Blackmagic Design DeckLink Desktop Video

Product Information

The product is called Desktop Video and it includes various components such as DeckLink, UltraStudio, and Intensity. It is designed and manufactured by Blackmagic Design. The product is used for capturing and playing back video, and it requires the installation of the Desktop Video software. The software includes drivers, plugins, and applications like Blackmagic Desktop Video Setup and Blackmagic Media Express. The product works with UltraStudio, DeckLink, Intensity, or Teranex hardware.

Product Usage Instructions

System Requirements
Your computer needs to have at least 8GB of RAM for efficient video processing.

Mac OS:
The Blackmagic Desktop Video software is compatible with the latest versions of Mac OS.

Windows:
Desktop Video is compatible only with 64-bit versions of Windows 10 and 11 with all the latest updates installed.

Linux:
Desktop Video works on 64-bit x86 computers running Linux 3.10 or higher, as well as AArch64 computers running Linux 4.9.140 or higher. Please refer to the release notes for the latest information on supported Linux distributions, package formats, and software dependencies.

Connecting Power:
If your Desktop Video hardware includes an external power supply, connect it to the unit and switch on the power.

For DeckLink 4K Extreme 12G, you can also connect additional power using the power adapter cable included with the card. This is recommended if future hardware expansion on your DeckLink card requires more power than your computer’s PCIe slot can provide.

September 2023
Installation and Operation Manual
Desktop Video
DeckLink UltraStudio Intensity

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English
Welcome
We hope you share our dream for the television industry to become a truly creative industry by allowing anyone to have access to the highest quality video. Previously, high end television and post production required investment in millions of dollars of hardware, however with Blackmagic Design video hardware, even Ultra HD 60p is now easily affordable. We hope you get years of use from your new UltraStudio, DeckLink or Intensity and have fun working with some of the world’s hottest television and design software! This instruction manual should contain all the information you’ll need on installing your Blackmagic Design video hardware. If you’re installing a PCI Express card, it’s always a good idea to ask a technical assistant for help if you have not installed hardware cards into computers before. As Blackmagic Design video hardware uses uncompressed video and the data rates are quite high, you’ll need fast disk storage and a high end computer. We think it should take you approximately 10 minutes to complete installation. Before you install Blackmagic Design video hardware, please check our website at www.blackmagicdesign.com and click the support page to download the latest updates to this manual and Desktop Video driver software. Lastly, please register your Blackmagic Design video hardware when downloading software updates. We would love to keep you updated on new software updates and new features. Perhaps you can even send us your latest show reel of work completed on your Blackmagic Design video hardware and any suggestions for improvements to the software. We are constantly working on new features and improvements, so we would love to hear from you!
Grant Petty CEO Blackmagic Design

Contents

Getting Started

5

Introduction to Desktop Video

5

System Requirements

5

Connecting Power

5

Connecting Video Hardware

6

Installing the Desktop Video Software

10

Capturing and Playing Back Video

15

Blackmagic Desktop Video Setup

16

Introducing Blackmagic Desktop

Video Setup

16

Video Settings

17

Connector Mapping for DeckLink

Quad 2

22

Audio Settings

23

Conversions Settings

25

Setup

27

About

28

Teranex Mini Smart Panel

29

Attaching a Teranex Mini Smart Panel

29

Smart Panel Features

30

Using UltraStudio 4K Mini’s

Front Control Panel

31

Blackmagic Universal Rack Shelf

32

Contents

32

Mounting a Unit to the Rack Shelf

33

Attaching the 1/6 Blanking Panel

33

Attaching the Side 1/3 Width

Blanking Panel

33

DaVinci Resolve

34

Live Grading with DaVinci Resolve

34

Editing with DaVinci Resolve

35

Using your Favorite 3rd Party Software 36

Adobe After Effects CC

36

Adobe Photoshop CC

38

Adobe Premiere Pro CC

39

Adobe Character Animator CC

45

Final Cut Pro

46

Avid Media Composer

49

Blackmagic Media Express

56

What is Blackmagic Media Express?

56

Capturing Video and Audio Files

56

Playing back Video and Audio Files

61

Browsing Media

63

Editing Video and Audio Files to Tape

66

Capturing H.265 Video

67

H.265 Hardware Encoder

68

Capturing H.265 Video with

UltraStudio 4K Extreme

68

Blackmagic Disk Speed Test

69

Removing the Mezzanine Card

from DeckLink 4K Extreme 12G

72

Recovering a DeckLink Card

from an Interrupted Update

73

Help

75

Developer Information

76

Regulatory Notices

77

Safety Information

78

Warranty

79

Desktop Video

Getting Started

Introduction to Desktop Video
This manual takes you through computer system requirements and installation instructions for Blackmagic Design’s Desktop Video hardware and software, and how to use them with your favorite third party software. The software includes drivers, plugins and applications like the Blackmagic Desktop Video Setup, and Blackmagic Media Express for fast capture and playback. Blackmagic Desktop Video software works in conjunction with your UltraStudio, DeckLink, Intensity or Teranex hardware.
System Requirements
Your computer requires at least 8GB of RAM to efficiently process video.
Mac OS
Blackmagic Desktop Video software runs on the latest versions of Mac OS.
Windows
Desktop Video runs exclusively on 64-bit versions of Windows 10 and 11 with the latest Windows updates installed.
Linux
Desktop Video runs on 64-bit x86 computers running Linux 3.10 or higher, and on AArch64 computers running Linux 4.9.140 or higher. Please refer to the release notes for the latest list of supported Linux distributions, package formats and software dependencies.
Connecting Power
If your Desktop Video hardware includes an external power supply, simply connect it to the unit and switch on the power.

Getting Started

TIP DeckLink 4K Extreme 12G can also be connected to additional power using the power adapter cable included with the card. DeckLink 4K Extreme 12G is very powerful and we are always looking for ways to provide additional features, such as mezzanine cards for expanded connectivity. For this purpose, we have included a power adapter cable so you can plug in additional power if future hardware expansion on your DeckLink card draws more power than your computer’s PCIe slot can provide.

If you need to supply external power to your DeckLink 4K Extreme 12G you can easily use the supplied power adapter cable. Simply disconnect the power from your graphics card and plug it into the adapter cable. The plug will only connect to one end so there’s no way to connect it incorrectly.
Connecting Video Hardware
There are three types of connectors your Blackmagic Desktop Video hardware may use to connect to your computer depending on your model. These connection types include Thunderbolt, USB 3.0, or PCIe.
Connecting via Thunderbolt
Blackmagic UltraStudio 4K and UltraStudio 4K Extreme feature two ThunderboltTM 2 ports so if your computer only has a single Thunderbolt port, you can use the additional port to attach a RAID or other device.
Blackmagic UltraStudio 4K Extreme 3 has two ThunderboltTM 3 ports and UltraStudio HD Mini has one Thunderbolt 3 port, for up to 40Gb/s data speeds. When connecting via Thunderbolt 3, connect your Blackmagic Desktop Video hardware directly to the Thunderbolt 3 port on your

Getting Started

6

computer using a Thunderbolt 3 cable. Connecting to a Thunderbolt 2 port on your computer via a Thunderbolt 3 to Thunderbolt 2 adapter is not supported on bus-powered products like UltraStudio HD Mini.

Make sure your computer is Thunderbolt 3 compatible by looking for the Thunderbolt icon near its USB-C connector, as shown on the right.

Connecting via USB 3.0
Connect a SuperSpeed USB 3.0 cable into the USB 3.0 port on the unit. Plug the other end of the cable into your computer’s USB 3.0 port.

HDMI OUT

Y OUT

Pb OUT

Pr OUT

S-VIDEO OUT

VIDEO OUT

AUDIO OUT

HDMI IN

Y IN

Pb IN

Pr IN

S-VIDEO IN

VIDEO IN

L AUDIO IN R

Connecting a SuperSpeed USB 3.0 cable to Intensity Shuttle
Connecting via PCIe
Blackmagic Design PCIe cards plug into a PCIe slot in your computer. Check the information printed on your card’s box to determine the number of PCIe lanes your card requires. For example, depending on your PCIe card, it will require a x1, x4 or x8 PCIe slot.
It’s worth noting that you can insert PCIe cards into higher capacity slots than they require. For example, a x4 lane PCIe card can be inserted into a x16 lane PCIe slot, though not the other way around.
If you can’t find the information you need on the box, you can find the number of lanes your card requires, plus other helpful information about your card, in the tech specs at www.blackmagicdesign.com/products

Getting Started

7

Install a Blackmagic Design PCIe card in a spare PCIe slot. If your card includes an HDMI bracket, it can be installed in any spare PCIe mount and connects to the rear of the card with the supplied HDMI cables.
Please be careful when installing your DeckLink PCIe card to avoid damaging delicate components on the card.

If your card includes a breakout cable, simply plug it into your card’s breakout cable connector.

Getting Started

8

Connecting UltraStudio 4K Extreme via PCIe
UltraStudio 4K Extreme and UltraStudio 4K Extreme 3 can also connect to your computer via PCIe using a PCIe adapter card and cable. Both UltraStudio 4K Extreme and UltraStudio 4K Extreme 3 need to be connected to a PCIe Gen 2 slot in your computer. The Blackmagic PCIe Cable Kit contains a PCIe cable and the PCIe adapter card and is available from your nearest Blackmagic Design reseller. For the original UltraStudio 4K Extreme, you can use either the Blackmagic PCIe Cable Kit, or purchase a standard PCIe adapter card from your nearest computer store.
UltraStudio 4K Extreme features a PCIe port for connection to an external PCIe adapter card that is installed in your computer

The PCIe adapter card is inserted into a PCIe Gen 2 slot inside your computer

Connect the other end of the PCIe cable to the PCIe port located at the back of your computer

Getting Started

9

Installing the Desktop Video Software
Applications, Plugins and Drivers
The Blackmagic Design Desktop Video software includes all the drivers, plugins and applications needed to use your Desktop Video hardware. Below is a list that shows all the software items that are installed on your computer.

Mac OS
Blackmagic Desktop Video drivers

Windows
Blackmagic Desktop Video drivers

Linux
Blackmagic Desktop Video drivers

Blackmagic Desktop Video Setup Blackmagic Desktop Video Setup Blackmagic Desktop Video Setup

Blackmagic Design LiveKey

Blackmagic Design LiveKey

­

Blackmagic Media Express

Blackmagic Media Express

Blackmagic Media Express

Blackmagic Disk Speed Test

Blackmagic Disk Speed Test

­

Adobe Premiere Pro CC,

Adobe Premiere Pro CC,

After Effects CC, Photoshop CC

After Effects CC, Photoshop CC

­

presets and plug-ins

presets and plug-ins

Final Cut Pro plug-ins

­

­

Avid Media Composer plug-in

Avid Media Composer plug-in

­

NOTE For Linux, Blackmagic Media Express is only supported on x86-64 systems.
Automatic Updates
After installing the Desktop Video software and once your computer restarts, it will check the internal software on your Desktop Video hardware. If it doesn’t match the version installed on your computer, the software will prompt you to update. Click ok’ to start the update and restart your computer to complete the process. NOTE If your DeckLink card is not working after an interrupted update, refer to the section near the end of this manual calledrecovering a DeckLink card from an interrupted update’.
The remainder of the Getting Started section will show you the Desktop Video software installation process for Mac OS, Windows and Linux.

Getting Started

10

Mac OS Installation
Make sure you have administrator privileges before installing any software. 1 Download the newest Desktop Video driver installer from
www.blackmagicdesign.com/support 2 Launch the Desktop Video installer. 3 Click the continue’,agree’ and install’ buttons to install the software. If you are installing Desktop Video for the first time, installation has a few extra steps that are described below. 4 Restart your computer to enable the new software drivers. Desktop Video Installer for Mac Installing on Mac OS for the First Time When installing Desktop Video on a Mac for the first time, you will need to enable your Mac to use your Desktop Video equipment during the installation process. 1 When instructed, click onopen security preferences’ or open system preferences’ and click onsecurity and privacy’.

Getting Started

11

2 In the security and privacy’ preferences, clickallow’ to enable the Desktop Video software on your computer.

Click allow’ in the security and privacy preferences to enable the Desktop Video software on your computer 3 When instructed to restart, clicknot now’.
4 Back in Desktop Video Installer, complete the software installation by clicking `restart’.

Resetting System Security Policy on an M1 Mac From Desktop Video 12.2 or later, it is no longer necessary to have reduced security’ enabled as your Mac’s system security policy. If you hadreduced security’ set when installing previous versions of Desktop Video, it is now advisable to reset your M1 Mac’s security policy to full security’. To do this, follow these steps: 1 Start the computer by pressing and holding the power button until you see loading startup options’ displayed.

Getting Started

12

2 Click security policy’. 3 Selectfull security’. 4 Click OK. 5 A notification will appear informing you that your computer is applying the security policy.
When the notification disappears, you can restart your computer normally.
Windows Installation
1 Ensure you have the very latest driver. Visit www.blackmagicdesign.com/support 2 Open the “Desktop Video” folder and launch the “Desktop Video” installer. 3 The drivers will now be installed on your system. An alert will appear: “Do you want to allow
the following program to install software on this computer?” Click `yes’ to continue. 4 You will see a dialog bubble saying “found new hardware” and the hardware wizard
will appear. Select “install automatically” and the system will find the required Desktop Video drivers. 5 After all drivers have been installed, a dialog bubble will appear saying “your new hardware is ready for use.” Restart your computer to enable the new software drivers.

Desktop Video Installer for Windows

Getting Started

13

Linux Installation

1 Download the latest Desktop Video software for Linux from www.blackmagicdesign.com/support
2 Open the Desktop Video folder and navigate to the packages required for your distribution and architecture. Note that `amd64′ refers to Intel and AMD 64 bit processors. There are three sets of packages provided:
­ The desktopvideo package provides the core drivers and API libraries.
­ The desktopvideo-gui package provides the Desktop Video Setup software.
­ The mediaexpress package provides a simple capture and playback utility. This is supported on x86-64 systems only.
3 Double click the packages you wish to install and follow the onscreen instructions. If you see any messages about missing dependencies, ensure they are installed first and then rerun the Desktop Video installer.
4 When the installer has finished it is recommended that you restart your computer to complete the installation process.
If you cannot find a native Desktop Video package for your Linux distribution, or if you prefer to install from a command line, refer to the ReadMe file for detailed installation instructions.

Desktop Video software ready to be installed from the Ubuntu Software Center.
Updates
If you have not installed the setup software, you can check the internal software is up to date using the BlackmagicFirmwareUpdater command line tool:

BlackmagicFirmwareUpdater status A message similar to the following will

appear:
0: /dev/blackmagic/io0 [DeckLink SDI 4K] 0x73 OK 1: /dev/blackmagic/io1 [DeckLink 4K Extreme 12G] 0x0A PLEASE_UPDATE In this case you could update the internal software with the following command:

BlackmagicFirmwareUpdater update 1 See the `man’ page for a more detailed

description of the command’s usage. e.g., for more info on the internal software updater command, type “man BlackmagicFirmwareUpdater”. That’s all there is to getting started! Now that you have installed your Blackmagic Desktop Video hardware and software, you can start capturing and playing back video.

Getting Started

14

Capturing and Playing Back Video

Once the Desktop Video hardware and software is installed, you can start capturing and playing back clips straight away. First, plug your video source into the input on your Desktop Video hardware, then connect a monitor to the output.
A quick way to begin capture and playback is to record a clip in Blackmagic Media Express, which was installed on your computer when you installed the Desktop Video software.
Setting Up 1 Connect a monitor or TV to the video output of your Blackmagic Design hardware.
2 Connect a video source to the input of your Blackmagic Design hardware.

REMOTE

A

B

SDI OUT

NTSC PAL Y

B-Y

R-Y

ANALOG VIDEO IN

HDMI OUT

SDI IN

REF IN

CH 1

CH 2

ANALOG AUDIO IN

Ultra Studio HD Mini

SDI OUT SDI IN REF IN TC IN
+ 12V
URSA Mini Pro

HDTV
Connect a video monitor and source to your Blackmagic Design video hardware.
Testing Video Capture 1 Launch Blackmagic Media Express. Click on the log and capture’ tab. Your input video format is automatically detected and Media Express sets the project video format to match. Your video source will appear in the Media Express preview pane. 2 Clickcapture’ at the bottom of the log and capture’ window to perform the capture test. Clickcapture’ again to finish the test. The captured clip is added to the media list on the left side of Media Express.

Capturing and Playing Back Video

15

Click the capture’ button to commence recording. Testing Video Playback 1 Click on theplayback’ tab.
2 Double click the test clip. The video and any present audio will be sent to the monitor connected to your hardware’s output.
Blackmagic Desktop Video Setup
Introducing Blackmagic Desktop Video Setup
Blackmagic Desktop Video Setup provides a central location for configuring hardware settings, plus a real time status display showing the video connected to your hardware’s inputs and outputs.
To launch Blackmagic Desktop Video Setup: ­ On Mac OS, click Blackmagic Desktop Video in system preferences’ or you can launch the utility from your applications’ folder. ­ On Windows 10 and 11, click the start’ button>all programs>Blackmagic Design>Desktop Video and click the Desktop Video Setup application. The Desktop Video setup software also launches from the Windows 10 and 11control panel’. ­ On Linux, go to applications’ and thensound and video’ and double click the Blackmagic Desktop Video Setup application.
When you first open Blackmagic Desktop Video Setup, the home page displays your connected hardware and provides an overview of all video activity on your hardware’s input and output connections. If you are sending a video signal to your input, it will be automatically detected and the format will be displayed under the Video Input icon.
If you have multiple Blackmagic capture and playback devices connected, you can cycle through them by clicking the arrow buttons on the sides of the home page. To configure settings, simply click on the hardware image, or the settings icon located below the hardware name. The Desktop Video Setup utility only displays the settings that are relevant to your selected hardware, so you don’t have to scroll through pages of menus to find the settings you want.

Blackmagic Desktop Video Setup

16

Blackmagic Desktop Video Setup home page
The following pages of this manual will show you how to adjust settings using Blackmagic Desktop Video Setup.

Blackmagic Desktop Video Setup lets you adjust video and audio input and output settings, apply up or down conversions during capture and playback, and provides information about the driver.
Video Settings
Video Input
Click on a connector icon to set the `video input’ connection for your Blackmagic Design hardware. Only the connectors that are built into your hardware will be shown. When a valid video signal is detected, the input and video format will be displayed on the Blackmagic Desktop Video Setup home page.

Blackmagic Desktop Video Setup

17

Click on an icon to set your video input connection.
Use XLR Timecode Select this setting to read timecode from the XLR input instead of the SDI stream.
Enable the checkbox to capture timecode from the dedicated XLR input
Analog Video Input Levels Drag the video’ andchroma’ sliders to adjust the analog video input levels for component or composite video. Dragging the video slider affects the luma gain and the chroma sliders decrease or increase the color saturation. When using component video, you can adjust the Cb and Cr values independently. Click the `link’ icon to connect them if you want to adjust them simultaneously.

Video Output
Select the video standard and adjust other settings for your video output.
General Default Video Standard To use broadcast monitoring with Final Cut Pro, set the output format to match your Final Cut Pro project.
When Paused Click to select whether to display a full frame or a single field on the output when paused.
Video Playback Click to select whether to display a freeze frame or black output when not playing.
During Capture Click to select whether the video output displays the playback video or input video during capture. If you select the video output displays playback video’ option, then your selection in thevideo playback’ section will dictate what is displayed on your output. If you select the `video output displays input video’ option, then the input video will be displayed on your outputs.

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During Playback Some Desktop Video products are capable of converting Rec. 601 and Rec. 709 video outputs to Rec. 2020 for TVs and video monitors that may require it. If your Desktop Video hardware supports this feature, select convert to Rec. 2020′ in the setup utility. If your video is already using the Rec. 2020 color space, or is displaying correctly, you can leave this setting set tokeep default color gamut’.

Select what to display on the output when paused, during video playback and during capture
SDI Output Color Space Click to select the color space to convert to. Options are 4:4:4 RGB video or Y, Cb, Cr 4:2:2.
3G-SDI Formats Click to select whether to output 3Gb/s SDI signals as SMPTE Level A direct mapping or to have 3Gb/s signals sent with Level B mapping.
1080p HD and 2K Click to select whether 1080p HD and 2K are output as 1080p progressive video, or as progressive segmented frame video.

Use the SDI Settings to control the output of your SDI video.
SDI Configuration Select between single link, dual link and quad link for 3G, 6G or 12G-SDI output. Some professional color grading monitors and projectors only accept high bandwidth signals like 2160p60 or DCI 4K 4:4:4 via quad link. UltraStudio 4K Extreme can output quad link 3G-SDI and you can also get a Quad SDI add on card for DeckLink 4K Extreme 12G.

Choose whether to output via single link, dual link or quad link for 3G, 6G and 12G-SDI video signals

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8K Formats 8K video is played back via quad link SDI and you can choose your desired quad link output format. The two options available are: Square Division Quad Split ­ The 8K image is distributed as four quadrant 4K images in a 2 x 2 multi view configuration. Each 4K quadrant image is supplied via SDI using a quad link connection and reconstructed at the destination to form a complete 8K image. This is also the selection to use if you want to send each output to a separate display to create a video wall of Ultra HD monitors. Sample interleave ­ Alternate pixels from a single 8K image are distributed as four separate 4K images via quad link SDI, then combined at the destination to form one complete 8K image. Therefore, an added benefit of this format is the option to use any of the four outputs as a down converted 4K image.
When using desktop video equipment for 8K playback, set your desired quad link 8K output format
Set Analog Video Output
If your Blackmagic Design hardware has shared analog video connectors, you can choose whether to output your video via component’,composite’ or s-video’ by selecting between theanalog video output’ options.
HDMI 3D Output This setting determines the 3D format for your HDMI monitoring.
Top and Bottom Arranges both left and right eye images vertically with 50% compression.
Frame Packing Combines left and right eye images into a single frame without compression.
Side by Side Arranges both left and the right eye images horizontally with 50% compression.
Left Eye Only the left eye image is displayed.
Line by Line The left and right eye images are carried on alternate video lines without compression.
Right Eye Only the right eye image is displayed.
Set your HDMI 3D Output format.

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20

Analog Video Output Levels Drag the video’ andchroma’ sliders to adjust the analog video output levels for component or composite video. Dragging the video slider affects the luma gain and the chroma sliders decrease or increase the color saturation. When using component video, you can adjust the Cb and Cr values independently. Click the link’ icon to connect them if you want to adjust them simultaneously. Adjust the video slider to set composite analog video output levels, and the Cb and Cr sliders for controlling color balance when using component video. Use Betacam Levels Blackmagic Design products use SMPTE component analog levels to maintain compatibility with most modern video equipment. Enable the checkbox if working with Sony Betacam SP decks. NTSC IRE Select the 7.5 IRE setup for the NTSC composite video used in the USA and other countries. Select the 0 IRE setup if you’re working in Japan or countries that don’t use the 7.5 IRE setup. PAL and high definition formats do not use this setting. Enable theuse Betacam levels’ checkbox when working with Sony Betacam SP decks. Select the relevant NTSC IRE level when using an NTSC composite video format.
Reference Input The reference adjustment lets you adjust the timing of the video outputs of your hardware relative to the video reference input. This is commonly used in large broadcast facilities where the video output needs to be accurately timed. The reference adjustment is in samples so you can get an extremely accurate timing adjustment down to the sample level. A common example of how this setting would be used is where all the hardware in your facility has a stable common reference connected and then all the devices would have the timing set so the video outputs all match perfectly. This would then make it possible to switch between devices on a downstream router or production switcher and would eliminate any glitching when switching is performed.
If locking to a reference, adjust this setting to time the video output relative to the reference input.

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Connector Mapping for DeckLink Quad 2
If you have a DeckLink Quad 2 installed in your computer, you can input or output SDI signals over 8 independent DIN 1.0/2.3 connectors. This gives you the ability to capture or play back 8 separate video streams, similar to having 8 capture and playback devices in a single product. This is why your DeckLink Quad 2 appears in Desktop Video Setup as 8 individual DeckLink Quad devices which makes it easier to configure your inputs and outputs. You can even name each device so you can keep track of which DeckLink Quad device is being used for a specific video signal.
SDI connectors can be mapped to each device using the `connector mapping’ settings in the Desktop Video Setup utility, but it’s important to know that specific connectors are dedicated to specific devices. For example, SDI 1 is dedicated to DeckLink Quad (1), and SDI 2 is dedicated to DeckLink Quad (1) and DeckLink Quad (5).

If you have a DeckLink Quad 2 installed, the `connector mapping’ setting lets you assign SDI connectors to each DeckLink Quad device.
You can see which SDI connectors are dedicated to each DeckLink Quad device by looking at the table below, where you can also check the mapping options for them.
Mapping Options

DeckLink Quad Devices DeckLink Quad (1) DeckLink Quad (2) DeckLink Quad (3) DeckLink Quad (4) DeckLink Quad (5) DeckLink Quad (6) DeckLink Quad (7) DeckLink Quad (8)

Dedicated SDI Connectors SDI 1 and 2 or SDI 1 SDI 3 and 4 or SDI 3 SDI 5 and 6 or SDI 5 SDI 7 and 8 or SDI 7 SDI 2 or none SDI 4 or none SDI 6 or none SDI 8 or none

It’s worth mentioning that when configuring an SDI connector for a specific device, it will also affect the device sharing that connector. For example, if DeckLink Quad (1) is set to use SDI 1 and 2, DeckLink Quad 5 will automatically be set to `none’ because its shared SDI connector is being used. Alternatively, if you select SDI 2 on DeckLink Quad (5), DeckLink Quad (1) will automatically be set to SDI 1. For this reason, it’s important to note which SDI inputs or outputs are being used by each device to avoid accidentally interrupting the input or output of another device.

Blackmagic Desktop Video Setup

22

TIP If you have an original DeckLink Quad installed in your facility and are using a custom designed SDK application, you can be confident that installing DeckLink Quad 2 will work in your system without having to make any changes to your application. Additional mapping features in your DeckLink Quad 2 will allow you to build on your existing system to provide even more input and output configurations if you need them.
Audio Settings
Audio Input
Click on a connector icon to set your audio input’ connection for your Blackmagic Design hardware. You can select from the following inputs: Embedded Includes audio channels as part of video signals. SDI and HDMI are capable of carrying embedded audio. AES/EBU Is a digital audio signal that can carry 2 audio channels over a single connector. XLR Is a three pin audio connector that is predominantly used by professional analog audio equipment. RCA or HIFI Is a connector used to connect unbalanced analog audio to and from consumer audio equipment, such as HiFi systems, DVD players and televisions. Microphone Phantom power supplies power through microphone cables and is a convenient power source for condenser microphones. Enable theuse +48V phantom power’ option if your microphone requires phantom power. If you’re unsure whether your mic needs phantom power or not, it’s best to leave this box unchecked as there is a risk of causing damage to microphones that are self powered. An LED on the front of UltraStudio 4K Extreme will illuminate when phantom power is active. Be sure to wait at least 10 seconds for phantom power to discharge after disconnecting before plugging in a self powered microphone. Older ribbon type microphones and dynamic microphones are not suitable for phantom power usage.

Click on a connector icon to set your `audio input’ connection.

Drag the `input level’ slider to control your microphone input level.

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HDMI Audio Output
This setting lets you remap the 5.1 audio channels in your project to match the configuration used by your HDMI monitoring equipment. For example, some home theatre AV receivers require your surround sound audio to be mapped to specific channels. If you are working on a project that uses a different surround sound channel ordering, such as SMPTE ordering, you can enable the Use 5.1 surround channel ordering’ checkbox to ensure compatibility with your HDMI AV receiver. Enableuse 5.1 surround channel ordering’ to ensure compatibility with other HDMI monitoring equipment
AES/EBU
Drag the sliders to adjust the ref’ level, or gain, for the AES/EBU audio inputs and outputs. Press the reset icon to reset the gain to 0 dB. Drag theoutput level’ slider to control your AES/EBU digital output level.
Analog Audio Input Levels
Channel 1/Channel 2 These settings adjust the gain for the analog audio inputs when capturing. Click the link’ icon to adjust them simultaneously. Use HiFi Audio Levels Professional XLR connectors are standard on UltraStudio and DeckLink models. If you want to connect consumer audio equipment to the XLR connectors, make sure you enable theuse HiFi audio levels’ checkbox as the audio levels between professional and consumer equipment differ. You’ll also need to use an RCA to XLR adapter.

Adjust the input channel sliders to control your analog audio input levels. Enable the `use HiFi audio levels’ checkbox if connecting consumer audio equipment.

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Analog Audio Output Levels
Channel 1/Channel 2 These settings adjust the strength of the audio signal, or gain, for the analog audio outputs while playing back video. Click the link’ icon to adjust them simultaneously. Reset Icon When adjusting sliders, you may want to cancel your change. The reset icon is the circular arrow located at the right of each settings’ title bar. Press the reset icon in each setting to restore the gain sliders to 0 dB. Conversions Settings Input Conversion This setting enables real time up and down conversion during capture. Select your desired conversion from theinput conversion’ dropdown menu.
Input conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy.
Display As Select how you would like your converted video presented. Depending on your input video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, 16:9 zoom or 14:9 zoom.
Output Conversion
This setting enables real time up and down conversion during playback. Select your desired conversion from the dropdown menu.
Output conversion results in up to a 2 frame delay, so you’ll need to adjust your editing software’s timecode offset to ensure frame accuracy.
Convert Analog Outputs Enable this checkbox to also perform your conversion on the analog video outputs.
Display As Select how you’d like your converted video presented. Depending on your video’s original aspect ratio, options may include letterbox, anamorphic, center cut, pillarbox, 16:9 zoom or 14:9 zoom.

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To set your up or down conversion settings, select your input or output conversion from the respective dropdown menu, and click on the desired aspect ratio selection. Remember to click `save’ to apply your settings.

The following table outlines the different aspect ratio selections available during conversions.

Down Conversion

Source Image

Letterbox

Converted Image

Scales the entire 16:9 HD image into a 4:3 SD frame leaving black bars on the top and bottom.

Anamorphic Center Cut Pillarbox

Horizontally squeezes the 16:9 HD image into a 4:3 SD frame.
This setting cuts a 4:3 SD frame from the 16:9 HD image. This aspect ratio setting discards a portion from each side of the 16:9 image.
Displays a 4:3 SD image inside an 16:9 HD frame. Black bars feature on the sides.

16:9 Zoom

Scales the 4:3 SD image to fill the 16:9 HD frame.

14:9 Zoom

A compromise between Pillarbox and 16:9 Zoom. Minimal black bars with slight crop top and bottom.

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Setup
Use the setup tab to configure network settings for DeckLink IP capture and playback cards such as DeckLink IP HD, DeckLink IP HD Optical and DeckLink IP/SDI HD.
Network Settings
DeckLink IP cards can connect to the network using a static IP address or by using DHCP.
DHCP will automatically set an IP address and connect to the network without the need to change any settings. The dynamic host configuration protocol, or DHCP, is a service on network servers and routers that automatically finds your DeckLink IP card and assigns an IP address. DHCP makes it easy to connect equipment via Ethernet and make sure that IP addresses do not conflict with each other. Most computers and network switches support DHCP.
Select static IP if you want to set the IP address yourself. Simply set the protocol setting to static IP’ and change the IP settings manually. A static IP address is one that won’t change even if your computer is rebooted. Using a static IP address might be necessary if you are connecting to a corporate network. If you have a network administrator, it’s possible your network might have custom IP addresses for all the equipment connected to it. It’s best to check with your network administrator if they are managing your computers and network in your company. Connecting to a Network When plugging into your network, make sure you connect via a Cat 6 network cable or optical fiber depending on which DeckLink IP model you are using. The ST2110′ specification relies on multicast data to efficiently distribute video, audio and ancillary data.
We strongly recommend the use of a dedicated PTP grand master clock device in a network configured to support the IGMP version 3 multicast data protocol.
2110 Multicast Output
This setting is similar to an IP address and lets other DeckLink IP cards and SMPTE 2110 IP equipment identify the stream on your network. Each stream from your DeckLink card requires its own multicast output address and you can assign one for each by selecting them from the setup utility home screen.
It is important the address is unique and not shared by other 2110 IP equipment on your network. Consult your IT administrator for guidance on which address to use if you are unsure.
The numbers in each field should be set within the following limits:
224.0.0.0 to 239.255.255.255.
For example, 224.24.29.73

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About
Driver
The about’ page in Blackmagic Desktop Video Setup provides information about your hardware’s current driver and the last time your hardware was updated. TIP You can generate a status report by clicking on the status reportcreate’ button, which lets you save a file containing technical information such as the video format detected on your input and output reference, color space, color sampling and bit depth, driver information, operating system and machine information. This report can be useful if you ever need to contact our technical support team. The file is also very small so can be easily emailed.
Product Notes
Changing the name of your Blackmagic Design equipment lets you identify each unit in the Desktop Video Setup software and keep track of where and how it’s being used. This is useful if you have the same hardware in various locations on a network, plus it can be handy to name the different units for their purposes, e.g., Edit Suite 2, Color Suite 1, etc.
When you enter a name for your hardware in the label field, it is saved to the Blackmagic Desktop Video Setup home page and displayed beneath the hardware image.
You can also enter important information that you may want to refer to later, such as the hardware serial number, where and when your hardware was purchased, as well as the seller’s contact details.
The `about’ tab provides valuable information such as the driver version, user manual and release notes, plus lets you enter notes specific to your hardware.

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Teranex Mini Smart Panel
Attaching a Teranex Mini Smart Panel
Blackmagic UltraStudio HD Mini is a small capture and playback solution that shares a similar form factor to other Blackmagic equipment like Teranex Mini converters and recording decks such as HyperDeck Studio Mini. These products are designed to be portable and modular so you can take them with you on location or mount them on your desk. You can also attach them to the Blackmagic Universal Rack Shelf. Refer to the `Blackmagic Universal Rack Shelf’ section for more information.
Attaching an optional Teranex Mini Smart Panel to your UltraStudio HD Mini allows you to preview video and audio directly from the front of the unit during playback and capture.
The built in LCD on the Teranex Mini Smart Panel displays the input image as well as audio meters, which allow you to preview your audio levels.
The Panels are hot swappable so you don’t even need to turn off your Blackmagic UltraStudio HD Mini when installing it.
1 Remove the two M3 screws on each side of your Blackmagic UltraStudio HD Mini’s basic front panel using a Pozidriv 2 screwdriver and gently pull the panel away from the front of your the unit.
2 On the inside of the basic panel, you’ll notice a small clear plastic tube attached to the bottom corner. This tube directs light from the LED inside the unit to illuminate the status indicator on the basic panel. This tube should stay attached to the basic front panel.
TIP If reattaching the basic front panel, make sure the light tube is aligned with the slot in the front of the unit.
3 Align the connector on the rear of the Teranex Mini Smart Panel with the corresponding connector on the face of your UltraStudio HD Mini and gently push the Smart Panel towards the unit until the connectors are firmly seated. The Teranex Mini Smart Panel should make a firm connection and fit neatly inside the face of your UltraStudio HD Mini.
4 Re-insert the M3 screws from the original panel.

1

MENU

2

VIDEO

SET

AUDIO

When installing the Teranex Mini Smart Panel to your Blackmagic UltraStudio HD Mini, holding the panel with your fingers and thumb aligned with the panel’s rear connector will help guide it into place

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If your UltraStudio HD Mini is installed in a Blackmagic Universal Rack Shelf, you will need to remove the unit from the rack shelf to access the front panel screws. See the `Blackmagic Universal Rack Shelf’ section for more information. The original basic panel is very strong, so if you need to mount your Blackmagic UltraStudio HD Mini in the back of a rack system or in areas where there are lots of cables or activity, you can always reinstall the original basic panel.
Smart Panel Features
LCD Display
The home screen is the first feature you’ll see on your Teranex Mini Smart Panel’s LCD display. The home screen shows you important information, including:

Video format ­ The video format being captured or played back.

Source ­ The video input source type. SDI, YCbCr or NTSC/PAL.

1

MENU

2

VIDEO

SET

AUDIO

Source

Video Format

Buffer

YCbCr 525i59.94 NTSC 55 fr

Buffer ­ The number of frames that can be buffered on the device during capture or the number of frames buffered on the device during playback.

Video monitor ­ Displays the input video source that is connected to UltraStudio HD Mini.

Audio meters ­ Displays the audio levels of the video source connected to UltraStudio HD Mini.

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Using UltraStudio 4K Mini’s Front Control Panel
On UltraStudio 4K Mini, most of the settings that can be changed in the Desktop Video Setup utility are also available via the LCD menu on the front panel. To navigate through the settings, press the menu’ button to open the menu, then scroll through the options using the settings knob. To enter submenus and confirm a setting, press theset’ button. To exit the menu, keep pressing the menu’ button to step back through the menus and return to the home screen. TIP You can also navigate directly to the video or audio settings by pressing thevideo’ or audio’ buttons. This lets you go directly to the relevant settings without scrolling through the settings list, which can save time. Audio Meters VU (-18dBFS) VU (-20dBFS) PPM (-18dBFS) PPM (-20dBFS) Use the LCD menu on UltraStudio 4K Mini’s front panel to change settings Audio Settings UltraStudio 4K Mini also has additional audio settings in the LCD menu. These settings let you change the type of audio meters displayed on the LCD during capture and playback. The two audio meter types are VU and PPM. VU The VU meter, orvolume units’ meter, averages out short peaks and troughs in your audio signal. If you are using VU metering, adjust the output levels of your source so that the meter peaks at the 0db indicator on the audio meter. This maximizes the signal to noise ratio and ensures your audio is at the highest quality. If your audio peaks beyond the 0dB indicator there is a high risk of sound distortion. If you are using the analog audio inputs of the UltraStudio 4K Mini, the input levels can be adjusted in the LCD menu or setup utility.
PPM PPM meters, or peak programme meters’, display apeak hold’ feature that momentarily holds the signal peaks with a slow fall back so you can easily see the audio level at which your audio is peaking. Both VU and PPM meters can be set to use reference levels of -18dB or -20dB so you can monitor your audio to suit different international broadcasting standards.
SD Card Slot
UltraStudio 4K Mini’s front panel also features an SD card slot that reads and writes files when the unit is connected to a Mac or Windows computer. This slot can be used just like a typical SD card reader or writer and is detected by your computer as another drive. This means you can quickly import clips from your camera’s SD card or set Media Express to capture a clip to portable media.

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Blackmagic Universal Rack Shelf
Blackmagic Universal Rack Shelf is a 1RU shelf that lets you install a broad range of Blackmagic Design equipment into a broadcast rack or road case. The modular design means you can build portable and practical equipment setups using products that share a single rack unit form factor.
The illustration below shows 3 Universal Rack Shelves installed in a small rack with a combination of compatible units mounted. The bottom shelf includes a 1/3 rack width blanking panel to fill unused space between units.

Contents
The Universal Rack Shelf Kit contains the following items.
1 x Blackmagic Universal Rack Shelf A single rack unit, full width shelf for installing Blackmagic Design equipment.
Blanking Panels 1 x 1/6 rack width and 2 x 1/3 rack width blanking panels to cover unused shelf space.

Screws
12 x M3 5mm countersunk mounting screws.

2 x M3 9mm flat screws for 1/6 blanking panels.

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Mounting a Unit to the Rack Shelf
1 If rubber feet are attached, remove the feet from the base of the unit using a plastic edged scraping tool.
2 With both the rack shelf and the unit upside down, line up the rack shelf’s pre drilled holes with the threaded mounting holes on the base of the Blackmagic Design unit. There are two central mounting points on 1/3 width units and up to three mounting points on larger, 1/2 rack width units.

MENU

SET

RET 2

CALL

RET 1

SET

SEARCH

CAM

MENU

3 Using the supplied M3 5mm countersunk screws, fasten the unit to the rack shelf.
4 Once fastened, turn the rack shelf right side up and install into the rack via the built in rack ears.
The supplied blanking panels can be used to cover unused shelf space.

Attaching the 1/6 Blanking Panel

The small 1/6 blanking panel can be used to fill unused shelf space when mounting 1/2 and 1/3 rack width units. The panel can be attached to the sides of either unit. To improve airflow it’s a good idea to mount the panel between units.

1

2

Remove the 5mm M3 screw near the front of the unit

Line up the blanking panel and attach using the supplied M3 9mm nylon screw

Attaching the Side 1/3 Width Blanking Panel
The large 1/3 width blanking panels can be attached directly to either side of the rack shelf when mounting single units. To install a blanking panel, align the screw holes and anchor point at the base of the panel with the shelf and secure in place using two of the supplied M3 5mm countersunk screws.

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DaVinci Resolve
Live Grading with DaVinci Resolve
Desktop Video allows simultaneous capture and playback on Blackmagic Design 4K and 8K hardware. This is great for users who want to use the live grading feature within DaVinci Resolve, as it means you don’t require two separate devices for input and output.

When using live grading on set, simply connect the output of the camera to the input of your Blackmagic Design hardware. Then connect the hardware’s output to an on set monitor for grading evaluation and viewing.
Setting Up
1 Launch DaVinci Resolve. From the preferences menu, select the video and audio I/O’ tab and select your hardware from thefor Resolve Live use’ option. Save your preferences and restart DaVinci Resolve to apply your changes.
2 Start a project and open the project settings’ window. From themaster settings’ tab set the timeline resolution and frame rate to match your camera.
3 Go to the capture and playback’ tab and select your desired format from the video capture and playback’ menu.

Select your format from the video capture and playback’ menu. 4 Go to theedit’ page and select file>new timeline. 5 From the color’ page, click on thecolor’ menu and select Resolve live > on. You should
now see live video within the viewer and a bright red `Resolve Live’ button will appear above the video.

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Using Resolve Live
1 In Resolve Live mode, the freeze’ button (snowflake icon) freezes the current incoming video frame, so you can grade it without being distracted by motion occurring during the shoot. 2 Once you’re happy with a grade, clicking thesnapshot’ button (camera icon) saves a snapshot of the current still in the viewer, the incoming timecode value, and your grade into the timeline. Snapshots are simply one frame clips. Once you’ve taken your snapshot, press the snowflake icon again to resume playing until you find the next shot you want to grade.
TIP Please refer to the DaVinci Resolve manual for more information on Resolve Live.
Editing with DaVinci Resolve
Blackmagic DaVinci Resolve features an editor friendly interface with all the tools to edit and finish projects. Whether you use the mouse to drag and drop clips, or your keyboard for precision editing, DaVinci Resolve features all of the functionality professional editors require.
Setting Up
1 Launch DaVinci Resolve. From the preferences’ menu, select thevideo and audio I/O’ tab and select your Blackmagic Design hardware from the for capture and playback use’ option. Save your preferences and restart DaVinci Resolve to apply your changes. 2 Load a project, openproject settings’ from the file menu and under master settings’, set yourtimeline resolution’, timeline frame rate’ andplayback frame rate’.
3 Under the video monitoring’ section, set yourvideo format’. Blackmagic Desktop Video Setup will automatically change to the video format you choose for output to your Blackmagic Design video hardware.
4 Click the `save’ button to save the changes and close the project settings window.

Use the `project settings’ window to set your timeline format and video monitoring options.

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Editing
1 Use the media storage browser on the media’ page to load your clips into the media pool. 2 On theedit’ page, select file>new timeline, name your timeline and click the `create’ button. 3 Now you can drag a clip from the media pool to the source viewer on the left hand side. 4 You can set the in and out points in source clips by using the I and O keys and dragging the
playhead in the bar below the viewer window. 5 To edit the clip into the timeline, simply drag and drop the clip from the source viewer into
the timeline.
TIP Refer to the Blackmagic DaVinci Resolve manual for more detailed information on how to edit with DaVinci Resolve.
Using your Favorite 3rd Party Software
Adobe After Effects CC

After Effects CC
How to Preview Video
To display your composition in real time through your Blackmagic Design hardware, go to preferences > video preview. Enable Mercury Transmit’ must be ticked in order to use your Blackmagic Design hardware with After Effects CC. Undervideo device’, select Blackmagic Playback. You can now use a broadcast monitor to view your After Effects compositions in the correct video colorspace.

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Video Preview’ preferences If you work with unsupported or non standard frame sizes, these can also be correctly outputted by your Blackmagic Design hardware. Go to preferences > video preview and click thesetup’ button next to Blackmagic playback’. The Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware. For example, if you are using UltraStudio 4K and your After Effects composition is set to a resolution of 2048 x 1152, scaling down will output DCI 2K, scaling up will output Ultra HD.
Rendering
When you have completed your composition, you can render a DPX image sequence or any of the following codecs:

`Output Module Settings’ rendering options

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QuickTime codecs on Mac OS Blackmagic RGB 10 bit (uncompressed) Apple Uncompressed YUV 10 bit 4:2:2 Apple Uncompressed YUV 8 bit 4:2:2 Apple Photo – JPEG (compressed) Apple DV – NTSC (compressed) Apple DV – PAL (compressed)
Other codecs including ProRes and DVCPRO HD will be available if you have Final Cut Pro installed.
AVI codecs on Windows Blackmagic 10 bit 4:4:4 (uncompressed) Blackmagic 10 bit 4:2:2 (uncompressed) Blackmagic HD 8 bit 4:2:2 (uncompressed) Blackmagic SD 8 bit 4:2:2 (uncompressed) Blackmagic 8 bit MJPEG (compressed)
Other codecs including DVCPRO HD and DVCPRO50 will be available if you have Premiere Pro CC installed.
QuickTime codecs on Windows Blackmagic RGB 10 bit (uncompressed) Blackmagic 10 bit (uncompressed) Blackmagic 8 bit (uncompressed) Apple Photo-JPEG (compressed) Apple DV – NTSC (compressed) Apple DV – PAL (compressed)
Adobe Photoshop CC

Photoshop CC

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How to Import and Export Video Frames
Import an image into Photoshop CC 1 Select file > import > Blackmagic image import. 2 Select the video input format’ and theimage bit depth’ and then click import image’. Image Capture Export an image from Photoshop CC 1 Select file > export > Blackmagic image export. 2 Selectvideo output format’ and then click export image’. Image Export Once you have set theimport’ or `export’ options, subsequent imports and exports will not display the settings window. However, you can still change your settings, by holding the Option [Mac] or Ctrl [Win] key, when selecting import or export.
Adobe Premiere Pro CC

Premiere Pro CC

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Setting Up a Blackmagic Design Project
1 Open Premiere Pro and click on new project’. Type in a name for the project and select a storage location for it. 2 If your graphics card is supported by Premiere Pro CC’s Mercury Playback Engine, the renderer option will be available and you should switch it to Mercury Playback Engine GPU acceleration. 3 In thecapture format’ drop down menu, select Blackmagic capture’. Click thesettings’ [mac] or properties’ [windows] button to set the video and audio capture settings. Select the video standard and video format. Clickok’ to return to the new project’ window. 4 Click on thescratch disks’ tab to set the locations for your captured video, captured audio, video and audio previews. Click ok’ and your new project will open. 5 Now check your default system audio is not set to Blackmagic Desktop Video. On Mac OS, opensystem preferences’, click on the sound’ option and in the output tab, make sure your Blackmagic device is not selected. In the input tab, select your microphone input, making sure your Blackmagic product is not selected. On Windows, go to the task bar and right click on the audio ‘speaker’ icon to open the sound settings. Click on theplayback’ tab and set your PC to use the on board sound hardware or a sound output device other than your Blackmagic Design hardware. Click on the recording’ tab and set the computer to use a recording device other than your Blackmagic Design hardware. 6 Back in Adobe Premiere Pro, click on thepreferences’ menu and select audio hardware’. Set yourdefault output’ to built-in output’ using the dropdown menu. Underoutput mapping’, map output for `Adobe desktop audio’.

When setting up Adobe Premiere Pro’s audio hardware preferences, make sure the default audio output and output mapping settings are set to `built-in output’.

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7 In the playback’ menu under preferences, selectBlackmagic playback’ from the audio device’ dropdown menu and check theBlackmagic playback’ box under video device’. Pressok’.
Set Adobe Premiere Pro’s playback’ audio device toBlackmagic Playback’ and be sure to check the Blackmagic Playback’ checkbox in thevideo device’ settings.
8 To create a new sequence, click file > new > sequence. Select the desired preset, give the sequence a name and then click `ok’.

Create a new sequence

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Device Control
Many Blackmagic Design capture and playback models feature RS-422 device control for controlling decks. Click preferences > device control, and check that Blackmagic device control has been selected from the devices’ menu. Clickok’.

Playback
If you work with unsupported or non-standard frame sizes, these can also be correctly outputted from your Blackmagic Design hardware. Go to preferences > playback, and click the setup’ button next toBlackmagic playback’. The `Blackmagic device selection’ window will appear. You can scale your image up or down to the next closest video standard supported by your hardware. For example, if you are using UltraStudio 4K and your Premiere sequence is set to a resolution of 3996 x 2160, scaling down will output Ultra HD, scaling up will output DCI 4K.

Select an option to output unsupported frame sizes.
If your Desktop Video device supports HDR, you can also set the color gamut and transfer function for HDR projects. These include HLG and PQ for Rec 2020. The HDR mastering display setting should be set to the maximum nits your monitor or television is capable of displaying.

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Capture
To capture choose: File > capture [F5] Enter your desired tape and clip name.

Set your capture and device control settings in the capture window
To immediately capture, or to capture from a non-controllable device, click the red record button [G].
If you wish to log the clip using RS-422 deck control, enter the desired in and out points using the set in’ andset out’ buttons, or by manually typing the timecode and clicking log clip’. Enter a clip name and pressok’. The empty clip will now appear in the project’ window. Repeat this until you have logged all of the clips you wish to batch capture. Then choose: File > batch capture [F6]. To set handles on the clips, enable the option to capture with handles and type the number of additional frames you require at the start and end of each clip and clickok’. You will now be prompted to enter your tape. Click ok’ and your clips will now be captured. Export to Tape If you want to edit your timeline to an external deck, you can do so using Premiere Pro’sedit to tape’ feature. Choose between two export types: insert and assemble. Insert editing requires unbroken timecode for the duration of the project which is to be laid to tape, and is also a great solution when you want to replace a shot on an existing tape. In assemble mode, the tape needs only to be “blacked” until a point just beyond the starting timecode of the sequence. As assemble editing erases the tape ahead of the record heads, it should not be used where other projects already exist on the tape after the out point of your edit.

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Use the edit to tape’ feature to export your edit to an external deck TIP When exporting to tape using the assemble mode, it’s always good to add at least 30 seconds of black to the end of your sequence. This assists with tape post roll functions and prevents unwanted media appearing directly after your footage. To export to tape via RS-422 deck control: 1 Make sure the Adobe Premiere Pro preferences are configured correctly as described in setting up a Blackmagic Design project’ earlier in this section. 2 Open Premiere Pro’s edit to tape’ window by clicking File > export > tape (serial device). Click onrecorder settings’, select Blackmagic capture from the dropdown menu and click settings’. Choose your video standard and format along with audio settings. Clickok’. If the capture format does not match the output format, it can cause confusion for the deck during preroll and audio might not be exported. 3 Now choose your export type’ by selectingassemble’ or insert’ from the dropdown menu, enter the desired in point timecode and click record’.
When editing to tape, the software waits at the first frame of your project for the deck to drop into record at the predetermined timecode. Should you find that either the first frame of your program is repeated or lost during the edit to tape procedure, you will need to adjust the `playback > video device > offset’ setting to bring the deck and computer in sync. You should only need to do this once with any combination of deck and computer and the correct setting will be retained.

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Adobe Character Animator CC
Some Desktop Video capture and playback devices let you connect graphics generated by Adobe Character Animator CC to other video equipment such as a confidence monitor. For example, you may want to use the performance of a virtual character in a video edit and monitor the performance in realtime.
This section shows you how to set the output options in Adobe Character Animator CC.

1 In Adobe Character Animator, select Character > Preferences > Live Output.
2 Ensure enable Mercury transmit and syphon’ is checked. 3 EnsureBlackmagic playback’ is checked.
4 Select setup’ next toBlackmagic playback’.
5 In the `output mode’ drop down menu, choose a mode from the following options.
Playback
Outputs a signal directly from Adobe Character Animator CC without any keying.
Internal Keying
This option allows you to superimpose your animated character over another video source using your Desktop Video device’s internal keyer. For example, the background could be a video of a location relevant to a news story and the character could be superimposed over the top providing a live interview. Another option would be to have the character superimposed over the broadcast feed and sit in the bottom corner like a logo or watermark, providing reactions to the content that is being broadcast.
Fill/Key
If you want to perform the keying using an external switcher, for example an ATEM switcher, you can set the output mode to fill/key. The fill signal is the animated character and the key signal is the grayscale mask that tells a keyer to make the space around the character transparent. This allows the keyer to superimpose the character over a background.

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Final Cut Pro
You can use the A/V output option in Final Cut Pro to output your video through Blackmagic Design video hardware. If you are using a Desktop Video device that supports HDR, you can also view and edit HDR video with a wide color gamut on a compatible television or monitor.

Final Cut Pro
Setting Up Final Cut Pro
1 Ensure you are running Final Cut Pro X 10.0.4 or later with the latest version of Mac OS.
2 Open Blackmagic Desktop Video Setup. Click on the `video standard’ drop down menu and then set the same format that you will use in your Final Cut Pro project. For example, 2160p29.97. The format should be the same as the video format of your clips. The video standard setting also determines the monitoring video output mode.

Set the output format’ to match your Final Cut Pro project format. 3 Click on thepixel format’ drop down menu and set it to match a format your TV or external monitor will accept. For example, if you are working with a wide HDR color gamut, choose 10-bit YUV 4:2:2′ or10-bit RGB 4:4:4′ based on your monitor’s compatibility requirements.
4 Click on the color gamut’ drop down menu and set this to match the color gamut your project is using. If you are working with a standard or high definition project with a standard dynamic range, chooseRec. 601/Rec. 709′. If you are using a Desktop Video device that supports HDR and you are editing a 4K or high dynamic range project, select Rec. 2020′. For projects that are both 4K and high dynamic range, choose eitherRec. 2020 HLG’ or Rec. 2020 PQ’. This should also be a format your TV or monitor is capable of displaying. Now that you have set your output display settings using Desktop Video Setup, you can create a new project in Final Cut Pro. To create a new project: 1 Launch Final Cut Pro. In the library properties, you will notice the default untitled standard project name. Click on its correspondingmodify’ icon. Create a new library by going to the file menu, then selecting new and library.

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TIP If after creating a new library, the library properties on the right side of the screen are hidden, enable them by clicking the clapper board icon in the top left corner. This opens the libraries sidebar.
2 Select the new library in the libraries sidebar and click its corresponding modify’ icon. An options window will appear asking you to set the color space for your project. Selectstandard’ for an SD or HD project using a standard color gamut. If you are intending to create a wide color gamut HDR movie, select wide gamut HDR’. 3 Clickchange’ to confirm your setting.
4 Create a new project by right clicking the library name in the libraries sidebar and selecting, new project’. Type a name and choose an event to place your project in. If you haven’t already created one, you can choose the default event, which is named as the current date. 5 Clickuse custom settings’. Set the video format’,resolution’ and `rate’ to match the video standard and frame rate you set in Blackmagic Desktop Video Setup.

6 Set rendering’ to your preferred Apple ProRes codec oruncompressed 10-bit 4:2:2′ for an uncompressed workflow.
7 If your project is standard HD, you don’t have to change the color space as Final Cut Pro selects the standard HD Rec. 709 color space for you. If you are working on an HDR project with a wide color gamut, select the color space and either PQ or HLG according to what your TV or monitor is able to display.
8 Set the audio channels to stereo, or you can choose surround’ for 6 audio channels. Set the audio sample rate to the television rate of 48kHz. 9 Click OK to complete the creation of your new project. If you have an external HDMI or SDI monitor connected, you will need to ensure your new project displays correctly. To set the output display settings in Final Cut Pro: 1 Go to the Final Cut Pro menu, choosepreferences’ and then click the playback’ tab. Ensure theA/V Output’ setting has Blackmagic’ selected and the video standard matches your project. Close the preferences. 2 In the menu bar, selectwindow’ and click on `A/V Output’ to enable the video output via your Blackmagic Design video hardware.

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To configure the audio output on Mac OS: 1 Open the Mac OS system preferences’ and click on thesound’ icon. 2 Click on the output’ tab and selectBlackmagic Audio’ for the sound output.
TIP You can also monitor audio via your Desktop Video hardware.
Playback
1 Import some clips in to your new project. 2 You can now use the Final Cut Pro timeline on your computer monitor and view the
video preview on the monitor or TV connected to the output of your Blackmagic Design video hardware.
Capturing Video and Audio
You can use Blackmagic Media Express to capture video and audio with your Blackmagic Design video hardware. Once you have captured the clips, you can import them into Final Cut Pro for editing. When capturing clips with Media Express, make sure you choose one of the video formats that is also supported by Final Cut Pro. For example, Apple ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, ProRes 422 LT or uncompressed 10-bit 4:2:2.
Editing to Tape
Once you have completed a project in Final Cut Pro, you can render the project to a movie file and then use Blackmagic Media Express to master the movie to tape with your Blackmagic Design video hardware. 1 Select your clips from the timeline in Final Cut Pro. 2 Go to file>share>export file and the export file’ window opens. 3 Clicksettings’ and select your desired video codec from the dropdown menu.

4 Click next…’ and select a location for your movie and then clicksave’.
5 Open Media Express and import the clip that was exported from Final Cut Pro.
6 Refer to the Blackmagic Media Express section of this manual for `Editing video and audio files to tape’.

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Avid Media Composer
Avid Media Composer captures and plays back up to 4K video and audio with Blackmagic Design video hardware and also supports RS-422 deck control. Blackmagic plugins for Media Composer are automatically installed if Media Composer is installed before the Desktop Video software.
Avid Media Composer
Setting Up
1 Launch Media Composer and the select project’ dialog box will appear. 2 Click on theNew Project’ tab. 3 Choose your preferred user profile’ if you have previously created one. 4 Select a private, shared or external project location for your project. 5 Type a project name and set the project options including format, color space and stereoscopic options. Clickcreate’. The color space and stereoscopic settings can be changed later in the `format’ tab of the project.

Type a project name and set the project options.

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6 The Media Composer interface will appear along with the project window for your new project. You have completed setting up your project.
Playback
As a quick test to make sure everything is connected correctly, go to the help menu’, clickread me’ and select the Media Composer Editing Guide. Follow the Importing Color Bars and Other Test Patterns’ section. Double click the imported file to play it. You should now see the image on both your computer monitor and your Blackmagic Design hardware output. If you can’t see any video on your Blackmagic Design hardware output, check the connections again and ensure you have the correct output settings configured within Blackmagic Desktop Video Setup by choosing tools > hardware setup from within Media Composer. Make sure the hardware icon above the timeline is enabled. NOTE If you are using an external Blackmagic video device such as Blackmagic UltraStudio 4K, make sure it is powered and connected prior to starting Media Composer. Capture from Non-Controllable devices Many video sources including all kinds of modern cameras and disk recorders, as well as old cameras and VHS tape players, do not have any device control. To capture video without deck control: 1 Choose file > input > tape capture to open thecapture tool’. 2 Click the `toggle source’ button so that the button’s icon of a deck shows the satellite
button, an earth icon with plus symbol. This symbol indicates that deck control has been disabled.

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Set up the capture tool’ to capture video without deck control by clicking thetoggle source’ button.
3 Select the video and audio source tracks you wish to capture. These are labeled V’ andA1′, A2′, etc. Using the dropdown menus below, select Blackmagic for both video and audio. 4 Use thebin’ menu to select a target bin from the list of open bins.
5 From the resolution menu labeled res’, choose which codec you wish to use for your captured clips. In this example, select DNxHD175x for 10-bit HD video. 6 Select the disk storage for your captured video and audio. Use the single/dual drive mode’ button to choose if video and audio will be stored together on a single drive or on separate drives. Select the drives for your captured media from the target drives’ menu. 7 Click thetape name?’ button at the bottom of the window to open the select tape’ dialog box. Add a tape name, or select from the list if you’ve used the tape before. 8 Ensure your video and audio source is ready or playing and then click the capture’ button. The capture button will flash red while recording. Click the capture button again to end the capture.

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Capture from Controllable Devices with UltraStudio, DeckLink and Teranex
If you have a deck that connects via RS-422, you will need to configure the deck settings before performing a capture with deck control.
1 Connect an RS-422 serial cable from your Blackmagic Design video hardware to your deck. Set the deck to remote’. If you’re using an external Blackmagic Video device, make sure it is connected and powered prior to starting Media Composer. 2 From your project window, click file>settings>site>deck configuration. 3 In thedeck configuration’ dialog box, click add channel’ and then set the channel type todirect’ and the port to RS-422 deck control’. Clickok’ and choose no’ when asked,do you want to autoconfigure the channel now?’
4 Click add deck’ and then select your brand and model of deck from the device menus and also set the desired preroll. Clickok’ and then apply’. 5 Under the settings tab, click user>deck preferences. 6 If you plan to make assemble edits to tape, enable the option toallow assemble edit and crash record for digital cut’. If this option is left unchecked, you will only be able to perform insert edits. Click ok’. TIP If Media Composer fails with the error,failed to find coincidence point on tape’, you can check the `relax coincidence point detection’ option in deck preferences to continue.

In the deck preferences’, enable the option torelax coincidence point detection’.

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To capture with deck control on the fly: 1 Choose file > input > tape capture to open the capture tool’. If a connected deck is recognized and contains a tape or disk, you will be prompted to enter a tape name, or you can choose it from the list. 2 Thetoggle source’ button should show the icon of a deck. If the satellite icon is present, click the button to enable deck control and make the deck icon appear.
3 The capture/log mode’ button should show thecap’ icon. If this button displays a log’ icon, click the button to switch to capture mode and the cap icon should appear. 4 Ifno deck’ is displayed in the timecode window, or a deck name appears in italics underneath, click the dropdown menu and select check decks’. When deck control is reestablished, the deck name will appear without italics. Now try the standard J, K, L shortcut keys to control the deck. 5 Select Blackmagic for the video and audio input. Select your video and audio source tracks, target bin, res, target drive and tape name the same way as in capture from noncontrollable devices’.
6 Use the deck controller window in the capture tool’ to cue the tape and start playing. 7 Click thecapture’ button. The capture button will flash red while recording. Click the capture button again to end the capture.

Set the cap’ andtoggle source’ buttons to use deck control. Use the `deck controller window’ to cue the tape and start playing.

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Batch Capture with UltraStudio and DeckLink
To log clips for batch capture:
1 Choose file > input > tape capture to open the capture tool’. 2 If the deck is in satellite mode, click the toggle source button to change it to deck mode. Click on thecapture/log mode’ button so it displays the log’ pencil icon. 3 Configure video and audio input, video and audio source tracks, target bin, res, target drive and tape name the same way as incapture from non- controllable devices’.
4 Use the deck controller window’, or use the standard j, k, l shortcut keys, to shuttle backwards, pause and shuttle forwards on the deck and locate the video you want to capture. 5 Click themark in/out’ button, to the left of the log button. The icon will alternate between in and out so you only have to click the one button to mark all your in and out points and log your clip. This can be more convenient that using the separate mark in’ andmark out’ buttons in the deck controller window. Alternatively use the i’ ando’ keys on the keyboard to mark in and out points, and the keyboard shortcut `F4′ to log the clip.

Click on the mark in/out’ button or use thei’ and o’ keys on the keyboard to mark in and out points. 6 When you have finished logging your clips, close the capture tool, open the logging bin and select the clips you want to capture. 7 From theclip’ menu, choose batch capture, select the desired options in the resulting dialog box and click `ok’.

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Recording to Tape with UltraStudio and DeckLink
Once you have captured your clips, dragged them in to the timeline, edited them and applied and rendered any effects, you will want to record the completed project to tape. 1 Double click your sequence, to open it into the timeline window. 2 Choose file > output > digital cut to open the digital cut tool’. 3 Setoutput mode’ to real time and bit depth to 10-bit. Check entire sequence’ to record your whole sequence, and check theremote’ deck control option. 4 Choose insert edit’ orassemble edit’ for precise edits onto a timecode striped tape.
Alternatively choose crash record’ for a simple way to record. Ifinsert edit’ is the only option, go to the settings tab in your project, double click on deck preferences’ and enableallow assemble edit & crash record for digital cut’. 5 If a deck name appears in italics or no deck’ is displayed, click the menu and selectcheck decks’ until the deck is listed without italics and deck control is re-established. 6 Press the play digital cut’ button (red triangle icon) to record your sequence to tape. Thedigital cut tool’ is used for recording to tape.

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Blackmagic Media Express
What is Blackmagic Media Express?
Blackmagic Media Express software is included with every UltraStudio, DeckLink and Intensity as well as every ATEM Switcher, Blackmagic Camera, H.264 Pro Recorder, Teranex Processor and Universal Videohub. Media Express is a great tool when you don’t need the complexity of NLE software but simply want to capture, play back and output clips to tape.
Capturing Video and Audio Files
Setting Up a Project
Media Express automatically detects your input video format and sets the project video format’ to match. If you want to set the project video format manually: 1 Go to Media Express>preferences on Mac, or edit>preferences on Windows or Linux. Select yourproject video format’ from the dropdown menu at the top of the preferences window. You can choose from a range of compressed and uncompressed capture formats, or even a DPX image sequence from the `capture file format’ drop down menu. Video will be captured in the chosen format and saved as a QuickTime movie. You can also choose to capture an RGB source using a YUV codec or vice versa.

Use the preferences window to set project video format, capture file format, storage location and other settings.

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2 Set the storage location for your captured video and audio. Click the browse’ button to point the software to a folder on your computer. 3 Choose whether to stop capture or playback if dropped frames are detected. Standard definition projects use the 4:3 aspect ratio unless you enable the use anamorphic SD 16:9′ checkbox.
Applications will normally stop playing video if you send them to the background. Tick the checkbox `continue playback when in the background’ if you want Media Express to keep playing video even if you open another application.
The final options relate to tape decks with RS-422 deck control and include pre-roll and timecode offsets.

Media List

Timecode List, Thumbnail and Favorites view

Search Field

VTR / deck timecode

Video Preview

Project name, video Clip Bins format and frame rate

Mark In /Mark Out

Grab Still Frame

Logging

Capture

Information options

Transport Controls

Audio channel enable /disable

Audio Meters

Remote indicator

Capture

To capture video, all you need to do is connect a video source, wait for Blackmagic Media Express to detect your input and press the `capture’ button.

Enter a description for your video.

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1 Start by connecting your video source to an input of your Blackmagic Design hardware. Launch Desktop Video Setup and check that the input connection’ is the same as your video source, e.g., SDI, HDMI, Component, etc. 2 Open Media Express and click the redlog and capture’ tab. 3 Your source video will appear in the preview pane. Enter a description into the
description’ field. 4 Click the+’ button next to the description to add it to the automatic name’ field. Click the+’
button next to any of the other fields that you wish to add to the name field. ­ To increment the value in each of these fields, click the corresponding clapper board
icon. Alternatively, type directly into any field to customize its name and number. ­ The text in the automatic name field will be applied to the clip(s) about to be captured. ­ To log the clip as a favorite, click the star icon next to the name field. ­ For a clip name confirmation prompt to appear before every capture, click the !’ icon next to the name field. 5 Set the desired number of audio channels to be captured. Set the desired number of audio channels to be captured. 6 Click thecapture’ button to start recording. To stop the capture and keep the clip, click the `capture’ button again or press esc. The captured clips are added to the media list on the left side of Media Express.

Click the `capture’ button to begin capturing.
If the video input format changes from the project video format, Media Express will automatically detect it and will prompt you to save the current project and create a new one.

Blackmagic Media Express will automatically detect if you change your ATEM switcher’s program output format and will give you the option to save and start a new project.

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Logging clips Ensure an RS-422 serial cable is connected between your Blackmagic Design video hardware and the deck.
Ensure the deck’s remote/local switch is set to remote. Use the standard j, k, l shortcut keys to shuttle backwards, pause and shuttle forwards.
Click the mark in’ button to mark the in point, or use the shortcut key i. Click themark out’ button to mark the out point, or use the shortcut key o. Click the log clip’ button to log the clip, or use the shortcut key p. The entry should now appear in the media list with a red X in its icon to indicate the media is offline. Batch Capture After logging a clip, you can click theclip’ button to capture a single clip.
To capture multiple clips, continue logging the clips for batch capture.
Select the logged clips in the media list and do one of the following:
Click the batch’ button. Right click on the selection and select batch capture. Go to thefile’ menu and choose batch capture.
Media Express will capture the clip from the in to out timecode.
DPX Capture If you want to capture a DPX image sequence rather than a movie file, open the Media Express preferences and set the `capture file format’ to DPX 10-Bit RGB.
Create a DPX project by setting the capture file format to DPX. Capture.

DPX capture preferences.
When the capture has been completed, a single thumbnail will appear in the media list representing the entire frame sequence. The sequence of DPX frames will be stored in its own folder in your disk storage. Audio will be stored in a .wav file in the same folder.
By default, DPX captures are assumed to be from YUV sources. If you are capturing from an RGB source, select capture from an RGB source’. If you want the DPX frame numbers to be based on the timecode of the captured video, rather than just starting from zero, enable the option touse absolute frame numbering when capturing DPX’.
If you aren’t performing long DPX captures, you may wish to reduce the number of zeroes in the frame numbers by changing the option, `when capturing DPX files, use (2-8) digit numbers in the frame count’.

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3D Capture When Media Express is used with a Blackmagic Design video hardware model that supports dual stream 3D, you can create left and right eye 3D video clips by capturing 2 streams of HDSDI video simultaneously.
Create a 3D project which matches the frame rate of your dual stream 3D video source. If capturing from an SDI source, make sure you have 2 discrete HD-SDI video inputs to the
Blackmagic video hardware. Capture.
Select a project video format with “3D” in its name to capture dual stream stereoscopic 3D video clips.
When capturing and logging dual stream 3D in Media Express, the clip name will be applied to the left eye video. The right eye video will be appended with `_right’ text. For example, if you name the stereo clip “Clip 1”, the left eye clip will be called “Clip 1.mov” and the right eye clip will be called “Clip 1_right.mov”. The Media List presents an eye catching indication that the captured clip is a 3D clip:
In thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon.
In timecode list view, the left and right eye clips are listed on two lines and linked together by a 3D indicator.

In Thumbnail view, the left and right eye clips are connected by a 3D indicator and presented as a single, large icon.

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Media List

Timecode List, Thumbnail and Favorites view

Search Field

VTR / deck timecode

Video Preview

Project name, video

Clip

format and frame rate

Bins

Mark In

Clip

Grab Still

/Mark Out Information Frame

Favourite Transport Selections Controls

Audio channel enable /disable

Audio Remote Meters indicator

Playing back Video and Audio Files

Playing back single and multiple clips
To play back a single clip, double click the clip in the media list. Alternatively, select the clip in the media list and press the space bar on your keyboard or the play button in the transport controls.

You can use the transport controls to play, stop, jump to the next or previous clip and loop playback.
To play back multiple clips, select the clips in the media list and then press the space bar on your keyboard or the play button in the transport controls.
Your video will play back in the video preview pane of Media Express and on all the video outputs of your Blackmagic Design video hardware. During playback, the audio channels being monitored can be switched on or off via the track enable/disable buttons.
Importing clips
You can play back your video and audio files after importing media into Media Express in any of the following ways:
Double click an empty area of the media list, browse to your file’s location and click open’. Right click an empty area of the media list and select import clip’ from the contextual menu. Go to the file’ menu, selectimport’ and then `media files’.

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Select the video and audio clip(s) you wish to import and press open’. The clips will appear in thescratch’ area of the media list. If you have created your own bins in the media list, you can drag the clips into the desired bin. To import directly to a bin, right click within the desired bin and select import clip’ from the contextual menu. If the files being imported do not match the frame rate and size of existing clips in the media list, you will be prompted to create a new project and to save the current project. If the imported clips do not match the existing clips, you will be prompted to create a new project. TIP Media Express also supports the import of multichannel audio only files recorded at 48kHz in the uncompressed WAVE and AIFF formats. Another way to import media is to use an XML file exported from an NLE such as Final Cut Pro 7 or Final Cut Pro. Go to thefile’ menu, select import’ and then either Final Cut Pro 7 XML or Final Cut Pro XML. Open the desired XML and all the bins and media from the Final Cut Pro project will appear in the media list. Media Express also supports the import of CMX EDL files to batch capture clips using EDL files from other video software. Go to thefile’ menu, select `import’ and then CMX EDL. Select the EDL and open it.

You can import media directly, or import with an XML or EDL.
The logging information will appear in the media list. Select the logged clips and perform a batch capture to import the clips from your deck.

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Browsing Media
Thumbnail view
Thumbnails are the most intuitive way to display your clips. Hover your mouse over the clip’s thumbnail and then click on the popup info icon at the bottom right of the thumbnail. Click the info bubble to hide it.

Click a thumbnail’s popup info icon to view the info bubble.
List view
You can view your clips in timecode list’ view by clicking on thetimecode list’ button at the top right of the media list. Use the horizontal scroll bar to view all the columns of information for your clips.
In the media list, choose to view your clips in timecode list’ view or thumbnail’ view. Click the favorites’ button to show only your favorite clips. Type in the search field to find your favorite clips. Creating and using bins To create a bin, right click an empty spot in the media list and select create bin’. Name the new bin. You can move clips around by dragging the clip icons to the desired bin. If you want a clip to appear in more than one bin, import the same clip again by right clicking on the bin and choosing import clip’. By default, logged clips appear in thescratch’. If you want to log clips and have them appear in a new bin, right click the new bin and choose select as log bin’. Creating and using favorites In thelog and capture’ tab, click the star’ icon next to the name field if you want to tag a clip as a favorite. In theplayback’ tab, clicking the star icon will make the clip a favorite if it is selected in the media list. Click the star icon again to deselect it as a favorite. Clips marked as favorites will show a yellow star in their icon in timecode list’ view andthumbnail’ view.

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Once you have marked clips as favorites, click on the `show only favorites’ button at the top of the media list. The star icon will turn yellow. All clips will be hidden except for those marked as favorites.

In the log and capture’ tab, click thestar’ icon next to the name field if you want to log the clip as a favorite.
Linking an audio clip to a video clip
To link an audio clip to a video clip in the media list: Select a video clip which contains no audio channels. Right click on the video clip and select link audio file’ from the contextual menu. Browse to the audio file you want to link to and clickopen’. The video and audio will link in the media list view.
The media list presents a highly visible indication that the video and audio clips are linked.
You can now play back the combined clip or master it to tape.
Deleting clips and bins
To delete clips, select the unwanted clips and press the backspace button on your keyboard. This will only delete the clips from the media list and they will safely remain on your disk storage. To delete bins, right click within a bin and choose `delete bin’. This action will delete the bin and any clips it contained. This will only delete the clips from the media list and they will safely remain on your disk storage.

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Creating a 3D clip
To add a stereoscopic 3D clip to the media list: Select a 3D project video format that is the same frame rate as your 3D media. Import the left eye’ file into the media list. Right click on the left eye file and select “set right eye clip” from the contextual menu. If the right eye clip was previously captured by Media Express, the right eye video will be appended with_right’ text.
Select a 3D project video format.
The media list presents a highly visible indication that the imported clip is a 3D clip. The left and right eye clips are displayed side by side in the `video preview’ window, indicating a 3D video project.

The media list presents a highly visible indication that the imported clip is a 3D clip.
If you find the left and right eyes of a 3D stereo clip have been loaded the wrong way around: Right click the 3D clip in the media list. Select `swap eyes’ from the contextual menu.
Searching the Media List
Clips can easily be found in a project by typing the name of your clips in the search field at the top of the media list. When used in conjunction with the favorites feature, the search will be confined to your favorite clips so you will see a shorter list of found clips.
Type in the search field to find clips.

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Mark In/Mark Out

Record Modes

Master to Tape

Audio channel enable/disable

Editing Video and Audio Files to Tape
While we usually talk about mastering or editing to “tape”, it doesn’t matter if your deck uses tapes or disks. To master your clips:
Select the clips you want to send to tape. Click the blue `edit to tape’ tab. Set the in point and type of edit. Master to tape.

Selecting clips to master
From the media list, select the clips you wish to master to tape. You can even insert multichannel audio only clips to replace the master audio track on a master tape. If you only want to send your favorite clips to tape, click the favorite (star) icon at the top of the media list to show your favorites and hide all other clips. Then select the favorite clips you wish to send to tape.

Click the favorite (star) icon at the top of the media list to show only your favorites.
Insert and Assemble to tape
Click the edit to tape’ tab. Enter the in point of the tape by entering timecode into thein’ point field, or by cueing the tape to the desired in point via the transport control and then clicking the mark in’ button. If noout’ point is entered, Media Express will set the duration of the edit to the total length of the clips in the media list. If an out point is defined, Media Express will stop recording once the `out’ point timecode is reached, even if some clips have not been output.

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Two clips have been selected for output to tape.
Choose to master to tape using assemble’ orinsert’ edit. Then press the master’ button. Preview mode mimics the edit process but does not record to tape. This mode lets you check the edit point. Preview edit operations should always be checked on monitors connected directly to the output of the deck. This lets you view the video already on tape in conjunction with the new video. Ifrecord inhibit’ is enabled either on the deck or on the tape, Media Express will report this when you click the master’ button. Disablerecord inhibit’ before trying again. Select the video and audio channels you wish to output via the track enable/disable buttons. Deselect the video channel if you only want to output audio.
Set the desired number of audio channels to be mastered.
Click the favorite (star) icon at the top of the media list to show only your favorites. Two clips have been selected for output to tape. Set the desired number of audio channels to be mastered.
Capturing H.265 Video
To capture video using Blackmagic UltraStudio 4K Extreme’s built in H.265 encoder: 1 Open Media Express preferences’ and set thecapture file format’ to MP4 H.265. 2 Set the bitrate for your H.265 capture by clicking on the quality’ button located next to the H.265 setting and dragging theencoding settings’ slider left or right. Close the encoding settings’ window to confirm your setting. TIP For more information about H.265 capture and bitrate settings, refer to the next section in this manual,H.265 Hardware Encoder’.

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H.265 Hardware Encoder
Capturing H.265 Video with UltraStudio 4K Extreme
Blackmagic UltraStudio 4K Extreme has a powerful built in H.265 hardware encoder that lets you capture the latest H.265 video in real time. This gives you the ability to capture video using encoding technology that maintains stunning video quality at the lowest possible bitrate.

To capture H.265 video using Blackmagic UltraStudio 4K Extreme, set the capture file format in Media Express preferences to MP4 H.265.
To capture video using the built in H.265 encoder: 1 Launch the Blackmagic Media Express software. Open Media Express preferences’ and set thecapture file format’ to MP4 H.265.
2 Set the bitrate for your H.265 capture by clicking on the quality’ button located next to the H.265 setting and dragging theencoding settings’ slider left or right. Close the encoding settings’ window to confirm your setting. Your Blackmagic UltraStudio 4K Extreme is now ready to encode H.265 video using Blackmagic Media Express. For information about how to capture and play back video using Media Express, refer to theBlackmagic Media Express’ section of this manual.
Setting the Bitrate
The default bitrate is set to 15 Mb/s which is a good choice for high quality Ultra HD video that is streamed online, but you can set it anywhere between 3 to 50 Mb/s. For online streaming of HD video, a good choice is between 3 to 5 Mb/s.
Drag the `encoding settings’ slider to the left if you need to capture video with a smaller file size and a lower bitrate, or drag to the right if file sizes are not an issue and you want the best possible video quality. Setting the bitrate too low will result in compression artifacts in your picture, such as visible macro blocking, pixelation or banding. However, the H.265 hardware encoder is very efficient and keeps artifacts to a minimum, so you can set the bitrate lower than you normally would for H.264 video and still retain great video quality.

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Set the bitrate for H.265 capture by clicking on the quality’ button and dragging theencoding settings’ slider left or right.
When encoding H.265 video, or any type of video encoding for online streaming, it’s often helpful to consider a few things, such as the bandwidth of your intended delivery system, the amount of movement and contrast between frames in your video, and the frame rate of your video. For example, if there is a large number of people streaming your video, you may need to lower the bitrate in your encoding so audience members with slower internet connections can watch without download interruptions. Higher bitrates are better for video content with lots of contrast and movement between frames, such as bright to dark, or high energy sporting events and graphics. Video with high frame rates also require higher bitrates compared to video at lower frame rates.
Choosing a bitrate for your encoding can often be an experimental process to achieve the best video quality in the smallest file size, so it’s worth testing a variety of bitrate settings for the best results.
Blackmagic Disk Speed Test
Blackmagic Disk Speed Test measures the read and write performance of storage media in video frame sizes. Disk Speed Test is included with your Desktop Video software and can be downloaded free from the App Store for Mac OS.

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Access the Disk Speed Test settings by clicking on the settings’ gear icon, located just above thestart’ button.
Select Target Drive Click select target drive’ and ensure you have read and write permissions. Save Screenshot Clicksave screenshot’ to save a screenshot of the results.
Stress The stress level can be set between 1GB and 5GB. 5GB is the default setting and will provide the most accurate results.
Disk Speed Test Help Click Disk Speed Test help’ to launch the PDF manual for Blackmagic Disk Speed Test. Open the Settings menu by clicking the gear icon. About Disk Speed Test About Disk Speed Test displays which version of the Disk Speed Test software you are running. Start Click thestart’ button to commence the test. Disk Speed Test will write and then read a temporary file to the selected target drive. Disk Speed Test will continue writing and reading until you stop the test by clicking the start’ button again. Will it Work? Thewill it work?’ panel shows common video formats and displays a check mark or cross to indicate if disk performance is adequate. Be sure to do several test cycles to reveal any video formats for which the disk performance might be marginal. If a video format exhibits a check mark switching between a cross, it indicates that the disk storage cannot reliably support the video format.
How Fast? The how fast?’ results panel shows the frame rates your drive can achieve and should be read in conjunction with thewill it work?’ panel. If the will it work?’ panel shows a green check mark for 2K DCI 24 using H.265, but thehow fast?’ panel shows that a maximum of 24fps will be supported, the disk storage performance is too marginal to be reliable.

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START Click this button once to start the disk speed test. Click again to stop the test

Settings Click this button to access the settings before running a disk speed test

Will it Work? This panel shows which video formats can be supported by your disk storage

How Fast? This panel shows results in frames per second

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Removing the Mezzanine Card from DeckLink 4K Extreme 12G
How to Remove the Mezzanine Card
If you don’t have enough room on your motherboard to fit a dual slot PCIe card, you can easily remove DeckLink 4K Extreme 12G’s mezzanine card.
To remove the mezzanine card: 1 Ensure that you are statically discharged. Place the DeckLink card on its side on a flat,
clean surface, with the gold PCIe contacts facing up.
2 On the underside of the DeckLink card, locate the two screws for the mezzanine card’s stand off supports. They are the two screws furthest away from the BNC connectors. Gently remove the screws using a Phillips head screwdriver.
3 Hold the base DeckLink card by its edges and gently lift the mezzanine card until its bridge connector is released from the slot.
4 Ensure the bridge connector is firmly seated in the mezzanine card in case you’d like to reattach it.
5 Keep the two screws fastened to their stand off supports, place the mezzanine card in an anti static bag and store in a secure place.
You can now install your DeckLink 4K Extreme 12G card into your computer using one PCIe slot.
To reattach the mezzanine card: 1 Align the two mezzanine card stand off supports with the screw holes on each side of the
base DeckLink card and gently secure the mezzanine card to the bridge connector slot. Ensure the mezzanine card is properly seated in the bridge connector slot.
2 Fasten the stand off supports to the base DeckLink card by tightening their screws using a Phillips head screwdriver. Be careful not to over tighten the screws.
If you need assistance or have any questions please visit the Blackmagic Design support center at www.blackmagicdesign.com/support.

DeckLink 4K Extreme 12G’s mezzanine card can easily be removed.

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Recovering a DeckLink Card from an Interrupted Update
If you are updating a DeckLink card and the update process is interrupted, for example power is accidentally disconnected from your computer, this can leave your card in a disabled state. However, many DeckLink cards have a special USB port that will let you perform an update recovery.
If your DeckLink card supports USB recovery, the USB port will be located on the rear or side of the card. This USB port will let you plug into your computer and update the card directly.
To recover an interrupted update on a DeckLink card: 1 Shut down your computer and disconnect the power.
2 Gently remove your DeckLink card from your computer’s PCIe slot and place it safely on a stable surface, such as a desk or workbench. We recommend placing the card on an antistatic bag and wearing an anti-static earthing wrist band to avoid the risk of damaging the card with a potential electric shock.
3 Plug a USB cable into the USB-C or mini B USB port on the rear or side of your DeckLink card

Remove the DeckLink card from your computer’s PCIe slot and plug it into your computer using the USB-C or mini B USB port on the rear or side of the card
4 Plug the other end of the USB cable into your computer’s USB port.

Recovering a DeckLink Card from an Interrupted Update

73

5 Power your computer and turn it on. After your computer’s start up sequence an alert window will appear asking you to update the card.
Click `update’.
A progress bar will indicate the update process and will let you know when the update is complete. Once complete, disconnect the USB cable and reinstall the card into your computer’s PCIe slot. NOTE Don’t forget to shut down your computer and disconnect power before accessing the PCIe slot. With your card reinstalled you can now power your computer. The DeckLink card will be recognized by your computer and you can continue with your production.

Recovering a DeckLink Card from an Interrupted Update

74

Help
Getting Help
The quickest way to obtain help is to check the latest support material for your specific hardware at the Blackmagic Design online support pages.
Blackmagic Design Online Support Pages
The latest manual, software and support notes can be found at the Blackmagic Design support center at www.blackmagicdesign.com/support.
Contacting Blackmagic Design Support
If you can’t find the help you need in our support material, please use the “send us an email” button on the support page to email a support request. Alternatively, click on the “find your local support team” button on the support page and call your nearest Blackmagic Design support office.
Checking the Version Currently Installed
To check which version of Blackmagic Desktop Video Setup software is installed on your computer, open Blackmagic Desktop Video Setup.
­ On Mac OS, open Blackmagic Desktop Video Setup’ within yourapplications’ folder. The software version number appears by clicking on the about Blackmagic Desktop Video Setup’ menu heading. ­ On Windows 10 and 11, click thestart’ button and type Blackmagic’ in the search box. Click the Blackmagic Desktop Video Setup application. The software version number appears by clicking on theabout Blackmagic Desktop Video Setup’ menu heading.
­ On Linux, go to applications’ and thensound and video’ and double click the Blackmagic Desktop Video Setup application. The software version number appears by clicking on the about Blackmagic Desktop Video Setup’ menu heading. How to Get the Latest Updates After checking the version of Blackmagic Desktop Video Setup installed on your computer, please visit the Blackmagic Design support center at www.blackmagicdesign.com/support to check for the latest updates. While it is advisable to run the latest updates, you should avoid updating software when in the middle of an important project. To see when you last updated your driver, click on theabout’ tab in the Blackmagic Desktop Video Setup utility. You can also generate a driver status report by clicking on the status report `create’ button.

Help

75

Developer Information
Developing Custom Software using Blackmagic Design Hardware
The DeckLink SDK is available for developers to control Blackmagic video hardware with their own custom software. The DeckLink SDK supports the UltraStudio, DeckLink and Intensity products.
The DeckLink SDK provides both low level control of hardware and high level interfaces to allow developers to easily perform common tasks. The DeckLink SDK supports technologies including:
­ DeckLink API ­ Apple Core Media ­ Microsoft DirectShow
Downloading the Free Blackmagic Design SDK
The DeckLink SDK can be downloaded at: www.blackmagicdesign.com/support
Joining the Blackmagic Design Software Developers Forum
If you’re looking for answers, feedback or suggestions regarding technologies used by Blackmagic Design, such as codecs, core media, APIs, SDK and more, visit the Blackmagic Design Software Developers forum. The forum is a helpful place for you to engage with both Blackmagic Design support staff and other forum members who can answer developer specific questions and provide further information. The Software Developers forum can be found within the Blackmagic Design Forum at: forum.blackmagicdesign.com
Contacting Blackmagic Design Developer Assistance
If you wish to ask questions outside of the Blackmagic Design Software Developers forum, please contact us at: developer@blackmagicdesign.com

Developer Information

76

Regulatory Notices

Disposal of Waste of Electrical and Electronic Equipment Within the European Union.
The symbol on the product indicates that this equipment must not be disposed of with other waste materials. In order to dispose of your waste equipment, it must be handed over to a designated collection point for recycling. The separate collection and recycling of your waste equipment at the time of disposal will help conserve natural resources and ensure that it is recycled in a manner that protects human health and the environment. For more information about where you can drop off your waste equipment for recycling, please contact your local city recycling office or the dealer from whom you purchased the product.

This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to Part 15 of the FCC rules. These limits are designed to provide reasonable protection against harmful interference when the equipment is operated in a commercial environment. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. Operation of this product in a residential area is likely to cause harmful interference, in which case the user will be required to correct the interference at personal expense.
Operation is subject to the following two conditions:
1 This device may not cause harmful interference.
2 This device must accept any interference received, including interference that may cause undesired operation.

MSIP-REM-BMD-201602006 R-R-BMD-20220712001 R-R-BMD-20220712002 MSIP-REM- BMD-201611001 MSIP-REM-BMD-201611002 MSIP-REM-BMD-DLSDI4K MSIP-REM- BMD-201607001 R-R-BMD-201906001 MSIP-REM-BMD-DLStudio4K R-REM-BMD-201807001 MSIP-REM-BMD-201412020 MSIP-REM-BMD-201509003 MSIP-REM-BMD-201607002

R-R-BMD-201904001 R-R-BMD-20230531001 R-R-BMD-20230531002 R-R-BMD-20230531003 R-R-BMD-202005002 R-R-BMD-202005001 MSIP-REM-BMD-201707004 R-R-BMD-201901001 MSIP-REM-BMD-201611010 MSIP-REM-BMD-201611009 MSIP-REM-BMD-201509013 MSIP-REM- BMD-201503025

ISED Canada Statement This device complies with Canadian standards for Class A digital apparatus.
Any modifications or use of this product outside its intended use could void compliance to these standards.
Connection to HDMI interfaces must be made with high quality shielded HDMI cables.
This equipment has been tested for compliance with the intended use in a commercial environment. If the equipment is used in a domestic environment, it may cause radio interference.

Regulatory Notices

77

Safety Information
For protection against electric shock, the equipment must be connected to a mains socket outlet with a protective earth connection. In case of doubt contact a qualified electrician. To reduce the risk of electric shock, do not expose this equipment to dripping or splashing. Product is suitable for use in tropical locations with an ambient temperature of up to 40oC. Ensure that adequate ventilation is provided around the product and that it is not restricted. When rack mounting, ensure that the ventilation is not restricted by adjacent equipment. No operator serviceable parts inside product. Refer servicing to your local Blackmagic Design service center. Some products have the facility to connect small form-factor transceiver (SFP) optical fibre modules. Only use Laser class 1 optical SFP modules. Recommended Blackmagic Design SFP modules:
­ 3G-SDI: PL-4F20-311C ­ 6G-SDI: PL-8F10-311C ­ 12G-SDI: PL-TG10-311C
Use only at altitudes not more than 2000m above sea level.
State of California statement This product can expose you to chemicals such as trace amounts of polybrominated biphenyls within plastic parts, which is known to the state of California to cause cancer and birth defects or other reproductive harm. For more information go to www.P65Warnings.ca.gov.
Warning for Authorized Service Personnel
Disconnect power from both power inlets before servicing!
Caution – Double Pole/ Neutral Fusing The power supply contained in this equipment has a fuse in both line and neutral conductors and is suitable for connection to the IT power distribution system in Norway.

Safety Information

78

Warranty
Limited Warranty
Blackmagic Design warrants that UltraStudio, DeckLink and Multibridge family products will be free from defects in materials and workmanship for a period of 36 months from the date of purchase excluding connectors, cables, cooling fans, fiber optic modules, fuses, keyboards and batteries which will be free from defects in materials and workmanship for a period of 12 months from the date of purchase. Blackmagic Design warrants that Intensity family products will be free from defects in materials and workmanship for a period of 12 months from the date of purchase. If a product proves to be defective during this warranty period, Blackmagic Design, at its option, either will repair the defective product without charge for parts and labor, or will provide a replacement in exchange for the defective product.
In order to obtain service under this warranty, you the Customer, must notify Blackmagic Design of the defect before the expiration of the warranty period and make suitable arrangements for the performance of service. The Customer shall be responsible for packaging and shipping the defective product to a designated service center nominated by Blackmagic Design, with shipping charges pre paid. Customer shall be responsible for paying all shipping charges, insurance, duties, taxes, and any other charges for products returned to us for any reason.
This warranty shall not apply to any defect, failure or damage caused by improper use or improper or inadequate maintenance and care. Blackmagic Design shall not be obligated to furnish service under this warranty: a) to repair damage resulting from attempts by personnel other than Blackmagic Design representatives to install, repair or service the product,b) to repair damage resulting from improper use or connection to incompatible equipment, c) to repair any damage or malfunction caused by the use of non Blackmagic Design parts or supplies, or d) to service a product that has been modified or integrated with other products when the effect of such a modification or integration increases the time or difficulty of servicing the product. THIS WARRANTY IS GIVEN BY BLACKMAGIC DESIGN IN LIEU OF ANY OTHER WARRANTIES, EXPRESS OR IMPLIED. BLACKMAGIC DESIGN AND ITS VENDORS DISCLAIM ANY IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR A PARTICULAR PURPOSE. BLACKMAGIC DESIGN’S RESPONSIBILITY TO REPAIR OR REPLACE DEFECTIVE PRODUCTS IS THE WHOLE AND EXCLUSIVE REMEDY PROVIDED TO THE CUSTOMER FOR ANY INDIRECT, SPECIAL, INCIDENTAL OR CONSEQUENTIAL DAMAGES IRRESPECTIVE OF WHETHER BLACKMAGIC DESIGN OR THE VENDOR HAS ADVANCE NOTICE OF THE POSSIBILITY OF SUCH DAMAGES. BLACKMAGIC DESIGN IS NOT LIABLE FOR ANY ILLEGAL USE OF EQUIPMENT BY CUSTOMER. BLACKMAGIC IS NOT LIABLE FOR ANY DAMAGES RESULTING FROM USE OF THIS PRODUCT. USER OPERATES THIS PRODUCT AT OWN RISK.
© Copyright 2023 Blackmagic Design. All rights reserved. Blackmagic Design’, DeckLink’, HDLink’,Workgroup Videohub’, Videohub’,DeckLink’, Intensity’ andLeading the creative video revolution’ are registered trademarks in the US and other countries. All other company and product names may be trade marks of their respective companies with which they are associated.
Thunderbolt and the Thunderbolt logo are trademarks of Intel Corporation in the U.S. and/or other countries.

Warranty

79

20239 /
Desktop Video

DeckLink UltraStudio Intensity

Blackmagic Design Ultra HD 60p UltraStudioDeckLinkIntensity
Blackmagic Design PCI Express Blackmagic Design
10Blackmagic Design w w w. b l a c k m a g i c d e s i g n .co m / j p Desktop Video Blackmagic Design Blackmagic Design
Blackmagic Design CEO

83

Desktop Video

83

83

83

84

Desktop Video 88

93

BlackmagicDesktopVideoSetup

94

Blackmagic Desktop Video Setup

94

95

DeckLink Quad 2 100

101

103

Setup

105

About

106

TeranexMiniSmartPanel

107

Teranex Mini Smart Panel

107

Smart Panel

108

UltraStudio4KMini

109

BlackmagicUniversalRackShelf

110

110

Universal Rack Shelf

111

1/6

111

1/3

111

DaVinciResolve

112

DaVinci Resolve 112

DaVinci Resolve

113

114

Adobe After Effects CC

114

Adobe Photoshop CC

116

Adobe Premiere Pro CC

117

Adobe Character Animator CC

123

Final Cut Pro

124

Avid Media Composer

127

BlackmagicMediaExpress

134

Blackmagic Media Express

134

/ 134

/

139

141

/ 144

H.265

145

H.265

146

UltraStudio 4K ExtremeH.265

146

BlackmagicDiskSpeedTest

147

DeckLink4KExtreme12G

150

DeckLink

151

153

154

155

156

157

Desktop Video

82

Desktop Video
Blackmagic Design Desktop Video / Blackmagic Desktop Video Setup Blackmagic Media ExpressBlackmagic Desktop VideoUltraStudioDeckLinkIntensityTeranex

8GB RAM
Mac OS
Blackmagic Desktop VideoMac OS
Windows
Desktop VideoWindows64-bitWindows 1011
Linux
Desktop Video3.10Linux 64-bit x864.9.140 Linux AArch64Linux

Desktop Video

83

DeckLink 4K Extreme 12G DeckLink 4K Extreme 12G
DeckLink PCIe

DeckLink 4K Extreme 12G

Blackmagic Desktop Video 3ThunderboltUSB 3.0PCIe
Thunderbolt
Blackmagic UltraStudio 4KUltraStudio 4K ExtremeThunderbolt TM22 ThunderboltTM 1 RAID
Blackmagic UltraStudio 4K Extreme 32ThunderboltTM 3Ultra Studio HD Mini 1Thunderbolt 340Gb/sThunderbolt 3 Thunderbolt 3Blackmagic Desktop Video

84

Thunderbolt 3UltraStudio HD Mini Thunderbolt 3 Thunderbolt 2Thunderbolt 2

USB-CThunderbolt Thunderbolt 3

USB 3.0
SuperSpeed USB 3.0USB 3.0 USB 3.0

HDMI OUT

Y OUT

Pb OUT

Pr OUT

S-VIDEO OUT

VIDEO OUT

AUDIO OUT

HDMI IN

Y IN

Pb IN

Pr IN

S-VIDEO IN

VIDEO IN

L AUDIO IN R

SuperSpeed USB 3.0Intensity Shuttle
PCIe
Blackmagic Design PCIe PCIe PCIex1 x4x8PCIe
PCIe x4 PCIex16PCIe
www.blackmagicdesign.com/jp/products

85

Blackmagic Design PCIePCIeHDMI PCIeHDMI
DeckLink PCIe

86

UltraStudio 4K ExtremePCIe
UltraStudio 4K ExtremeUltraStudio 4K Extreme 3PCIe/ PCIeUltraStudio 4K Extreme UltraStudio 4K Extreme 3PCIe2 Blackmagic PCIe Cable KitPCIePCIe Blackmagic Design UltraStudio 4K ExtremeBlackmagic PCIe Cable Kit PCIe
UltraStudio 4K ExtremePCIe PCIe
PCIe2PCIe

PCIe PCIe

87

Desktop Video

Blackmagic Desktop VideoDesktop Video

Mac OS Blackmagic Desktop Video
Blackmagic Desktop Video Setup
Blackmagic Design LiveKey

Windows Blackmagic Desktop Video
Blackmagic Desktop Video Setup
Blackmagic Design LiveKey

Linux Blackmagic Desktop Video
Blackmagic Desktop Video Setup
­

Blackmagic Media Express

Blackmagic Media Express

Blackmagic Media Express

Blackmagic Disk Speed Test

Blackmagic Disk Speed Test

­

Adobe Premiere Pro CC

Adobe Premiere Pro CC

After Effects CCPhotoshop CC After Effects CCPhotoshop

­

CC

Final Cut Pro

­

­

Avid Media Composer Avid Media Composer ­

LinuxBlackmagic Media Expressx86- 64

Desktop VideoDesktop Video OK
DeckLink DeckLink
Mac OSWindowsLinuxDesktop Video

88

Mac OS
1 Desktop Videowww.blackmagicdesign.com/jp/support
2 Desktop Video 3 ContinueAgreeInstall
Desktop Video 4
MacDesktop Video
Mac OS
MacDesktop VideoMacDesktop Video 1 Open Security PreferencesSystem Preferences
Security & Privacy

89

2 Security & PrivacyAllowDesktop Video

Security & PrivacyAllow Desktop Video
3 Not Now
4 Desktop VideoRestart

M1 Mac Desktop Video 12.2MacReduced Security Desktop VideoReduced Security M1 MacFull Security

1 Loading Startup Options

90

2 Security Policy 3 Full Security 4 OK 5

Windows
1 www.blackmagicdesign.com/jp/support
2 Desktop VideoDesktop Video 3 Do you want to allow the following program to
install software on this computer? Yes 4 Found new hardware Install automatically Desktop Video 5 Your new hardware is ready for use

WindowsDesktop Video

91

Linux
1 www.blackmagicdesign.com/jp/supportLinuxDesktop Video
2 Desktop Video amd64 IntelAMD 64 – bit 3
­ DesktopvideoAPI
­ Desktopvideo-guiDesktop Video Setup
­ Mediaexpress· x86-64
3 Missing Dependencies Desktop Video
4
LinuxDesktop Video ReadMe

Ubuntu Software CenterDesktop Video

BlackmagicFirmwareUpdater

BlackmagicFirmwareUpdater status

0: /dev/blackmagic/io0 [DeckLink SDI 4K] 0x73 OK
1: /dev/blackmagic/io1 [DeckLink 4K Extreme 12G] 0x0A PLEASE _ UPDATE

BlackmagicFirmwareUpdater update 1 man man BlackmagicFirmwareUpdater

Blackmagic Desktop Video/

92

Desktop Video/ Desktop Video
Blackmagic Media Express Blackmagic Media ExpressDesktop Video

1 Blackmagic Design
2 Blackmagic Design

REMOTE

A

B

SDI OUT

NTSC PAL Y

B-Y

R-Y

ANALOG VIDEO IN

HDMI OUT

SDI IN

REF IN

CH 1

CH 2

ANALOG AUDIO IN

Ultra Studio HD Mini

SDI OUT SDI IN REF IN TC IN
+ 12V
URSA Mini Pro

HDTV
Blackmagic Design
1 Blackmagic Media Express Log and Capture
Media Express Media Express 2 Log and CaptureCapture Capture Media Express

93

Capture
1 Playback 2

Blackmagic Desktop Video Setup
Blackmagic Desktop Video Setup
Blackmagic Desktop Video Setup
Blackmagic Desktop Video Setup ­ Max OSBlackmagic Desktop Video ­ Windows 1011>Blackmagic Design>Desktop VideoDesktop Video Setup Desktop Video SetupWindows 1011 ­ LinuxBlackmagic Desktop Setup
Blackmagic Desktop Video Setup Video Input
Blackmagic Desktop Video Setup

BlackmagicDesktopVideoSetup

94

Blackmagic Desktop Video Setup
Blackmagic Desktop Setup

Blackmagic Desktop Video Setup/ /

Video Input
Blackmagic Design Blackmagic Desktop Video Setup

BlackmagicDesktopVideoSetup

95

XLRUse XLR Timecode SDI XLR
XLR
Analog Video Input Levels VideoChoroma/ Cb Cr CbCr

Video Output

General Default Video Standard Final Cut ProFinal Cut Pro
When Paused Display a full frame on video output Display a single field on video putput
Video Playback Display freeze frame when not playing Display black output when not playing
During Capture Video output displays playback video Video output displays input video Video Playback

BlackmagicDesktopVideoSetup

96

During Playback Desktop VideoRec.601Rec.709 Rec.2020Desktop Video Setup UtilityRec.2020Convert to Rec. 2020 Rec.2020 Keep default color gamut

SDISDI Output Color Space 4:4:4:4 RGBYCbCr 4:2:2
3G-SDI3G-SDI Formats 3G-SDISMPTE Level AAre output as SAMPTE Level A 3Gb/sLevel BAre output as SAMPTE Level B
1080p HD2K1080p HD and 2K 1080p HD2K1080p Are output as 1080p progressive videoAre put put as 1080PsF segmented video

SDISDI
SDISDI Configuration 3G/6G/12G – SDI 2160p60DCI 4K UltraStudio 4K Extreme3G- SDI DeckLink 4K Extreme 12GQuad SDI

3G/6G/12G-SDI

BlackmagicDesktopVideoSetup

97

8K 8KSDI 2 Square Division Quad Split8K2x2 44K 4K SDI 8K Ultra HD Sample Interleave8K4 4KSDI 8K 4 4K
Desktop Video8K8K
Set Analog Video Output
Blackmagic DesignAnalog video outputS
HDMI 3D HDMI 3D Output HDMI3D
Top and Bottom 50%
Frame Packing
Side by Side 50%
Left Eye
Line by Line
Right Eye
HDMI 3D

BlackmagicDesktopVideoSetup

98

Analog Video Input Levels VideoChroma/
CbCr CbCr

CbCr
BetacamUse Betacam Levels Blackmagic DesignSMPTE Sony Betacam SP
NTSC IRE 7.5 IRE7.5 IRE0 IREPALHD
Sony Betacam SPUse Betacam Levels NTSC NTSC IRE
Reference Input

BlackmagicDesktopVideoSetup

99

DeckLink Quad 2
DeckLink Quad 2
DeckLink Quad 28DIN 1.0/2.3 SDI8 18 DeckLink Quad 2Desktop Video Setup8DeckLink Quad DeckLink Quad
SDIDesktop Video SetupConnetor Mapping SDI 1DeckLink Quad (1)SDI 2DeckLink Quad (1)DeckLink Quad (5)

DeckLink Quad 2Connector Mapping SDIDeckLink Quad

SDIDeckLink Quad

DeckLink Quad
DeckLink Quad (1) DeckLink Quad (2) DeckLink Quad (3) DeckLink Quad (4) DeckLink Quad (5) DeckLink Quad (6) DeckLink Quad (7) DeckLink Quad (8)

SDI
SDI 1&2SDI 1 SDI 3&4SDI 3 SDI 5&6SDI 5 SDI 7&8SDI 7 SDI 2 SDI 4 SDI 6 SDI 8

SDI DeckLink Quad (1)SDI 1 & SDI 2DeckLink Quad 5 NoneDeckLink Quad 5SDI DeckLink Quad (5)SDI 2DeckLink Quad (1)SDI 1
SDI

BlackmagicDesktopVideoSetup

100

DeckLink Quad SDKDeckLink Quad 2 DeckLink Quad 2

Audio Input
Blackmagic Design
Embedded SDI HDMI
AES/EBU 2
XLR 3
RCA/HIFI HiFiDVD
Microphone
Use + 48V Phantom Power UltraStudio 4K Extreme LED 10

Input Level

BlackmagicDesktopVideoSetup

101

HDMI
5.1HDMI SMPTE 5.1Use 5.1 surround channel ordering HDMI
Use 5.1 surround channel orderingHDMI
AES/EBU
AES/EBU 0 dB
Output LevelAES/EBU
Analog Audio Input Levels
Channel 1/Channel 2 HiFiUse HiFi Audio Levels UltraStudio DeckLink XLR XLR Use HiFi Audio LevelsRCA-XLR

Use HiFi Audio Levels

BlackmagicDesktopVideoSetup

102

Analog Audio Output Levels
Channel 1/Channel 2

0 dB

Input Conversion
/Input conversion
2
Display As 16: 9 14: 9
Output Conversion
/
2
Convert Analog Outputs
Display As 16: 9 14: 9

BlackmagicDesktopVideoSetup

103

/ / Save

16:9 HD4:3 SD

16:9 HD4:3 SD

16:9 HD4:3 SD 16:9
4:3 SD16:9 HD

16:9

4:3 SD16:9 HD

14:9

Pillarbox16:9 Zoom

BlackmagicDesktopVideoSetup

104

Setup
DeckLink IP HDDeckLink IP HD OpticalDeckLink IP/SDI HDDeckLink IP Setup
Network
DeckLink IPIP DHCP
DHCP IP DHCP DeckLink IP IPDHCP IP DHCP
IP IPProtocol Static IPIP IP IP IP
IP

DeckLink IPCAT 6 ST2110 IGMP3 PTP
2110 Multicast Output2110
IPDeckLink IPSMPTE 2110 IP DeckLink Setup Utility
ST2110 IP IT

224.0.0.0239.255.255.255
224.24.29.73

BlackmagicDesktopVideoSetup

105

About
Driver
Blackmagic Desktop Video SetupAbout
Status ReportCreate
Product Notes
Blackmagic Design Desktop Video Setup 1 1 2 Label Blackmagic Desktop Video Setup

About

BlackmagicDesktopVideoSetup

106

Teranex Mini Smart Panel
Teranex Mini Smart Panel
Blackmagic UltraStudio HD MiniTeranex Mini HyperDeck Studio MiniBlackmagic Blackmagic Universal Rack ShelfBlackmagic Universal Rack Shelf
Teranex Mini Smart PanelUltraStudio HD Mini /
Teranex Mini Smart PanelLCD
Teranex Mini Smart PanelBlackmagic UltraStudio HD Mini
1 2 Blackmagic UltraStudio HD Mini 2M3
2 LED

3 Teranex Mini Smart PanelUltraStudio HD Mini Smart PanelUltraStudio HD MiniTeranex Mini Smart Panel
4 M3Smart Panel

1

MENU

2

VIDEO

SET

AUDIO

Teranex Mini Smart PanelBlackmagic UltraStudio HD MiniSmart Panel

TeranexMiniSmartPanel

107

UltraStudio HD MiniBlackmagic Universal Rack Shelf
Blackmagic Universal Rack Shelf
Blackmagic UltraStudio HD Mini
Smart Panel
LCD
Teranex Mini Smart PanelLCD

­ /

­ SDIYCbCr NTSC/PAL

1

MENU

2

VIDEO

SET

AUDIO

Source

Video Format

Buffer

YCbCr 525i59.94 NTSC 55 fr

­

­ UltraStudio HD Mini

­ UltraStudio HD Mini

TeranexMiniSmartPanel

108

UltraStudio 4K Mini
UltraStudio 4K MiniDesktop Video Setup Utility LCD MENU SET
MENU
VIDEOAUDIO /
Audio Meters VU (-18dBFS) VU (-20dBFS) PPM (-18dBFS) PPM (-20dBFS)
UltraStudio 4K MiniLCD
AUDIO
UltraStudio 4K MiniLCD LCD 2 VUPPM
VU VU VU 0dB SN 0dB UltraStudio 4K Mini LCDSetup Utilit y
PPM PPM
VU PPM – 18dB -20dB
SD
UltraStudio 4K MiniSDMac/Windows / SD / SD Media Express

UltraStudio4KMini

109

Blackmagic Universal Rack Shelf
Blackmagic Universal Rack Shelf1UBlackmagic Design 1U
3Universal Rack Shelf 1/3

Universal Rack Shelf Kit
Blackmagic Universal Rack Shelf x1 Blackmagic Design1U
1/6 x11/3 x2

M35mm x12

M39mm1/6 x2

BlackmagicUniversalRackShelf

110

Universal Rack Shelf
1
2 Blackmagic Design 1/321/2 3

MENU

SET

RET 2

CALL

RET 1

SET

SEARCH

CAM

MENU

3 M35mm 4

1/6
1/61/21/3

1

2

M35mm

M39mm

1/3
1/3 1 M35mm 2

BlackmagicUniversalRackShelf

111

DaVinci Resolve
DaVinci Resolve
Desktop VideoBlackmagic Design4K8K· · DaVinci Resolve

Blackmagic Design Blackmagic

1 DaVinci Resolve&I/O Resolve LiveDaVinci Resolve
2
3

4 5 Resolve Live
Resolve Live

DaVinciResolve

112

Resolve Live
1 Resolve Live
2
Resolve LiveDaVinci Resolve
DaVinci Resolve
Blackmagic DaVinci Resolve DaVinci Resolve

1 DaVinci Resolve &I/O Blackmagic Design DaVinci Resolve
2
3 Blackmagic Desktop Video SetupBlackmagic
4

DaVinciResolve

113

1 2
3 4 IO/
5

DaVinci ResolveBlackmagicDaVinci Resolve

Adobe After Effects CC

After Effects CC

Blackmagic Design Preferences Video PreviewAfter Effects CCBlackmagic Design Enable Mercury TransmitVideo DeviceBlackmagic PlaybackAfter Effects CC

114

Blackmagic DesignPreferencesVideo PreviewBlackmagic PlaybackSetupBlackmagic Device Selection / UltraStudio 4KAfter Effects2048 x 1152 DCI 2KUltra HD

DPX

Output Module Settings

115

Mac OSQuickTime Blackmagic RGB 10-bit AppleYUV 10-bit 4:2:2 AppleYUV 8-bit 4:2:2 Apple Photo – JPEG Apple DV – NTSC Apple DV – PAL
ProResDVCPRO HDFinal Cut Pro
WindowsAVI Blackmagic 10-bit

References

• etc.Si
• Blackmagic Forum • Index page
• P65Warnings.ca.gov
• Blackmagic Design
• Blackmagic Design
• Produtos | Blackmagic Design
• Central de Suporte Técnico | Blackmagic Design
• Blackmagic Design
• Support-Center | Blackmagic Design
• Productos | Blackmagic Design
• Centro de soporte técnico | Blackmagic Design
• Blackmagic Design
• Produits | Blackmagic Design
• Centre d'assistance technique | Blackmagic Design
• Prodotti | Blackmagic Design
• Centro assistenza | Blackmagic Design
• サポートセンター | Blackmagic Design
• Blackmagic Design
• 제품소개 | Blackmagic Design
• 고객지원 센터 | Blackmagic Design
• Products | Blackmagic Design
• Blackmagic Design
• Blackmagic Design
• Support Center | Blackmagic Design
• Support Center | Blackmagic Design
• Blackmagic Design
• Ürünler | Blackmagic Design
• Destek Merkezi | Blackmagic Design
• P65Warnings.ca
• P65Warnings.ca.gov
• Produkte | Blackmagic Design
• Support-Center | Blackmagic Design

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