DETON MD82 Powermixer PROFESSIONAL SOUND SYSTEM Owner’s Manual

June 5, 2024
Deton

MD SERIAL
PROFESSIONAL
MD SERIAL

  M D82/M D82A/M D 122/M D 122A
OWNER’S MANUAL

MD SERIES MIXERS ARE NEWLY DEVELOPED MIXERS. THEY ARE CONVENIENT IN OPERATION AND PERFECT IN FUNCTION. HIGH GAIN AND LOW NOISE MICROPHONE, DIGITAL SIGNAL PROCESSOR(DSP) AND1 00MM SLIP POTENTIOMETER CAN MEET ALL KINDS OF DEMANDS FROM
USERS.
CAUTION
THE RISK OF ELECTRIC SHOCK DOES NOT OPEN
TO PREVENT ELECTRIC SHOCK
DO NOT REMOVE COVER OBACK.NO USER-SERVICEABLE PARTS INSIDE REFER TO SERVICIO QUALIFIED SERVICE   PERSONNEL
WARNING
TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR MOISTURE
Magnetic Field
CAUTION!DO not locate sensitive high-gain equipment such as preamplifiers or tape decks directly above or below the unit, Because this amplifier has a high power density. it has a strong magnetic field which can – -urn into unshielded devices that are located nearby The f e a::-longest just above and below the unit.
If an equipment rack is used, we recommend locating the amplifiers at the bottom of the rack and the preamplifier or other sensitive equipment at the top.
WATCH FOR THESE SYMBOLS:
The lightning bolt triangle is used to alert the user to the risk of electric shock.
The exclamation point triangle is used to alert the user to important operating or maintenance instructions.

CHANNEL SECTION

DETON MD82 Powermixer PROFESSIONAL SOUND SYSTEM - Channel
Secton All channels of powered mixers & mixing consoles are the same. Therefore .this manual shows the control functions of only one channel.

  1. MICROPHONE Electronically Microphone inputs accept a standard XLR male connector.
    1.GROUND=shield.
    2.HOT=signal input,
    3.COLD=ground(shield). You can use a max of 20-60dB according to signal level by GAIN control.

  2. LINE INPUT
    USING BY 1/4″standard line connector,You can use unbalance(tip/sleeve) and balance(tip/ring sleeve). It can be connected with keyboards or other electric instruments. Tip=positive ring=negative sleeve=ground

  3. PAD(-20dB)
    This switch.when push.attenuates the input signal-20dB.

  4. CLIP(PEAK LEVEL INDICATOR)
    The peak indicator LED will begin to illuminate when the post EQ.per fader signal of that channel is within 10dB of actual clipping.

  5. GAIN CONTROL
    Adjust input sensitivity from -60dB to -20dB with the -20dB pad switch in the out position and -40 dB to dB. When the -20dB pad switch is pushed.

  6. HIGH-FREQUENCY EQUALIZATION CONTROL
    Provides 7 1 5d B of fixed frequency equalization that shelves at 12KHz.

  7. . MID-FREQUENCY EQUALIZATION CONTROL
    Provides-’15dB of fixed frequency equalization that shelves at 250KHz-6KHz.

  8. L0 FREQUENCY EQUALIZATION CONTROL
    Provides 15dB of fixed frequency equalization that shelves 100Hz.

  9. EFFECT CONTROL
    Use this control when you want to get the effect sound by adjusting the input signal. When you don’t use an external source. digital delay will be working which is installed inside.

  10. .AUX CONTROL
    Use this control to set the level of signal from an external stereo source and the main signal control is re-controlled by the master section.(seeAUXsection)

  11. PAN CONTROL
    The pan control sends continuously variable amounts of the post-fader signal to either the Left & Right main busses. In the center position, equal amounts of signals are sent to the right busses. As the control is rotated in either direction, more signal is sent to the buss indicated in the direction of the rotation while less signal is sent to the other buss, if the control is turned all the way to one side. the signal is only.

  12. CHANNEL ON/OFF When you want to control this, press this button, and the green indicator LED indicates the signals of the channel have been lined in. Turn off the other channels to improve the reality of the noise and to clear away the unnecessary noises. That would make it more perfect in the effect and voice.

  13. PRE-FADER LEVEL(PFL) You can monitor the signal of the only channel in which the PFL switch is turned on using headphones in useful. When PFL switch is turned on, other channels are cut off automatically. See monitor section.

  14. INDICATION Can be found easily by the input signal recorded on the sticker.

  15. CHANNEL FADER You can adjust the volume of signal sources that are connected to the relevant channel. .

MASTER SECTION

DETON MD82 Powermixer PROFESSIONAL SOUND SYSTEM - MASTER
SECTION

  1. THE LEFT &RIGHT MASTER BUSSES BALANCED OUTPUT JACK. 3. COLD 2.HOT 1. GROUND(shield)

  2. THE LEFT & RIGHT MASTE BUSSES UNBALANCE JACK CHANNEL VOLUME
    Tip=signal+ ring=ground- sleeve=GROUND(shield)

  3. MASTER LEVEL DISPLAY
    This is a level VU-meter that shows output levels of the left and right channels and working conditions on the way of operation. Therefore, you can see the output conditions thru this master-level display. Please do not exceed +3dB to avoid any distortion sound. The lamp lighting shows whether power is turned on or off.

  4. STEREOGRAPHIC EQUALIZE
    (
    4).left stereo graphic equalizer This Has a function that finally differentiates the signal and adjusts the frequency you want. This control consists of the left Channel band. You Can adjust equalization by this according to the listening position and listeners’ taste. (Upper movement of this control increases the level and vice versa.) . Right stereo graphic equalizer The same usage as the left graphic equalizer

  5. LEFT MASTER FADER By
    adjusting you can get finally mixed left output.

  6. RIGHT MASTER FADER By
    adjusting, you can get finally the mixed right output.

  7. RIGHT MASTER FADER By
    adjusting. you can get finally the mixed right output.

  8. DSP DIGITAL INDICATOR
    Indicating the effect which the DSP is working at.

  9. 9/10. DSP PRESETS ( 9) and (10) are up preset and down presets. When you choose different presets. the correspondent number will change accordingly. When you push the presets, the led is on but there is no effect output. Only if you push enter key

  10. there is a correspondent affect output and the led will stop flashing.

  11. DSP SIGNAL INPUT LEVEL
    indicates the DSP signal input level. When the red led is on, please make the input level a little smaller.

  12. INTERNAL DSP
    There are 32 effects. You can choose what you want.

  13. DSP ENTER
    When you choose your presets. please push the key and the DSP is at the effect status that you choose.

AUX SECTION

DETON MD82 Powermixer PROFESSIONAL SOUND SYSTEM -
C.AUXSECT

  1. AUX INPUT
    It’s a 1/4″ stereo jack, it is to be connected to stereo effect equipment or another external auxiliary signal. Tip=left signal ring=right signal sleeve=negative

  2. AUX OUTPUT
    This jack is to be connected with the input jack of the monitor amplifier when using a separate monitor amplifier.

  3. STEREO RECORDER & PHONO JACK

  4.  These jacks are can be connected with cassettecleekWhen playing back recorded. .These jacks can be connected with cassettecleek. when recording the MIXED output.

  5. HEADPHONE JACK
    You can monitor working conditions by sound thruHeadphone. You can monitor master sound and a certain channel

  6. .PRE-FADER LEVEL(PFL )CONTROL
    When you want to monitor one certain channel push this switch and the LED will be turned on. When you want to monitor the master output and release the switch.

  7. .HEADPHONE VOLUME CONTROL
    Using this control, you can adjust the output level of the headphone

  8. AUX INPUT LEVEL CONTROL
    By adjusting. you can control the input level of AUX INPUT and playback(see No.1).

  9. .MONITOR HI FREQUENCY EQUALIZATION CONTROL
    Using this control, you can equal 12KI-li of level to 115dB from

  10. AUX INPUT.

  11. .AUX EFFECT CONTROL
    Using this control, you can adjust the effect level aux INPUT

  12. CHANNEL SWITCH
    When you want to connect the auxiliary input. Press the button: the button; if not release it to get a better voice.

  13. PDF SWITCH CONTROL
    When you want to monitor the AUX INPUT signals, adjust the button.

  14. MASTER MONITOR CONTROL
    Using this control. finally, you can adjust the output level by adjusting AUX.

EFFECT SECTION

DETON MD82 Powermixer PROFESSIONAL SOUND SYSTEM -
C.AUXSECT1

1/2. LEFT AND RIGHT AUX EFFECT RETURN These are to be connected with another external processor.

  1. TALKBACK MIC INPUT JACK
    This jack can be used with a movable microphone For the DJ.

  2. GROUND
    shield, 2.HOT=signal input. 3.COLD=ground(shield)

  3. TALKBACK LEVEL CONTROL
    You can set the level of the talkback being input By adjusting the knob.

  4. TALKBACK SIGNAL DISTRIBUTION CONTROL
    When you want the signal to be distributed to the Auxiliary channel, push

  5. AUX. When
    If you want the signal to be distributed to the Effect channel, push EFF. When you want the signal to be distributed to the L/R channel, push L-R.

  6. PHANTOM POWER SWITCH
    When you use the microphone, push the button from the small hole to switch on the +48v power. The lead will be on.

  7. LEFT MASTER LEVEL CONTROL
    You can control the aux return level by adjusting the knob.

  8. RIGHT MASTER LEVEL CONTROL
    You can control the aux return level by adjusting the knob.

  9. INPUT LEVEL CONTROL
    Adjusting by this. you can control the level being put into the digital DST.

  10. PAN CONTROL
    Using this control, you can adjust echo sound & external effector sound between left & right.

  11. CHANNEL SWITCH CONTROL
    If you want the effect, push the button then the effect will enter the main channel, if not, release it to get a better voice.

  12. PDF SWITCH
    If pushing this button, you can monitor the effect Independently by headphones.

  13. .EFFECT FADER CONTROL
    Using this control, you adjust signal level& external effector.

MODE CONDITION MD82 MD82A MD122 MD122A
Input Sensitivty -6odBm–40dBm

PAD ON:
-40dBm–20dBm| -6odBm-40dBm
PAD ON:
-40dBm–20dBm| -6odBm–40dBm
PAD ON:
-40dBm–20dBm| -6odBm–40dBm
PAD ON:
-40dBm–20dBm
Nominsl Input Level
.| Mic-6odBm Line-20dBm Eff Ret -20dB Aux In -20dB Tape In -10dB ..| Mic-6odBm Line-20dBm Eff Ret -20dB Aux In -20dB Tape In -10dB| Mic-6odBm Line-20dBm Eff Ret -20dB Aux In -20dB Tape In -10dB| Mic-6odBm Line-20dBm Eff Ret -20dB Aux In -20dB Tape In -10dB
Nominl Output Level| Eff Send – 10dBm
Aux Send OdBm| Eff Send – 10dBm
Aux Send OdBm| Eff Send – 10dBm
Aux Send OdBm| Eff Send – 10dBm
Aux Send OdBm
Common Mode Rejection| -60dB| -60dB| -60dB| -60dB
Output Voltage (mixer Part)| 4VMax| 4VMax| 4VMax| 4VMax
S/N Ratio| ≥70dB| ≥70dB| :≥70dB| ≥70dB
THD(ikhz Full Power)| Less than 0.03%(at 1KHz)| Less than 0.03%(at 1KHz)| Less than 0.03%(at 1KHz)| Less than 0.03%(at 1KHz)
Frequency Response| 20Hz-20KHz + 3dB| 20Hz-20KHz 1 3dB| 20Hz-20KHz ± 3dB| 20Hz-20KHz it 3d3
Headphone| 7V/220 c)| 7V/220 u| 7V/220 C2| 7V/220 D
Parametric CQ| Hi+ 15dB/12KHz
Mid +15dB
250Hz-6KHz
Lo I 15dB/80KHz| Hit 15dB/12KHz
Mid ±15dB
250Hz-6KHz
Lo +15d8/80KHz| Hi± 15dB/12KHz
Mid ±15dB
250Hz-6KHz
Lo 1 15dB/80KHz| Hit 15dB/12KHz
Mid +.15dB
250Hz-6KHz
Lo +15dB/80KHz
Output Power| | 2 x 350W/4 S2| | 2 x 350W/4 D
Power Consumption| 40W| 900W| 40W| 900W
Power Supply| AC 220-240V,100-120V(option)/50-60Hz

References

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