citronics CSM-series Compact Mixers with USB Player User Manual

citronics CSM-series Compact Mixers with USB Player

Caution: Please read this manual carefully before operating Damage caused by misuse is not covered by the warranty

Introduction

Thank you for choosing a Citronic CSM-series mixer as part of your professional sound system. This product has been developed to provide a wide range of facilities for professional and reliable sound reinforcement. Please read and keep this manual to achieve the best results from your purchase and avoid damage through misuse.

SAFETY SYMBOL AND MESSAGE CONVENTIONS

CAUTION
RISK OF ELECTRIC SHOCK DO NOT OPEN

Warning
To prevent the risk of fire or electric shock, do not expose any components to rain or moisture. If liquids enter the housing, stop using immediately, allow the unit to dry out and have it checked by qualified personnel before further use. Avoid impact, extreme pressure or heavy vibration to the case. No user serviceable parts inside – Do not open the case – refer all servicing to qualified service personnel.

Safety

• Use the 5Vdc power adaptor supplied or equivalent.
• Avoid ingress of water or particles into any part of the housing. If liquids are spilled on the console, stop using immediately, allow the unit to dry out and have checked by qualified personnel before further use

Placement

• Keep the console out of direct sunlight and away from heat sources.
• Do not place heavy objects on top of the control surface
• Allow adequate space for airflow and keep the console away from damp or dust.

Cleaning

• Use a soft cloth with a neutral detergent to clean the housing as required.
• A soft brush can be used to clear debris from between controls without damaging them
• Do not use solvents for cleaning the unit.

Console layout

Each CSM compact mixing console has a bank of mono input channels which can accept a balanced microphone input or switchable line/instrument input. There is also a stereo input for playback devices or line level instruments.
All preamps have studio grade, low noise architecture for the cleanest possible path throughout the signal chain. Console layout is set out in distinct sections to simplify operation.
The following pages of this manual are divided up into these stages to explain the details and function of each control.

Channel inputs

Channel inputs are provided as XLR or 6.3mm jack on combo sockets.
If an XLR is plugged in, this will be connected as low impedance (microphone) level. If a 6.3mm plug is used, this will be connected as either line or instrument level (switchable)
The connections for these inputs are assigned as follows.

Mic / Line / Instrument input

1. Combo input
   Connect a balanced microphone via XLR connection or a line level or instrument input via 6.3mm plug. An unbalanced XLR can be connected provided that +48V phantom power is not used. Wired as follows.

2. IMPED switch
   Press this button in to set the input impedance to instrument level or leave the button in the up position for a line level input. (instrument level is usually for pickups, such as those on a guitar. Electronic keyboards usually produce a line level output)

3. +48V phantom
   Press this button in to enable +48V phantom power to the XLR and the LED indicator will light. This provides power to some condenser microphones and DI boxes. Do not use with unbalanced XLR connectors. This does not affect any jack inputs.
   Channel controls

4. HIGH EQ
   This control can boost or cut the high frequencies by ±15dB (12 o’clock position is zero)

5. LO EQ
   This control can boost or cut the low frequencies by ±15dB (12 o’clock position is zero)

6. FX
   This control regulates the amount of the channel signal that is fed to the digital delay effects section, varying the amount of delay effect (see Digital Delay below)

7. PAN
   “PAN” is short for Panoramic, meaning the position that the signal appears in the stereo field. Moving the control clockwise fades the signal over to the right-hand output and moving the control anticlockwise fades the signal over to the left-hand output.

8. VOL
   “VOL” is short for Volume. Moving this control clockwise increases the level of the signal to the output section.

9. Peak LED
   The peak LED will light when the channel is overloaded. Take care to only allow this to happen very briefly on the loudest parts of the audio or not at all. If this LED lights continually for any length of time, reduce the input level, channel volume or EQ until it only lights momentarily.
   Stereo input

10. L/MONO
    Line level 6.3mm jack input. Mono if connected alone or left side if right side input is connected

11. RIGHT
    Line level 6.3mm jack input for right side of stereo input.

12. Peak LED
    The peak LED will light when the channel is overloaded. Take care to only allow this to happen very briefly on the loudest parts of the audio or not at all. If this LED lights continually for any length of time, reduce the input level, channel volume or EQ until it only lights momentarily.

13. Level
    Sets the line input level to -10dB if pressed in or +4dB if not pressed in

14. BAL
    “BAL” is short for Balance, varying the ratio of left and right sides of the stereo signal. Moving the control anticlockwise reduces the signal on the right side or moving the control clockwise reduces the signal on the left side.

15. VOL
    “VOL” is short for Volume. Moving this control clockwise increases the level of the stereo signal to the output section. Digital delay
    The internal effects section comprises a digital delay, which adds fast or slow fading repeats to the mono inputs with the amount of signal fed to the effects section determined by the FX control on each channel. This is useful for echo and slap-back effects for vocals and instruments.

16. REP
    REP is short for Repeats, which controls the number of fading echo repeats and hence the duration of the effect.

17. DEL
    DEL is short for Delay, which controls the length of time between each repeat, changing the nature of the effect from slap-back to echo.

18. LEVEL
    Controls the overall amount of delay effects mixed to the main output.
    Output Section

19. MAIN OUT
    Left and Right main balanced line outputs via XLRM connectors to be fed onto amplification or recording equipment.

20. VU Meters
    Left & Right LED main out level indicators.

21. USB/BT
    Controls the level of the internal USB player or Bluetooth receiver to the main outputs

22. PHONES
    Controls the volume of the main output to the headphones socket

23. MAIN OUT
    Master level control for MAIN OUT L+R

24. PHONES
    6.3mm stereo headphones output jack

25. USB Port
    Connect a USB pen drive to this port for playback of stored audio files or to record the main output in mp3 format to the USB device.

26. Display
    LCD display to show the mode and status of the USB/BT player

27. Media control
    Press this button to enter the player menu
    Press this button to play or pause current track or select an option.
    Press to navigate to previous track/option or hold for volume down
    Press to navigate to next track/option or hold for volume up
    Rear Panel

28. EXT DC IN
    DC jack for supplied 5Vdc power adaptor

29. POWER
    Power on/off button

Operation

• Connect microphones to the Mic / Line / Instrument combo inputs (1) via XLR, ensuring that the +48V button (3) is pressed in for any condenser microphones or D.I. boxes that require phantom power.
• For line or instrument inputs (such as electric guitar), connect these via 6.3mm jack plug to the combo inputs (1), ensuring that the IMPED button (2) is pressed in if it is a Hi-Z instrument. (Hi-Z means high impedance, such as guitar pickups)
• For stereo line level signals, such as CD or mp3 players, computer sound cards or electronic keyboards, connect these via 6.3mm jack plug to the stereo inputs (10, 11) or if the input device is mono, just connect to the L/MONO input (10). If the output is too loud or quiet, it may be necessary to press the +4/-10dB level switch (13) to the correct setting for the input type.
• If headphones are to be used for monitoring the main output, connect these to the PHONES 6.3mm stereo jack (24) and turn the PHONES control (22) down fully before listening through the headphones, gradually turning this control up to the required level to avoid damage to hearing. (this control is pre-master fader, which means that it can also be used as an independent output)
• Finally, connect the MAIN OUT L + R XLR outputs (19) to the receiving amplifier or recording device.
• Connect the supplied 5Vdc plug-in adaptor to the EXT DC IN jack (28) on the rear panel and the plug-top to a suitable mains outlet, ensuring the correct mains supply voltage. Turn the MAIN OUT control (23) fully down and press in the POWER button (29) on the rear panel and the LCD display (26) will light.
• Check the output of any channel by starting with its VOL (8, 15) and FX (6) turned fully down.
• HIGH and LOW EQ controls and the PAN control should all be set in the mid position (12 o’clock).
• Turn up the MAIN OUT or PHONES (23, 22) up and listen whilst playing the signal (or speaking into the microphone) and increasing its VOL gradually. Stop when the desired output level is reached.
• Avoid aiming the microphone or instrument pickup towards the loudspeaker(s), which can cause feedback, which is a loud whistling or howling sound caused when a mic hears its own output.
• To adjust the tone characteristics of a Mic / Line / Instrument input signal, the high and low frequency content can be individually cut or boosted using the HIGH and LOW EQ controls (4, 5)
• Turning clockwise from 12 o’clock boosts the frequencies and turning anticlockwise cuts them.
• Use these controls to make dull sounds clearer or reduce the harsh nature of some inputs.
• Boosting these too much can increase the chance of feedback, whereas cutting can sometimes help to reduce feedback, so experimentation is often necessary.
• Adjust the PAN control towards left or right as desired. It is sometimes beneficial to bias individual channels to different sides of the stereo field to give separation and allow more detail in the mix.
• Adding some echo effect to a mic or instrument can give a sense of dimension. To add the effect, turn the delay LEVEL control up (18) and gradually increase the FX control (6) on the input channel.
• Adjust REPEAT and DELAY controls (16, 17) to create the desired time characteristics for the effect.

USB/BT Player

• The CSM mixers have an inbuilt digital USB audio player section combined with a Bluetooth receiver.
• If no USB device is inserted, the display will state “NO DEVICE”
• To step through the USB/BT player options, press the MENU button. Use the buttons to navigate the 5 options: BT (Bluetooth), MSC (Music), REC (Record), PC and SYS (System). (PC is not currently functional on the CSM mixers – this is for future development)

USB Playback

• To initiate playback of audio files from a USB pen drive, insert the pen drive into the USB port (25). Playback should start automatically. If not, press the Play/Pause button or remove the USB drive and check that the files stored are either .mp3, .wma, .ape or .flac format before re-inserting the drive.

• During playback, the display will show the file name, elapsed time, playback mode and track number. Output to the main mix and/or headphones is controlled via the USB/BT control (21).

• To navigate through the tracks stored on the device, press the Previous and Next buttons. Press and hold the Previous or Next button to decrease or increase the media player volume.

• Press the Play/Pause button to temporarily stop or resume the current track.

• Press the MENU button to see playback options for USB and use buttons to select an option.

• PLAY MODE: Select All Play, One Device, One Play or Random and press to confirm.
  All Play will play through all tracks stored on the USB drive and repeat. One Device will play all tracks stored in the current folder and repeat. One Play will repeat the current track. Random Play will play through all tracks on the USB drive in a random order.

• EQ Mode: Select Normal, Rock, Pop, Classic, Jazz or Country tone profile and press to confirm.

• Disk Root: Select root of device or individual folders stored on the device for playback

• Delete File: Press to delete the current file from the device

Bluetooth Mode
To connect a smart phone or tablet to the CSM mixer via Bluetooth, firstly make sure no USB device is connected (USB takes priority over Bluetooth) and press the MENU button. Use the buttons to navigate to BT (Bluetooth) and press to select. The display will show Bluetooth mode. Enable Bluetooth on the sending device and select to pair with a device called “Citronic”. Once paired and connected, the display will state “BLUETOOTH CONNECT” and “BT PAUSE” if a track is stopped or “BT PLAY” if a track is playing. The transport buttons / will control tracks on the sending device as they would for a USB track.

Record Function
Insert a USB pen drive which is formatted to FAT32 in order to record the main output onto it. If there are any audio files already stored on the USB device, they will begin to play automatically. Press and hold the MENU button and this will enter the recording mode in a paused state. Press to begin recording and to pause or continue. Hold to stop and store the file. The recording will be stored as an mp3 file named “FILE.mp3” where is the track number. Each recorded file will be stored onto the USB media in a folder named “JL_REC”.

System Menu

• Backlight Press to select “Backlight” and use to choose the time-out value for the display. backlight – 10sec, 30sec, 1min, 5min, 10min or never. This is the time of no activity before the display backlight automatically switches off and then will switch on again when any button is pressed.
• Contrast Press to select “Contrast” and use to choose the balance of LCD to backlight. This helps to set the optimum clarity of the display for reading.

Specifications

Disposal: The “Crossed Wheelie Bin” symbol on the product means that the product is classed as Electrical or Electronic equipment and should not be disposed with other household or commercial waste at the end of its useful life. The goods must be disposed of according to your local council guidelines.

• The full text of the EU declaration of conformity for 170.871UK is available at the following internet address: http://www.avsl.com/assets/exportdoc/1/7/170871UK%20CE.pdf
• The full text of the EU declaration of conformity for 170.872UK is available at the following internet address: http://www.avsl.com/assets/exportdoc/1/7/170872UK%20CE.pdf
• The full text of the EU declaration of conformity for 170.873UK is available at the following internet address: http://www.avsl.com/assets/exportdoc/1/7/170873UK%20CE.pdf

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