---|---|---|---|---|---|---|---|---
71| 1| 00-7F| VARIATION PARAMETER 12| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
72| 1| 00-7F| VARIATION PARAMETER 13| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
73| 1| 00-7F| VARIATION PARAMETER 14| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
74| 1| 00-7F| VARIATION PARAMETER 15| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X
75| 1| 00-7F| VARIATION PARAMETER 16| Refer to Effect Type List (page 15).| Depends on Variation Type.| O (Depends on Variation Type.)| X| X

MIDI Parameter Change table (MULTI EQ)

Address (H)| ****

Size (H)

| ****

Data (H)

| ****

Parameter

| ****

Description

| * The MULTI EQ Parameter cannot be reset to its factory setting with XG SYSTEM ON.| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel (main genera-

tion method)

| ****

Song

02      40         00| 1| 00-04| EQ TYPE| flat, jazz, pops, rock, classic|  | X| X| X
01| 1| 34-4C| EQ GAIN1| -12…0…+12[dB]|  | X| X| X
02| 1| 04-28| EQ FREQUENCY1| 32. 2.0k[Hz]|  | X| X| X
03| 1| 01-78| EQ Q1| 0.1…12.0|  | X| X| X
04| 1| 00-01| EQ SHAPE1| shelving, peaking|  | X| X| X
05| 1| 34-4C| EQ GAIN2| -12…0…+12[dB]|  | X| X| X
06| 1| 0E-36| EQ FREQUENCY2| 100. 10.0k[Hz]|  | X| X| X
07| 1| 01-78| EQ Q2| 0.1…12.0|  | X| X| X
08| 1|  | NOT USED|  |  | –| –| –
09| 1| 34-4C| EQ GAIN3| -12…0…+12[dB]|  | X| X| X
0A| 1| 0E-36| EQ FREQUENCY3| 100. 10.0k[Hz]|  | X| X| X
0B| 1| 01-78| EQ Q3| 0.1…12.0|  | X| X| X
0C| 1|  | NOT USED|  |  | –| –| –
0D| 1| 34-4C| EQ GAIN4| -12…0…+12[dB]|  | X| X| X
0E| 1| 0E-36| EQ FREQUENCY4| 100. 10.0k[Hz]|  | X| X| X
0F| 1| 01-78| EQ Q4| 0.1…12.0|  | X| X| X
10| 1|  | NOT USED|  |  | –| –| –
11| 1| 34-4C| EQ GAIN5| -12…0…+12[dB]|  | X| X| X
12| 1| 1C-3A| EQ FREQUENCY5| 0.5k. 16.0k[Hz]|  | X| X| X
13| 1| 01-78| EQ Q5| 0.1…12.0|  | X| X| X
14| 1| 00-01| EQ SHAPE5| shelving, peaking|  | X| X| X

MIDI Parameter Change table (EFFECT2)

Address (H)

| ****

Size (H)

| ****

Data (H)

| ****

Parameter

| ****

Description

| * The EFFECT 2 Parameter cannot be reset to its factory setting with XG SYSTEM ON.| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel (main genera-

tion method)

| ****

Song

03       n          00| 2| 00-7F| INSERTION EFFECT TYPE MSB| Refer to Effect Type List (page 15).|  | O| O

(Voice)

| X
00-7F| INSERTION EFFECT TYPE LSB| Refer to Effect Type List (page 15).|
02| 1| 00-7F| INSERTION EFFECT PARAMETER 1| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
03| 1| 00-7F| INSERTION EFFECT PARAMETER 2| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
04| 1| 00-7F| INSERTION EFFECT PARAMETER 3| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
05| 1| 00-7F| INSERTION EFFECT PARAMETER 4| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
06| 1| 00-7F| INSERTION EFFECT PARAMETER 5| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
07| 1| 00-7F| INSERTION EFFECT PARAMETER 6| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
08| 1| 00-7F| INSERTION EFFECT PARAMETER 7| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
09| 1| 00-7F| INSERTION EFFECT PARAMETER 8| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
0A| 1| 00-7F| INSERTION EFFECT PARAMETER 9| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
0B| 1| 00-7F| INSERTION EFFECT PARAMETER 10| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
0C| 1| 00-7F| INSERTION EFFECT PART NUMBER| Reception : Part1…16(0…15) Transmission : Part1…16(0…15) AD(64)

OFF(127)

|  | O| O

(Voice)

| X
0D| 1| 00-7F| MW INSERTION CONTROL DEPTH| -64…0…+63|  | O| X| X
0E| 1| 00-7F| BEND INSERTION CONTROL DEPTH| -64…0…+63|  | O| X| X
0F| 1| 00-7F| CAT INSERTION CONTROL DEPTH| -64…0…+63|  | O| X| X
10| 1| 00-7F| AC1 INSERTION CONTROL DEPTH| -64…0…+63|  | O| O

(Voice)

| X
11| 1| 00-7F| AC2 INSERTION CONTROL DEPTH| -64…0…+63|  | O| X| X
20| 1| 00-7F| INSERTION EFFECT PARAMETER 11| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
---|---|---|---|---|---|---|---|---
21| 1| 00-7F| INSERTION EFFECT PARAMETER 12| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
22| 1| 00-7F| INSERTION EFFECT PARAMETER 13| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
23| 1| 00-7F| INSERTION EFFECT PARAMETER 14| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
24| 1| 00-7F| INSERTION EFFECT PARAMETER 15| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
25| 1| 00-7F| INSERTION EFFECT PARAMETER 16| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
30| 2| 00-7F| INSERTION EFFECT PARAMETER 1 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
---|---|---|---|---|---|---|---|---
00-7F| INSERTION EFFECT PARAMETER 1 LSB| Refer to Effect Type List (page 15).|
32| 2| 00-7F| INSERTION EFFECT PARAMETER 2 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 2 LSB| Refer to Effect Type List (page 15).|
34| 2| 00-7F| INSERTION EFFECT PARAMETER 3 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 3 LSB| Refer to Effect Type List (page 15).|
36| 2| 00-7F| INSERTION EFFECT PARAMETER 4 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 4 LSB| Refer to Effect Type List (page 15).|
38| 2| 00-7F| INSERTION EFFECT PARAMETER 5 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 5 LSB| Refer to Effect Type List (page 15).|
3A| 2| 00-7F| INSERTION EFFECT PARAMETER 6 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 6 LSB| Refer to Effect Type List (page 15).|
3C| 2| 00-7F| INSERTION EFFECT PARAMETER 7 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 7 LSB| Refer to Effect Type List (page 15).|
3E| 2| 00-7F| INSERTION EFFECT PARAMETER 8 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 8 LSB| Refer to Effect Type List (page 15).|
40| 2| 00-7F| INSERTION EFFECT PARAMETER 9 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| X| X
00-7F| INSERTION EFFECT PARAMETER 9 LSB| Refer to Effect Type List (page 15).|
42| 2| 00-7F| INSERTION EFFECT PARAMETER 10 MSB| Refer to Effect Type List (page 15).|  | O (Depends on Insertion Type.)| O

(Voice)

| X
00-7F| INSERTION EFFECT PARAMETER 10 LSB| Refer to Effect Type List (page 15).|

The second byte of the address is considered as an Insertion effect number.
n : insertion effect number
The Insertion Effect No. range is from 0 to 1. Values outside the range are handled as unknown and ignored.
For effect types that do not require MSB, the Parameters for Address 02-0B will be received and the Parameters for Address 30-42 will not be received.
For effect types that require MSB, the Parameters for Address 30-42 will be received and the Parameters for Address 02-0B will not be received.
When bulk dumps that include Effect Type data are transmitted, the parameters for addresses 02-0B will always be transmitted.
For effects that require MSB however, when a bulk dump is received, the parameters for addresses 02-0B will not be received.

MIDI Parameter Change table (MULTI PART)

Address (H)

| ****

Size (H)

| ****

Data (H)

| ****

Parameter

| ****

Description

| ****

XG Default (H)

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel (main genera-

tion method)

| ****

Song

08      nn         00| 1| 00-20| NOT USED|  |  | X| X| X| X
01| 1| 00-7F| BANK SELECT MSB| 0…127| part10=7F, other parts=00| O| X| X| X
02| 1| 00-7F| BANK SELECT LSB| 0…127| 00| O| X| X| X
03| 1| 00-7F| PROGRAM NUMBER| 1…128| 00| O| X| X| X
04| 1| 00-0F,

7F

| Rcv CHANNEL| 1…16, OFF| Part No.| O| X| X| X
05| 1| 00-01| MONO/POLY MODE| MONO, POLY| 01| O| X| X| X
06| 1| 00-02| SAME NOTE NUMBER KEY ON ASSIGN| SINGLE, MULTI, INST(for Drum)| 01| O| X| X| X
07| 1| 00-03| PART MODE| NORMAL, DRUM, DRUMS1…2| part10=02, other parts=00| O| X| O

(Voice)

| X
08| 1| 28-58| NOTE SHIFT| -24…0…+24[semitones]| 40| O| X| X| X
09| 2| 00-0F| DETUNE| -12.8…0…+12.7[Hz]

1st bit3-0gbit7-4

| 08 00| O| X| X| X
00-0F
0B| 1| 00-7F| VOLUME| 0…127| 64| O| X| X| X
0C| 1| 00-7F| VELOCITY SENSE DEPTH| 0…127| 40| O| X| O

(Voice)

| X
0D| 1| 00-7F| VELOCITY SENSE OFFSET| 0…127| 40| O| X| O

(Voice)

| X
0E| 1| 00-7F| PAN| RND,L63…C…R63| 40| O| X| X| X
0F| 1| 00-7F| NOTE LIMIT LOW| C-2…G8| 00| O| X| X| X
10| 1| 00-7F| NOTE LIMIT HIGH| C-2…G8| 7F| O| X| X| X
11| 1| 00-7F| DRY LEVEL| 0…127| 7F| O| X| X| X
12| 1| 00-7F| CHORUS SEND| 0…127| 00| O| X| X| X
13| 1| 00-7F| REVERB SEND| 0…127| 28| O| X| X| X
14| 1| 00-7F| VARIATION SEND| 0…127| 00| O| X| X| X
15| 1| 00-7F| VIBRATO RATE| -64…0…+63| 40| O| X| X| X
16| 1| 00-7F| VIBRATO DEPTH| -64…0…+63| 40| O| X| X| X
17| 1| 00-7F| VIBRATO DELAY| -64…0…+63| 40| O| X| X| X
18| 1| 00-7F| FILTER CUTOFF FREQUENCY| -64…0…+63| 40| O| X| X| X
19| 1| 00-7F| FILTER RESONANCE| -64…0…+63| 40| O| X| X| X
1A| 1| 00-7F| EG ATTACK TIME| -64…0…+63| 40| O| X| X| X
1B| 1| 00-7F| EG DECAY TIME| -64…0…+63| 40| O| X| X| X
1C| 1| 00-7F| EG RELEASE TIME| -64…0…+63| 40| O| X| X| X
1D| 1| 28-58| MW PITCH CONTROL| -24…0…+24[semitones]| 40| O| X| X| X
1E| 1| 00-7F| MW LOW PASS FILTER CONTROL| -9600…0…+9450[cent]| 40| O| X| X| X
1F| 1| 00-7F| MW AMPLITUDE CONTROL| -100…0…+100[%]| 40| O| X| X| X
20| 1| 00-7F| MW LFO PMOD DEPTH| 0…127| 0A| O| X| X| X
21| 1| 00-7F| MW LFO FMOD DEPTH| 0…127| 00| O| X| X| X
22| 1| 00-7F| MW LFO AMOD DEPTH| 0…127| 00| O| X| X| X
23| 1| 28-58| BEND PITCH CONTROL| -24…0…+24[semitones]| 42| O| X| X| X
24| 1| 00-7F| BEND LOW PASS FILTER CONTROL| -9600…0…+9450[cent]| 40| O| X| X| X
25| 1| 00-7F| BEND AMPLITUDE CONTROL| -100…0…+100[%]| 40| O| X| X| X
26| 1| 00-7F| BEND LFO PMOD DEPTH| 0…127| 00| O| X| X| X
27| 1| 00-7F| BEND LFO FMOD DEPTH| 0…127| 00| O| X| X| X
28| 1| 00-7F| BEND LFO AMOD DEPTH| 0…127| 00| O| X| X| X
30| 1| 00-01| Rcv PITCH BEND| OFF, ON| 01| O| X| X| X
---|---|---|---|---|---|---|---|---|---
31| 1| 00-01| Rcv CH AFTER TOUCH(CAT)| OFF, ON| 01| O| X| X| X
32| 1| 00-01| Rcv PROGRAM CHANGE| OFF, ON| 01| O| X| X| X
33| 1| 00-01| Rcv CONTROL CHANGE| OFF, ON| 01| O| X| X| X
34| 1| 00-01| Rcv POLY AFTER TOUCH(PAT)| OFF, ON| 01| O| X| X| X
35| 1| 00-01| Rcv NOTE MESSAGE| OFF, ON| 01| O| X| X| X
36| 1| 00-01| Rcv RPN| OFF, ON| 01| O| X| X| X
37| 1| 00-01| Rcv NRPN| OFF, ON| XGmode=01, GMmode=00| O| X| X| X
38| 1| 00-01| Rcv MODULATION| OFF, ON| 01| O| X| X| X
39| 1| 00-01| Rcv VOLUME| OFF, ON| 01| O| X| X| X
3A| 1| 00-01| Rcv PAN| OFF, ON| 01| O| X| X| X
3B| 1| 00-01| Rcv EXPRESSION| OFF, ON| 01| O| X| X| X
3C| 1| 00-01| Rcv HOLD1| OFF, ON| 01| O| X| X| X
3D| 1| 00-01| Rcv PORTAMENTO| OFF, ON| 01| O| X| X| X
3E| 1| 00-01| Rcv SOSTENUTO| OFF, ON| 01| O| X| X| X
3F| 1| 00-01| Rcv SOFT PEDAL| OFF, ON| 01| O| X| X| X
40| 1| 00-01| Rcv BANK SELECT| OFF, ON| 01| O| X| X| X
41| 1| 00-7F| SCALE TUNING C| -63…0…+63[cent]| 40| O| X| X| X
42| 1| 00-7F| SCALE TUNING C #| -63…0…+63[cent]| 40| O| X| X| X
43| 1| 00-7F| SCALE TUNING D| -63…0…+63[cent]| 40| O| X| X| X
44| 1| 00-7F| SCALE TUNING D #| -63…0…+63[cent]| 40| O| X| X| X
45| 1| 00-7F| SCALE TUNING E| -63…0…+63[cent]| 40| O| X| X| X
46| 1| 00-7F| SCALE TUNING F| -63…0…+63[cent]| 40| O| X| X| X
47| 1| 00-7F| SCALE TUNING F #| -63…0…+63[cent]| 40| O| X| X| X
48| 1| 00-7F| SCALE TUNING G| -63…0…+63[cent]| 40| O| X| X| X
49| 1| 00-7F| SCALE TUNING G #| -63…0…+63[cent]| 40| O| X| X| X
4A| 1| 00-7F| SCALE TUNING A| -63…0…+63[cent]| 40| O| X| X| X
4B| 1| 00-7F| SCALE TUNING A #| -63…0…+63[cent]| 40| O| X| X| X
4C| 1| 00-7F| SCALE TUNING B| -63…0…+63[cent]| 40| O| X| X| X
4D| 1| 28-58| CAT PITCH CONTROL| -24…0…+24[semitones]| 40| O| X| X| X
4E| 1| 00-7F| CAT LOW PASS FILTER CONTROL| -9600…0…+9450[cent]| 40| O| X| X| X
4F| 1| 00-7F| CAT AMPLITUDE CONTROL| -100…0…+100[%]| 40| O| X| X| X
50| 1| 00-7F| CAT LFO PMOD DEPTH| 0…127| 00| O| X| X| X
51| 1| 00-7F| CAT LFO FMOD DEPTH| 0…127| 00| O| X| X| X
52| 1| 00-7F| CAT LFO AMOD DEPTH| 0…127| 00| O| X| X| X
53| 1| 28-58| PAT PITCH CONTROL| -24…0…+24[semitones]| 40| O| X| X| X
54| 1| 00-7F| PAT LOW PASS FILTER CONTROL| -9600…0…+9450[cent]| 40| O| X| X| X
55| 1| 00-7F| PAT AMPLITUDE CONTROL| -100…0…+100[%]| 40| O| X| X| X
---|---|---|---|---|---|---|---|---|---
56| 1| 00-7F| PAT LFO PMOD DEPTH| 0…127| 00| O| X| X| X
57| 1| 00-7F| PAT LFO FMOD DEPTH| 0…127| 00| O| X| X| X
58| 1| 00-7F| PAT LFO AMOD DEPTH| 0…127| 00| O| X| X| X
59| 1| 00-5F| AC1 CONTROLLER NUMBER| 0…95| 10| O| X| O

(Voice)

| X
5A| 1| 28-58| AC1 PITCH CONTROL| -24…0…+24[semitones]| 40| O| X| X| X
5B| 1| 00-7F| AC1 LOW PASS FILTER CONTROL| -9600…0…+9450[cent]| 40| O| X| X| X
5C| 1| 00-7F| AC1 AMPLITUDE CONTROL| -100…0…+100[%]| 40| O| X| X| X
5D| 1| 00-7F| AC1 LFO PMOD DEPTH| 0…127| 00| O| X| X| X
5E| 1| 00-7F| AC1 LFO FMOD DEPTH| 0…127| 00| O| X| X| X
5F| 1| 00-7F| AC1 LFO AMOD DEPTH| 0…127| 00| O| X| X| X
60| 1| 00-5F| AC2 CONTROLLER NUMBER| 0…95| 11| O| X| X| X
61| 1| 28-58| AC2 PITCH CONTROL| -24…0…+24[semitones]| 40| O| X| X| X
62| 1| 00-7F| AC2 LOW PASS FILTER CONTROL| -9600…0…+9450[cent]| 40| O| X| X| X
63| 1| 00-7F| AC2 AMPLITUDE CONTROL| -100…0…+100[%]| 40| O| X| X| X
64| 1| 00-7F| AC2 LFO PMOD DEPTH| 0…127| 00| O| X| X| X
65| 1| 00-7F| AC2 LFO FMOD DEPTH| 0…127| 00| O| X| X| X
66| 1| 00-7F| AC2 LFO AMOD DEPTH| 0…127| 00| O| X| X| X
67| 1| 00-01| PORTAMENTO SWITCH| OFF, ON| 00| O| X| X| X
68| 1| 00-7F| PORTAMENTO TIME| 0…127| 00| O| X| X| X
69| 1| 00-7F| PITCH EG INITIAL LEVEL| -64…0…+63| 40| O| X| X| X
6A| 1| 00-7F| PITCH EG ATTACK TIME| -64…0…+63| 40| O| X| X| X
6B| 1| 00-7F| PITCH EG RELEASE LEVEL| -64…0…+63| 40| O| X| X| X
6C| 1| 00-7F| PITCH EG RELEASE TIME| -64…0…+63| 40| O| X| X| X
6D| 1| 01-7F| VELOCITY LIMIT LOW| 1…127| 01| O| X| X| X
6E| 1| 01-7F| VELOCITY LIMIT HIGH| 1…127| 7F| O| X| X| X
70| 1|  | NOT USED|  | –| –| –| –| –
---|---|---|---|---|---|---|---|---|---
71| 1|  | NOT USED|  | –| –| –| –| –
72| 1| 00-7F| EQ BASS GAIN| -12dB…+12dB| 40| O| X| X| X
73| 1| 00-7F| EQ TREBLE GAIN| -12dB…+12dB| 40| O| X| X| X

nn = PART NUMBER
If there is a Drum Voice assigned to the part, the following parameters are ineffective.

• BANK SELECT LSB
• PORTAMENTO
• MONO/POLY
• SCALE TUNING
• POLY AFTER TOUCH
• PITCH EG

MIDI Parameter Change table (DRUM SETUP)

Address (H)

| ****

Size (H)

| ****

Data (H)

| ****

Parameter

| ****

Description

| ****

XG Default (H)

| MIDI Reception| MIDI Transmission
---|---|---|---|---|---|---|---

Song

| Main Layer Left| Panel (main genera-

tion method)

| ****

Song

3n       rr          00| 1| 00-7F| PITCH COARSE| -64…0…+63| 40| O| X| X| O
01| 1| 00-7F| PITCH FINE| -64…0…+63[cent]| 40| O| X| X| O
02| 1| 00-7F| LEVEL| 0…127| Depends on the note.| O| X| X| O
03| 1| 00-7F| ALTERNATE GROUP| OFF, 1…127| Depends on the note.| O| X| X| O
04| 1| 00-7F| PAN| RND, L63…C…R63| Depends on the note.| O| X| X| O
05| 1| 00-7F| REVERB SEND| 0…127| Depends on the note.| O| X| X| O
06| 1| 00-7F| CHORUS SEND| 0…127| Depends on the note.| O| X| X| O
07| 1| 00-7F| VARIATION SEND| 0…127| 7F| O| X| X| O
08| 1| 00-01| KEY ASSIGN| SINGLE, MULTI| 00| O| X| X| O
09| 1| 00-01| Rcv NOTE OFF| OFF, ON| Depends on the note.| O| X| X| O
0A| 1| 00-01| Rcv NOTE ON| OFF, ON| 01| O| X| X| O
0B| 1| 00-7F| LOW PASS FILTER CUTOFF FREQUENCY| -64…0…+63| 40| O| X| X| O
0C| 1| 00-7F| LOW PASS FILTER RESONANCE| -64…0…+63| 40| O| X| X| O
0D| 1| 00-7F| EG ATTACK RATE| -64…0…+63| 40| O| X| X| O
0E| 1| 00-7F| EG DECAY1 RATE| -64…0…+63| 40| O| X| X| O
0F| 1| 00-7F| EG DECAY2 RATE| -64…0…+63| 40| O| X| X| O
20| 1| 00-7F| EQ BASS GAIN| -12…+12[dB]| 40| X| X| X| X
---|---|---|---|---|---|---|---|---|---
21| 1| 00-7F| EQ TREBLE GAIN| -12…+12[dB]| 40| X| X| X| X
22| 1|  | NOT USED|  | –| –| –| –| –
23| 1|  | NOT USED|  | –| –| –| –| –
24| 1| 04-28| EQ BASS FREQUENCY| 32.. 2.0k[Hz]| 0C| X| X| X| X
25| 1| 1C-3A| EQ TREBLE FREQUENCY| 500. 16.0k[Hz]| 36| X| X| X| X
26| 1|  | NOT USED|  | –| –| –| –| –
27| 1|  | NOT USED|  | –| –| –| –| –
28| 1|  | NOT USED|  | –| –| –| –| –
29| 1|  | NOT USED|  | –| –| –| –| –
2A| 1|  | NOT USED|  | –| –| –| –| –
2B| 1|  | NOT USED|  | –| –| –| –| –
2C| 1|  | NOT USED|  | –| –| –| –| –
2D| 1|  | NOT USED|  | –| –| –| –| –

n:Drum Setup Number (0-1)
rr:note number(0D-5B)
In the following cases, the instrument will initialize all Drum Setups.

• XG SYSTEM ON received
• GM SYSTEM ON received
• GM LEVEL2 SYSTEM ON received
• GS RESET received
• DRUM SETUP RESET received (only when in XG mode)

NOTICE
When a part to which a Drum Setup is assigned receives a program change, the assigned Drum Setup will be initialized.
If the same Drum Setup is assigned to two or more parts, changes in Drum Setup parameters (including program changes) will apply to all parts to which it is assigned.

System Exclusive Messages (1)

• Not Received when Receive Parameter SysEx is set to off.
• Not transmitted when Transmit Parameter SysEx is set to off.

System Exclusive Messages (Universal Non-Real Time Messages)

MIDI Event| Data Format| MIDI

Formats

| MIDI Reception| MIDI Transmission
---|---|---|---|---
Song| Main Layer Left| Panel

(main generation method)

| Song
GM1 System On| F0 7E XN 09 01 F7

11110000   F0 = Exclusive status

01111110   7E = Universal Non-Real Time

0xxxnnnn   XN = When N is received N=0-F,whichever is received. X=ignored

00001001   09 = Sub-ID #1=General MIDI Message

00000001   01 = Sub-ID #2=General MIDI On

11110111   F7 = End of Exclusive

| [GM1] [GM2]| O| X| X| X*1
General MIDI System Off| F0 7E XN 09 02 F7

11110000   F0 = Exclusive status

01111110   7E = Universal Non-Real Time

0xxxnnnn   XN = When N is received N=0-F,whichever is received. X=ignored

00001001   09 = Sub-ID #1=General MIDI Message

00000010   02 = Sub-ID #2=General MIDI Off

11110111   F7 = End of Exclusive

| [GM1] [GM2]| O| X| X| X*1

System Exclusive Messages (2)

• Not Received when Receive Parameter SysEx is set to off.
• Not transmitted when Transmit Parameter SysEx is set to off.

System Exclusive Messages (XG)

MIDI Event

| ****

Data Format

| MIDI Reception| MIDI Transmission
---|---|---|---

Song

| Main Layer Left| Panel (main generation

method)

| ****

Song

XG Parameter Change| F0| 43 1n 4C 11110000 01000011 0001nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd

…

11110111

| hh  mm  ll  dd  …   F7   F0 = Exclusive status

43 = YAMAHA ID

1n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

hh = Address High mm = Address Mid ll  = Address Low dd = Data

…

F7 = End of Exclusive

| O| X| O| X
 | Refer to|  | Refer to|
 | Parameter|  | Parameter|
 | Change Table.|  | Change Table.|
XG Bulk Dump| F0| 43 0n 4C 11110000 01000011 0000nnnn 01001100 0aaaaaaa 0bbbbbbb 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd

…

0ddddddd 0ccccccc 11110111

| aa  bb   hh   mm   ll   dd   …   dd   cc   F7   F0 = Exclusive status

43 = YAMAHA ID

0n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

aa = Byte Count MSB bb = Byte Count LSB hh  = Address High mm = Address Mid

ll = Address Low dd = Data

…

dd = Data

cc = Checksum

F7 = End of Exclusive

| O| X| O| X
 | Refer to|  | Refer to|
 | Parameter|  | Parameter|
 | Change Table.|  | Change Table.|
XG Parameter Request| F0| 43 3n 4C 11110000 01000011 0011nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111| hh mm ll F7

F0 = Exclusive status

43 = YAMAHA ID

3n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

hh = Address High mm = Address Mid ll = Address Low

F7 = End of Exclusive

| O

*Refer to Parameter Change Table.

| X| X
 | (However, the request for address

“0A nn 4v” will be ignored.)

|  |
XG Dump Request| F0| 43 2n 4C 11110000 01000011 0010nnnn 01001100 0hhhhhhh 0mmmmmmm 0lllllll 11110111| hh mm ll F7

F0 = Exclusive status

43 = YAMAHA ID

2n = Device Number n=always 0(when transmit), n=0-F(when receive) 4C = Model ID

hh = Address High mm = Address Mid ll = Address Low

F7 = End of Exclusive

| O

*Refer to Parameter Change Table.

| X| X
 | (However, the request for address

“0A nn 40” will

be ignored.)

|  |

System Exclusive Messages (Others)

MIDI Event| Data Format| MIDI Reception

(effective or not for each part)

| MIDI Transmission

(generated data)

---|---|---|---
Song| Main Layer Left| Panel (main generation

method)

| Song
MIDI Master Tuning| F0 43 1n 27 30 00 00  mm  ll  cc  F7  11110000   F0 = Exclusive status 01000011   43 = YAMAHA ID

0001nnnn   1n n= always 0(when transmit), n=0-F(when receive)

00100111   27 = Model ID of TG100

00110000   30 = Address High

00000000   00 = Address Mid

00000000   00 = Address Low 0000mmmm   0m = Master Tune MSB 0000llll    0l = Master Tune LSB 0ccccccc          cc = don’t care

11110111   F7 = End of Exclusive

| O| X| X

System Exclusive Messages (Preset Voice)

MIDI Event

| ****

Data Format

| MIDI Reception

(effective or not for each part)

| MIDI Transmission

(generated data)

---|---|---|---

Song

| Main Layer Left| Panel (main generation

method)

| ****

Song

String Resonance Depth| F0| 43    73   01

11110000

01000011

01110011

00000001

01010000

00010001

0000nnnn 00000010

0ddddddd

11110111

| 50 11 0n 02 dd F7

F0 = Exclusive status

43   = YAMAHA ID

73   = Clavinova ID

01 = Model ID (Clavinova common ID)

50   = SubID

11     = SubID

0n = Channel (00-0F)

02 = SubID(String Resonance Depth) dd = Depth(00-48)

F7 = End of Exclusive

| X| X| X| X
Sustain Sample Depth| F0| 43 73 01| 50 11 0n 03 dd F7| X| X| O| X
 |  | 11110000| F0 = Exclusive status|  |  | (Damper|
 |  | 01000011| 43 = YAMAHA ID|  |  | Resonance)|
 |  | 01110011| 73 = Clavinova ID|  |  |  |
 |  | 00000001| 01 = Model ID (Clavinova common ID)|  |  |  |
 |  | 01010000| 50 = SubID|  |  |  |
 |  | 00010001| 11 = SubID|  |  |  |
 |  | 0000nnnn| 0n = Channel (00-0F)|  |  |  |
 |  | 00000011| 03 = SubID(Sustain Sample Depth)|  |  |  |
 |  | 0ddddddd| dd = Depth(00-48)|  |  |  |
 |  | 11110111| F7 = End of Exclusive|  |  |  |
Key Off Sampling Depth| F0| 43    73   01

11110000

01000011

01110011

00000001

01010000

00010001

0000nnnn 00000100

0ddddddd

11110111

| 50 11 0n 04 dd F7

F0 = Exclusive status

43   = YAMAHA ID

73   = Clavinova ID

01 = Model ID (Clavinova common ID)

50   = SubID

11     = SubID

0n = Channel (00-0F)

04 = SubID(Key Off Sampling Depth) dd = Depth(00-50)

F7 = End of Exclusive

| O| X| X| X
Soft Pedal Depth| F0| 43    73   01

11110000

01000011

01110011

00000001

01010000

00010001

0000nnnn 00000101

0ddddddd

11110111

| 50 11 0n 05 dd F7

F0 = Exclusive status

43   = YAMAHA ID

73   = Clavinova ID

01 = Model ID (Clavinova common ID)

50   = SubID

11     = SubID

0n = Channel (00-0F)

05 = SubID(Soft Pedal Depth) dd = Depth(00-7F)

F7 = End of Exclusive

| O| X| X| X

• For each Depth value, the reset value is 40H = voice parameter

Effect Type List(Panel)

Reverb Type List

DSP Type List

MIDI Implementation Chart

o

| 1 – 16

o

|

Mode

|  | Default| 3| 3|
Messages| x| x
Altered| **| x
Note|

:

|

True voice

| 0 – 127| 0 – 127|
Number| **| 0 – 127
Velocity|  | Note ON Note OFF| o 9nH,v=1-127

o 8nH,v=64

| o 9nH,v=1-127

o 9nH,v=0 or 8nH

|
After Touch|  | Key’s Ch’s| x x| o o|
Pitch Bend| x| 2| o 0 – 24 semi| 1
 |  | 0,32| o|

*2

*2

*2

*2

*2

*2

*2

*2

*2

| o| Bank Select

Expression Data Entry Pedal Portamento

Sound Controller Portamento Control Effect Depth

RPN Inc,Dec NRPN LSB,MSB RPN LSB,MSB

 | 1,5| x| o
 | 7,10| o| o
 | 11| x| o
Control Change| 6,38

64,66,67

65

71-74

84

| x

o x x x

| o

o o o o

 | 91,93| o| o
 | 96-97| x| o
 | 98-99| x| o
 | 100-101| x| o
Prog Change|

:

|

True #

| o 0 – 127

| o 0 – 127|
System Exclusive| o| o|

Common

| :| Song Pos.| x| x|
:| Song Sel.| x| x
:| Tune| x| x
System   : Clock Real Time: Commands| o o| x o|
Aux  :LRelsletlSoAulnld CFOnFtrFls Mseasg-es:AclolcaNoetOeNs/OOFF

:Retsievt  Sense

| x

xox

| o(12210),126,127)

o(123)-125)

x

|
Notes:*1 For some Voices (such as Piano or Harpsichord Voices), the pitch may not be changed according to the pitch bend setting range.

*2 These Control Change messages cannot be transmitted by panel operations, but can be transmitted by Song/Rhythm playback data.

Mode 1 : OMNI ON , POLY
Mode 2 : OMNI ON , MONO
Mode 3 : OMNI OFF, POLY
Mode 4 : OMNI OFF, MONO

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