empress effects Para Eq MKII Deluxe Equalizer And Boost Peda User Manual

: July 10, 2024
: empress effects

Table of Contents

empress effects Para Eq MKII Deluxe Equalizer And Boost Peda
Product Usage Instructions
Further Information
Introduction
Sample Applications
Quickstart
My Settings
Controls at a Glance
References
Read User Manual Online (PDF format)
Download This Manual (PDF format)

empress effects Para Eq MKII Deluxe Equalizer And Boost Peda

Specifications:

Product: mkII
Intended Use : Enhancing guitar tones in live performances and studio recordings
Manufacturer’s Website: www.empresseffects.com

Product Usage Instructions

Safety Information:

Danger for Children: Dispose of plastic bags and packaging properly to prevent choking hazards. Do not leave children unattended with electrical devices.

Electrical Shock: Inspect pedals for damage before use to avoid risk of electrical shock.

Power Supply Issues: Always use the correct voltage and current for your pedal’s power supply to prevent damage and safety risks.

Overheating: Avoid stacking pedals or placing them in confined spaces to prevent overheating.

Tripping Hazard / Pedal Placement: Secure cables and place pedals firmly to avoid tripping hazards.

Product Usage Guidelines:

This pedal is designed for enhancing guitar tones in live performances and studio recordings. Follow the instructions outlined in the user manual for optimal performance. The manufacturer is not liable for damages resulting from improper use or use under non-recommended conditions.

General Pedal Usage:

Connect the pedal to your guitar and amplifier using appropriate cables.
Ensure the pedal is powered using the correct voltage and current as specified in the user manual.
Adjust the settings on the pedal to achieve the desired tone enhancement.
Avoid sudden loud noises by adjusting settings gradually.
After use, disconnect the pedal from power and store it in a safe place.

FAQ:

Q: How do I prevent overheating of the pedal?
- A: To prevent overheating, avoid stacking pedals or placing them in confined spaces. If the pedal overheats, stop using it and let it cool down before further use.
Q: What should I do if my pedal causes unexpected volume spikes?
- A: Beware of volume spikes when adjusting pedal settings. To mitigate this issue, adjust settings gradually and ensure all connections are secure.

Further Information

On our website (www.empresseffects.com) you will find lots of further information and details on the following points:

Download

This manual is also available as a PDF file for you to download.

Keyword Search

Use the search function in the electronic version of this manual to find your topics of interest quickly.

Customer Support

If you have any problems with the device our Customer Support team will gladly assist you.

Symbols and Signal Words

Signal Word	Meaning
DANGER!	_This combination of symbol and signal word indicates an

immediate dangerous situation that will result in death or serious injury if it is not avoided_
CAUTION!| This combination of symbol and signal word indicates a possible dangerous situation that can result in minor injury if it is not avoided.
NOTICE!| This combination of symbol and signal word indicates a possible dangerous situation that can result in material and environmental damage if it is not avoided.

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Intended Use

This pedal is designed for enhancing guitar tones in live performances and studio recordings.
Use as outlined in the user manual.

The manufacturer is not liable for damages resulting from improper use or use under non-recommended conditions.

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Introduction

When we released our original ParaEq back in 2009, it quickly became a favorite among musicians who were searching for something more than the typical oversimplified controls found on most EQ pedals. Now, based on our users’ valuable feedback, we’ve taken everything great about our original ParaEq and made it even better.

The Empress ParaEq MKII is designed to be a tool for sweetening the tone of any instrument. We’ve designed it to give musicians a powerful, musical, high- quality EQ in a conveniently small package. The signal path is comprised of the highest quality components chosen for their transparency, powerful tone- shaping capabilities, and low operating noise. We’ve increased the headroom to 27V, similar to rackmount equipment, to ensure clarity of sound no matter how hot the signal. Oh, and the whole package is now half the size. Who doesn’t love a small package?!

With the Empress ParaEq MKII, your instrument will still sound like your instrument, only better.

– Steve Bragg

Sample Applications

General Sweetening : Perhaps you really like the tone of your guitar but find it could be a little brighter with more high-end detail. With the ParaEq MKII Deluxe, adding a small boost in the range of 3kHz to 5kHz with a wide Q will add a bit more detail, while still retaining the sound of your instrument. In a similar manner, adding a wide Q boost to the low-frequency range will warm up your instrument’s sound.

Tone Correction: Say you’ve set your amp up in a venue and find that the acoustics of the stage are making it sound too boomy. By cutting some of the frequencies in the low mids (200Hz – 600Hz) with a medium Q, you can minimize the negative effects of the room acoustics on your sound.
If you find your guitar isn’t cutting through the rest of the band, you can boost the upper mid-frequency range (1kHz – 4kHz) instead of simply turning up the volume of your amplifier, which could lead to you just drowning out the rest of the band.

Feedback Zapping: With a DI’d acoustic instrument, playing live at stage volumes can sometimes be a nightmare. Feedback through monitors can quickly ruin a great performance. By using the ParaEq MKII Deluxe’s mid and hi- frequency bands and narrow Q settings you’ll be able to cut the frequencies causing the feedback while retaining much of your instrument’s sonic signature. The narrow Q setting ensures the range of frequencies being reduced is very small, preventing your instrument from sounding dull or muddy.

Distortion Enhancement: Having the ParaEq MKII Deluxe before your amplifier lets you use it to shape your distortion sounds in radical ways. For example, if you want the treble of your signal to distort a little more you can boost the high frequency band before it reaches your amplifier. This lets you add a little sonic slicing capability to your sound without muddying up your bottom end. The boost control on the ParaEq MKII Deluxe is a great way to push an already cooking tube amplifier into musical overdrive.

Q Controls

The Q is a measurement of how much the EQ band affects a range of frequencies.
Narrow Q : This setting is best for attacking problems. For example, if an acoustic instrument is feeding back, a narrow Q allows you to cut the offending frequency without affecting frequencies around it.
Medium Q : This is great for general tone shaping. Most equalizers in instrument amplifiers are medium Q. Try this setting and cut in the 300Hz – 400Hz range if your amp sounds a little muddy, or boost in the 1kHz – 5kHz range if your guitar is a little dark.
Wide Q : Wide settings are best for transparent changes to the signal. With a wide Q, boosting around 100Hz can add warmth and boosting in the 3kHz range can add definition, all while retaining your instrument’s tone.

Frequency Region Descriptions

Here’s a rundown of different frequencies that should be helpful when using the ParaEq MKII Deluxe to achieve a specific result.

Electric Guitar

80Hz – 150Hz : Boosting can add a subtle warmth and bigness to the sound. Cutting can bring down any rumble you’re experiencing.
150Hz – 400Hz : Cutting in this region can remove a bit of mud, and boosting will bring out the warmth.
400Hz – 800Hz : Cutting in this region can make the sound more pristine. Boosting will add an aggressive edge to the sound.

800Hz – 2kHz : Boosting in this region will bring out the twang in your sound. Cutting will create a rounder, less aggressive tone.
Above 3kHz : Boosting in this region can add brightness and sheen. Cutting in this region can minimize noise and reduce harshness.

Bass Guitar

30Hz – 80Hz : The sub-bass region. Be careful when boosting in this range; your speakers might not be happy if you boost too much.
80Hz – 150Hz: The bass region. Boost and cut in this region to change the amount of bass in your sound.
150Hz – 500Hz : If your bass sounds too muddy, try cutting in this region. If it needs a little warmth, try boosting in this region.
500Hz – 900Hz : Boosting in this region can add mid-range growl to your tone. Cutting in this region can make things clean and pristine.
900Hz – 3kHz : Boosting in this region can bring out attack. Cutting in this region can help create a rounder tone.
Above 3kHz: Cutting can bring down the noise without much effect on the signal. Boosting can add a sense of air and space.

DI’d Acoustic Guitar

35Hz – 100Hz: Cutting in this region can help reduce rumble.
100Hz – 200Hz : This range is primarily responsible for the boominess of your acoustic guitar. Cutting or boosting here can help with low end projection.
400Hz – 500Hz : Boosting in this range can bring out warmth. Cutting in this range can help remove mud in your sound.
500Hz – 4kHz : This broad slice of the sonic spectrum is where most of your acoustic signal lives. Boosting here will make your guitar sound more aggressive, while cutting will help mellow it out.
4kHz – 8kHz: The brightness of your acoustic lives in this region. If your instrument sounds like you’re hearing it through a wall, boost in this range. Cutting in this range will remove harshness.
5kHz and Above: Boosting in this range will bring out air in your sound, and cutting will reduce noise. Beware of feedback though!

Quickstart

Sittin’ in the Mix

Low cut to leave room for bass and drums in the mix. Mid boost at the guitar’s sweet spot. Cut those pesky, shrill high frequencies.

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Distortion Tamer

To tame high gain distortion, cut some of the lows and boost what’s left. Boost the mids and cut any shrill harmonics for a more even frequency response.

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Airy Acoustic

Cut extreme highs and lows while boosting the remaining bass. The mid boost and selective high-frequency removal means it still sounds natural, but lighter.

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Buttery Bass

Cut out highs and high mids while maintaining low end and enough mids to still bite. The result is smooth and consistently buttery.

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My Settings

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Advanced Configuration

These options let you choose the bypass and boost behavior of your ParaEq MKII.
Entering the advanced configuration: Connect power to the pedal while holding down both the boost and bypass footswitches. The LEDs will flash momentarily to confirm that you are in the advanced configuration.
Modifying the advanced configuration: To toggle between true bypass and buffered bypass use the bypass footswitch. The bypass LED will display which mode you are in:
Bypass LED off = true bypass (default)
Bypass LED on = buffered bypass
To toggle between normal bypass mode and independent bypass mode use the boost footswitch. With independent mode you can apply boost without having the equalization engaged. This makes it almost like having a separate EQ and boost pedal, each with their own bypass switch.
Boost LED off = normal (default)
Boost LED on = independent
Exiting the advanced configuration: Hold down both the tap and bypass footswitches. The bypass LEDs will blink momentarily to confirm the ParaEq MKII has exited the advanced configuration.

Controls at a Glance

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Changing Startup State

The EQ and boost functions can be set independently to be active or bypassed when the pedal starts. To switch the startup state, press and hold the respective footswitch when power is applied to the pedal.

Powering the ParaEq MKII

Go to www.empresseffects.com/power for list of power supplies we’ve tested.

Please note: The ParaEq MKII requires at least 300mA of current to function properly. Any power supply rated at 9V DC, supplying negative tip polarity and at least 300mA of current should work.

Regulatory Compliance Information

FCC (USA)

This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:

this device may not cause harmful interference, and
this device must accept any interference received, including interference that may cause undesired operation.

Responsible Party in the USA

Americas Compliance Consulting LLC dba iCertifi
1001 SW Disk Drive, Ste 250
Bend, Oregon 97702 USA
FCC_sDoC@icertifi.com
icertifi.com

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s authority to operate the equipment.

Note : This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures:

Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.

ICES-003 (Canada)
CAN ICES-003(B) / NMB-003(B)

CE (European Union)

This declaration of conformity is issued under the sole responsibility
of Empress Effects Inc- 105-62 Steacie Dr, Kanata Ontario K2K 2A9. The device identified on the front page of this manual is in conformity with the requirements of the European Union’s Electromagnetic Compatibility Directive 2014/30/EU, in accordance with the following harmonized standards:

EN 55032: 2015/A11:2020 – Electromagnetic compatibility of multimedia equipment – Emission Requirements
EN 61000-3-2 :2014 – Electromagnetic compatibility (EMC) – Part
3- 2: Limits – Limits for harmonic current emissions (equipment input current ≤ 16 A per phase)
EN 61000-3-3 :2013 – Electromagnetic compatibility (EMC) – Part
3- 3: Limits – Limitation of voltage changes, voltage fluctuations and flicker in public low-voltage supply systems, for equipment with rated current ≤ 16 A per phase and not subject to conditional connection
EN 55035: 2017/A11:2020 – Electromagnetic compatibility of multimedia equipment – Immunity Requirements

Name: Colin King
Title: Design Engineer
Company: Empress Effects Inc
Date: August 19, 2023
Location: 105-62 Steacie Dr, Kanata Ontario K2K 2A9

WEEE (2012/19/EU)

This product must not be disposed of with regular household waste. In compliance with WEEE regulations, please take this product to a designated collection facility or return to the supplier for proper recycling. Comply with local laws and regulations for disposal. Contact your local authority or
support@empresseffects.com for specific information.

Disposal of the packaging material

For the transport and protective packaging, environmentally friendly materials have been chosen that can be supplied to normal recycling. Ensure that plastic bags, packaging, etc. are properly disposed of. Do not just dispose of these materials with your normal household waste, but make sure that they are collected for recycling. Please follow the notes and markings on the packaging.

Specifications