Sansui AU-717 Integrated Amplifier Instruction Manual

Sansui AU-717 Integrated Amplifier

Specifications

• Model: AU-717
• Country-specific instructions for the United Kingdom
• Power: 240 volts

Product Usage Instructions

Connection Instructions:

Ensure correct connection of wires in the mains lead according to the colour code provided. The blue wire should be connected to the terminal marked ‘N’ or black, and the brown wire to the terminal marked ‘L’ or red.

Power Adjustment:

For equipment with a European two-pin mains plug, remove the plug and adjust the equipment for 240 volts operation. Consult a qualified electrician if needed.

Safety Precautions:

Avoid exposure to water, rain, or moisture. Keep the Warranty Card safe for reference.

FAQs

• Q: What should I do if the wire colours do not match the terminal markings?
  • A: Follow the provided colour code instructions for correct wire connection. Consult a qualified electrician if unsure.
• Q: How do I adjust the equipment for 240 volts operation?
  • A: For European two-pin mains plugs, remove the plug and adjust the equipment settings accordingly. Seek assistance from a qualified electrician if uncertain.

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AU-717

OPERATING INSTRUCTIONS

MODE D’EMPLOI BETRIEBSANLEITUNG
. Read this manual before use. . Lire cette notice avant I’utilisation. . Vor der Verwendung diese Anleitung durchlesen.

For the United Kingdom onlY

lmportant

The wires in.this mains lead are coloured in accordance with the following code:
Blue: Neutral Brown: Live lf the colours of the wires in the mains lead of this equipment should not corrspond to the coloured
markings identifying the terminals in your plug, proceed as follows:

The wire which is coloured blue must be connected
to the terminal which is marked with the letter ‘N’
or coloured black.

The wire which to the terminal

wishcicohloiusremdarbkreodwwn imthustht ebelecottnenr e’Lct’eodr

coloured red.

Ensure that your equipment is connected correctly. lf you are in any doubt, consult a qualified electrician.
For equipment purchased outside the U.K. with a “EUROPEAN” two-pin mains plug, the plug should be removed and connections made in accordance with
the above instructions. Ensure also that the equipment
is properly adjusted to 240 volts operation. lf you are in any doubt. consult a qualified electrician, or our
Service Agent in the U.K.

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PRECAUTIONS…. CoNNECTION PANEL|NFORMATION…. OPEBATINGPROCEDURES SOMEUSEFULHINTS sPECtFtcATtoNS…

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WdoARnNoItNGex:pTooseprtehviesnat pfipreliaonrceshtoock

hazard,
rain or

moisture.

o Do not lose the Warranty Cerd that carries your unit’s ModC llo.
and Serial No.

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PREGAUTIONS

4

• Don’t remove the cabinet cover or bottom board of the unit.

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l*nstNaellvaetiroinnstall the unit in dusty or humid locations, or in close

proximity to heating appliances. Also, do not place it near a flower

basin or fish bowl , for accidental spillover may cause fire, electrical

shock and/or breakdown. Keep the unit away from TV sets to avoid buzz noise. When mounting the unit on a shelf , be sure that its supports are

solidly fixed.

C* onWnheecnticoonnnecting or reJocating the unit, be sure to turn the power

off or disconnect the power cable. Be sure not to confuse the right channel with the left, plus cables

with minus or inputs with outputs. Check each step carefully. Use connection cords of dependable quality. Check that connec-

tions are secure and that leads of connection are not frayd or in

contact with other objects. Poor connection may cause hum noise

or breakdown. Short pin-plugs (supplied) should be inserted into unused PHONO

terminals, never into other terminals, for they may interrupt sound

coming from speakers.

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sNorrnvcSud

NOTE: No AC outlet is provided on the
model sold in Europe.
NOTA: Aucune prise de puissance de sortie d courant alternatif n’est pr6vue sur le moddle vendu en Europe.
HINWEIS: Das in Europa verkaufte Modell
hat kei ne Wechselstromsteckdose.

SWITCHED, is controlled by the front-panel power switch. The other one, marked UNSWITCHED, is not related to the power switch. The
former has a capacity of 100 watts and the latter 250 watts. Do not connect any component whose power consumption exceeds these capacities, as it is extremely dangerous.
The power consumption rating is usually listed in the Fpecifications or instructions of the component, or on the equipment itself; be sure to
check the rating.
o ln case you have connected a component to one of the unit’s AC outlets and then another component to the first component’s outlet, be sure tb add the second component’s rated power consumption to the consumption of the component connected to the
unit itself.

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speaker systems

A + B, no sound are connected to

will the

be heard unless both
unit. Also, if you use

pairs of
speaker

systems whose impedances are 4 ohms or less each, it may cause this

unit to break down. Be sure to check out the impedance of a speaker

system (usually indicated on its name plate or operating manual) before

you connect it to this unit.

Breakdown may occur when you use the unit over a long period of time with ventilation holes on its bottom and top panels obstructed. Pay extra attention when placing objects atop the unit, and when rack mounting the unit.

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CONNECTION

Cautions
o When connecting or reJocating the unit, be sure to turn the power
off or disconnect the power cable.
o Noise might be heard, or breakdown result, when (1) connection
cords are not of dependable quality, (2) frayed wires of connection cords are in contact with some obiect or (3) connections are not properly made. When connections are completed, therefore, we suggest that you check not only connections but also plugs and
cab les.
r The shorting pin plugs should be inserted into unused PHONO input terminals, but not into any other terminals; otherwise, signals will
be interrupted and sound may not come from speakers.

Speaker connection

To SPEAKERS taking care not

StoYScToEnfMuse-Ath, e-Brightet rcmhiannanlse.l

connect speaker cords with the left and plus

polarity with minus.

Turntable connection Connect your turntable to the PHONO-1 terminals. When using two turntables or two tonearms, use the PHONO-2 terminals too’ when your turntable is equipped with a grounding cable, connect it to the unit’s GND terminal. But disconnect it when you notice increased hum.

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sno^ ap rssne sleur nea^nou P lalgjluoc sal op luaurolnos uou suolilas

-uoc sno^ snou’sagnlcalle gl? luorne suolxauuoo sol salnol anb slo+
eun’acuanb?Buoc uf ‘luauralcaJJoc s?nlc,l.te 9l? sed luo,u slueu,r

-ep.roccer sol (g) no’snbuoclenb lolqo un co^e ]Jeluoc ua ]ue^norl

os luauraprorce.l ap solqgc sep nu p saslur sarl.red sap (Z) ‘glllenb

euuoq ap sed luos ap luaureprocceJ ep salqgc sal ( !) puenb ‘rlua^rns luoJ.lnod sauued sop no salrsered sllnjq sap aJpuelua eJrnod uO .
‘uo!lelueu

-rle,p alqgc al raqcuerq?p uorq op no uorsual sjoq llaredde,l erUaLu
ualq ap sno^ zarnsse’lroJedde,l zooeldgp no zop.rocoeJ sno^ pueno .

uo!luoDV

ISSnIHCSNV

sNotxSNNoc

suollBlnoeJ pue srr^el lBcol ‘3918
8AlS8 UO iulpuedsp luelxe Oulos ol AJBA Aeul peleclpu! slueuerlnbeJ pue suolltnr$ul ,

‘Icop aql pus’l3ap
s,llun oql

lracodaesullueJounlocuA.’ut!leoulnslnloedru.llnrtuoolJIaoslqll3lnadopul !sosldeueu!tlrlueojrqMslluloooAlllVlscdl- eelnduulluucSrooJduacvluo{I3cs3se,uuupeuc3ennddaoBvq^lll

‘laued JeeJ gql uo
slsulrual lndul uSNnI eql ol Jeunl e lo sleululJel lndlno aql ltouuo3 suollcauuoc reunt

Connexions de tunet

AnschluB von Tuner

12

Connecter les bornes de sortie du tuner aux bornes d’entre TUNEF du SchlieBen Sie die Ausgangsklemmen eines Tuners an die Eingangs-

panneau arridre de I ‘appareil.

klemmen TUNER an der Gerdteriickseite an’

Connexion de magn6tophone Vous pouvez raccorder jusqu’A deux m4n6tophones sur I’appareil. Raccorder les terminaux TAPE FEC de l’appareil aux terminaux
d’entree de votre mogn6tophone t les terminaux TAPE PLAY de
l’appareil aux terminaux de sortie de votre magndtophone.

AnschluB von Tonbandgerdten

SKileemkomnennenTnAaPchEWRuEnCschdiebsiseszuGzewrdetieTsonmbaitnddgeenrdtEeinagnasncghsli- eBuennd’

Die die

Klemmen TAPE PLAY mit den Ausgangsk lemmen des Tonbandgerates

verbinden.

‘ Les instructions t les obligations in-
diqu6es peuvsnt varier suivant la rgion, les lois et 163 roglements locaux,

‘ Dis
kOnnen

Anleitung6n und angegbenen Werte in Abhdngigkeit vom Verkaufsgbiet

und den Ortlichen Gesetzen twas abweich-

en.

EL

‘uesalqsrnp Eunllaluv rasalp lseu uep als uuen ‘snereq ellos asalp els ueddel{ e}llg

‘ecllou el ap elsal

renl loudesrllnuaelrl?nloxal ,alcIuala9ll?Fr

etuuroc ,aslllln.l
as a6ed eDec

‘pl{ooq
osuereta,

3q} ,o
se asn

tsit.t oq} 6u!peo, allq,n ,ol lno splot e6ed slql

PANEL INFORMATION

1 POWER Switch 2 POWER/PROTECTOR lndicator

When the POWER switch is turned on and power supplied to the unit, the lndicator will flash on and off. ln several seconds, the lndicator will stay lit, indicating the unit is ready to operate to its full capacity. Also, whenever the protection circuit in the unit is activated, the lndicator will flash to notify you of an abnormal condition inside’the unit. When you notice this, shut off the POWER switch immediately and eliminate the cause (such as a shortcircuit of the speaker terminals), then turn the POWER switch on again.

3 SPEAKERS Switch

The SPEAKERS switch selects the speaker system(s) you want to hear.
OFF: To cut off the source from the speaker systems when

listening with headphones.

A:

To drive the speaker systems connectd to the rear-panel

B: A + B:

SPEA KE RS SYSTEM-A terminals. To drive those connected to the SYSTEM-B terminals.
oTo drive both A and B pairs of speaker systems.
When connected speaker systems have rated impedance of

4 ohms or less, do not turn the SPEAKERS switch to the

A + B Position.

I ‘uolleqss +
uap ‘uaqeq

vl3buroullalsivotdraop!polnuerqlqocltu

rualoleqzsusespuod3u).rlvfoudlsa

sllaMef uaxoqJeqcaJdslnel uouessolqcsa6ue a!p uuoM

.

I ‘qseJdsmel usuossolr.lcsebue
‘JqcaJdslnel uauassolqcsaoue

ue rep pun v ue lop 8-N3ISAS ue rap

qalJlas qalrla

:8

+ v
:8

‘ JOq3AJdslne’l uauassolqssa6u
Jap ue v-NflsAS suf )vlds uauiruol> uop ue
‘Jargqldo> Jsqn ueroH uinz raqcaJdslne-l Jap

reaopl!oqs)a3nllluo8
ualleqJsqv

:v
:lJo

‘uallo/v uaroq ars alp Jaqn’raqcalds
-lnel slp (su3)vfds) rolleqcsJaqrerdslnel uJop l.!ur els uolqeM

(sul)v3ds) rolleqcsraqrdslnel t

‘uolleqssu la

ropalM Jalleqcs uSMod uop qceuep ]sra pun (uauurollroqcardslne-l

uap ue assnlqcszJn>’8’z alM) uaqoqoq pun uepulllne oqcesJnsounJols

alp’uolleqcsqe uoro6 relleqcs ufMod uop’l)ullq saqalJla8 sep

puoJqeM Jaqep adurel oserp uuoM ‘uaoloznzue salela9 sep uaJauul uJl

apue$nz eleuJroue uJn ‘,ne aduJelloJluo) esa!p llullq prlM uel^llle

soleieg sasarp ounileqcsztnqcs elp uuaM qcnv’pJlM l0lazo6ue soleleg

ssse!p
eduel

uaesaqrcpsFllalqJcanqosql eulorlpeunalollso^ueoo!lpulaqcqrcnepNoM’U’otZ{call6lalulnlau!J}uUo>olduqlreolploarfl

-uo) olp llullq uuep’plM tolleqcsabuta telleqcg USMOd lep uue6

‘g + V uorusod el rns SU3)VfdS rnolelnujujoo al iecelcl

sl’u8eadpla?osuyso’sdusrlsnoaaugulpprnodoc- lcnseeuJqrqsooanptbsllasepnjloeecd?enxsbnalapluupllascoauclaurpaspleu?adl uuplilulleaeunnlnoo.d ‘g sa?nbreu suloq xne s?lcouuoJ xnoc loluauille lnod

:8 + v
:g

‘V sagnbteur er?uJe n@uued

np seuroq xne s?lcsuuos s.lnoued-lneq sel Jaluaullle lnod

:v

‘sJnelnocg sanbsec sap aple,l

? tuplnocg ua sonbllsnoce salulacuo sep aoJnos el Jadnoo lnod :lJO
‘irAras lue^op slolsnld

no onbltsnoce aluracua.l rlsloqc ep teulad 5g1;y3ds uolnoq al

(SUl)VldS) srnaFed-lneq ap uolnog

‘(aqcJeul) No uolllsod el lns uolleluaurlle,p

JnaldnJJalu!,1 oruourol slnd'(alulacua aun,p ssuJoq sap l!ncllclJnoc ue

esrur oun alduroxa red oulmoc) auj?lqoJd np asne3 el ap uo!leu!ul!l?,1

p zapgco.rd la ulMod lep lac zanbteurel snon

Jnolelnurujo3 al tg]lssne zadnoc enb s?O ‘llaledde.l sp lnapglu!,;

‘osot{J op
I leuloue

-,p asoqcsnblonb e A l!.nb Jenblpu! sno^ Jnod nea^nou p aelou611c

luP oA el ‘,9^llce lsa llaledde,l op uoll3olold ap llnJJlc al ls ‘aur9ul oo

‘acuesslnd es alnol co^e rauuollcuol P lgrd lso lloledde.l-anb uo5el aues

ep tuerluour ‘?urnlle eJolsal lue^o^ el ‘,sepuoJs ssnblenb s?Jde’s!nd

‘eJolou6l13 lue^o^ al ‘,uolsual snos s!ul lsule a^noll as lloJedde,l enb la

‘(aq3Jeu) NO uolllsod el rns srur lse uolleluaurllqp rnoldnllolu!,| pueno

(uolc3roud

/HlMOd) ecuesslnd/uollcelold ep rnolec!pul z

qt

(uSn od) rnaldnrrelu! uolnog L

(UOIC3I -oud/u I Mod) rcorezueslerlruorlszlnqcs/zleN z
(u3MOd) ratleqcszleN L

NOtrvl,tuol N llSlvrrlvHcs

NVSNNVd 31 uns sNolrvcrqNl

16

4 PHONES Jacks

To use a headphone set, insert its plug into the PHONES jack’ The SPEAKERS switch should be set to OFF.

5 SELECTOR Switch

2: Use this switch when listening to records and broadcasts.

PHONE-I,

For playing disc records.

TUNER: To hear radio broadcasts through a connected tuner’

AUX:

To hear components connectd to the AUX terminals.

phono 2 o
Phono I o tuncra Aux o
TapePlay s0&roe

6 TAPE PLAY BUIIONS
Push one when watning to hear a tape or monitor a recording. The
buttons are mutuallY exclusive. SOURCE: Operate (push) Jhis button when hearing records and radio
programs but not tapes. TAPE-I: Push this button when hearing tapes played on a tape deck
connected to the rear-panel TAPE’1 PLAY terminals. TAPE-2: Push this button when hearing tapes on another deck con-
r nectd to the TAPE-2 PLAY terminals.
Keep the SOURCE button depressed unless you want to hear tapes; So long as either the TAPE-1 or TAPE-2 button is depressed, you do not hear records or radio broadcasts from speakers.

tape-1 tape-2

‘ ueploM ueur ilrouJa^ uexoqlaqcaJdslnel uap uo^

lqclu a!uierbo.rdlunlpung pun ualteldlleqcs uouuol alsel Z-fdVI

Japo t-3dvt JololseJa6u!o
-puequol aulol uuaM’ue11eq

la8’prlM uoqoooolope!M
le}seraoula alsel f CUnOS

eurqeulne a!p rau.rurl

.

) ‘ lq olJe leJobpuequ of uouossolt4cso6ue uaur urol AVI d Z-f dVI

atp ue [!au!o uon aqe6rapatl4 alp uuaM’uelonJp a1se1 sar6 3z-:tdvl

’16lo,t.ta lele6puequol ueuos

-solqcsabue uaururel> AVld t-3dVI uelqceJqabue ollos)cnu rap ue

alp ue urau!o uon eqe6rcpal6 o!p uuaM’ualcnJp olsel esorc :1.-3dvl ‘ueuqeulnepuequol uo eqpoJopalM

alp Jnl lqclu luolp a$e1 ssolp luopJoM ua6uelduJo eurureJbordlunlpunu
Jepo lleldsooqe ualleldlleq?s uuoM ‘ualserula alsel solo :3cunos ‘uuel uopJeM llol^llle a$ef oula
Jnu sllaMal uep os’]13oelrra rspueula]!uJ pu!s ua]sel ssarc ‘uo>l3nJp nz
alsel opuaqca.rdslue a1p ls! slloJtuolpuequol n] ‘/t^zq eqeb.lopetM .rnl
(AVld Sdvr) ualselaqPbreparM-puequol 9

.XNV

‘selule3ue sel suep orpeJ suolsslur? sap no senbslp sep lelnocg

sed zarJnod au snon’sodoJ ep uolllsod ua lsa Z-fdvf no l-:ldv-L

uolnoq ol anb sdu.e$uo; lssne:sopueq sap lelno zallno^ sno^ nb surour p sodal ep uolllsod es.rns 3OUnOS ap uolnoq el za^losuo3

.

‘aJgule neauued np Vld

-zo-=r dsvelpsuaeuqJosqapxnzealangopJocscenJo^ornpluceonl bepuaoullnleoldq

oJlne eun lns oo lacuoluS

sollnpoJd
:Z-3dVI

‘or?!.rJe neouued np V’ld !-ldVI

sauroq xne agprocceJ ouoqdo+gubeuj ap autleld aun lns sellnpold

-eJ sapueq sep zelnoog sno^ puenb uolnoq ec laJuoruf :1.3dVI

‘sepueq sop sed sleuJ olpe.l suolsslur? sop no sanbslp
sop zelnocg sno^ pupnb (luecuolue,l ua) uolnoq ao zaslllln ,t?”:jlP;

luouraJloleo!lqo luos suolnoq soc ap suolllsod so-l ‘luaualls!6a.rue un JolgJluoc no epueq aun olpuolua zalls?p sno^ puenb un ua zocuo+u3
(AVld ldvl) apusq ep uollcnporder ap suolno 9

uouuial) uap ue oluouodu:o> .laule eqe6rape1l1 in2 :z’l-xnv

-a6ue

uaule

raqn

u’uaobuuenldpluleeqscoslpeuHo^’uruaoounlonlldusuaqaJuvosHsspsopulqllncnslz

:U3Nnl
:Z’]-ONOHd

‘uopuaMle^

bueldualun,rpunu pun uaqebropelMuope;d1;eqcg Jn’ Jalleqos uesal6

(uolc3]35) relteqcstqeM I

‘XnV sauJoq xne ?lcauuoJ luesoduro3 un ralnocg Jnod 1Z’J-X V ‘?lcouuos
Jeunl el red olper op suorsslrrJ? sel Jalnoc? inod :83NnI
‘sanbslp sap rassed rnod :Z ‘ l-ONOHd ‘olper suorsslur? sap no sanbsrp sap Jalnocg Jnod uolnoq or Jeslllln
(uolc3]35) .lnolcolgs uolno8 I
.JJO

j SU

VldS

‘uapieM rao’uaUa!lqcsue

lllalsoo esqcng

S,.jJNloO,H,duoo!lptlsuoedJ,eneedroslrllooqs+rdeol)lequcl s

uollrsod el rns s!t! erlg er^ep SUj)VldS uolnoq a’l ‘S3NOHd loel
osud el suep aqc!, el ra4sur’srnalno-anbsec ep arred aun Jas!llln Jnod

LI

(StNOHd) asqcnqmroqrdo) t

(s3NOHd) lnelnoca,p lcelsaslrd t

18

TAPE COPY Switch

Operate this button when recording or dubbing tapes. The switch should be at OFF position unless you want to record or dub tapes. TUNER: Use this position when recording off the air from the con-
nectd tuner. Signals from the tuner are sent to both connected tape decks. Remember that recording off the air may be undertaken regardless of the position of the INPUT SELECTOR switch. OFF: Use this position when you do not record or dub. The tape recording circuits (TAPE REC terminals) of the unit are electrically
disconnected from the connected tape decks to avoid electrical
interaction. SOURCE: Use this position when recording records and radio pro-
grams- Signals from the component selected by the INPUT SELECTOR switch are sent to both connected tape decks.
S> I > 2: Use this position when dubbini a program source to the
TAPE-1 connected tape deck and/or from the TAPE-1 to TAPE-2 connectd tape deck.
S> 2 > 1: Use this position when dubbing a program source to the
TAPE-2 conn@ted tape deck and/or from the TAPE-2 to TAPE-I
connected tape deck.

+ne z-rdvr uo
lne uureJoord ure

auiqeulnv oulo repo/pun trii:ffi:i”?’:-l:Vi
urn ‘uapuaMra^ bunlla$rallerl3s asatc :l < Z < S

‘ualaldsraqn nz Z-adV !

ltne rSdvl_ uo^ auqeulnv eure Japo/pun ueurqaunzlne [-]dvl

,ne uiLueJ0oJd ula uJn ‘uapuoMJo^ bunllolsreueqcs esat6 rZ < I < S

‘uepreurJa^ nz uo6unJols aqosluoJllala u.ln’luuall

l-fdvf lns

a?procce.l euoqdol?uoeur ap oulleld eun rns Z-=dVL ap no/la ‘Z-3dVI

auroq el rns agproc3er auoqdolguoeui ap aulleld e| rns aututeloo.td

ap

acrnos

aun

zeldoc

snon

puenb

uolllsod

allac

zaslllln’z:l-ld<vZf

< S rns

sgproccer auoqdolguoeur ep aulleld eun Jns l-3dV-L ap no/la ‘l-3dV-L

auroq el .rns ogp.toccpr auoqdolfuoer-u ap aurleld e; rns auruetoord

-e6qe ueleraEpuequol uop uo t{csrJ}iola 6un;;eulelleqcg Jesolp taq ap eolnos aun zaldoc sno^ puenb uolllsod allac zaslllln :Z < l, < S

puls solgrao sosa!p (usr,lrurel) cfu 3dvI) aslaJllleLlcsaurqeulnv

016’uapJaM uoldol uaurqeulnepuequol qcou pql,ta6qclnp el1uqcs -]!r!pueg rapeM uuoM’uazlnueq nz lst ounllelsralleqos aselc :JlO

‘lpuese6 alerobpuequol ueuassolqcsaOue aplsq ue uapJeM soulalsneg

uollqeMohne sJalleq35 UOICSIiS fndNl slou!ttl sop elPu6rS

olc’uaujureJboJdiunlpunU ueuaoueldure Jopo uelleldlleqcs uallalds

-abqe uo^ uourqeulnepueE rn] lualp 6un;1epra11eqc5 selO t3CUnOS

‘uapJoM !qnlaDqcrnp slalleqrs UOI

–3lu3n-llplSunIngduNonl

sap 0un11a15 rop uo^ uouJqeulnv ‘lpuesa6

6;0ueqqeun uauuol uaururerbord olglaOpuequol aplsq ue uoplaM

Jaunl ueuessolqcse6ue uron eleublslunlpunU a!O ‘uapuaMJa ueululel6

-oJdlunlpunu uo^ ourqeulnv elp .rn,t 6unlle}slalleqcs asalo :H3Nnl

roso!p ls! uallesqellFg ueropue ‘oulelelloJlsnnJz’ullaollosuoullelspojdeMltnellarledlsleJeqqcns

seFpue ure ]ne leraopuequol uiau!e uo^ uauiqeulnepueg ‘rvrzq uqnleo

-qoJn p o]]! u r..losl! ur pu eg u uaM’ ual lolsu la pueqcaldsluo Jslleqos ussol O

‘sagproJcer euoqdol?uOeuJ

ap np

saulleld ap!e,l e.

xnep xne guuollcel?s

sl?uAesoo^udau.lloucosnpUxOneluSoflsllSsalln’odlpNell

lnalelnulLtlo3 suolssltllg sep

no sonbs!pssp zellsl6aruo sno^ puenb uolllsod ouac zas!llln :3CEnOS

‘selqlslnu senblJloel? suoll3eralu! sap lal!^9,p ulle se?p-locce.r

ouorldolgubeul ap saulleld sop sgdnoc luaulonblll3alg luos llaredde,l

ep (JfU 3dVI seuroq) apu_eq ap luaurallsloerue,p sllncllc se-l ‘zaldoc

a’UuOl!_uOzf a-JlllsSlolnrudeN,ul

sno^ puenb uolllsod ailoc zaslllln :(rgrrBl JnalelnuiuJo3 np uolllsod el op alduloc rluel

llo
sues

?nlcslla arlg ‘sa?proo3eJ

tned s!Lug uou suos
auoqdol?u6pur ap

ap luaularlslooJua,l
saulleld xnap sal

anb
lns

sno^ zeloddeu sg^o^ue Iuos

rounl np ocueuo^oJd ue xneuols sa’l ‘?pJo3cej launl np Jlued P s!ul9
uou suos sep zajlslosJua sno^ puenb uotllsod allec zaslllln :Uf Nnl

‘sapueq sap loldoc no lallslooiuo za!lno^

au sno^ enb sulour . (lgrje) Jlo uolusod el lns ?Arasuoc ell? el^sp ll
‘sapueq sap zaldoc no zat$loerue sno^ puenb lnalelnuuoo ac zaslllln

6l

(Adoc Sdvr) rolteqcsrerdo)puequol / (Adoc SdvI) apueq ap aoerdoc ep rnelplntrltuoc z

20

VOLUME Control

The overall volume is controlled by the VOLUME control. Adlust it
while actually listening to music. The more it is turned to right, the
louder the volume becomes.

Voiume

I AUDIO MUTING Switch
With this switch, you can reduce the volume by 20dB instantly. lt is most convenient when you reduce the volume temporarily on such
occasions as when you answer a phone call or place a stylus on the record surface. Adjustment of the volume of very low sounds is easily
carried out by adjusting the VOLUME control after the AUDIO
MUTING switch has been set to the depressed position.

10 BALANCE Contrpl
The volume of the left and right speakers can be adjusted by the
BALANCE control. As the control is turned counterclockwise from the center position, the sound from the left speaker becomes louder than that from the right speaker, and vice versa.

‘l.rqeleourn pun uelqJor sap e!p sle Jaqoq sraqcaJdslnel ue)u!l
sep eljelslnel arp pr!M sIu!l qoeu 6unllalslalUlA rap sne sJel6aU seserp uaqaro qcJno ‘uapJaM tuu.lllsabqe Japueulolne qoeJdslnel ualqrar pun uelu!l .rep elrelslnel erp uuel (IJNVIVB) relOarecueleg urep ]!tA
(3CNVlVg) ralooracueleg o!

‘esJa^-ac!A la lloJp .rnalred-lneq np rnlac anb UoJt snld luar^ap eqcneb rnelred-lneq np uos al ‘ole.rlueo
uorllsod el ap rued e, aJluor.u eun,p se111n61e sop arleJluo3 suos al suepau.lnol al uo,nbarnsaur ? le rn] nV’3CNVIVE uolnoq al luesrllln ua s?]sn[e aJlg ]ua^nod llorp ]o aqcne6 sJnolJed-]neq sap saulnlo^ sal
(JCNVIVS) a6erq!lrnbg,p uolnog OI

‘ounllols llon.rp6 rep ur (gNlfnf! Olonv) arJads

-qcsneJag JnJl. Jalleqcs -lalsulf qcJnp qoelu!a

urep ]!ur
lqalLl3sa6

(jylnlOn ) sJalEaJo>lJelslnel sap 6unl euol aslal rqas rn] 6unlaoejalJelsue-l

‘alleldlleqcs euro,ne lapeN Jop uazlaslnv urleq rapo ueJa!uolalel uilaq

al.relslnpl rap 6unla6ulJran ebllraMlrez Jn,l’ uianbeq ls! sa!C ‘ure6uljro^

8p0z urn uolos alJe$tnel arp als uauuol Jalleq3s uaso!p l!t/

-‘e93uolua uolllsod el p gNllny OIOnV Jnalelnururoc el ?169r Jo^e saJde lflnlon uolnoq el gue169l ue
luour?sle anpalla,s salqle+ s?Jl suos sap ournloA np a6e169r a1 ‘anbstp sl
Jns eJnloal ap alurod el Jaoeld rnod no euuos auoLldgl?l ol enbsJol ]ueul -eueluauror.rj aurnloA al aJlnp?l .rnod anbrleJd s?it el?Ae,s ela3 ‘lueul -gueluelsu! gpOZ ap euJnlo^ al aJlnpgJ lnad uo’lnalelnurutoc ac Ja^V

(9Nlrnw olonv) erredsqcsneF9 rnl lleqcs 6
.lq9qle

(0Nlrnw
olonv) olpne uollsnuglle,p lnelelnuuoc 6

a>lrelsnpl slp prlM slqoar qceu sJal6eU sap uaqejo q3JnC ‘uaulqoujo^ surureJoordllsnf! saule s6ueldurs sap pualLleM 6un11arut3 alo ‘lleoalao
(3nnlon) ralorellglslnel uap qcrnp prlM ellelslnelluesac elo

‘lueuodur!

lso ua

JaaulnslnolAe,le’l]snnnldl’OelrnoJpuoel]nsJoaqA

gujnol al red

lsa lt snld ‘enbtsnul elgr]uo3 lse 1et9u96

el luelno autnlo^ el

(lwnlon) rol63la{retstne’l g

(lwnlon) eunlo^ ap uolno I

LZ

-fone

Bass

“h

frr-ble

11 TONE Switch
Use the ON position when you want to control tonal response with the BASS and TREBLE controls. Use the DEFEAT position when you want a “f lat” response without having to adjust the BASS and TREBLE controls themselves.

12 BASS Tone Selectors

13 BASS Tone Control

Use the BASS tone selectors and control to adjust the bass or low-

frequency response of such an instrument selector select the frequency below that control has been adjusted; use one of the

as a bass. The BASS tone
to which the BASS tone
three positions (400H2 or

2OOHz.

14 TREBLE Tone Selectors 15 TREBLE Tone Gontrol
Use the TREBLE tone selectors and control to adjust the treble or high- frequency response of instruments such as cymbals. The TREBLE tone selectors select the frequency above that to which the TREBLE
tone control has been adlusted; use one of the three positions (6 kHz or
3 kHz).

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uapusMJa^ : ls! ureslll/v ( 31 83 u l-) sJel6el6uel erp rap qleqraqo’zuonbarl alp lururllsaq

(lu3alqso3Husfa)praoluqnelilvolosuuel l3l

-uaqoH lac ‘uazuanbell uaqoq Jap soueozuanbejl sap 6unllalsur:l Jnz

(3lglH1) raloer- pun (3l8luI) ralqeM6uel>luaqoH ars uepuaMren

(t-IgjHI) rel6ar6uetluaqqH 9!
(3tSlHf) re;qern6ue;lueqgH tI

‘lzHOOZ rapo zH g6y1 uaounllars lap euta ats uapuaMra^:lsr ureslrM (SSV8) sieloerouellteg sap 6unllalsul3 etp Jap
qleqrolun I zuenbeiI or p lururllsaq (ssv8) ralqeM6uel>1geg rao (uazua
-nbarllee) uezuanboJl uoorJparu Jap s0ue6zuenbor3 sep 6un11a1sut3
rnz (SSVE) ral6ar- pun (SSVE) ralqeMouellteg arS uapuaMlan
(ssv8) rotoerouellteg t!
(ssvs) ratqefnoueHtes z!

‘tnui uapraM uallsnfqceu relbsu fl83ul- ‘Mzqssvg iap lep autlo ‘ualsreljqeMao nz bueozuanberl uaJeeurl urn ‘uazlnuaq lV:lJ30 uo!] -rsod ero ‘llos uapreM rgedabue sral6aU l-lgjUl pun SSV8 sap a]lrH
llur buebzuenberl rap uuoM’uallals NO uotltsod ,tne lalleqcs uasalq
(3NOf) relleqcsouel) tt

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zH>l g) uorlrsod allanb auodulr,u rasrlln :fr6e 1319391) on6re ?rlleuol ap uolnoq np abegogr el allanbel ap snssapne acuenbgJl el auuollrslgs

(l I I I UI) on6re ?lrleuo] sep acuanbgJl alneq ua

ap
no

Jnolcal?s a-l ‘solequl^l anb slel slueulnrlsu
an6rp asuod?r el ralsnls Jnod (fl8]Ul)

I

?llleuo] ep uolnoq el le (3lEl Ul_) an6re ?l!leuol ap rnalcelgs al .raslllln

(31g3ur) en6re gllleuol ap uolnog g!

(t1g3ur) an6!e glrleuol ep rnelcaps ?t

‘lzHOOZ no zH OOt) uorusod allenb elrodur,u resrllln:1tbe 155y91 enerb gllleuol ap uolnoq np aoegbgr al allanbel ep snossap ue aruanb?ll el lau
-uorl3algs ap lalud (SSVB) a^erb ?l!leuol ap rnalral?s a-l asseq el anb
lel luaurnJlsur un,p anerb ap no acuanbgl+ esseq ua asuod?.1 el lalsn[e rnod (SSV8) a^er6 ?]rleuol ap rnelcl?s al la (SSV8l uotnoq al raslllln
(ssv8) a^er6 glrleuol ep uolnog El (SSVS) a^er6 glrleuol ap rnelcaps Zt

‘ll8f UI la SSVE sapueulrlloJ sal ra169.t P rlo^e sues ,,oleld,,

asuodgJ aun zarls?p sno^ puenb (ellnu) lvf l3O uolllsod Pl lns aJlFu.l

al’l’lgjul
rapueu.ruroc

la SSV8 sepuerlrloc sap aple,l zalno^ sno^ puenb (eqJJeur) No

? ?llleuor uo!]!sod el

ua esuodgJ el
Jns aJuauJ al

(3NOI) gllleuol ap rnelelnuuoc I !

24

16 SUBSONIC FILTER Switch

Superlow-frequency noise, caused by warped or offcentered records,
forces the moving structure of a woofer to work excessively; such
abnormal excursion generates distortion.
This filter cuts such superlow-frequency noise below 16Hz and im-
proves bass response.

17 HIGH FILTER Switch
Set this switch to the 10 kHz position when scratch noise of records or
.hiss of recorded tapes is irritating.
Do not use this filter unless the high-frequency noise is excessively
a nnoying.

LOUDNESS Switch

The human ear becomes insensitive to the lows and highs as sound volume is reduced. So you may feel a loss of highs and lows (especially
lows) when listening at a low-volume level. The loudness circuit accents
the highs and lows properly to render the reproduced sound more realistic. Setting the LOUDNESS switch to the ON position accents
both the highs and lows.

‘ueuolaq nz
esse8 pun ueqoH urn’No 6unllels slp u! ralleqcs ssf Nonol uep als uallals ‘uaqJeuJ nz raqcsllsrlE)r uol ueuaqeoofuepolM uep un ‘6!lq3!J ass8 pun ueqoH arp luotaq slaJlr.uoJlsa>lrelslne”l Jac ‘uapullduJa uasseS (sJapuo6aq) pun uaqoH ue lsnlJan uoula als uauuol’ualoq alJelslnel Jeuaoulrrs^ req qleqsap ars uueM ‘auol eqoq pun elell lnl q3!lpuuduraun alJglslnel lougorula^ l!u, pJl.v Jqo eqcllq3suau.l seo
(sslNonol) Ielteqcselrglsme’l 8L
‘uelorune qcla.loqzuenbail ualeqoq
uir ueounJols ablueu.uaqn uuoM’,uepue^^ra^ uugp Jnu lalllj sasolo . uon oq3.sneraozleJ)’uuerranr’uulauJlllele$nzzHualq0fl,snueolpluuseoqduolnl eJepJoallueequcesldullaesqoclos
(u3I1lJ H9tH) lellrlr.trsneu rnl reileqcs 4[

‘sesuonbgJl setneq la sasseq sel srol

el
al

e anluesce uo No uolllsod ‘sals!le?r snld sl!npoJdal

el Jns sssNonol uolnoq np e6el6?l suos sal eJpusr rnod luauralqeuo^uoc

sgsuanbgJl SASSeq le SAlneq SSI anluac3e olouos rnoluos ap llncJlc al ‘aJouos nea^lu slqlel P alno uo,nbsrol (sasseq sal lueuralercgds) sacuon@Jl sasseq la solneq sal suep a.louos alJad aun,p uolssaJdlril,l lle uo,nb lned es l! Juoc ‘l!np9r lsa auJnlo^ ol enb arnseul P s.louos saJuenbgrl selneq la sasseq xne alqlsuasu! lual^ap ouleurnq alllalo,l

(ss3Nono-l) erouos tnoluoc ep uolno gl

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ap sallsered sllnJq sel no se3 sal suep lnes alll!+ a3 laslllln sed eN .
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(u3r1lJ H9lH) tnell erilll ep rnelelnuuoS zl

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‘sanel6 sap esuod?J el eJotlgule la
zH9! op snosspne sa3uanb?Jt sesseq s?Jt ssllal ap au!.lddns alllll eC
aJouos uotsJolstp aun anbo^o.ld alulelluoc auac:lslooM un,p sellqoul

ugp ul uapnltldulesounoutMr{cs agoJb uaq3esln.la ‘uopJsM
ualleldlleqosaueqeun qcrnp’g’z als atM’oltaluezuonbgrj alall

lonszJa ura.ltx3

sluoL!1919 Sap a^lssocxe sanbslp sap Jed sgsnec

eluleJluoc eun luau!eJlus’s?lluAc?p’no S?Ael ‘sa3uanb?ll sasseq s?.ll ap sauseJed sllnrq se’l

(ullllJ

(ugt’ltr

9Z

clNosns) raillllleqcsralun rnl relleqcs 9l CINOSgnS) enbruosqns erlll; ap rnolelnuuroC 9l

OPERATING PROCEDURES

26
tveltf,
tre&zEl

1. Turn the VOLUME control fully to the left where “-e” is indicatd. Volume will then be minimum.
2. Set the TAPE COPY switch to OFF and push the TAPE PLAY
“SOURCE” button.
3. Set the SPEAKERS switch to A, B or A + B position as appropriate. 4. Set the BALANCE, BASS and TREBLE controls to their center
positions.
5. Setthe FILTER, LOUDNESSand MUTING switchesto OFF. 6. Turn the power on. o For several seconds after power-on, signals are not sent to speakers;
do not mistake this phenomenon for a breakdown.
For several seconds after the POWER switch is turned on, the lndicator will flash on and off and no sound will come out of your speaker systems. You’ll hear sound when the unit becomes electrically stable and the lndicator stays lit.

L lf-*It-;-lf-‘-^”-l @i

‘uapJoM uauJtlloulo^ uaxo8 uop

uo^ uuel uol Jop pun qcllJelnulluol eduJel asalp lalqcnal sepue

-lsnz ual!qpls q3s!rllola sep uaqclaJr3 tlap ilceu lsJS ‘Ilqellsobqe

uaxoqJoq3rdslnPl uap uo^ pJlM uol ulal pun llaz a6!u!a ln, adurel

-loJluo) alp llullq sJalleqss u3Mod sap uoueqcsu!3 urap qreN

‘rep salelac sep usoes]an ula>l lllals salp:usl’!trloue6

qauleS u! 6unle6ozle4 uapunlas uablula llul lsja uaxoqFqcalds

-lnel a!p ueplarr bunfuosJa ulolls Jap uslleqcsul:l ulap Ll3eN a

usllals

No

uoltlsod

]ne

lolleqss

uSMod uoc
‘uollels lJo

‘9

uolllsod 1ne s;larvre[ ra]leqcs CNllny! pun SS3NCnOI

‘ H3a1 lJ
‘ueOullq

‘9

uabunllolsleury! aiql ul relosu f’18f ul- pun s’usva8lla’ls3B3+NvVla1Vpo8 E’V uot1sod teulebq3sunM lalleqcs SU3)V3dS uap qceue6

‘v
‘t

3dvl

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olp pun uallols Jlo

‘ ua)cnrp alsel.,33U uorllsod lne ralleqcs

nos,, AV-ld
Sdvf uoo

,z

‘ pllM u lelsaou !o e) Jelslnel 9^l edi!o!cu I I’lr qcl n poM ‘uaqaJp slluu!ll qreu ,.6-,, uolllsod u! slq raloeu Snnlon uac

‘t

‘guJnlle eralsal lue^o^ ol onb la olqels luaurenbulcol? elpuel^ap lle.ledde,l puenb uos un eJpuolue zolnod snon’sonbllsno3e solulocua so^ op eJpual^old au uos uncne le eralouotlc tue^o^ al ‘(aqcJeul) NO uolllsod el rns slur 919 lle uorleluaul!le,p rnaldnJrolu!,1 anb s?JdB sopuo3ss slnelsnld luepuad
‘ouued aun

ce^e au?ulou?qd ac elpuo,tuoc sed oN ‘solulecuo xne elo^ue eJos ou

1eu61s

uncne

uolsual snos aslul el s?Jde sopuoJos slnalsnld luepuad ‘NO uorlrspd el ins UiMOd lnolelnululoo al elllanl

a
‘9

el ins eNlfnu! lo ssf Ncnol ‘u:lllll

‘(l9lre) JJO uolllsod srnalelnuru-roc sol eJ*ay!

‘9

‘alerluac uo!llsod

rnol lns ll83u1 la ssv8 ’33NV-IV8 sopueuru,roc sal alllot^ ‘v

‘t ‘sglrdoJdde lse allonbpl lue^lns 8 + V
no I llos’v llos uolllsod el lns su3)vf ds JnolelnuJuloc al lllal^

la'(l?JJe) Jlo

,AV’ld fdvl uolnoq ol roruoluo

uolllsod”,1e3l .ulnnsoAsd,,oS

SdvI

rnalelnuluroc al aluen
‘LUnUjlu!ur

‘z

uos P siole elas aulnlo^ al ‘oll.lcsu! lsa,,oo-,, onbleul el no,nb6nt

LZ

NsUl{VlUsASeNnNSlCSs

9efl03u Jo sgoJcoud

28

phono2 o phohe 1 o
tunerO aux o

1. Confirm that the VOLUME control is not turned too far to the right; it should be at a position where you can obtain the normal
listening level.
2. Turn the SELECTOR switch to PHONO-1 or -2, whichever is
applicable for the turntable you wish to use. J. Operate your turntable to play the records. 4, Adjust the unit’s other controls and switches to suit the type of
music you are going to hear.

ne .o o3 E)
00 0: 000 oHugo

P* ooWr4hueanl

ity you

record reproduction hear hum continuously,

check the grounding of your

tu rntab l e.
You may hmr howling or acoustic feedback, caused when the

pickup of your turntable is affected by the vibrating sound waves

from the speakers, and undesired slgnals are amplified. To avoid

howling, move the turntable away from the speakers or install the
turntable on a solid, non-resontaing stand. lt can also be reduced

when the turntable is placed at one of the corners of your room. When you hear unstable. “shallow” reproduction during record

playback, it is suggested that you check if there is dust accumulated

on the surface of the record and on stylus tip. The cause may be a

worn stylus tip. When you use a record cleaner, be sure to always

use one of hiqh quality.

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‘uep.leM
uooulrJe^ surneu seJql sica Joulo u! slalaldsupueld sop 6unllelslnv qcJnp qcne uuel uslnaH ‘puels ueleJlzueuosal ‘uapllos ulaula lne uqr als uaiellle$u! Japo uloqsaldslne-l uep uo^ Jelaldsuolleld uap ualneH uo uepleuJJan uJnz als ueulollu3’uatuuJol 6unlddoll3nU Jaqssllsnle Jopo uelnaH nz so uuel ‘uaplaM llJglsJo^ ua6un6 -urMqcs uelqcsunMJoun asalp pun pJlM ltjnllulaaq JoqcsJdslne’l lsp uollaMlteqcs uep uo^ sraleldsuaueld sarql raurqouq”:r:”t”j:i”:$il –

sa.rql bunpJf a!p uauJulnJS rlapuJanepue laq ols ualnldjeq0 * lPr!Pno ralqcalqcs eqeorepo!’nuaDBp lleqcs

-ordstua

solero5

sop

Jolleqcs

pun

raloou

‘u!a llsnt^ lap puaqc uarapue alp als uellars

‘t

‘ueueldlleq3s Jap ualaldsqv urnz Jeloldsuaueld uep als uaqloJlo8 ‘e

‘Nl uassolqcs

-uara6puqecerualaa[ld’usauqoalJlepldz-appuueap!u-ooMNJoeH^ dn]znelalaplleuqeJusjuulaoll>-f,e3q-cl3losMueuec ‘z

‘ ulas lllalse6uls 3)Jelslne-l

aleurrou rnl alllos Ja’ls! (lnn-lon) Jsloel>Uglstnel

lqaJpoo sqcal qceu llaM nz lqclu Jep 0ep ‘uo^ep q3!s els ueonezJoq0

‘l

‘?r!lenb

auuoq ap un .la^no.tl ua,p lenbu9ul sed au ‘onbslp ap lno^ollau un

es![ln uo.l rs’aJntcal ep alulod el ? anp oJ]? lnad asnec el ‘eJn]col

ap elulod el lns la anbslp np acellns el P e?lnulncce ei?lssnod

ap el

sed e luernp

,u lt,s .ra!l!Jg^ apuolold nad

ogllqllealssuuol culoslalcnl!po’aJndbasllpeuunn,ppuuaollulconpuoord,le.lls

‘s3?ld el

ap suloc sop un.l p anbslp autnol al aceld uo,l !s luauraleEg slolle sol

Jenu?lle ua eJJnod uO ‘acueuosgJ ap lduiaxa’apllos uoddns un Jns

enbslpauJnol al Jellelsu! no senbllsnoce salulacua sop anbs!p euJnol

al Jau6!ol?’luau.raunq al leu^? lnod ‘sgu!ldule luos s?J!s?pu! xneuols

sal la ‘senbllsnoJe sstulacua sep lueus^old saJouos suolleJq!A

ssl led ?lca+le as ‘anbllsnoce

lsa anbslp au.lnol np dn-Icld al uotlcegJ aun no luauaunq un

onbsJol lueslnpold
oJpualua lnad uO

‘anbsr peuJnol

np aral el e oslur el Ja!]!Jg ‘Jalln@l lueulalluoJ un pualue uo,l !S * gflpnb esls^neu ep senbslp ap uolpnpoldeu

‘oJpuelua

‘t aJlsgp uo,l anb onblsnul ep aluao ne xnall! al ]lua^uoc lnod

llereddql ap eoelogJ ap slnalelnuiLtloc la suolnoq ‘senbslp sol rglno inod anbslPauJnl ello^

sallne sal .lolsnfv Jauuollcuol aJlej

‘v

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lonbol

lue^lns

Z-

no

[-f

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Jns

UOfJf-l:lS

uolnoq al Jeuln,o] ‘alno,p le(uJou

nea^lu al Jlualqo asslnd uo,l (ro uo!}!sod
p dorlap?uJnol sed llos eu fylnlon

eun P all? llop uolnoq al anb

l! :alloJp
Jalnsse.S

‘l

6Z

30
o
o

1. Confirm that the VOLUME control is not turned too far to the right; it should be at a position where you can obtain the normal
listening level.
2. Set the SELECTOR switch to TUNER. 3. Adjust the Tuning control and tune in the desired station’ 4. Adjust the unit’s other controls and switches to suit the type of
music You are going to hear.

.o OBE AE
0o OSooo nYugo

N* oiWseeadkuFriMngsirgandaliso

recePtion are often disturbed

by

ignition

noise

from

nearby

automobiles and other noise. Therefore, for better FM reception,

installation of an outdoor FM antenna is suggested. For antenna

connection, be sure to use a coaxial cable, not a feeder-type cable’ When you hear noise during AM reception, there are innumerable

conceivable causes, which makes it almost impossible to eliminate

all AM noises. Use the unit’s filters when grounding the unit or

mounting a noiseeliminating device fails to reduce such nc-rise.

‘uJaou!lJaA lLlslu

ueOun.rols asarp sJa)cnlpralunsounJols sau!a 6unbulJquV elMos

saleJag sop ounpJf uueM ‘,salela9 sop JeIllJ alp ols uopuaMJan

‘ua0!l!aseq nz ua6unlols-Ml

elle ‘ls! r.l3llDourun qcsllleJd sa qleqsaM ‘6ue+dul3-MtA

raq uaounJols rn] uaqcesJn aqc!l6oul ela!^ 6llqezun rq!6 sf *

‘laqelueuualuv salolleJed lqc!u pun laqelle!xeo) auualuv

.rep lnlqcsuv uap ln,l’ als uapueMJon ‘ualqoldula auualueuolnv

-M)n u!o 6unre111e1su1 alp qleqsap pltan 6ue1du3-M)n ualassaq

JnJ’16llqJelluraoq uaounJols sJepue pun aqeN lop ul solnv

“‘ li,llt#i z p on u

ua I u n 1s6u n pu n q cr n o

oi”#ri
”

i”.i’li””lrtirtor;

-erdslue

seleJag

sap

Jalletlcs

pun

la16eg

‘u!a >llsnn Jop puaqc
uaJapue elp els uallals

‘t

‘uauluillsqe

lqeM

rorr.ll

ra’upfuaNsnuIoplnlene(uqocel3ufepl:(ls6)utJuonille)qlcaslOlqeoMJuruualpllsaqrvs

slal1l uallals

‘e ‘z

oleur.rou Jn+ olllos Je :lsl (3ynlon) ral6o.la)Jelstne”l

lqaJpo

‘u ros
slqJeJ

qllJloelsugollua!aMalnJzelslqlncelul

Jap lep’uo^ep qcls ors ua6nozraq0

‘I

‘llnJq ap uollcnpgj ep +lllsodslp un lueluoui ua le eJral el e r’!nlao lueuat! ua llaJedde,l rns sn^?rd saJllU sep laslllln
‘tAV sl!nrq sal snol ap el?llua uoll

-eu!url?,1
iua^ord

alqlssodur! anbsard luepual lnb la’sosnec sasnalqtlou lnad elac’yV uolldal el lueinp llnlq np pualue uo,l

ap
lS

‘lapaa’

ad^t np alqgc un uou la’lelxeog elqgc un la^oldula,p Jarnsse,s

‘auualue,p uolxauuoc el Jnod ‘e?lilesuoJ lsa elnalJ?lxe IAJ auua]ue

aun,p uollellelsu!,1 ‘tAJ uoltdol aJnsllleul aun J!uelqo Jnod ‘luanb

-gsuoc led ‘sa6elllaredde satlne le ?l!ullxoJd I luessed sap e6eutn11e,p sur?ls^s al red s?llseJed lue^nos luos t li

sallqoulolne
xneubls sec

opper uopdacgr el luernp llnrg

‘oJp

-ueluo e.llsgp uo,l 3nb onblsnui ap elua6 ne xnalul al Jlua^uoc Jnod lloredde,l ap e6e169r ap sJnolelnl.xujoc le suolnoq sellne sa; ralsnfy ‘v

‘egJlsgp

uolllsod

el Jns reprocce
‘u3Nnl rns

1e 6u1un1 olQJluoc
uoIJf-]3s uolnoq

ol .lalsnfv
al aillar!

‘z

‘elnoJg,p leuiJou

neo^ru un J!ualqo osslnd uo,l no uo!llsod
? doJl op ?uJnol sed l.!os eu fnnlon

aun Jns aJlo
uolnoq ol

l!op anb

ll :ollolp
JoJnsse,S

‘l

LT

32

1. Confirm that the VOLUME control is not turned too far to the right; it should be at a position where you can obtain the normal
listening level.
2. Push the TAPE MONITOR-1 or -2 switch, whichever is applicable for the tape deck you wish to use.
3. Operate the tape deck to start playback.
4. Adjust the unit’s other controls and switches to suit the type of
music you are going to hear.

.oo3 c, n c

Suggestions for high-quality tape playback . Dirty heads in the tape deck deteriorate tonal quality and cause

o

dropouts. Dirty capstans and pinch rollers increase wow and flutter.
When a tape deck is used for a certain duration, heads can be

magnetized and add, on playback, noise, bringing forth tonal degra-

dation. Be sure to de-magnetize the heads from time to time on

regular basis.
r Heads may be magnetized and infofmation on tapes may be erased

when subjected to magnets. Please take note.

oo o3oooob/eEo

‘ualuugl uapreM tq3sola6’/Vzq l.lalsllau6eul uelsuosue ‘uo6urrq Jepuequof repo aldoluollep aqgN alp ul alau6ef{

aselp ep
sleulalN

.

ueortJeulabar ur raqep ualllos a’ uldaoprlauMolljaalsl!olu’u6quullulealllueenpbubeulesql>v

Jap OunjolqJolqcsJan Jaula nz seM ‘uapla/v lJolslleuoelu -uol alp ualuuol sole.laopuequol sop 6unpua/vron larabuel

aldql qceN

.

‘ ua6!u raJ

orfleurla6er raqep ellol aslO ‘ua6unlueMqoslnelqclal9 ualqqqJe nz

uooooep uallojlonjpuV pun uallaMUoI elzlnulqcsJa’]91!lenbuol rouapulurJo^ nz uelqnl selel06puequol sap aldoluol alzlnulqcslan

.

. oqebrepelM-puequol e^!14!lenbqcoq ml e6eltlcsron

-ordslua

salerag

sap

Jolleqcs

pun

Jeloeu

.ule llsnt/j rep puaqs
uaJapue alp als uallols

‘t

‘eqebraparM J[J] ]ela6puequol sep ors uaqlalF8 ‘e

‘ls! uessolq3se6ue

l96puequol apuopuaMJa^ nz sep usuruJal) oq3laM ue ulapqceu

af ‘ualcnrp rslleqcs Z- )epo f UOIINOI 3dVI uep qceuec ‘Z

aleurrou

rnll’

alllos

Je

lNr

lqeJpeb

‘ ulas
slqcal

qllclaelsuaouuaraMalnJgzlslqlncelul

(3ynlon ) ralbara>lJelslne-l rap uep ‘,uo^ep qcls ols uaonazlaqn

‘l

‘elou ouuoq aJpueJd ua,p suopueuJu.loJl sno^ snoN ‘slueulle,p

uorlce,l e ap selued

ssalupoulergalg?ssllegcubleeuulinroas^nuoorllsesselugece^lnJ,eadaalll?nlrluoal ^anpedsosloolpuseaql

.

‘aJnlcel ap sal?l sal luauial?l ln69J

leelslllu?euloueeuur?iopneualuqoallpJnJp0sorzdee^losel’9l1u!elepuuoel daps9arl!llseenlbedelselplnulqollespaelJ’ol!?epl

03 op’la sagslt?uoeul un luepuod egslllln

arl? ?l?

lua^nad aJnlcal op sal?l sol ‘sdual uleuac e auoqdol?uoeul ap aulleld aun pueno
‘]ueurallllu!J6

.

el la aoelnald al lueluaulone sales sluauielnoJ sap la suelsaqec

sac ‘suoller?trlqo sap Jasnec lua^nad le
luar?llp euoqdolgubeur ap eulleld el suep

?salllleesuaolnl l3eel loapp?slallle9nl bsPlo

.

gillenb elneq op apueq op uollcnpoldal aun lnod suollso66ns

‘erpualua

arls?p uo,l onb anblsnur ep aluo6 ne xnolu.l el llua^uoc Jnod llereddp,l ap a6el@J ap sJnelelnuruoc la suolnoq sallne sal lal.sunof!vl

‘t

-3npoldal el Jacuaururoc lnod alnlcal ep alqel el Jauuollcuort ailel ‘g

‘Jostllln zolno^ sno^ snb suoqdol?uoeu a; lnod alqeslllln lse

lenbgl lue^tns’Z-

no [-UOl_lNOlA fdVI

lnale]nulLtloc el Jocuo]uf ‘Z
‘elnoc?, p leurJou

nea^ru
p dorl

ealpil?uuaJlqnoolassesrdndllouso,ol uQojnunoll}olsnod

aun P oJl? llop uolnoq al onb

ll :allolp
Jornsse,S

‘l

34
.o o3 Eoo
oo o: 000 6o 3

Recording can be made on tape decks connected to the TAPE REC ter-

minals.
1. Set the INPUT SELECTOR

switch to the program source you want

to record.

2. Set the TAPE COPY switch to SOURCE position’

3. Operate the connected tape deck(s) and start recording.

When desiring push rhe TAPE

to monitor the PLAY “TAPE-I ”

recording –
or “TAPE-2”

instant monitoring button.

–

. Monitoring, described in step 4 above, is possibly only with those

decks which have three separate heads for record, playback and

erasure. lt’s not possible with those with two heads, one for record/

playback and one for erase; push the TAPE PLAY “SOURCE”

button and hear the signals that are to be recorded.

o

The
it is

recording you prohibited to

make should exploit such

be enjoyed for your own recording for commercial

pleasure;
profits if

o

the material is coPYrighted.
Whatever positions they are

set

at,

the

tone

control

and

filter

switches do not affect the quality of recorded signal.

copy
ryo+f

ueurol leq l3lleqrsrall!J pun r’le.gl0l.eller6nubeolu>iqJeouplnv6ualnplllanlesuun!;lllaullol .

‘lellelseo lqclu puls slcaMz

eqcrluPqssab Jnl lqce.rJoqeqJn llul usulureJoord uo uaurqeulnv

:uapJeM lapueMre^ e>lcaMz ele^Ud Jn, lnu uelllos uaulqeurnv olc .

‘ pllM lqrllootura alloJluo)

-pueqron qceuoM ‘uol3nrp nz alsel,33unOS,, AV-ld 3dV1

alp lsr uuep (,l.do)tqcso-l pun ldo11qtuo>-aqe6JapelM/oLuqeulnv)

oldoluol re/vz Jaqn Jnu leraopuequol sep lonlJan ‘puls lauelsa66ne

(ldolr.lcsol pun -aqe6.rapa16’-euiqeulnv) ualdoluol uole.ledes lolp

llu alp’qcllbQur uaplaopuequol llu rnu $l allorluolpueqls)urH .

rapo ,,r3dvl,

AV-ld ldvr

‘ uelsnJp nz e$el,z-3dv L,, o!p lsl allorluolpueqralu!H rnl

‘t

‘uau u r 6aq

aulqeulnv

Jap uul ‘uellals

pun uazlas qslllaS u!
fcunos uorusod lne

lelaopuequol sep qceuec
rolleqcs AdoS 3dvl uao

‘e ‘z

‘uollelsula ollanbur

-urerooJd olqcsunMeo etp lnp rotleqrs UOlCSlfS IndNl uao ‘l

‘uoto!lqcsnzue allaslsnJaleloc Jop ue

abueftnv O:|U jdVI atp ue leJeopuequol ule $l ollluqcslluJpueg JnJ

‘luol.tl

-alp16arua,1 Jns le,,e rnalelnuru.toc al’s!ul

sues luos ?llleuol ap apueululoc el le allll’ ap luos sl! sellonbsel Jns suolllsod ssl llosanblano

.

‘s?^ras?J luos uollJnpoldaj ap slloJp sol puenb selelc.lauluroc su!l sap

? slueujs.llstbsiue slal ep ral!oldxa,p Jnod anb ollg lue^top eu s?nlcolla

ls!pnioe^luolnlsbosllul e:ru!sulaelllsdloIanolusaalsloe^l

.

‘solls!6eJUa atl? luo^ !nb

xneubls sel ralno la’,,lCUnOS,, AVld AdV_L uolnoq ol racuolue :luourece,la,l lnod aun le uollcnpoJdal/lueuiallsloolue,l rnod aun

‘sel?l xnep onb op?ssod ou lnb euoqdolguoeui ap aulleld ep aJuao
ol ca^e alqlssod sed lsa,u ll ‘luoLuacella,l rnod eun la uollcnpoldel

el Jnod aun’lueure,|lsl6alue,l lnod eun’sagJed?s alnlcol ap satol slol

apQssod lnb auorldol?uoeur op
lsa,u’snssaFrc t eqdeJbeJed al

eulleld op suep l!.lcgp

oJue6 al ca^e,nb alqlssod
lso l! auruJoc ‘olglluoc el

.

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ta (se) pproccer euoqdolguoeur op ‘:|CUnOS uolllsod el Jns AdOf,

(sl aulleld (ssl) el zol^naoueuug 3dvl Jnalelnuruloc al alllaf! ‘Z

‘rarlsloarue zaJtsgp sno^ enb aululel6

-ord ep

acrnos

el rns

UOI3fl35

In’Jdl Nul

.lnolelnururoc e;
ldvl seuroq xne

ergay ‘1
so?pJo33el

euoqdol?ubeur ep seulleld sap Jns ?nl3a+]a ellg lnad luaulalls!6e.lue,-l

se

36

trffi,
.oio: c) (i
o o i0 S oo ooitq!

1. Set the INPUT SELECTOR switch to TUNER position, and the

TAPE COPY SWitCh tO TUNER.

2. Control the tuner and tune in the desired station.

3. 4.

OSpeet rtahteethtetttpapJer

deck and start
SelecTOR

recording.
switch to

PHONo-1

or

PHoNO-2

position.

5 a

Operate the turntable and enjoy disc playback.

Wh”n yo,
the TAPE

want to check if the proper recording is under
PLAY “TAPE-1 ” (or “TAPE-2”) button; then

way, push the signals

from the tuner are sent to the speakers through the deck’

‘letloleOJelloM

uaxoqraq3aldslne’l
Jaunl ulo aleuols

atp ue lgJeopuequoa sep Jaqn uuep uop.rsM a!p:ualcnJp alsel (,,2-3dvl, lopo) ,, l-3dvl-,,

AV’ld Sdvl_ olp’uolqcoLrr uelotlloltuo>l eulqeulnv alp als uus A

.

‘ usnoJlJa uo!llnpoldeu-ue$eldlleqss

Jap ue qcls uauuol 3!s pun uozlos qelrlag u! lelaldsuaueld ueo .g

t-oNoHd uollrsod lne rolleqrs uolcf-.lls’uolnllodlsNzl-ouNoopHqdceraupeoc .t

‘uauu!6

-oq surqeulnv Jap llul pun uazlas qollleg ut leJabpuequol ‘uouJurllsqe Fpuos uelqssunMoo uap lne pun uatleqcsulo lgunl

seo uao

.g .z

3dvl

uop qcne

pun

‘uollals uf Nnl uo!]tsod lne lleq3s Ado3 u3Nnl uolllsod lne uolcS-l3s IndNl ueo

.!

‘ouoqdoBu0eu

ap oulleld luos Jsunl

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., l-3dvl-,, V’ld 3dvl_ uolnoq al raruoluo’uleJl ue lso lnb lcsrloc luauleilslboJuo,l uolq lse,c anb Jnsse sno^ zslno^ sno^ pueno

‘sanbslp so^ op uollJnp

-oJdor el Jglno,p Jlsleld al zeueJd ls anbslpautnol al zal^naouey

uolllsod el Jns llos uolcflls

IndNl

‘z-oNoHd no tnolelnururoc

sl-loNotollaHyd!

‘v

‘luaur

-srls!0a.ruo,l Jscuou.lruoc la auoqdot?uoput ep eulleld el JeJ^noouel ‘8

‘u3NnI

‘o9j!s?p uollp$ el
‘u3NnI uolllsod

.lns sno^ zolht la teunl al loJ^noouerl
el lns Adoc f dvl Jnalelnururoc sl la

uolllsod el ins uolcalfs lndNl Jnalelnululoc ol oJ$at/

,z
‘t

LE

‘oo3 E o -o

3B

oo O3ooooYoE@

(ffi] wr*@

When TAPE

copying COPY

from the
switch to

TthAePE”S-1>de1ck>to2″thpeoTsAitiPoEn.-2Wdheecnk,csoeptytihneg

from the TAPE-2
switch to the “S

deck

2

to the TAPE-1 > 1” position.

deck,
(“S”

set the stands

TAPE COPY
for “program

2. 3.

source.”) Operate the
To monitor

connected tape decks as
the recording, push the

TneAePdEedPfoLrAYpro”pTeArPdEu-bI b”inogr’

“TAPE-2” button as occasion demands’

o While dubbing is undertaken, you can hear the program source

selected records

by the INPUT or broadcasts,

SELECTOR switch. When you want push the TAPE PLAY “SOURCE”

to hear button’

‘usIcnJp alsel
-,,p3u3nUunO’MS,z,q^uValJdolzjndpVoIjdoarrpu’uaeBlLellcdolluerqcusao’Eue’zlduoralsauuJuuereMJouoardplJuonMl

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AVld jdvl

‘ualcnJp alseL,z-3dvl,’ Mzq,, l-f dv]., erp'(uaroqnzllnrl uerslllorluol nz ueraldo; sep tun

‘t

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,,S.,

aqe$qong

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rap) pi,V ]laldsraqn l-jdvl

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lne Z-:ldVI uo uuoM

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,,2 < L <
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.L

Vtd

SdVl aqrnol el rsouolue lnel 1
sop aJpuolua zoJ lsgp sno^ pueno
al lueuuollce ue ‘e?uuollcgl?s

o”uoulrpouelrcreraaolpoJsldsuo9lIsnps”ldu,sNrfgc3lunIsonoJpnsoenseloe,l,lnsaaulnupbrusoolcpl

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‘ag!.ldoJdde lss allenbel lue^!ns

,,z-=dvL,, AVld fdvl allas no ,, l-]dvl, AV-ld Sdvt eqJnol el
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‘e

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‘(,,auujeJooJd

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6e

40

-fone

h d,,’S

II
o

rff

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.

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and 6 kHz buttons prevail respectively’

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uap lsq zHoot zuanbar+latllt alp loprlaq uuep'(alsel zHlg pun

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aplaq
a$el

slraMol
zHlg

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3NOI u.rolllalsao IVSlf c uo!lrsod lne !a8 ‘uollals No uolllsod ralleLlcs 3NoI uep $ranz’uauugl nz uolletsu!o aq.re,6uel> alp

ulnne

.

‘uepJaM ]Jollsnture uuel ueqJelouel) uo lqesuv

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ral6ar6uel) 31s3ul/ssv8 alp pun uelleqcsulo ratleqcs :lNoI uao
‘uapJoM l6llqcls)3n.raq llurep uouuol souinerJoH sap uellaqueqa6o0 uo

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‘luoLus^llcdser luole^?Jd rnb sn6le sal lnod zH) I ap

ollac le sa^eJ6 sol Jnod zH 002 ep sallac sal luos oc’sogcuolua lsa,u saqcnol sep euncne pueng ‘atu1.rd gnb zp>| g ap elloc lsa,c ‘sdural
aur?uj ua sa?3uolua luos zHlt ap la zH>|9 ep seqcnol xnsp sel
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rnod zH 0OZ ap alloc lros zH oot
uolq'(eqcieuJ) NO uolllsod el Jns

aq3nol el
lsa :|NOf

lros recuolua,p telnsse,s
.lnolelnuiujoc ol pueno

.

‘oleld asuodgr aun zaJrs?p

sno^ puenb anb ogsrllln aJlg llop ou uorllsod a/?tuJep euec:sed

auuorlcuo+ au ?l!leuol el ap algrluoc op aur?ls^s al’,(ollnu) IVfJ3c

uolllsod el Jns a^norl es rnalelnulu-roc al enb sdruolbuol lssnv

‘(aq3ieur) No uolllsod el Jns SNoI lnel l! ‘?llleuol ap salqrluoc sep

rnalelntluo3 el apre,l P ?llleuol

aJlleu ploqe,p
el rologJ lnod

.

‘soleuol secuenu ap o!ullu!,nbceld ouJL!e6 aun

Jruslqo,p luolllaulad sno^ sll ’91!leuol op slnalcal?s sal lo fl83uI /soSnlSozV^e8lulu9’gorlllllleloeuvuoor’lleaaupposlaolplguuJaetuuuroleucluouosoprs!la^lpluzaeelua^rJn?delsoo^uJseduuarnJrlaoe^s3lNlJlloan_qLlu3olnI’oaullsejrsl.nnlleeulblatolpoJlecd

op sa3Jnos souleuoc ep s?llrelnJlued sal .rosuoduroc ap lssne la ‘alnllaJ

el ep le senbllsnocp soluracua sap sosuodgJ sel ralgldujoc ap lnq al suec

LV

@@’Tol i J’ CONNEPRCET-PEOOWER

AMP SEPAMTE’D

D I RecT

CApACt-fOR

42

COUPLED COU?LEO

omfi@l DIRECT COUPLED rJt-

orffFl CAPACJIOR CO,PLED

,J

O–

oua PRE POWERSP L&

.oo3 – n o
oo O:eoooYoEO

SOME USEFUL HINTS

With the unit, it
power amplifier

is possible to separate its preamplif ier section from its section and use each section independently of the

other. To separate these two sections, loosen the rear-panel screw

(positioned below the “PRE-POWER AMP” inscription) and set the

siiding switch to the SEPARATED position. (The SEPARATED posi-

tion actually has two position; more about it later.)

With the slider set to “SEPABATED,” another preamplifier may be

connected to the unit’s power amplifier, or another power amplifier

to the unit’s preamplifier. Or it’s also possible to build a multimp

(electronic crossover) system. As noted earlier, the slider has two

positions, “DIRECT COUPLED” and “CAPACITOR COUPLED,”

under its SEPARATED inscriPtion:

DIRECT amplifier;

CthOeUPaLmEpDli:ficTahteio.nunraitn’sgeposwtaerrtsawmiptlhifieDrCwo(drkirsecats

a “DC”
current)’

o When a DC component appears at the output of connected equip-

ment and therefore at the input of the unit’s power ampl’fier,

protection will be activated to protect connected speakers. CAPACITOR COUPLED: A capacitor is connected at the input of the

unit’s power amplifier to eliminated DC components.

‘uoJolulur!le nz alellualod

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sasarp ounlleqcszlnqcs alp tr.lcuds ‘pJrM l6ale6ue soulelsne8 uoues
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‘ (uro.rlsrlcral9l
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ura uuel ratleq3saqalqcs Lualllalse6 O3IVUVd3S uolllsod lne lag

(‘uapJeM ueqollqcsaq taneua6 llundllaz uaJolgds ureula

nz qcopeIa1p’u56unllo]S lervlz sne q3!l]ua6!a ]qelsoq C:IIVUVdf S uo!t

-!sod ero) ‘uellels ofIVUVd:ts uolllsod ]ne laileqcsoqelqcs uop pun

uosol aqneJqcs alqreJqaoue
alleslcnu Jep ue alp nzeo

d’uNaVuuUoflMuOapdJ-e3ruUr dlzl6ausneuolurqlo3slea.greldeaps

lolun ualnl

-sneg uoulazula uaploq elp lep 06’uopJoM luuallaolne aln$pu3 au!a
pun Jallelsrenron uou!a ur qcslrllole uuel Jel.lglsJan aya1.l6e1u1 lesal6

‘OC sluesod

-uroc sel Jauru!l? e- uoje’ ap s?rlua,l ? gqcueJq lsa

ornpallleasJeudadpeu,ol capunocu:ops3s-!lnddnoopcJnuaolsllcc!,vlldduviec,l

‘sa?pJoccer salulacua sal re6gl

-oJd P uoap+ ep g^llce srole eres op acuesslnd ap Jnalecr+lldurql

uoltsalord op llncilJ
ap agJlue,l p cuop

el
lo

‘llaJeddql ‘?proccer

luuoe!sloedcul+.r!oldcuuen,l.peopll.rsonspeusl lgg’,(?llsc:ooOdrsJcrpJlulnseoeJlenOcoOlsl!)ldlucu}eJ3seoedpuulnrllolecoduu.iPnl.lolpoccuuaeotlnuuuoJoocl.l

-cuo, Ioredde,l

ap

aouess!nd

ap

rnaleclllldue,l :Ol’ldnoC ICAUIO :cl3lvuvdls uorldlls6ul uos ap

snossapua’c3ldno3 uo-Ltcvdvc no o3ldnoc I3lulc’suolllsod xnap rns slu eJl? lnad Jnessllnoc ol ‘luatuurapgcqrd n^ e.l uo auluroJ

Jenlllsuoc

ep

lssn'(eanoblq!urossJolcdoll?saulolll’ellloeJde?dsd) es,ololdplllnrnua.lte!3ld!u,r.lldeu?rsa?uJrd?lsa^ls

un rns

gpJoccer aJl? lnod oJuess!nd ap Jnaleclllldule allne un no ‘llaledde,l

sp acuess!nd ap rnalec!+lldure,l p
oJlne un ‘OllVUVdlS uolllsod

?eplrolncscesrraulltolsalnaJndosJsnlelnlpocc!’laldluipeu-?eJndo

‘(ulol snld s?uuop luoJos saJleluaur

–?3lSddunosllsrsltoerdgpe’sl)op’C:sjle-VluUel?V,,d|pfSsuuoollllllssoodd

xnap l!e+ ua e O3lVUVd el .lns luessllnoc lnalelnu,r

-uro3 ol o.lllour la (,,dt v u3Mod-f ud,, uolld!Jcsu!,1 snos e?3eld) ar?ule neauued np sr^ el lallassap ‘suorlcos xnap sac JeJedgs rnod

uotloas anbeqc rasrttln,p la acuesslnd op rnalec!]tld;:”ffi”#”fi”J
Jnaleol+!ldure?rd uollces es rared?s ap alqlsod lse ll’llaredde lac ca^V

8,n

3Sl3fr^NlH lHCllZlnN 3glNl3

slllrn slrssNoc s3n013n0

E 44 D

ao .o o3 E 00 uYulo

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to turn way to

the the

W-ohmenayrko.u) use POWER AMP

the unitt power (mainl amplifier only, connect its lN terminals with a control preamplifier’s output

tWOerUhm.Tinnateylsro.m,inbaulsildanadmauclhtiaanmnepllidfiievridseyrs’ste(me,leccotrnonneicctcrtohsesouvneirt)’sinPpRuEt
teiminats, and the unit’s POWER AMP lN terminals and the channel d ivider’s output terminals’

INPUT

LOW HI6H Lo,rgnj

‘ uapulqja^ nz eqcloMzuanbeiJ
Jep uauurollsbue6sny uep lll salgJag sosslp ueurruallsbue6utf

Nl dylv U3MOd olp pun eqcgemzuenberJ uaqcsluolllale Jsula

ueururalls6ueftr!3 uop lltu solereg seserp uaururolls6ueftny 119 :lUd o!p pu!s eoelueJalJg$Jan-oaMrqeN Jau!a u! 6unpueMJan orp rnj

-snv

uap

‘ uapu!qJo^ sJelJegJo^Jon ueluus.lla6 saule
llur saleJs9 ssselp uaulurslls6ue6ut3 Nl

ueululal ;sDueO
dyV U:|A Od

elp’llos

uepJM lopuaMJe

sole.lo9 ssalp oln$pu3 alp
‘uaqorp (- 6unJollJew

Jnu sllej
Jep nz slq)

.uulsreolazrqn I urep uabeolue uap raurur! sJalleqcs uSMod

bseaplqcusaullvequcrsnqzvslrqaproelb-ueu!f

3ynlOn
ulap Jon

uapurqro^ srelJelsra s6unls!o’l uoluueJla6

souro uaurulalls6ue6u!3 usp llul sopJag sass!p uauJulalls6ue6snv
lno fud olp’lapuaMra^ salgreo sosolp JalJelsJa lon lap Jnu pIM

‘uelleqcsqe Jalre$ra Jon uop r.l3euep

lsro pun olnlspuS elp Slanz ‘lalleqcsaosne Jalre$ran aplaq uopraM

‘uslleqcsnzulo olntspu3 ualuuaJlso rap rotleqcszloN Jap uopunlas

0t eMla qceu lsJe pun slele9 sasolp FlleqcszlaN Jop lsJanz

ls! uuep’uapunqlan elnlspu3 uoluuaJlao Jau!a llur selgra9 saselp
JolJe$Ja^ron p prlM’uepunlss o! eMla lere9 seselp l6!l9uaq

9V

asla.rllleqcs lep pun oun6.ro6ra sounuueds rap 6unrc1s|11qel5 rnz srg

‘leuec ap rnas!^!p np oruos ap sauJoq sel la lleredde,l ep

Nl dt/.{v uSMod sauroq sal slnd ‘(onbluor}cal? uollBred?s) leue3 ap

Jnas!^!p un,p e?rlua,p seuroq sel le llaleddp,l ep -Lno 3ud souroq

sal

zapJocoeJ

‘saldlllnui lldue ‘olg.lluoc op

P suJ?ls^s un zgnlllsuoc sno^ Jnatecll!ldure?id un,p.a!uos sp

pueno sauJoq

sal cs^e Nl dlAV ufMod suroq sas raprocceJ’llaredde,l sp (led

‘(- -!3Ulld) acuessrnd ap Jnalecllrlduie,l lusuialngs zasrllln sno^ pueno

sap

aJlelluoc

susansbrseul rseuleFp.nlbusanut laeJl?!plder, ulsoaJ,c)euaJlnluloo^ut

aun,p soll!nole
op apueuitlo3

el rouJnol ap uros ualq arpuard ‘(f?.rJe) JIO no (eqoreul) NO
uolllsod el rns llos uolleluaul!le.p lnaldnJrelut,l aJllauJ ap lue^V

‘ecuesslnd sp rnale3ll

-!ldue.l ap agJlua,p sauroq sal le InO 3Ud sauroq ses zapJocoeJ
‘llereddql ap rneles!+lldule-grd ol luatrlelnas zesllrln sno^ pueno

‘Jnalecll!ldur*?Jd 9l ellnsue lo acuess!nd

ap lnatecllldue,l uolsual sroq proqe,p arllour ‘srnatecll!lduie xnsp

sel uolsuel sJoq Fur uo pueno ‘ecuesslnd op rnatec!]lldure,l Jnod

eur?rJ op aJlpl sepuocos
lac gJlleur pJoqe,p lne]

0 I uorl^ue sflde srnd ‘uolsuol ll ‘aJuesslnd ep Jnolec!,!lclure

snos aJlne

llaJedde un co^e

llsJeddql ap JnslPc!,!ldule-?Jd al zosrllln sno^ pueno ‘srnelecl,!ldue

seJlne sap uednld el anb’uolsuol snos oslur el ap rlusd g ‘enbuo;

snld nad un (sapuocas O! uoJl^ue) sdual ap apolj?d eun,p uloseq e llaredde,l ‘sl!n3l!c sluaJ?l+lp ss suep uolsual el raslllqe$ rnod

46

The unit’s power amplifier is of the “DC” configuration with capacitors eliminated. Since capacitors are eliminated, phase distortion is reduced. Since a DC amplifier has a bandwidth from DC (direct current) to high

frequencies, it features a wide bandwidth, low distortion and improved

ophase response.
DC components, when may break connected

applied at speakers

the input
or apply

of a power amplifier, undue force to such

speakers. To protect the speakers, therefore’ a protector will be

activated and speakers will emit no sound. When an equipment is

connected to the unit’s POWER AMP lN and the built-in protection

is activated meaning there are
– output slide the PRE-MAIN

DC components at the SEPARATED switch

equipment’s
to CAPACI-

– TOR COUPLED position.

‘uollo$ nz cf tdn03 uoIlSvdvS uoltlsod ,ne ralleqcs oj.l_vuvd3s Nlvh,l-f ud rap ls! uuep ‘(ls!
l6ole6ue lellueloduoJlsqclalg ute ssulalsneg sesarp ua6ue66nv uap ue uep’rnlep uaqclozuv u!a) ue 6unllpqcszlnqcs a!p lqcllds pun uas
-solqrseoue uasqcn8 Nl dtAV ulMod alp ue ulalsneg ule lsl ‘pr!M UndsaOlne le!lualoduloJlsqcrelO au!o uueM’luuallqe qcs!ll>lala uaxoS olp pun pJrM lJol^llle uolos alp ‘lalsnJe&ne Eunlleqcs -zlnqcs Jaulo lrur lgra9 sasarp $l laqeo ‘uarqn, uoxoqlaqcaldslnel lap ounlselJeqn’Mzq 6un6!peqosag nz uauuol uelueuoduol -uroJlsqsrolg al6ala6ue sjellelsJe^sounlslal saula a6ue6utf elp uv . ‘ueqooJa ualleqle ueseqd salJessaqJo^ ula pun ua6unJJoz.lsn aouliao
‘suaJqpues ogoJ6 aulo qJls qsJnpoM’uozuanbalj uaqoq uraJue nz slq (uroJlsqcral9) zH0 uo^ lqcleJ sJalrelsJa uroJlsqclolg seula alle.lq -pueqsbunlsrel ero’ualleqJa uabunqatqssJa^uaseqd auoputllJa^ qcne uapreM uerolesuepuo) rap.llel6aM uap qcJno ‘uoplnM ualulul!l oln$ -lalle$ron Jep sne uarolesuapuo> alle uep ‘q’p’lopl!qa66ne lelJelsJa
-ujoJ$qclalc sle $t salerac sasatp (ialJe$la^s6unlsto-ll olnlspu3 ato

‘ol-ldnoc uo-LlJVdvS uolllsod el rns o:IIVUvdls Nlvl/-3ud rnelelnururoc ol lassrlnof, erlel – luesodulo3 np eruos el I O3 SluesoduroJ sep e A l!,nb eu!u6!s !nb ac – 9^!lce lsa ?Jodrocul uollcslord ap llnclls el anb la [aJedde,l ep Nl dylv u:lMod rns
gpJoccer $a luesoduoc un pueno ‘uos un3ne snld slole luoJlleur?,u salulecue sel le g^ltce eJas uollcaloJd op llncrlc un ‘reogloJd sol lnod
‘ocuanbgsuoc ul ‘selulscuo soJ ? an^gJdru! alulerluoc aun Jasodur! no sagprocseJ saluracua sal JaJou?l9p lned ele3 ‘ocupsslnd ap
rnalecll!ldure un,p agJlua,l.P clc sluesoduroc sep anbrldde uo pueno
e?Jorl?ure eseqd ue asuodgl eun le uols.lolq alqlel oun’apueq ap Jnabrel apuero sun .led asu?lseJec as l! ‘sa3uanb9
salneq xne,nbsnf (lcerc lueJnoc) 03 ep apueq ep Jnaorel aun ep?ssl c3 rnalecl+rldrue un auru,roc ‘olrnpg] lsa aseqd ap uolsJolslp el ‘s?ulu4 luos sinelesuapuog”sal aLutlo3 ‘s9u!uj!l? srnelesuapuos sel ce^e ,,o: uollernolluoc el suep lss llaredde.l ap ocuesslnd ep Jnolesulldu2,

LV

48
u*:

ior reproauction of oS+ and So+ 4channel sources – records, tapes – and radio broadcasts the appropriate decoder is required and connec-
tion should be made as illustrated. For 4channel reproduction in this arrangement, push the unit’s TAPE PLAY “TAPE-2″ button and the TAPE COPY switch to SOURCE position. The remaining operations are the same as those for stereo reproduction. . A tape deck should be connected to the decoder’s tape in/output
terminals.
t OS is a trademark of Sansui.
SO is a trademart of CBS, lnc.
AUX

‘JUl S8J uo^ uaqorazuareM ule lsl os
‘rnsues uo^ uaqJ!azuaJeM ula lsl SO I
‘ uapJa/v uassolqcsa6ue sJspocao
sap o6ue66nv/a6ue0u!3-puequol olp ue alllos leJebpuequol ul3 .
‘aqeolapo!M-oaJols lnt alM qclal6
puls a0ue6Jon uapuaqo+ alo ‘uallols nz Scunos uolllsod lne lalleqcs AdoS ldvl .rop pun uolcnrp nz alsel,z-advL,, AVld fdvf alp lsl ‘Jquacape$uueeelqdocllse’uJqadolseslullq-o+cOusn!Sazurlaesplloeula-e*cuSiuOsloesuJaoolopnJuduelouunoolupllnu)npnpluloq -.qdpveuulen-leuuueeJbalJpeJualnepqquclonelo-j

‘lul S8f, ap agsodgp nbreul aun lsa OS

‘r nsues ap a?sodgp an bieuj aun lsa SO +

‘rnapoc9p np opueq ap allJos/a9lluo

sauJoq xnp a?proooer erl9 lrop euoqdolguoetu ap aulleld aun .

‘o?J?ls uollcnpotdeJ aun Jnod .ltlduloJce e,

salloc onb sot!?ur sal luos saluelsaj suoller?do sal ’33UnOS uolltsod

ef rns AdoS fdvl rnoletnururor el la ,,2-3dvL,, AV-ld fdvl uolnoq

al racuolus’uorllsodslp ouac suep xneuec-t uollsnpoldal aun lluolqo

rnod ‘aln6l’ el suep ?rluouJ lsa l! auJuloc 9nlcalla ollp el^ap luaur

-laap.sroacpcuee.rqa’lslaenbersletpss-ac?*uOlSsowgud+oSJOddxenrenuaepo)tcpupolalsln-pooJldpaelJ

suolsslu.l9
oun Jnod

6t

50
F ront Partie frontale F rontseite

k'”
Tighten
Serrer
– Festziehen
sl’-

Rack mounting adaPtor Adaptater de montage d’6tagdre Haltekonsole

@

Rear stand

o

Support arridre

c)

Hinterer Halter

&

‘uaqelpsne uaqnelqcs
uetuqclozoq (g) pun (V) ilUl 6qnpt!qqV JOp ur srp sle arapue sleuJalN :lrlf,rsJon

‘[rlJON
–6Vrllsfaleg-Jugelpo6tuLollcel]jldeHsluarapua6qunne6lq!ecslssboun!O o
‘Msn raunl uap Jn,r. qcrol6 qcopaf ]s! oueoJon rap llllolsooJep sjelreNio^ron
sop aoeluot^ alp lsl bunpllqqv rep ul .
‘oues alqcal pun a)u!l
arp rn+ qcrel6 sper’aaf puls JelleH uarslulq
olp qcne sle uolocuolalleH olp lqoMos . ‘uqarzlsel 61tqc1r ueqnerqos allV . ‘((c) pun

(C) ) re!^

uaJerluour ueqneJqcs uauela!labltul
uep llur lelleH uarelulq uoploq slo

‘8

‘ua6!$eleq

uaqnerqcs :e;n uagqerpabane puaqebtaq

-Jo^ uop llui qseuep ualosuolalleH elo ‘z

uraula

llur

‘uaqerpsne JeqalzuaqneJqcs
(8) pun (v) ueqnerqcs ero

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fHlts)

ScvrNot

-tv93u(oNltnool

l88v unr

t9

N3-IOSNO)fI-IVH U3C NfCNIUENV

rur rvS9vtonvgNtS

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-lcgds xne ouuoluoc lso sal?6el?,p ebel
-uour ap srnaleldepe sop sl^ sap “se”dJalal

‘Jaunl un ‘alduraxa red ‘ca^e aui?ur el

lso ainpgcord el sleur’elduiexa us lnelec -Urldure-grd un eJluour uo aJnou el sueo

‘eqcneb le lorp sgloc sel rnod sanblluep!

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1e sargbelg,p aOeluour ep sJnaletdepe sa-l a

lueualJo+

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sal

salnol Jo.l.las
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a

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uo ss.l?lJre suoddns xnep sel leJlas ‘e

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un,p

ople,l

I

(e)

ra

(v)

s!^

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sal ra^aluf

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(3Un9H V-l Ulon)

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I9VINOn lO fwl tV9VtCt

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snnelcs Aue e^oursJ JeAo ION oO :uotlne3

‘suorlecr+ !cads

Vl:l eq} q]!M ocuepJor3P ul ourlunour )ceJ eql ‘,ctloe’qlacullndl

s! slotdepe
Melcs aql e lol oules

.

oql s! eJnpacoid aql lnq ‘eldulexa ue se JallllduJeerd e sMoqs uollerlsnll! aql .

‘seprs lq0!J

pue pue

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ale spuels
lcel aLll

reeJ
qlog

.

inol

‘((o)

‘A;ur11 srurarcs ;1e ualq6tl
pue (J))sMarss 6ul edLlocce

aql 6ursn spuels reer oMl aql ualsel,

r ‘t

‘o^oqe pa^ourar sMeJcs lnol oql

r.llrM sroldepe 6u!)unouJ >lcer eql uelseJ ‘Z

‘JAAIipMAJCS
e 6ulsn (E) pue (v) sMeJcs e^ourou ‘l

cN[Nnont >f,VU HSVIIVSUOO.Il-dMVOOHV

ruvu9vto 9NtlNnoill

SPECIFICATIONS

Powor output

52

Min. RMS, both channels driven, from 20 to 20,000H2, with no

more than O.O8255ow/oatotttsaPl ehrarcmhaornlniceldiinsttoorItioonhms

Lod impedance

8 ohms

Powerbandwidth. . . .

. . . 20 to 20.000H2 at or below

rated min. RMS Power output

and total harmonic distortion

Total harmonic distortion (POWER AMP lN) less than O.O25o/o at or below rated min. RMS power output

lntermodulation distortion l7O Hz: 7 k1z = 4:1 SMPTE method )

.

less than 0.025%

Frequency response (at 1 watt) (POWER AMP lN)

Damping factor .

DC to 200O00 Hz +0dB
approximately 60 at

-3dB 8 ohml

load

RIAA curve deviation (PHONO)

+(200.2todB20-,o0O.20dHBz)

(zH oo0 0z
P OZ) Sp Z’0- ‘Apz’o+

(oNoHd) vvlE o+no3 aP uolre!^9o

‘a6leqc
ap surr.lo 8 le^e 09 uoll^uf

‘

luauressllroule,p luolrllleoc

slq zHoz) ap./o- ‘alzHpdozo+ (oNoHd) ounlqcla^ qeua^rn)-vvlu

Bpe- 8p0+ zH 000 002 ? cc (Nl drAV ulMod) (ltPM ! e) ecuanb?il aP asuod?U

]se-l urr]o 8pe-gpo+ zH

0Ioola’0q0029sleq M3C13’

‘

‘

.rol{e}s6unldueo

(Nt dnv ulMod) (M [ !aq) oue6zuenberj

o/ogzdo sle ra6ruaM

v”gzo’o ep suroy
(f -‘aLpdeycrs++eapoaqletu?lulurluI.lva-luozsql L zH o1) uollelnpouuelul,p uolsJolslo ap acuessrnd el ap snossap

(epoqlefj f ldyS t:t = zHl L zHOLI ounlezrensuollelnpourrelul
6un$tels6ue6

ua no alsnl %ZO’O aP suroY (Nl dylv UIMOd) elelol enbluourreq uolsrolslo

-snguuaN rg^lllella’urur Jelun

‘aleurlulu.l

rapo laq %o9zd o sle JaorueM

peloJlr | > pun ounlsgalsoueo

-sneuuaN’oA!lla+la’ u!il.l Jelun
rspo raq z9 ooo’oz slq oz

‘

ulr’lo8’

(Nl dylv u3Mod) per6rrll) ellerqpustF6unF!.’l
‘zuBpedullls?’l

elelol enbruouJleq uo!s.lolslP

el I ap

la oceJll+o aruesslnd

eleuilulLu aluos
el ap snossaP

ua no alsnl zH OOO’OZ ? OZ

suiqo 8

‘ ‘

‘

eluecsed apreg ‘efueqtaPecuepgdul

rlqo I ue lzue> oJd M 98

sutr{o B co^e leuec led s}leM 98

e9

perbrrl) o/oga0iOsle lqau qclu U(u zH OOO’OZ slq 0Z uo^’ueqalrleoue aleue> apleq ‘a lllalle ‘ult l
EunlslaF6ue0env

‘ f elol onbr uoLlreq Q OZep ‘uollcuol

uols.tols! p ap o/ogzo’ o ap snld sPd ca^e’ zH 000’02 ua xneuec xnop sal ‘eleulu!ul o3eclllo acuess!nd

eluoe ep e:tusssllu

Ntil3H13ZNl3 :IHCSINHCsI

sNolrvclJlclds

54

lnput sonsitivity and impedancs (1 kHz, for ratd power output)

PHONO

…2.5mVl47kilohms

(Max. input capability; 350 mV at 1 kHz, less than 0.017o total

harmonic distortion)
AUX, TAPE

. . 150 mV/47 kilohms

Output leYel (l TAPE REC

,000 (pin

Hz)
jack)

. . . 150 mV/47 kilohms

PREOUT

… 1v147 kilohms

Channel soparation
PHONO

(1 kHz,

at

ratd

power output)
.. betterthan6OdB

AUX..

.. betterthan65dB

Hum and nois (shortcircuit, A-network)

PHONO

….78d8

AUX..

….100dB

Controls
BASS.. Toneselector
TREBLE Toneselector
SUBSONICFILTER HIGH FILTEB

…. +10dB(50H2)

‘.

. .. …

2OO,4OOHz
+10d8(15kHz)

… ‘ ‘ 3,6kHz

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Porver requirements Power voltage
Power consumption Maximum consumption
Rated consumption ,
Dimentions
Weight .

1 00, 1 20,220,240v ( 50/60 Hz)

120V 60Hz

((Ufosra. bUle.S1.A1.0&-

130V) Canada

only)

735 watts 425 watts 500 VA
430mm (16-1 5/16″) W 168mm (65/8”) H
389 mm (1 5-3/B”l D 17.8 kg (39.2 lbs) net 19.8 kg (43.7 lbs) packed

Design and specifications subiect to changes without notice for
improvements. ln order to simplify the explanation illustrations may sometimes differ from the originals.

SAI.ISUI ELECTRIC CO., LTD.
14-1 lzumi 2-Chome, Suginami-ku, TOKYO 168. JAPAN TELEPHONE: (03) 323-1 11 1/TELEX, 232’2076

Prlntd in Japan (87M3) (9202500)

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