AKAI Ewi Solo Instrument With Built-In Speaker User Guide

AKAI Ewi Solo Instrument With Built-In Speaker

Introduction

Thank you for purchasing the EWI Solo. At Akai Professional, we know how serious music is to you. That’s why we design our equipment with only one thing in mind—to make your performance the best it can be.
Support
For the latest information about this product (documentation, technical specifications, system requirements, compatibility information, etc.) and product registration, visit akaipro.com.
For additional product support, visit akaipro.com/support.

Getting Started

Important
Before operating the EWI Solo, please note the following:

• Do not bite the mouthpiece too hard—this can damage the vibrato sensor. Use the mouthpiece cover after using or while carrying the EWI Solo.
• Always touch the grounding plate and octave rollers when playing. These are sensors which use the performer’s body as the ground.
• Keep the mouthpiece clean before, during, and after using the EWI Solo. You can clean its outer surface with a slightly damp cloth.

Power the EWI Solo

The EWI Solo is powered by a rechargeable battery. Please note the following about using it:

• Charging : Use the included USB cable to connect the EWI Solo’s USB port to either (A) the included USB power adapter, connected to a power source or (B) an available USB port on your computer (powered on). You can charge the battery while using the EWI Solo. While charging, the Power LED will blink slowly.
• Power : EWI Solo will power on automatically when connected to USB. To power on EWI Solo when not connected to USB, press the Power button. To power off EWI Solo, press and hold the power button for one second.
• Battery life : Check the battery life by viewing battery icon in the lower right corner of the display. Turn or press the encoder to activate the display, if necessary.
• Low-battery warning: When the battery power is low and EWI Solo is not connected to USB, the Power LED will flash quickly and the battery icon in the display will blink to indicate that you should charge the battery.
• Auto-power-off: If the EWI Solo detects no activity for approximately 30 minutes, it will power off automatically. You can disable this option in the Global Menu. In general, though, power off the EWI Solo to preserve its battery life when you are not using it.

Hold the EWI Solo

1. Secure the neck strap to the EWI Solo’s neck strap mount.
2. Place the strap around your neck and hold the EWI Solo with your left hand on the upper keys and your right hand on the lower keys, with the instrument vertically right in front of you and the bell (speaker) pointed down.
3. When playing, place your left thumb on the octave rollers in the back, and place your right thumb between the thumb-hook and pitch-bend plate. This will ensure the best possible conductivity and performance of the instrument.

Connect

Important: The scenarios below are not mutually exclusive. The EWI Solo can send out audio from its Line Out, from its Phones jack, and through the built-in speaker all at the same time. The exception is when the EWI Solo is connected to your computer and powered off (the third scenario in this section): it will send MIDI messages to your  computer but not send any audio. To disable the built-in speaker, use the Global Menu.
To play EWI Solo’s audio through an external amplifier, audio interface, etc.:

1. Use a standard 1/4″ (6.35 mm) cable to connect the EWI Solo’s Line Out to the line-level input of your keyboard amplifier, audio interface, etc.
   Important: The Line Out is a mono output. Use a TS or TRS cable to connect to a mono input (like those on most keyboard amplifiers, audio interfaces, etc.).

2. Press the EWI Solo’s Power Button to power it on.

To play EWI Solo’s audio through headphones:

1. Connect standard 1/8″ (3.5 mm) stereo headphones to EWI Solo’s Phones jack.
2. Press the EWI Solo’s Power Button to power it on.

To play EWI Solo as a “wired” MIDI controller:

1. Make sure EWI Solo is powered off. If it is not, press and hold the Power Button for a full second.
2. Use the included USB cable to connect the EWI Solo’s USB port to your computer.

Play!

Hold the mouthpiece gently between your lips with your teeth, and exhale so your breath passes through both sides of your mouth. The EWI Solo detects this wind pressure with the breath sensor and expresses the change in sound volume and character, depending on how you blow. (It should not take much breath to activate the instrument.)
Tips:

• There is a bite sensor in the mouthpiece. You can produce a vibrato effect by gently biting the mouthpiece, which will bend the pitch up each time you bite, but do not bite too hard.
• You can articulate the notes you’re playing by tonguing the mouthpiece for even more expressive control.
• If the EWI Solo’s note keys, octave rollers, pitch-bend plate, or glide plates are not very responsive, it could be because you are playing with dry hands (the EWI Solo works by using the body’s capacitance). If this happens, you can use a very small amount of non-greasy hand lotion to improve the connection between your hands and the keys. You can also try adjusting the Sensitivity settings of these features in the Global Menu.

Note Keys: The note keys are sensors that let you produce sound with only a light touch. The EWI Solo has multiple fingering options, so it can feel familiar to saxophonists, flutists, etc. You can adjust the position of the three lowest keys by loosening the screws that hold each of them in place, moving them to match your preferred playing style and then retightening the screws.
Important: Use caution when loosening the screws as they may become separated from the body of the instrument. Octave Rollers:
Place your left thumb between any two octave rollers (and over the grounding plate) on the EWI Solo’s back panel. Slide your thumb up or down across the octave rollers to shift its octave range up or down. While playing, keep your left thumb in contact with the octave rollers. The position between the two knurled octave rollers indicates the standard pitch.
Glide Plate :
While playing a note, move your thumb across the octave rollers (without rolling them) while touching the glide plate on their right side to create a “glide” effect. This will smoothly and continuously slide the pitch up or down—a technique known as portamento.
Pitch-Bend Plate :
Touch your thumb to this plate to move the pitch of the note you are playing up or down depending on your settings, which can be adjusted in the Global Menu (by default, this is set to pitch down). Before you get accustomed to using this plate, you may produce unexpected sounds by touching it accidentally. You can adjust the position of the plate by loosening its screw, moving it to your preference and then retightening the screw.

Features

1. Mouthpiece : Hold the mouthpiece gently in between your lips with your teeth and exhale into it (like a traditional wind instrument). You can produce a vibrato effect by gently biting the mouthpiece while blowing into it, but do not bite too hard.

2. Note Keys: Press these keys in different combinations while blowing into the mouthpiece to determine the note. See Appendix > Fingering Charts for more information.
   You can adjust the position of the three lowest note keys by loosening their screws, moving them to match your preferred playing style and then retightening the screws.

3. Hold Button: Press this button to enter Hold Mode. By default, Hold Mode is set to Legato; the first note of a phrase will sustain while you play subsequent notes. Use the Global Menu to adjust this setting.
   While viewing a Program or Favorites list, press and hold this button to move to the previous program.

4. Interval Button : Press this button to enter Interval Mode. By default, this is set to Fixed Interval; when you play a note, that note and the note at the assigned interval will sound (an octave below, by default). Use the Global Menu to adjust this setting.
   While viewing a Program or Favorites list, press and hold this button to move to the next program.

5. Display: This screen allows you to view programs, browse menus and edit parameters.

6. Encoder : This encoder is used to navigate the display and select presets, depending on which mode is selected. When no mode is selected, turn the encoder to adjust the audio volume.

7. FX (Effects) Button : Press this button to view available effects and set their level. Use the encoder to select Reverb, Chorus, or Delay, and adjust the available parameters. To return to the previous page or exit the FX menu, press the FX button again. See Operation > Using FX for more information.

8. Program Button: Press this button to view the Program list in the display. Turn the encoder to scroll through the programs and press it to load. See Operation > Programs for more information.

9. Global Button : Press this button to enter the Global Menu, where you can adjust various hardware settings. See Operation > Global Menu for more information.

10. Edit Button: Press this button to access the program editing controls, where you can adjust the Pitch Tuning, Filter and LFO 1/2 settings for the current program. See Operation > Edit Mode for more information.
    For advanced editing, download the EWI Solo Editor Software at akaipro.com.

11. Save Button: Press this button to save the current program along with any changes to one of four Favorite lists, where you can quickly access your most-used programs. If changes have been made to the preset, the LED above this button will be lit. Selecting another preset before saving will discard any changes. See Operation > Programs for more information.

12. Trans (Transpose) Button: Press this button to activate or deactivate the transposition function. Its LED will light up when transposition is activated. To adjust the transposition value, press and hold this button, turn the encoder to select the value, and then release this button.

13. Favorites Buttons: Press these buttons to quickly access a list of saved programs. Programs can be added to a list by using the Save button. See Operation > Programs for more information.

14. Grounding Plates: Always touch these plates while playing.

15. Octave Rollers : Move your thumb up or down over these rollers to shift the note keys’ range. You can shift them up to four octaves higher or up to two octaves lower. Always touch these octave rollers while playing. When the rollers are not touched, EWI Solo will play the lowest octave.

16. Glide Plate : Touch this plate while playing a note to produce a “glide” effect, which smoothly and continuously slides the pitch up or down—a technique known as portamento. This can also be used to send custom MIDI CC messages.

17. Neck Strap Clip: Connect the included neck strap here.

18. Pitch-Bend Plate: Touch this plate while playing a note to raise or lower its pitch, depending on the Pitch Bend Plate setting in the Global Menu. You can adjust the position of this plate by loosening the screw.

19. Power : Press and hold this button for a full second when EWI Solo is not connected to USB to power it on or off. A message will appear on the display to indicate the unit is powering off.

20. Aux Input: Use a 1/8″ (3.5 mm) TRS cable to connect this input to the output of an audio device. The signal will be routed to the phones, line out, or speaker, depending on which output is being used.

21. Phones: Connect headphones (optional, sold separately) here with a stereo 1/8″ (3.5 mm) cable.

22. Line Output : Use a 1/4″ (6.35 mm) TS or TRS cable to connect this mono output to the input of a keyboard amplifier, audio interface, speaker system, etc.

23. USB Port : Use a standard USB cable to connect this port to an available USB port on your computer. This connection will power the EWI Solo and charge its battery as well as send MIDI messages to your computer.

24. Battery Compartment : Use a standard Phillips-head screwdriver (not included) to remove the battery compartment cover, install the battery, and re-secure the cover.

25. Drain Valve : This valve is used to drain built-up moisture from playing.

26. Speaker: This built-in speaker will play the current audio from EWI Solo. Use the encoder while no mode is selected to adjust the volume. To turn the speaker off, use the Global Menu.

Operation

The EWI Solo is a wind-instrument-type MIDI controller with an internal sound module and built-in effects. It allows you to perform with the articulation of an acoustic instrument but also with the character of an electronic instrument with a wide variety of sounds and tonal colorings.
The EWI Solo is a musical instrument much like other acoustic instruments, so the more you practice, the better you’ll play. You may find it challenging at first, but as you find and develop your own playing style, we think you’ll find it has unlimited possibilities—there are no hard and fast rules.
For reference, you can see an overview of the entire menu structure of EWI Solo in Appendix > Menu Structure.

Programs

EWI Solo’s internal memory includes 200 built-in programs with a variety of sounds and settings. You can switch from one Program to another to change your sound and sensor settings instantly.
To select a program:

1. Press the Prog button to view the list of programs.
2. Use the encoder to scroll through the list, and then press it to select the program.
   Alternatively, hold the Hold or Interval buttons to the previous or next program, respectively, and immediately load it. You can keep holding either button to step through the patches once every second.

You can also use Direct Mode to quickly select a specific program:

1. Press and hold either the Prog button or one of the FAV buttons. Holding the Prog button will select from the Program List, and holding a FAV button will select from the chosen Favorites list.
2. While still holding, touch one of the 14 keys and blow into the mouthpiece. EWI Solo will load from the first 14 programs in the selected list based on the key you are holding.
   Note: If you are holding more than one key, the top-most key will be given priority; for example, if you are holding the K2 and K3 keys when you blow into the mouthpiece, the second program or favorite in the list will be selected.

Saving Programs & Favorites

When you make changes to a Program, the Save LED will light to indicate the changes have not been saved. To save changes to a program, use the Save function to add the program to one of four available Favorites lists. You can also use this function to organize your favorite presets, such as for a setlist.
To save a program in a Favorites list:

1. Press the Save button.
2. A prompt will appear on the display asking where you would like to save the program. Turn the encoder to select FAV1, FAV2, FAV3 or FAV4, and then press it to confirm.
3. The current list of 25 programs in the chosen Favorites list will be shown. Turn the encoder to select the slot where you would like to save your program, and then press it to confirm.
4. A prompt will appear on this display for confirmation. Use the encoder to highlight Yes, and then press it to save the program in the selected slot. Select No to return to the Favorite list and select another slot or exit.
5. Once the program is saved in the Favorites list, it will automatically be selected. Press the FAV1, FAV2, FAV3 or FAV4 button again to exit the Favorite list.

Edit Mode

EWI Solo’s Edit Mode allows you to adjust the internal programs to your preference.
To use Edit Mode:

1. Press the Edit button to enter Edit Mode.
2. Use the encoder to scroll through the available edit options: Pitch Tuning, Filter, LFO 1 and LFO 2.
   • Pitch Tuning: This determines the coarse pitch tuning of the program, up to an octave lower or higher than the pitch played (-1200 – 0 – +1200 cents).
   • Filter :
   • Cutoff: This determines the center frequency of the filter (-100 – 0 – +100%).
   • Resonance: This determines the amount of additional amplification of the cutoff frequency (0 – +22.5 dB).
   • LFO 1: This low-frequency oscillator is a slow-moving sine wave that can be used to modulate the filter, pitch or amplitude.
   • Frequency: This determines the speed of the LFO (-100 – 0 – +100%).
   • Delay: This determines the amount of time before the LFO is activated (10.0 ms – 9.99 s).
   • Amplitude: This determines how much the LFO affects volume, creating a tremolo effect (0.0 dB – +12.0 dB).
   • Filter: This determines how much the LFO affects the filter, creating “wah-wah” effects (-100 – 0 – +100%).
   • LFO 2: This determines the amount of modulation (CC#1) applied to the program.
   • Frequency: This determines the speed of the modulation’s low-frequency oscillator (-100 – 0 – +100%).
   • Delay: This determines the amount of time before the LFO is activated (10.0 ms – 9.99 s).
   • Pitch: This determines the coarse pitch tuning of the LFO (-1200 – 0 – +1200).
3. Push the encoder to view the selected option’s parameters.
4. Turn the encoder to adjust the parameter, and then press the Edit button to return to the previous page.
5. Press the Edit button again at any time to exit Edit Mode.

If you like the adjustments you have made and want to save them to the program, press the Save button and then use the encoder to select a Favorite list where the program will be saved. See Programs > Saving Programs & Favorites for more information on saving changes to a Program.
Important: When saving, only the settings that apply to the program will be saved. Settings that apply to the EWI Solo will affect all Programs because they affect the sensors and tuning of the EWI Solo hardware itself.

Using FX

You can use the EWI Solo’s FX Menu to apply and edit three different effects to its audio output: Reverb, Chorus, and Delay.
Important: Your EWI Solo’s audio output must be enabled to edit its effects. If you are using it as a MIDI controller only (its Preset LED is flashing), enable its audio output by pressing and holding the Power Button until its Preset  LED is lit solid.
Tip: When FX are added to a Program, the Save LED will light to indicate changes have been made. See Programs Saving Programs & Favorites for more information on saving changes to a Program.

Reverb

Reverb is a spatial effect, simulating the nuanced reverberation of sound in the space of a particular room.
To add Reverb to the Program:

1. Press the FX button.

2. Use the encoder to select Reverb, and then press it to select.

3. Use the encoder to select the Reverb setting, and then press it to select: Off, Small Room, Large Room, Hall, Cavern or Custom.
   The Custom setting has the following parameters:

   • Level: This determines the amount of reverb (0–100).
   • Damping: This determines the how much the simulated room absorbs high frequencies as the reverberated sound decays over time (0 [no absorption] – 100 [most absorption]).
   • Room: This determines the size of the room simulated (0 [smallest] – 100 [largest]).

4. To exit the FX menu, press the FX button again.

Chorus

The Chorus effect modulates the pitch and a delay of the input signal, which are then added to the dry signal. In small amounts, this creates the illusion of multiple voices playing at once.
To add Chorus to the Program:

1. Press the FX button.

2. Use the encoder to select Chorus, and then press it to select.

3. Use the encoder to select the Chorus setting, and then press it to select: Off, Light, Medium, Heavy or Custom.
   The Custom setting has the following parameters:

   • Level: This determines the amount of chorus applied (0–100).
   • Rate: This determines the rate of modulation for the chorus effect (1–3 Hz).
   • Depth: This determines the depth or intensity of modulation for the chorus effect (0 [subtle] – 100 [heavy]).
     Use the encoder to select the parameter, and then press it to move to the next page. Turn the encoder to change the parameter value, and then press the FX button to move back to the previous page.

4. To exit the FX menu, press the FX button again.

Delay

The Delay effect produces an echo of the original signal for a specified period of time.
To add Delay to the Program:

1. Press the FX button.

2. Use the encoder to select Delay, and then press it to select.

3. Use the encoder to select the Delay setting, and then press it to select: Off, Short, Mirror, Long or Custom. The Custom setting has the following parameters:

   • Level: This determines the amount of delay applied (0–100).
   • Time: This determines the rate of the delay (0.0–742.9 ms).
   • Feedback: This determines the amount of delay signal routed back into the effect (0–100)
     Use the encoder to select the parameter, and then press it to move to the next page. Turn the encoder to change the parameter value, and then press the FX button to move back to the previous page.

4. To exit the FX menu, press the FX button again.

Global Menu

The EWI Solo has been given optimal default settings, but we recommend adjusting them to your preference to get the most out of your performance. You can customize these settings in Global Mode.

• To enter the Global Menu, press the Global button.
• To navigate the Global Menu, turn the encoder.
• To select a submenu or option, press the encoder.
• To move backwards in the Global Menu or exit it, press the Global button.

Though adjusting the settings may seem complicated, you won’t need to it every time you perform. The values you set are essential to the EWI Solo’s functionality, and your performance will be much more expressive and precise when the settings match your playing style. Once you adjust everything to your preference, you won’t need to adjust anything much further.
You can adjust the following sensors. Click one of them to skip to that part of the chapter.

• Breath Sensor
• Bite Sensor
• Key Action
• Fine Tuning
• Fingering
• Glide Plate
• Pitch Bend Plate
• Hold Button
• Interval Button
• LFO/Modulation
• MIDI Channel
• Speaker
• 30min Idle Shutdown
• Patch Font Size

Breath Sensor
The mouthpiece’s breath sensor translates the strength of your breath into the volume and character of the note you’re playing. It’s important to set the sensor’s sensitivity so it suits your playing style.
Tip: If this is your first time using the EWI Solo, you may want use a “lighter” breath sensor setting for easier blowing. With practice, you can set this control at a “heavier” setting for a more expressive performance.

• Offset : This determines the minimum amount of breath required before playing a note (0–100).

• Sensitivity : This determines how responsive the breath sensor is to the amount of breath you use (0–100).

• Learn Mode : While blowing into the unit, press the Hold or Interval buttons to latch minimum or maximum level, respectively. The current Offset and Sensitivity values are shown at the bottom of the screen.

• Capture Delay : This determines how much delay there is between the moment you blow into the mouthpiece and the Note On message is sent (1–10).

• Output Mode : This determines what type of MIDI data the Breath Sensor sends.

  • Breath CC: In this mode, the Breath Sensor sends either a single breath message using CC#2, or a high-resolution breath message using both CC#2 and CC#34.
    Select Low to send messages using only CC#2, or select Hi to send messages using both CC#2 and CC#34 (an additional message will be sent using CC#88 before each Note On Message, except when the velocity is locked).

  • Volume CC : In this mode, the Breath Sensor sends either a single volume message using CC#7 or a high-resolution volume message using both CC#7 and CC#39.
    Select Low to send messages using only CC#7, or select Hi to send messages using both CC#7 and CC#39 (an additional message will be sent using CC#88 before each Note On Message, except when the velocity is locked).

  • Expression CC: In this mode, the Breath Sensor sends either a single expression message using CC#11 or a high-resolution expression message using both CC#11 and CC#43.
    Select Low to send messages using only CC#11, or select Hi to send messages using both CC#11 and CC#43 (an additional message will be sent using CC#88 before each Note On Message, except when the velocity is locked).

  • After touch : In this mode, the Breath Sensor sends After touch (polyphonic pressure) messages.

  • Channel Pressure : In this mode, the Breath Sensor sends Channel Pressure messages.

  • Custom CC: In this mode, the Breath Sensor sends a custom MIDI Continuous Controller (CC) message.

  • Controller Number : This determines the custom controller number for the Breath Sensor (0–127). Important: We recommend not touching the mouthpiece while changing this parameter to prevent accidentally muting the EWI Solo’s output while moving through CC#7 (Volume).

  • No Breath : This determines the value that is sent by the controller number when you are not blowing into the mouthpiece (0–127).

  • Breath: This determines the value that is sent by the controller number when you are blowing into the mouthpiece (0–127).

• Lock Velocity : When this is on, the breath sensor will not affect velocity; all Note On messages will be sent with a fixed velocity.

  • Enable: This determines whether Lock Velocity is enabled or disabled (Off, On).
  • Output Velocity : This determines the fixed velocity value sent by Note On messages (0–127).

• Constant Output : When this is on, the breath sensor sends breath messages with a fixed value and continually outputs sound. This can be useful when working with external effects or using the EWI Solo as a sound source.

  • Enable: This determines whether Constant Output is enabled or disabled (Off, On).
  • Output Velocity : This determines the fixed value for breath messages (0–127).

Bite Sensor
The bite sensor controls the character of the vibrato effect you generate when you bite the mouthpiece while playing a note.
Note: The vibrato effect is obtained by biting the mouthpiece many times rather than a single steady bite.

• Sensitivity: This determines how responsive the bite sensor is to the amount of pressure used (0–25). The higher the value, the less pressure required when biting the mouthpiece.

• Filter: A high-pass filter will be applied to the bite sensor (Off, On). When this is on, any note that sounds as you bite the mouthpiece will eventually return to its original state, even if you bite continuously.

• Output Mode : This determines what type of MIDI data the Bite Sensor sends.

  • Off: In this mode, the Bite Sensor is disabled.

  • Pitch Bend : In this mode, biting the mouthpiece will bend the pitch of the note being played (-63 – 0 – +63).

  • Add to Breath : In this mode, biting the mouthpiece will change the Breath Sensor’s output (-63 – 0 – +63).

  • C ustom CC : In this mode, biting the mouthpiece sends a custom MIDI Continuous Controller (CC) message.

  • Controller Number : This determines the controller number that is sent when you bite the mouthpiece (0–127).
    Important: We recommend not touching the mouthpiece while changing this parameter to prevent accidentally muting the EWI Solo’s output while moving through CC#7 (Volume).

  • Not Biting: This determines the value that is sent by the Controller Number when you are not biting the mouthpiece (0–127).

  • Biting : This determines the value that is sent by the Controller Number when you are biting the mouthpiece (0–127).

Key Action
The EWI Solo’s note key action is preset to accommodate rapid changes in fingerings, but you may occasionally produce unexpected sounds, depending on your playing style. In this case, you may find that you can play more smoothly by adjusting the Key Delay.

• Key Delay : This determines how long a key must be held before registering a key press (1–20).
  Tip: You can play notes more smoothly with a larger Note Delay value, but it may prevent you from playing quickly. We recommend setting as small a value as possible.

• Key Sensitivity : This determines how responsive the keys are to touch (1–13). The higher the value, the lighter touch required to trigger the note key.

• Enable K10 : This determines whether the K10 key is enabled (On, Off). By default, the key is enabled. When disabled, the K10 key will have no effect on notes but can still be touched to perform other key actions such as Direct Mode.

Fine Tuning
This determines the fine tuning of the EWI Solo (-100 – 0 – +100 cents). For coarse pitch tuning, use the Pitch Tuning setting in the Edit Menu.
Fingering
The EWI Solo lets you select from different fingering modes to accommodate different styles of playing.

• Standard EWI : This mode is the standard fingering for the EWI Solo, based on the fingering of conventional woodwind instruments.
• Saxophon e: This mode closely represents the fingerings of a standard saxophone. In this mode, EWI Solo will ignore fingers that are two notes below the highest note.
• Flute : This mode closely represents the fingerings of a standard C flute, though flutists will have to familiarize themselves with a few new fingerings to properly adapt their performance to the EWI Solo.
• Oboe: This mode resembles that of a standard oboe, though oboists will have to familiarize themselves with a few new fingerings to properly adapt their performance to the EWI Solo.
• EVI: EVI stands for electronic valve instrument. This mode may be useful to players who wish to use fingerings closer to those of a brass instrument.
• Reverse EVI: This mode most closely resembles the movement of the left wrist on an actual EVI (recommended mostly for experienced EVI players).

Please refer to Appendix > Fingering Charts to see the differences between the various fingering modes.
Glide Plate
The EWI Solo’s glide plate lets you use a glide effect called portamento to move between notes for greater expressiveness in your performance. Alternatively, you can set the glide plate to send messages for other individual MIDI Continuous Controllers (CCs).
Important:
Make sure Portamento is selected as the Glide Plate mode if you want to use the portamento effect. The EWI Solo’s synth needs this setting to be enabled in order for portamento to work properly.
Some sound modules may not handle portamento messages well, which could generate some undesirable sounds. If this is the case, make sure Portamento is not selected as the Glide Plate mode.

• Portamento: In this mode, the glide plate sends messages using CC#5 for Portamento.

  • Time CC Enable: This determines whether CC#5 output is enabled (On) or disabled (Off).
  • T ime CC Data-Up: This determines the CC number that is sent when you are not touching the plate (0–127).
  • Time CC Data-Press : This determines the value that is sent with the CC number when you are touching the glide plate (0–127).
  • Switch Enable When enabled, the glide plate will send its messages using CC#65 (Off, On).

• Legato Time : In this mode, the glide plate sends legato time messages using CC#104. This is the time between when a note ends as a new note begins. Short times will result in more abrupt changes between notes, while longer times will result in more fluid changes that sound almost slurred.

  • Data-Up : This determines the CC number that will be sent when you are not touching the plate (0–127).
  • Data-Press: This determines the value that will be sent with the CC number when you are touching the plate (0–127).

• Custom CC: In this mode, the Glide Plate sends a custom MIDI Continuous Controller (CC) message.

  • Controller Number: This determines the controller number for the Glide plate (0–127).
    Important: We recommend not touching the Glide Plate while changing this parameter to prevent accidentally muting the EWI Solo’s output while moving through CC#7 (Volume).

  • Data-Up : This determines the CC number that will be sent when you are not touching the plate (0–127).

  • Data-Pres s: This determines the value that will be sent with the CC number when you are touching the plate (0–127).

Pitch Bend Plate
When you touch the pitch-bend plate, the EWI Solo will bend the pitch of the note you are playing, allowing you to be more expressive with your performance. Alternatively, you can set the pitch-bend plate to send messages for other individual MIDI Continuous Controllers (CCs).
Important: The overall change in pitch varies by how much of the plate your thumb is touching as well how it is touching the plate. Experiment with these settings for the best results.

• Pitch Bend: In this mode, touching the Pitch Bend Plate bends the pitch of the note being played (-63 – 0 – +63).

• Custom CC : In this mode, the Pitch Bend Plate sends a custom MIDI Continuous Controller (CC) message.

  • Controller Number : This determines the controller number sent when you touch the Pitch Bend plate (0–127).
    Important: We recommend not touching the Pitch Bend Plate while changing this parameter to prevent accidentally muting the EWI Solo’s output while moving through CC#7 (Volume).

  • Data-Up : This determines the CC number that is sent when you are not touching the plate (0–127).

  • Data-Press : This determines the value that is sent with the CC number when you are touching the plate (0–127).

Hold Button
When you press the Hold button, the EWI Solo will enter Hold Mode, which allows you to play and hold a note and then play another note or melody line over that held note.

• Off: Select this to disable the Hold button.

• Legato Mode : In this mode, pressing the Hold button before playing a note will activate Hold Mode. The first note you play (or are currently playing) after pressing the Hold button will be held out even as you continue play different notes after that using the same breath. Starting a new phrase (i.e., taking a breath and blowing into the mouthpiece again) will result in a new held note.
  When set to No Latch, the Hold button acts as a momentary switch and must be held to activate Hold mode. When set to latch, the Hold button acts as a toggle switch and must be pressed again to deactivate.

• Non-legato Mode: In this mode, the Hold button can only be pressed while a note is currently being held. This note will then continue to be held out even as you continue to play different notes and phrases. To change the held note, press (or release) the Hold button to deactivate hold mode, and then press the Hold button again when you are playing the new note.
  When set to No Latch, the Hold button acts as a momentary switch and must be held to activate Hold mode. When set to latch, the Hold button acts as a toggle switch and must be pressed again to deactivate.
  Note: Certain programs will not work with Non-legato Mode as intended. See Appendix > Program List for more information.

• Custom CC : In this mode, the Hold button sends a custom MIDI Continuous Controller (CC) message.

  • Controller Number : This determines the controller number for the Hold button (0–127).
  • Data: This determines the value that will be sent when the Hold button is pressed while playing (0–127). A value of 0 is sent when released. The Latch Mode setting determines the method of release.
  • Latch Mode : When set to No Latch, the Hold button acts as a momentary switch and must be held to activate Hold mode. When set to latch, the Hold button acts as a toggle switch and must be pressed again to deactivate.

Interval Button
When you press the Interval Button, the EWI Solo will enter Interval Mode, which will cause an additional note—at a particular interval—to sound above or below the fingered note, creating a harmonized sound.
Important: While in Interval Mode, portamento messages from the glide plate will be disabled.

• Off: Select this to disable the Interval button.
• Fixed Interval: In this mode, pressing the Interval button will play a harmony at the interval set here (-24 – 0 – +24).
• Real-time Interval : In this mode, the interval is set dynamically while playing:
  • Play a note and hold it.
  • While the note is playing, press the Interval button.
  • Play another note. The interval between the two notes will be interval of the harmonized voice. Deactivate the interval by pressing the Interval button again.
• Custom CC : In this mode, the Interval button sends a custom MIDI Continuous Controller (CC) message.
  • Controller Number : Sets the controller number for the Interval button (0–100).
  • Data: The value that will be sent when the Interval button is pressed while playing (0–127). A value of 0 is sent when released. The Latch Mode setting determines the method of release.
  • Latch Mode : When set to No Latch, the Interval button acts as a momentary switch and must be held to activate Interval mode. When set to latch, the Interval button acts as a toggle switch and must be pressed again to deactivate.

LFO/Modulation
This determines a minimum amount of modulation (CC#1) to be applied. Any additional controls that output to CC#1 are scaled between this minimum amount and 127.
MIDI Channel
The EWI Solo will send MIDI messages over an assigned MIDI channel (1–16). This channel is also the synth’s input channel.
Speaker
This determines the behavior of the built-in speaker:

• Off: The built-in speaker is always off.
• Off by HP/Line : The built-in speaker is only off when the headphone or Line Out ports are in use.
• On: The built-in speaker is always on.

30min Idle Shutdown
This determines whether the power saving function of EWI Solo is disabled (Off) or enabled (On). When enabled, EWI Solo will automatically power down to save battery after 30 minutes of inactivity.
Patch Font Size
This determines the size of the text on the display when viewing the Program list or Favorites (Small, Large). By default, this is set to Large.

Functions

Restoring Default Settings

To return all of the EWI Solo’s settings to its factory defaults:

1. Disconnect the EWI Solo from your computer.
2. Power off the EWI Solo by pressing and holding the Power button for a full second and then releasing it.
3. Press and hold the Program button, FX button, and Hold button.
4. Power on the EWI Solo by pressing and holding the Power button for a full second.
5. Release all buttons.
6. When powered on, the display will show a menu with the following options. Use the encoder to select and option and then press it to select.
7. Continue Normally: Select this option to power on EWI Solo normally.
8. Reset GLOBAL Only : Select this option to reset only the Global settings to factory defaults.
9. Reset Everything : Select this option to reset all settings to factory defaults.
   If no selection is made after a few seconds, EWI Solo will power on normally.
   Important: Restoring default settings cannot be undone.

Rechargeable Battery

EWI Solo is powered by a rechargeable lithium battery. With proper use and treatment, the battery can last for years. Here are some recommendations for getting the longest life from the internal battery.

• General Usage
  Fully charge the battery before using it.

• Storage
  For best product longevity, do not store at exceedingly hot (greater than 90°F/32°C) or exceedingly cold (less than 32°F/0°C) temperatures.

• Repair
  If the battery fails to charge, or if you need to replace the battery for any reason, contact Akai Professional at akaipro.com/support.
  To replace the battery: Use a standard Phillips-head screwdriver (not included) to remove the EWI Solo’s battery compartment cover below the USB port, install the battery, and re-secure the cover.

• Disposal
  Bring the unit to a recycling center or dispose of in accordance with local ordinances.

Updating the Firmware

The EWI Solo’s firmware is easy to update. Follow these steps to update the firmware and take advantage of any new and improved features or functions.
Tip: We recommend visiting akaipro.com occasionally to check for available updates to the EWI Solo firmware, EWI Solo Editor, and documentation.

To update the EWI Solo’s software:

1. Visit akaipro.com, find the webpage for EWI Solo, and download and install the latest EWI Solo Editor.

2. Connect your EWI Solo’s USB Port to your computer using a USB cable.

3. Open the EWI Solo Editor. The software will automatically check whether the firmware on your EWI Solo is up to date and prompt an update if it is not.

4. The software and EWI Solo display will indicate that the update has started
   When the update process is successfully completed, the display will instruct you to remove the USB cable from the unit.
   If the update process was not successful, the display will show an error message. If this happens, disconnect EWI Solo from your computer, and start again from Step 2.

5. Disconnect EWI Solo from your computer and make sure it is powered off. When you power it on again, you will be ready to play the EWI Solo with the latest firmware!

If you need to manually update the software from the Editor:

1. In the editor, click the Settings button.

2. Click the Update button next to the Firmware Version number.

3. In the window that appears, locate and select the .syx file, and click Open. The display will indicate that the update has started.
   When the update process is successfully completed, the display will instruct you to remove the USB cable from the unit.
   If the update process was not successful, the display will show an error message. If this happens, disconnect EWI Solo from your computer, and start again from Step 2.

4. Disconnect EWI Solo from your computer and make sure it is powered off. When you power it on again, you will be ready to play the EWI Solo with the latest firmware!
   If you encounter any other issues, contact us at akaipro.com/support.

Fingering Charts

The above diagram shows how the note keys are referenced in the following charts for the various fingering modes:

• EWI
• Saxophone
• Flute
• Oboe
• EVI
• EVI
• Reversed

Use your left hand to play K1–K6, and use your right hand to play K7–K14.

EWI

Saxophone

Flute

• You can press K8, K9, or K11—or any combination of those note keys—to play this A#.
• This is the only non-flute fingering that flute players will need to learn.
  For these alternate fingerings, repeatedly tap the half-filled key to trill between the two notes listed.

Oboe

For these alternate fingerings, repeatedly tap the half-filled key to trill between the two notes listed.

EVI

EVI Reversed
The EVI Reversed fingering is identical to the EVI fingering, but the octave rollers are reversed.

Menu Structure

Program List

Number

|

Name

---|---
1| Alto Sax
2| Tenor Sax
3| Baritone Sax
4| Soprano Sax
5| Jazz Flute
6| Jazz Clarinet
7| Bass Clarinet
8| Trumpet
9| Dongxiao
10| Erhu
11| Retro Bass
12| Truth
13| Piccolo Trumpet
14| Harmon Trumpet
15| Cup Mute Trumpet
16| Ballad Trombone
17| Trombone
18| Cup Trombone
19| Pop Brass Section
20| Trumpet n Mute
21| Muted Brass Section
22| Classy Brass Section
23| Brass Section 1
24| Brass Section 2
25| Tuba
26| Classical C Flute
27| Classical Oboe
28| Classical English Horn
29| Classical Clarinet
30| Classical Bass Clarinet
31| Classical French Horn
32| Classical French Horn Bells Up
33| Classical Bassoon
34| Trumpet Ensemble
35| Trombone Ensemble
36| Hard Alto Sax
37| Soft Alto Sax
38| Hard Tenor Sax
39| Soft Tenor Sax
40| Hard Baritone Sax
41| Soft Baritone Sax
42| Hard Soprano Sax
43| Soft Soprano Sax
44| Sax Section
45| Woodwinds Section 1
46| Woodwinds Section 2
47| Woodwinds Section 3
48| Harmonica
49| Panpipes
50| Melodica
Number| Name
---|---
51| Accordion
52| Ocarina
53| Bagpipes
54| Recorder
55| Shakuhachi
56| Marimba
57| Xylophone
58| Vibraphone
59| Steel Drums
60| Violin
61| Viola
62| Cello
63| Double Bass
64| String Section
65| Orchestra
66| Nylon Guitar
67| Steel Guitar
68| Electric Guitar
69| Lead Guitar
70| Jazz Guitar
71| Acoustic Bass
72| Electric Bass
73| Slap Bass
74| Piano
75| FM Piano
76| Rhodes
77| Harpsichord
78| Clavinet
79| Wurli
80| Qudi
81| Bangdi
82| Hulusi
83| Sheng
84| Suona
85| Nanxiao
86| Xun
87| Bawu
88| Guanzi
89| Jinghu
90| Banhu
91| Gaohu
92| Zhonghu
93| Matouqin
94| Guzheng
95| Pipa
96| Yangqin
97| Liuqin
98| San Xian
99| Ruan
100| Guqin *

Number

|

Name

---|---
101| B3 Organ Thin
102| B3 Pinball Wizard
103| B3 Hard Attack
104| B3 Classic
105| Rock Organ
106| Drawbar Organ
107| Classic Square
108| Classic Triangle
109| Reece
110| Raunchy Lead 3
111| Raunchy Lead 1
112| Angry Organ
113| Raunchy Lead 2
114| Triangle to Pulse
115| Happy Organ Wide
116| Square MW Growl
117| Saw MW Growl
118| Bubbler
119| Partial to You
120| Thick Octaves
121| Mono Edge
122| Aggro Pluck
123| Accordingly
124| Big Brasser
125| Fat and Foamy
126| Formant Bass
127| Mod Sinker
128| Ye Ol Brass
129| Dual Quack
130| Square Stack
131| Ducky
132| Try Me
133| Spectral Move
134| Vocal Oh Bass
135| Electro Rezo
136| Nsync
137| Classic Rez Saw
138| Classic Sine
139| Blade Ruiner
140| Ana Synth
141| Big Woop
142| FM Synth
143| Vowel Synth 1
144| LFO Squares
145| Thin Pulse
146| Stereo Filters
147| Fifths Saws
148| Twisted Flute
149| Wide Fuzz
150| Vowel Synth 2

Number

|

Name

---|---
151| Feed Me
152| Mono Brazz
153| Brassy Synth
154| 80 Kick Sub Bass
155| Detuned Analog Saw
156| Saw Lead
157| Sine 80 Kick
158| Smooth Square
159| Soft Sync
160| Nice Wave
161| Fuzzy pulse
162| Nice Saw
163| Fat Square Lead
164| Smooth Square Lead
165| Resonating Lead
166| Big FM Bells
167| Light Bells
168| Digital Buzz Bells
169| Stratotron
170| Wavebellz
171| Percussive Sine
172| Soft Strings
173| D Something
174| Padsaw
175| Sparkling *
176| Bright n Bendy
177| Bright n Tight
178| Attack Brass
179| Super Saw
180| Soft Pad
181| Warmth Pad
182| Grand Scheme
183| Analog Pad
184| Mini Thump Bass
185| PWM Bass
186| Plucked Woody Bass
187| Octa Res Sweep Bass
188| Mini Soft Thump Bass
189| Retro Wind
190| Cantabile Saw
191| Colorful Shine
192| Colorful Star
193| Mimi
194| Mix Lead
195| Spirited
196| Totoro Lead
197| Ponyo
198| Kiki
199| Arriet
200| T-Island

Technical Specifications

1 1/4″ (6.35mm) TRS line output
1 1/8″ (3.5mm) TRS headphone output
1 1/8″ (3.5mm) TRS auxiliary input
Power| Rechargeable lithium-ion battery (included; charges via USB)
Dimensions (width x depth x height)| 30.12″ x 3.00″ x 3.24″ 76.5 cm x 7.6 cm x 8.2 cm
Weight| 1.79 lb. 0.8 kg

Trademarks & Licenses

Akai Professional is a trademark of inMusic Brands, Inc., registered in the U.S. and other countries. macOS is a trademark of Apple Inc., registered in the U.S. and other countries.
Windows is a registered trademark of Microsoft Corporation in the United States and other countries. Phillips is a registered trademark of the Phillips Screw Company in the United States and other countries. All other product names, company names, trademarks, or trade names are those of their respective owners.

References

• Music Production Hardware & Software | Akai Pro

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