NEOLD U2A Leveling Amplifier Instruction Manual

NEOLD U2A Leveling Amplifier

Product Information

The U2A is a leveling amplifier that pays homage to the ultimate opto compressor of all times. It combines bold minimalism and beautiful nonlinearities to provide unique flexibility and control. The analog hardware units used in the U2A exhibit a wide variety of
sound and behavior due to physical aging effects, which the U2A takes advantage of. It allows you to blend from a freshly serviced unit with a new opto cell to an age-old vintage device in its original state. The T4B attenuator, known for its program-dependent
release character, can be adjusted using an individual knob.

The U2A is a two-in-one device that assigns makeup gain and THD (Total Harmonic Distortion) injection to separate controls. This means that opto compression and tube saturation can be adjusted independently of each other. It also features onboard parallel
processing, the R37 sidechain filter network, and a limiter mode switch, making it the ultimate tool for beefy and musical leveling.

The U2A incorporates the legendary T4B opto attenuator, which is responsible for its smooth and natural leveling characteristics. The 12AX7 dual-triode tube and 12BH7 based cathode follower contribute to the dense tube sound associated with this compressor.
The input transformer HA-100X (later replaced by A-10) and the A-24 plate to line output transformer further enhance the sonic performance of the U2A.

Product Usage Instructions

1. Use the “Compression” control to adjust the high frequency compression intensity. Turning it left will increase the high frequency smack.
2. Switch to “Limit” mode using the “Limit” switch to change the characteristics of the compressor to a higher ratio and harder knee.
3. The “Release” control influences the inertia of the opto cell, affecting the release behavior.
4. Adjust the “Age” control to define the age-related condition of the opto cell, which affects compression and sound characteristics.
5. The “Makeup Gain” control provides linear gain compensation for the level drop resulting from compression.
6. The meter display can show either input level, gain reduction, or output level. Use the “Meter Screw” to change the display mode.
7. Set the desired amount of compression by adjusting the “Threshold” control.
8. The “Saturation” control adjusts the amount of soft clipping/saturation introduced by the tube amplifier.
9. Use the “Mix” control to blend the dry and processed signals for onboard parallel compression/saturation.
10. The “Bypass” switch engages or bypasses the entire signal processing chain.

THE LEVELING AMPLIFIER
The U2A is an homage to what is rightfully considered the ultimate opto compressor of all times. It celebrates the bold mini-malism and beautiful nonlinearities which built the legend, while providing unique access to system relevant component con-ditions for unconventional flexibility and control.

THROUGH THE DECADES
In the analog world, there is a wide variety in how the individual hardware units sound and behave due to physical aging effects. The U2A makes use of this phenomenon, allowing to blend from a freshly serviced unit with a new opto cell to an age-old vin-tage device in its original state. Meanwhile, the near-magical program-dependent re-lease character of the T4B attenuator can be tweaked with an individual knob.

TWO IN ONE
The U2A assigns makeup gain and THD injection to separate controls, so opto compression and tube saturation can be adjusted independently of each other. Rounded off with onboard parallel processing and the usual suspects like the infamous R37 sidechain filter network and a limiter mode switch, the ultimate tool for beefy and most musical leveling just got… complete.

T4B
This is where the magic happens! The legendary heart of this compressor design is its opto attenuator, which is the key for its ultimately smooth and natural level-ing characteristics. While T4 cells basically consist of just an electroluminescent (EL) panel and a pair of photocells, getting their spec and interaction right has proven to be a tricky science in itself.

12AX7
Most of the dense tube sound associated with this epic compressor comes from a 12AX7 dual-triode which feeds into a 12BH7-based cathode follower. The original builds exclusively utilized the infamous Black Plate types by RCA as amplifier tubes, which today are highly sought after for their warm and deep tone with excellent low and high-end projection. The additional 12AX7 and 6AQ5 tubes operate within the gain reduction control circuit.

HA-100X
The HA-100X input transformer found inside early models was created by UTC, in-corporating a Hipermalloy nickel-iron core, hum-balanced coil structure and multiple alloy shields… a severe case of unobtanium these days. Replaced by the more broadly used A-10 later on, it forms a legendary pair of iron combined with the A-24 plate-to-line output transformer.

QUICK START

1. Controls high frequency compression intensity. Turn left for more high frequency smack.
2. Switches the characteristics of the compressor to a higher ratio and harder knee in Limit mode.
3. Influences the inertia of the opto cell and there-by the release behavior.
4. Defines the age-related condition of the opto cell and thus compression and sound characteristics.
5. Provides linear makeup gain to compensate for the level drop resulting from compression.
6. Shows either input level, gain reduction or out-put level (meter screw changes mode).
7. Sets the threshold and thus controls the de-sired amount of compression.
8. Controls the amount of soft clipping/saturation introduced by the tube amplifier.
9. Mixes the dry and processed signals for on-board parallel compression/saturation.
10. Engages or bypasses the entire signal process-ing chain.

• Basic Workflow
• Set compression with Peak and Gain.
• Tweak behavior with Recovery and Aging.
• Add harmonics/saturation with Drive.
• Finish off by adjusting Mix.

PARAMETERS

Peak
This knob controls the peak reduction intensity. It sets the threshold and thus controls the desired amount of compression. Technically, it adjusts the gain of the sidechain amplifier: Higher gain means more light being emitted from the EL panel and then absorbed by the photo resistors inside the opto cell, resulting in stronger compression. Just turn the control clockwise to increase peak reduc-tion and you’re done. Simplicity is king.
Note: If the Peak control is set fully counterclock-wise, you can use the tube saturation stage of the U2A as a stand-alone module with basically no compression taking place at all. Read on…

Gain
Like on the classic hardware devices, this is the makeup gain for compensating the level drop caused by the peak reduction process. However, on the U2A this is a linear amplifier providing clean gain within a range from 0 to 40 dB, while all the beautiful audible effects coming from the tube amp have been assigned to an individual control: Drive. By separating level compensation and THD genera-tion, you have full control over the desired amount of tube grit added to your signal at any given level.

Meter
The VU meter displays either input level, gain reduc-tion or output level in dB. Its mode can be changed with the black screw at the bottom of the housing. The reference point is 0 VU = -14 dBFS.

Recovery
The special program-dependent release behavior of the T4B opto cell is where the true magic of this epic compressor design happens. While the attack remains in the millisecond range, the release shows a wonderfully musical behavior which is fast at the beginning and slows down towards the end of the recovery phase. An additional memory effect ex-tends the release time when strong gain reduction has been going on for some time.
While this works great for many signals, the down-side is that there is no chance of adapting in case it doesn’t fit so well. This is where the Recovery knob comes into play, as it provides control over the in-ertia of the EL panel and therefore over the unique release process. Turning counter-clockwise results in slower progressions.

Aging
The quest for referencing “The One” hardware unit is pretty much in vain, simply as it does not exist af-ter all these decades. The electroluminescent panel and the photocells inside the T4B circuit as well as further electronic components are subject to aging effects which significantly alter the compression characteristic of each individual device.
The Aging knob makes use of this phenomenon by granting control over the physical material con-stants of the EL panel and the LDR components in-side the T4B cell. Basically, this lets you blend from a stock unit with a brand new opto cell to a very old device after decades of operation. This complex, non-linear behavior modification impacts sound as well as compression charactersistics.

R37
Basically a relic from its roots in broadcast, the R37 trimmer controls the response of an emphasis fil-ter inside the sidechain circuit. Turning the screw counter-clockwise attenuates the lower frequen-cies in the sidechain signal which results in a high-er sensitivity of the compressor to HF content. Like on the original, flat is fully clockwise.

Limit | Compress
This switch alters the operation point of the T4B and hence the characteristics of the compressor. The Compress position produces a more gentle curve, while Limit results in stronger peak reduc-tion with a higher ratio and a harder knee.

Drive
This control sets the saturation generated inside the 12AX7 tube amplifier stage. It is fully level-compensated for painless THD injection without levels jumping all over the place.

Mix
This knob blends between the dry and the wet sig-nals and therefore provides instant on-board par-allel saturation/compression.

Power
Clicking on the power switch or lamp engages or bypasses the entire plugin.

TOOLBARS

1. This icon provides a master bypass function for the entire plugin.
2. Undo/Redo offers up to 32 steps of your recent settings. Just go back and forth.
3. Four individual preset banks which can also be automated in your DAW.
4. Copy and paste current settings to/from clip-board or reset current settings to default.
5. Opens GUI preferences (set interface size and quality).
6. Clicking the Plugin Alliance logo will send you to the PA website via your web browser.
7. This icon will guide you to the Plugin Alliance Store via your web browser.
8. Brings up the activation dialog for authorizing plugin licenses for your devices.
9. Here you will find the manual (requires PDF reader installed) and other useful info.
   System Requirements & Supported Platforms Installation, Activation, Authorization, FAQs

References

• NEOLD | Timewarped Plugins
• System Requirements - Plugin Alliance

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