Worlde ORCA PAD16 MIDI Controller User Manual
- June 13, 2024
- WORLDE
Table of Contents
- Worlde ORCA PAD16 MIDI Controller
- Product Information
- Product Usage Instructions
- Introduction
- Features
- Getting Started
- Control Definitions
- Setup
- Connecting to Mobile Devices
- Parts and Their Functions
- Appendices
- Specifications
- References
- Read User Manual Online (PDF format)
- Download This Manual (PDF format)
Worlde ORCA PAD16 MIDI Controller
Product Information
- Product Name : Worlde ORCA PAD16 MIDI Controller
- Manufacturer: Hangzhou Blue Whale Music Technology Co., Ltd Hangzhou Worlde Music Electronic Co., Ltd
- Website: www.worlde.com.cn
- Email: [email protected]
- Telephone: 86 571 88730848
Product Usage Instructions
Getting Started:
ORCA PAD 16 Overview
Top Panel Overview:
Refer to the user manual for more information on the top panel overview.
Rear Panel Overview:
Refer to the user manual for more information on the rear panel overview.
Setup:
If you intend to connect your ORCA PAD16 to a computer or mobile devices,
please follow the setup instructions below:
Minimum System Requirements:
If you are using your ORCA PAD16 with a computer, make sure your computer meets the following minimum system requirements:
- Windows i3 1.2GHz or higher (CPU requirement may be higher for laptops)
- 1G RAM
- Direct X 9.0b or higher
- Windows XP (SP2) or higher (Windows 98, Me, NT or 2000 not supported)
Please refer to the user manual for more detailed instructions on using the ORCA PAD16 with your DAW, control definitions, and specifications.
Packing List:
- WORLDE ORCA PAD 16 x 1
- USB cable x 1
- Quick start guide x 1
Introduction
- Thank you for purchasing the WORLDE ORCA PAD 16 USB MIDI controller. ORCA PAD16 is a high quality, feature-packed controller which includes all the essentials to start making music. To help you get the most out of your new instrument, please read this manual carefully.
- Your ORCA PAD 16 midi controller will not make any sound unless it is connected to a computer or other external MIDI gear. This is because the ORCA PAD 16 sends MIDI data when you play it and does not produce sound on its own. Instead, it is used to control a virtual instrument on your computer or a MIDI sound module to generate sounds.
- In order to use the functions of this product, you’ll need to make settings in the application you’re using. Make settings as described in the owner’s manual for your application.
ORCA PAD 16 integrates perfectly with DAWs (such as Ableton Live, Bitwig and so on) for both production and performance.
Features
- Three banks of 16 high quality velocity & pressure sensitive performance pads with RGB backlit, for 48 total, can be assigned easily as MIDI notes, program change buttons.
- Three banks of 6 assignable encoders, for 18 total, can be assigned as MIDI CC, aftertouch and etc.
- Function buttons, providing functions like, FULL LEVEL, NOTE REPEAT, PROGRAM SELECT，NOTE REPEAT CONFIGURATION and etc.
- USB interface, adaptable to USB 2.0(FULL SPEED). Power supplied by USB.
- Compatible with Win11/10/8/7/XP/Vista and Mac OSX or greater.
- Drive free and hot-plug supported.
- Integrated perfectly with DAWs (such as Ableton Live, Bitwig and so on) for both production and performance.
- Edited by the ORCA PAD16 Software Editor which could be downloaded from www.worlde.com.cn.
Getting Started
ORCA PAD 16 Overview
Top Panel Overview
Rear Panel Overview
Control Definitions
- Trigger pads
- Encoders
- [Control Bank/Reset] button
- [Pad Bank] button
- [Full Level] button
- [Program Select] button
- [Note Repeat Configuration] button
- [Note Repeat] button
- [Kensington Lock] button
- Full Sized USB connector
Setup
If you intend to connect your ORCA PAD16 to a computer or mobile devices , please read sections 3.2 to 3.4 first.
Minimum System Requirements
- If you are using your ORCA PAD16 with a computer, the following minimum system requirements apply
Windows| Mac OS
---|---
i3 1.2GHz or higher| Macintosh i31.2GHz/P41.2GHz or higher
(CPU requirement may be higher for laptops)| (CPU requirement may be higher for laptops)
1G RAM| OS X 10.3.9 with 1G RAM,
Direct X 9.0b or higher| OS X 10.4.2 or greater with 1G RAM
Windows XP (SP2) or higher| *G3/G4 accelerator cards are not supported.
(Windows 98, Me, NT or 2000 not supported)| - WORLDE suggests you also check the minimum system requirements for your software, as they may be greater than the above.
- USB hubs are not supported. WORLDE suggests that you connect directly to one of your computer’s built in USB ports.
Using The ORCA PAD16 With Your Software
- When installed, the ORCA PAD16 appears as a simple MIDI device with one input port and one output port. You should select the listed
- USB MIDI Controller input port as the MIDI input device in your software. Once this is set, your software should be able to receive notes and controller data from the ORCA PAD16.
- The port name is defined as WORLDE when connecting to USB port.
- It will appear as WORLDE in the Device Manager.
Connecting to a Computer
ORCA PAD16 is bus-powered, so it turns on as soon as you connect it to your
computer with a USB cable
Connecting to Mobile Devices
iOS
To operate your ORCA PAD16 with an iOS device, use Apple’s Lightning to USB 3
Camera Adapter with a separate 2.4A Lightning charger
Android
To operate the ORCA PAD16 with an Android device we’d like to recommend a USB
OTG to USB adapter.
Parts and Their Functions
Trigger pads
- ORCA PAD16 has three banks of 16 high quality velocity & pressure sensitive performance pads with RGB backlit, for 48 total, which can be assigned easily as MIDI notes or program change buttons. The pads can be used to trigger drum hits to our software or hardware module. The pads are pressure and velocity sensitive, which makes them very responsive and intuitive to play. With the software editor it’s possible to assign the pads and adjust the RGB color of the pads. For example: The pads can be assigned to trigger up to 48 particular MIDI notes (drums, stabs, bass notes, whatever). When the pads assigned to MIDI notes, they will send notes message which work just as 48 keys at this moment. The default is sending the note message on Channel 1. When a pad is assigned to program change, it will send program change message, so it won’t produce any sound when pressed in this mode.
- When used in conjunction with the Program select button, the pads will recall one of 16 MIDI presets. This is accomplished by holding the
- Program select button and pressing one of the pads. For example, if you hold the program select button and press Pad 1 the Preset 1 will be recalled.
Knobs
- These encoders transmit control change messages. The 3 banks of 6 encoders (18 for total) can be assigned to control any editable parameter on the selected device. Each encoder can be used to send continuous control data to a desktop audio workstation. There are 135 MIDI controller messages that are used for controlling the MIDI-adjustable parameters in your software(0 to127 is the standard MIDI control parameter, 128 to 134 is the special MIDI control parameter). Examples of these controllable parameters include volume, pan, expression, reverb, chorus and portamento.
- The 6 assignable knobs on your ORCA PAD16 is able to send any of the 128 standard MIDI controller messages to control such parameters.
- Please note that in order for these effects to work, the device you are sending to must be able to receive these messages. A full list of these control messages is given in Appendix A.
- For example, you may want to set the Knob 1 to control the channel volume. This is done by assigning controller 7 to the Knob 1.
- Examples of other popular effects are listed in the table below. (Please consult Appendix A for the full list.)
Effect| Control
---|---
Modulation| 1
Volume| 7
Pan| 10
Expression| 11
Reverb depth| 91
Chorus depth| 93
Control Bank button/Reset button
- Control Bank button is used to switch knob banks. There are three banks of knobs which makes it possible to edit up to 18 parameters for the knobs. Click the Control Bank button to select the desired knob bank:Green color for Bank A, Red color for Bank B, Blue color for Bank
- When editing your mappings, make sure you are on the bank you want.
- Press this button for 5 seconds to reset the device and the 16 pads will be lighting for a while after reset made.
Pad Bank button
Pad Bank button is used to switch pad banks. There are three banks of pads and each bank can address a unique set of 16 sounds giving you access of up to 48 different sounds you can trigger with the pads. Click the Pad Bank button to select the desired pads bank:Green color forBank A, Red color for Bank B, Blue color for Bank C. When editing your mappings, make sure you are on the bank you want.
Program Select button
- Program select button calls up Preset Mode. You can select and recall different Preset programs in this mode. For example, if you hold the program select button and press Pad 1 the Preset 1 will be recalled. Press and hold this button and then press a pad to select the Prest
- Program with the same number as the pad. A Preset Program is a pre-mapped layout of pads, which can be useful for specific situations (using a General MIDI drum set or using a specific melodic scale).
Important:
While holding this button, the pads will not send any of their normal MIDI
messages.
Full Level button
When [FULL LEVEL] is activated, the pads always play back at a maximum
velocity (127), no matter how hard or soft you hit them
Note Repeat Configuration button
Press this button and then press a pad to select its secondary function
(printed next to the pad number).
Important : While holding this button, the pads will not send any of
their normal MIDI messages.
- Pads 1–8: Press one of these pads to determine Time Division, which determines the rate of the Note Repeat feature: quarter notes (1/4), eighth notes (1/8), 16th notes (1/16), or 32nd notes (1/32). On Pads 5–8, the T indicates a triplet-based time division.
- Pads 9–14: Press one of these pads to select the amount of Swing: Off, 54%, 56%, 58%, 60%, or 62%.
- Pad 15 (Ext Clock): Press this pad to set ORCA PAD16’s clock source (external or internal), which will determine the rate of its time-related features. When lit (external), ORCA PAD16 will use your DAW’s tempo. When off (internal), MPD218 will use its own tempo, which you can set with Pad 16, which will flash at the current tempo.
- Pad 16 (Tap Tempo): Press this pad at the desired rate to enter a new tempo. ORCA PAD16 will detect the new tempo after 3 taps. The pad will flash at the current tempo if you hold NR Config and if ORCA PAD16 is using its internal clock.
Note Repeat button
Press and hold this button while striking a pad to cause the pad to retrigger
at a rate based on the current tempo and Time Division settings
Full Sized USB connector
Connect the ORCA PAD 16 to your computer with a USB cable via this port. The
computer’s USB port provides power to your ORCA PAD16. This connection is also
used to send and receive MIDI data to and from your computer
Using The ORCA PAD16 With Your DAW
- A MIDI sequencer will allow you to record, play back, store and edit MIDI data. Although hardware sequencers exist, we will focus on the more commonly used software sequencers in this manual. Examples of popular DAW are CubaseTM, LogicTM, Ableton Live TM and so on, although there are many different sequencing applications available for your computer. In order to use your ORCA PAD16 with your sequencer, you need to set up the sequencer software so that your ORCA PAD16 can be recognized as your DAW’s MIDI input device. You need to choose a MIDI output device that is capable of making sound when MIDI data is sent to it. This may be a soundcard on your computer, a VST instrument or a sound module connected to a MIDI port which is in turn connected to your computer. Please consult your sequencer’s user manual for more information on how this is done. In this manual, section 3.2.2 “Using The ORCA PAD16 With Your software” details how your ORCA PAD16 will appear in the device listing of your sequencer.
- With your ORCA PAD16 set up to communicate with the sequencer, data will go into the sequencer and will be routed to a virtual synthesizer within the sequencer software or sent to an external sound module via a MIDI output port. The virtual synthesizer or external sound module will turn the MIDI data into audible sounds. You can then record the incoming MIDI data and edit your performance using your sequencer. We will have some more detailed MIDI mapping operations for different DAWs provided separately.
Appendices
APPENDIX A- ASSIGNABLE CONTROLLER LIST
| CONTROLLER NO. | DEFINITION | INITIAL VALUE | VALUE RANGE |
|---|---|---|---|
| 0 | Bank Select MSB | 0 | 0-127 |
| 1 | Modulation MSB | 0 | 0-127 |
| 2 | Breath MSB | 127 | 0-127 |
| 3 | Controller | 0 | 0-127 |
| 4 | Foot Controller MSB | 127 | 0-127 |
| 5 | Portamento time MSB | 0 | 0-127 |
| 6 | Data Entry MSB | 2 | 0-127 |
| 7 | Channel Volume MSB | 100 | 0-127 |
| 8 | Balance MSB | 64 | 0-127 |
| 9 | Controller | 0 | 0-127 |
| 10 | Panpot MSB | 64 | 0-127 |
| 11 | Expression MSB | 127 | 0-127 |
| 12 | Effect Control 1 MSB | 0 | 0-127 |
| 13 | Effect Control 2 MSB | 0 | 0-127 |
| 14-31 | Controller | 0 | 0-127 |
| 32 | Bank Select LSB | 0 | 0-127 |
| 33 | Modulation LSB | 0 | 0-127 |
| 34 | Breath LSB | 127 | 0-127 |
| 35 | Controller | 0 | 0-127 |
| 36 | Foot Controller LSB | 127 | 0-127 |
| 37 | Portamento time LSB | 0 | 0-127 |
| 38 | Data Entry LSB | 0 | 0-127 |
| 39 | Channel Volume LSB | 127 | 0-127 |
| 40 | Balance LSB | 64 | 0-127 |
| --- | --- | --- | --- |
| 41 | Controller | 0 | 0-127 |
| 42 | Panpot LSB | 64 | 0-127 |
| 43 | Expression LSB | 127 | 0-127 |
| 44-63 | Controller | 0 | 0-127 |
| 64 | Sustain | 0 | 0-127 |
| 65 | Portamento | 0 | 0-127 |
| 66 | Sostenuto | 0 | 0-127 |
| 67 | Soft Pedal | 0 | 0-127 |
| 68 | Legato FootSwitch | 0 | 0-127 |
| 69 | Hold 2 | 0 | 0-127 |
| 70 | Sound Controller | 64 | 0-127 |
| 71 | Resonance | 64 | 0-127 |
| 72 | Release Time | 64 | 0-127 |
| 73 | Attack Time | 64 | 0-127 |
| 74 | Cutoff | 64 | 0-127 |
| 75 | Decay Time | 0 | 0-127 |
| 76 | Vibrato Depth | 64 | 0-127 |
| 77 | Vibrato Depth | 64 | 0-127 |
| 78 | Vibrato Depth | 64 | 0-127 |
| 79 | Sound Controller | 64 | 0-127 |
| 80-83 | Controller | 0 | 0-127 |
| 84 | Portamento Control | 0 | 0-127 |
| 85-90 | Controller | 0 | 0-127 |
| 91 | Reverb | 40 | 0-127 |
| 92 | Effects | 0 | 0-127 |
| 93 | Chorus | 0 | 0-127 |
| 94 | Effects | 0 | 0-127 |
| 95 | Effects | 0 | 0-127 |
| 96 | RPN Increment | 0 | 0-127 |
| 97 | RPN Decrement | 0 | 0-127 |
| 98 | NRPN LSB | 0 | 0-127 |
| 99 | NRPN MSB | 0 | 0-127 |
| 100 | RPN LSB | 0 | 0-127 |
| 101 | RPN MSB | 0 | 0-127 |
| 102-119 | Controller | 0 | 0-127 |
| 120 | All Sound Off | 0 | 0-127 |
| 121 | Reset All Controllers | 0 | 0-127 |
| 122 | Local Control | 0 | 0-127 |
| 123 | All Notes Off | 0 | 0-127 |
| 124 | OMNI Off | 0 | 0-127 |
| 125 | OMNI On | 0 | 0-127 |
| --- | --- | --- | --- |
| 126 | Mono | 0 | 0-127 |
| 127 | Poly | 0 | 0-127 |
| 128 | Pitch Bend Sensitivity（RPN） | 2 | 0-127 |
| 129 | Channel Fine Tuning（RPN） | 64 | 0-127 |
| 130 | Channel Coarse Tuning（RPN） | 64 | 0-127 |
| 131 | Modulation Depth Range（RPN） | 64 | 0-127 |
| 132 | Vibrato Rate（NRPN） | 64 | 0-127 |
| 133 | Vibrato Depth（NRPN） | 64 | 0-127 |
| 134 | Vibrato Delay（NRPN） | 64 | 0-127 |
| 135 | Filter Cutoff Frequency（NRPN） | 64 | 0-127 |
| 136 | Filter Resonance（NRPN） | 64 | 0-127 |
| 137 | EQ Low Gain（NRPN） | 64 | 0-127 |
| 138 | EQ High Gain（NRPN） | 64 | 0-127 |
| 139 | EQ Low Frequency（NRPN） | 64 | 0-127 |
| 140 | EQ High Frequency（NRPN） | 64 | 0-127 |
| 141 | EG Attack Time（NRPN） | 64 | 0-127 |
| 142 | EG Decay Time（NRPN） | 64 | 0-127 |
| 143 | EG Release Time（NRPN） | 64 | 0-127 |
| 144 | Polyphonic key pressure | 100 | 0-127 |
| 145 | After touch | 100 | 0-127 |
| 146 | Pitch Bend | 64 | 0-127 |
| 147 | Master Volume | 100 | 0-127 |
| 148 | Start（MTC） | – | – |
| 149 | Continue（MTC） | – | – |
| 150 | Stop（MTC） | – | – |
| 151 | Reset（MTC） | – | – |
| 152 | Program | 0 | 0-127 |
| 153 | Global Channel | 0 | 0-15 |
| 154 | Octave | 0 | -3~3 |
| 155 | Transpose | 0 | -12~12 |
| 156 | Tempo | 100 | 20-250 |
| 157 | Keyboard Curve | 0 | 0-4 |
| 158 | Pedal A Curve | 64 | 1-127 |
Appendix B- Toxic or Hazardous Substances and Elements
| Part Number, | Toxic or Hazardous Substances and Elements |
|---|---|
| Name and Description | Pb |
| PCB | ○ |
| PCBA Welding Spot | ○ |
| Components | ○ |
| Metal Parts | ○ |
| Plastic and Polymeric parts | ○ |
| Paper Accessory | ○ |
| Power Cord | ○ |
○ ：Indicates that this toxic or hazardous substance contained in all the homogeneous materials for this part,
according to EIP-A, EIP-B, EIP-C is below the limit requirement in SJ/T 11364.
×：Indicates that this toxic or hazardous substance contained in all the homogeneous materials for this part, according to EIP-A, EIP-B, EIP-C is above the limit requirement in SJ/T 11364.
(Enterprises may further provide in this box technical explanation for marking”X”based on their actual
conditions.)
Appendix C-Note Value and The Corresponding Numerical Number
Note| NO.| Note| NO.| Note| NO.| Note|
NO.| Note| NO.| Note| NO.| Note| NO.|
Note| NO.
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---
C-1| 0| F0| 17| Bb 1| 34| Eb 3| 51| G#4| 68| C#6| 85| F#7| 102| B8| 119
C#-1| 1| F#0| 18| B1| 35| E3| 52| A4| 69| D6| 86| G7| 103| C9| 120
D-1| 2| G0| 19| C2| 36| F3| 53| Bb 4| 70| Eb 6| 87| G#7| 104| C#9| 121
Eb-1| 3| G#0| 20| C#2| 37| F#3| 54| B4| 71| E 6| 88| A7| 105| D9| 122
E-1| 4| A0| 21| D2| 38| G3| 55| C5| 72| F6| 89| Bb 7| 106| Eb 9| 123
F-1| 5| Bb 0| 22| Eb 2| 39| G#3| 56| C#5| 73| F#6| 90| B7| 107| E9| 124
F#-1| 6| B0| 23| E2| 40| A3| 57| D5| 74| G6| 91| C8| 108| F9| 125
G-1| 7| C1| 24| F2| 41| Bb 3| 58| Eb 5| 75| G#6| 92| C#8| 109| F#9| 126
G#-1| 8| C#1| 25| F#2| 42| B3| 59| E5| 76| A6| 93| D8| 110| G9| 127
A-1| 9| D1| 26| G2| 43| C4| 60| F5| 77| Bb 6| 94| Eb 8| 111| |
Bb-1| 10| Eb 1| 27| G#2| 44| C#4| 61| F#5| 78| B6| 95| E8| 112| |
B-1| 11| E1| 28| A2| 45| D4| 62| G5| 79| C7| 96| F8| 113| |
C0| 12| F1| 29| Bb 2| 46| Eb 4| 63| G#5| 80| C#7| 97| F#8| 114| |
C#0| 13| F#1| 30| B2| 47| E4| 64| A5| 81| D7| 98| G8| 115| |
D0| 14| G1| 31| C3| 48| F4| 65| Bb 5| 82| Eb 7| 99| G#8| 116| |
Eb 0| 15| G#1| 32| C#3| 49| F#4| 66| B5| 83| E7| 100| A8| 117| |
E0| 16| A1| 33| D3| 50| G4| 67| C6| 84| F7| 101| Bb 8| 118| |
Appendix D- General MIDI Instruments-Program Change Numbers
| Piano | Bass | Reed | Synth Effects |
|---|---|---|---|
| 0 Acoustic Grand Piano | 32 Acoustic Bass | 64 Soprano Sax | 96 SFX Rain |
| 1 Bright Acoustic Piano | 33 Fingered Bass | 65 Alto Sax | 97 SFX Soundtrack |
| 2 Electric grand Piano | 34 Electric Picked Bass | 66 Tenor Sax | 98 SFX Crystal |
| 3 Honky Tonk Piano | 35 Fretless Bass | 67 Baritone Sax | 99 SFX Atmosphere |
| 4 Electric Piano 1 | 36 Slap Bass 1 | 68 Oboe | 100 SFX Brightness |
| 5 Electric Piano 2 | 37 Slap Bass 2 | 69 English Horn | 101 SFX Goblins |
| 6 Harpsichord | 38 Syn Bass 1 | 70 Bassoon | 102 SFX Echoes |
| 7 Clavinet | 39 Syn Bass 2 | 71 Clarinet | 103 SFX Sci-Fi |
| Chromatic Percussion | Strings/Orchestra | Pipe | Ethnic |
| 8 Celesta | 40 Violin | 72 Piccolo | 104 Sitar |
| 9 Glockenspiel | 41 Viola | 73 Flute | 105 Banjo |
| 10 Music Box | 42 Cello | 74 Recorder | 106 Shamisen |
| 11 Vibraphone | 43 Contrabass | 75 Pan Flute | 107 Koto |
| 12 Marimba | 44 Tremolo Strings | 76 Bottle Blow | 108 Kalimba |
| 13 Xylophone | 45 Pizzicato Strings | 77 Shakuhachi | 109 Bag Pipe |
| 14 Tubular bells | 46 Orchestral Harp | 78 Whistle | 110 Fiddle |
| 15 Dulcimer | 47 Timpani | 79 Ocarina | 111 Shanai |
| Organ | Ensemble | Synth Lead | Percussive |
| 16 Drawbar Organ | 48 String Ensemble 1 | 80 Syn Square Wave | 112 Tinkle Bell |
| 17 Percussive Organ | 49 String Ensemble 2 | 81 Syn Sawtooth Wave | 113 Agogo |
| 18 Rock Organ | 50 Syn Strings 1 | 82 Syn Calliope | 114 Steel Drums |
| 19 Church Organ | 51 Syn Strings 2 | 83 Syn Chiff | 115 Woodblock |
| 20 Reed Organ | 52 Choir Aahs | 84 Syn Charang | 116 Taiko Drum |
| 21 Accordion | 53 Voice Oohs | 85 Syn Voice | 117 Melodic Tom |
| 22 Harmonica | 54 Syn Choir | 86 Syn Sawtooth Wave | 118 Syn Drum |
| 23 Tango Accordion | 55 Orchestral Hit | 87 Syn Brass & Lead | 119 Reverse Cymbal |
| Guitar | Brass | Synth Pad | Sound Effects |
| 24 Nylon Acoustic | 56 Trumpet | 88 New Age Syn Pad | 120 Guitar Fret Noise |
| 25 Steel Acoustic | 57 Trombone | 89 Warm Syn Pad | 121 Breath Noise |
| 26 Jazz Electric | 58 Tuba | 90 Polysynth Syn Pad | 122 Seashore |
| 27 Clean Electric | 59 Muted Trumpet | 91 Choir Syn Pad | 123 Bird Tweet |
| 28 Muted Electric | 60 French Horn | 92 Bowed Syn Pad | 124 Telephone Ring |
| 29 Overdrive | 61 Brass Section | 93 Metal Syn Pad | 125 Helicopter |
| 30 Distorted | 61 Syn Brass 1 | 94 Halo Syn Pad | 126 Applause |
| 31 Harmonics | 62 Syn Brass 2 | 95 Sweep Syn Pad | 127 Gun Shot |
Appendix E – General MIDI Drums-Note assignments
| MIDI Note | Drum Sound | MIDI Note | Drum Sound | MIDI Note | Drum Sound |
|---|---|---|---|---|---|
| 35 | Acoustic Bass Drum | 52 | Chinese Cymbal | 69 | Cabasa |
| 36 | Bass Drum 1 | 53 | Ride Bell | 70 | Maracas |
| 37 | Side Stick | 54 | Tambourine | 71 | Short Whistle |
| 38 | Acoustic Snare | 55 | Splash Cymbal | 72 | Long Whistle |
| 39 | Hand Clap | 56 | Cowbell | 73 | Short Guiro |
| 40 | Electric Snare | 57 | Crash Cymbal 2 | 74 | Long Guiro |
| 41 | Low Floor Tom | 58 | Vibraslap | 75 | Claves |
| 42 | Closed Hi-Hat | 59 | Ride Cymbal 2 | 76 | Hi Wood Block |
| 43 | High Floor Tom | 60 | Hi Bongo | 77 | LowWood Block |
| 44 | Pedal Hi-Hat | 61 | Low Bongo | 78 | Mute Cuica |
| 45 | Low Tom | 62 | Mute Hi Conga | 79 | Open Cuica |
| 46 | Open Hi-Hat | 63 | Open Hi Conga | 80 | Mute Triangle |
| 47 | Low-Mid Tom | 64 | Low Conga | 81 | Open Triangle |
| 48 | Hi-Mid Tom | 65 | High Timbale | ||
| 49 | Crash Cymbal 1 | 66 | Low Timbale | ||
| 50 | High Tom | 67 | High Agogo | ||
| 51 | Ride Cymbal 1 | 68 | Low Agogo |
Specifications
- Connectors: USB connector
- Power supply: USB bus power mode
- Current consumption: 100 mA or less
- Dimensions (W x D x H): 7.83 x 7.48 x 1.54 inches / 199x190x39mm
- Weight: 21.34 oz /605 g
- Included items: USB cable, Quick start
- Specifications and appearance are subject to change without notice.
Sales Head Office:
- Hangzhou Worlde Music Electronic Co., Ltd Hangzhou Blue Whale Music Technology Co., Ltd
- Add :18Xianxing Rd, Xianlin Industrial Park, Yuhang District, Hangzhou, 311122, P.R.China
- Tel :0086 571 88730848 Fax:0086 571 88730748
- Email : [email protected] Website :www.worlde.com.cn
- HANGZHOU BLUE WHALE MUSIC TECHNOLOGY CO.,LTD HANGZHOU WORLDE MUSIC ELECTRONIC CO., LTD
- WEBSITE : WWW.WORLDE.COM.CN
- EMAIL:[email protected]
- TEL:86 571 88730848