AudioControl PNW-69CS2 High Fidelity Component Speakers Instruction Manual
- June 10, 2024
- AudioControl
Table of Contents
AudioControl PNW-69CS2 High Fidelity Component Speakers
FEATURES
- Edge enhanced steel frame for added structural strength
- Black anodized voice coil former for superior heat dissipation
- Linear double roll surround for precision cone movement
- Complex FEA designed high efficiency motor
- Rigid poly mica coated cone for optimized sound reproduction
- Rear dampened hybrid silk dome tweeter for extended frequency response
- High quality mounting hardware included
- Umbrella not included
Important Safety Instructions
- Read these instructions.
- Keep these instructions.
- Heed all warnings.
- Follow all instructions.
- Do not submerge this apparatus in water.
- Clean only with a dry cloth.
- WARNING: The speakers must be properly secured in the vehicle. Improper installation may lead to permanent injury or death. Installation of the speakers must be done with great care by qualified personnel, to prevent damage to fuel lines, power and other electrical wiring, hydraulic brake lines, and other systems, that might compromise vehicle safety.
- Use speaker wire of sufficient size to ensure adequate current to the speaker. For PNW Series Speakers, this means 14-18 gauge speaker wire.
- Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as the power input terminals are damaged, objects have fallen into the apparatus, does not operate normally, or has been dropped.
- Not tested for use in Bigfoot’s Cave.
- Exposure to high sound pressure levels may lead to permanent hearing loss. Take every precaution to protect your hearing.
The exclamation point within an equilateral triangle is intended to alert the user of the presence of important operating and maintenance (servicing) instructions in the literature accompanying the appliance.
Recycling notice: If the time comes and this apparatus has fulfilled its destiny, do not throw it out into the trash. It has to be carefully recycled for the good of mankind, by a facility specially equipped for the safe recycling of electronic apparatii. Please contact your local or state recycling leaders for assistance in locating a suitable nearby recycling facility. Or, contact us and we might be able to repair it for you.
Speaker Talk
Right on! You got yourself some shiny new AudioControl speakers. After you are
done admiring the quality workmanship and attention to detail, you need to get
these bad-boys installed. If you did not attend auto-shop in school or are
having trouble plugging in power tools, your best bet is to seek out a
qualified AudioControl dealer. They have the skills, experience, and
specialized tools to get your vehicle sounding like a live concert and they
usually smell alright too.
Crossover
The second-order Linkwitz-Riley filter is a type of crossover network that has
several benefits compared to other types of crossover networks.
Firstly, the second-order Linkwitz-Riley filter has a steep slope of -12dB per
octave, which ensures that there is a sharp cutoff between the frequencies
that are directed to the woofer and the tweeter. This steep slope helps to
minimize overlap between the frequencies, resulting in better sound quality
and improved power handling capability of the speakers.
Secondly, the second-order Linkwitz-Riley filter maintains a flat frequency
response in the crossover region, which ensures that there are no peaks or
dips in the frequency response that can result in uneven sound quality.
Lastly, the second-order Linkwitz-Riley filter has a phase response that is
linear across the crossover region. This means that the phase shift between
the woofer and tweeter is constant, resulting in improved imaging and
soundstage.
Overall, the benefits of the second-order Linkwitz-Riley filter include a steep slope, flat frequency response, and linear phase response, resulting in improved sound quality, better power handling, and improved imaging and soundstage compared to other types of crossover networks.
Specifications
- Crossover Type ………………………………………………….. 2nd order Linkwitz-Riley
- DC Resistance (Re) …………………………………………………………………….2.6 ohms
- Filter Type ………………………………………………………………………………….. HP / LP
- System Frequency Response ……………………………………………… 50-20K Hz
- XO Frequency …………………………………………………………………..3.5kHz HP / LP
- Slope (Octave) ……………………………………………………………………………..-12 dB
- Tweeter Voice Coil Diameter ………………………………………… 20 mm
- Midrange Voice Coil Diameter ………………………………………… 35 mm
Continuous Power Handling (watts RMS) 
Dimensions
- Overall Diameter (w/o Grille) (A)(a) …………………………………………………………………………………… 6 x 9 in / 167 x 235 mm
- Overall Diameter (w Grille) (A)(a)…………….7.2 x 10.43 in / 183 x 265 mm
- Cut Out Diameter (B)(b)……………………….5.74 x 8.34 in / 146 x 212 mm
- Mounting Depth (C)…………………………………………… 2.95 in / 75 mm
- Height (w/o Grille) (D)…………………………………………… .0.24 in / 6.3 mm
- Height (w/ Grille) (E)……………………………………………… .0.98 in / 25 mm
- Motor Diameter (w/ Cover) (F) ……………………………………………….4.6 in / 117 mm
Dimensions for Tweeter
- Overall Diameter (G)………………………………………………….2.13 in / 54 mm
- Cut Out Diameter (H)………………………………………………….1.85 in / 47 mm
- Mounting Depth (I)…………………………………………………0.63 in / 16 mm
System Talk
In an audio system, a crossover network is used to split the incoming audio
signal into different frequency ranges and send each range to the appropriate
speaker or driver. The two main types of crossover networks are passive and
active crossovers.
Passive Crossover:
A passive crossover is a simple electronic circuit that uses passive
components such as resistors, capacitors, and inductors to split the audio
signal into different frequency ranges. Passive crossovers are typically used
in passive speaker systems where the amplifier is separate from the speaker.
The passive crossover is placed between the amplifier and the speaker and
splits the signal into high, mid, and low-frequency ranges.
Passive crossovers have some advantages, including simplicity and low cost.
They also don’t require any additional power source since they work with the
signal from the amplifier. However, passive crossovers have some disadvantages
such as signal loss, distortion, and inefficiency.
Active Crossover:
An active crossover, on the other hand, is an electronic circuit that uses
active components such as transistors and op-amps to split the audio signal
into different frequency ranges. Active crossovers are typically used in
active speaker systems where the amplifier is built into the speaker. The
active crossover is placed between the preamplifier and the power amplifier
and splits the signal into high, mid, and low frequencies. Active crossovers
have some advantages over passive crossovers, including a better signal-to-
noise ratio, less distortion, and greater flexibility in adjusting the
crossover frequency and slope.
However, an active crossover requires a separate power source and is generally more expensive and complex than a passive crossover. In summary, both passive and active crossovers are used to split the audio signal into different frequency ranges, but they use different electronic circuits and have different advantages and disadvantages. The choice between the two types of crossovers depends on the specific requirements of the audio system and the preferences of the user.
If your amplifier has a built-in active crossover such as the ever-so- excellent LC or D series amplifiers from AudioControl,(examples on the following pages) it is generally recommended to use the crossover network on the amplifier for optimum efficiency and performance. This is because the active crossover circuitry built into the amplifier is designed specifically to work with that amplifier, so it is likely to provide better overall performance than a separate passive crossover.
Using the built-in active crossover also eliminates the need for additional
equipment, such as an external crossover or a separate power source, which can
help simplify your setup and reduce the clutter of your audio system.
it’s important to note that not all amplifiers have a built-in active
crossover, thus PNW-HF1 and PNW-LF1 are provided in the PNW component system.
Additionally, you should ensure that the built-in active crossover you are
planning to use has the necessary features and adjustments to meet your
specific needs and preferences.
Passive Crossover 4 Channel Amp
In this example, we are connecting the PNW crossovers to a ACM 4.300. Each
crossover has its own dedicated connection.
For example:
Channels 1 and 2 are connected to the PNW-HF1 positive and negative terminals.
Channel 3 and 4 are connected to the PNW-LF1 positive and negative terminals.
Passive Crossover 2 Channel Amp
In this example, we are connecting the PNW-LF1 crossovers to a ACM-2.300. PNW-
LF1 output is connected to the PNW-HF1 input.
For example:
Channels 1 and 2 are connected to the positive and negative of the PNW-LF1
terminals.
The output of the PNW-LF1 is connected to the input of the PNW-HF1. 
Active System 6 Channel Amp
In this example, we are connecting the Speakers directly to the Amp using a
D-6.1200’s internal crossovers. The PNW-HF1 and PNW-LF1 will not be used.
For example:
-
CH1: front left tweeter
(playing 3.5k-20kHz) -
CH3: front left midrange
(playing 80Hz-3.5kHz) -
CH5: rear left coaxial
(playing 80Hz-20kHz) -
CH2: front right tweeter
(playing 3.5k-20kHz) -
CH4: front right midrange
(playing 80Hz-3.5kHz) -
CH6: rear right coaxial
(playing 80Hz-20kHz) -
Rear coaxial speakers not included, for reference only
Tweeter Installation
Wow! Look how far we have come, you made it to page 9! For those brave enough
to tackle the installation on their own, proceed to the next steps. For those
feeling out of their comfort zone, don’t be threatened, help is available. Our
suggestion is that you seek out a qualified AudioControl dealer. They have the
skill set and experience to get your new PNW-65CS2 installed properly.
First, determine where the tweeters will be mounted. Next, make sure the area
has a flat surface for the tweeter to mount. Check the mounting depth of the
desired location (use page 4 for tweeter mounting diminsions.) If the tweeter
will be mounted in a door, roll the windows up / down and lock / unlock the
doors making sure there are no obstructions the tweeter will hit. Using the
cut out template, mark the center location for the tweeter to be mounted.
Drill the hole with a standard 1 7/8 inch (47mm) hole saw.
Once your mounting hole has been established, place the tweeter into the hole.
Position the U-Bracket on the back side of the panel and the tweeter. With the
supplied screw place the washers over the screw and mount the screw to the
tweeter.
- Large speaker terminal = positive (+).
- Small speaker terminal = negative (-).
Tweeter Level Adjustment
- 0 dB = No Attenuation
- 3 dB = Mild Attenuation
- 6 dB = Moderate Attenuation
Midrange Installation
First, determine where the speaker will be mounted. Next, make sure the area
has a flat surface for the speaker to mount. Check the mounting depth of the
desired location (use page 4 for midrange mounting diminsions.) If the speaker
will be mounted in a door, roll the windows up / down and lock / unlock the
doors making sure there are no obstructions the speaker will hit. Using the
cut out template, mark the location for the speaker to be mounted. With the
tool of your choice cut out the marked hole. After the speaker has been wired,
place the speaker into the hole. Use supplied mounting hardware to keep
speaker in place.
- Large speaker terminal = positive (+).
- Small speaker terminal = negative (-).
The Warranty
In just the same way as being covered in honey and thrown into a dark pit full
of hungry woodchucks, people are scared of warranties. Lots of fine print.
Months of waiting around. Well, fear no more. This warranty is designed to
make you rave about AudioControl. It’s a warranty that looks out for you and
your client, plus helps you resist the temptation to have your friend Sparky,
who’s “good with electronics,” try to repair your AudioControl product. So go
ahead, read this warranty, then register the information at
www.audiocontrol.com/product-registration and include your comments.
Our warranty has conditional conditions! “Conditional” doesn’t mean anything
ominous. The Federal Trade Commission tells all manufacturers to use the term
to indicate that certain conditions have to be met before they’ll honor the
warranty. If you meet all of these conditions, AudioControl will,
at its discretion, repair or replace any AudioControl speaker products that
exhibit defects in materials and/or workmanship for one (1) year from the date
you bought it. We will repair or replace it, at our option, during that time.
Here are the conditional conditions:
-
You must fully register your purchase within 15 days of the purchase date by going to the AudioControl product registration page at:
www.audiocontrol.com/product-registration
Failure to register your product will negate the warranty. -
You need to hold on to your sales receipt! All warranty service requires original sales receipt documentation. The warranty only applies to
the original purchaser from an authorized AudioControl dealer. Note: Products purchased from unauthorized dealers are not covered under warranty. -
The AudioControl speaker products must have originally been purchased from an authorized AudioControl dealer. If an authorized AudioControl dealer installs your AudioControl product, the warranty is extended to two (2) years.
-
Our warranty covers AudioControl products that have been installed according to the instructions in this manual.
-
You cannot let anyone who isn’t: (A) the AudioControl factory; or (B) someone authorized in writing by AudioControl, service your AudioControl product. If anyone other than (A), or (B) messes with your AudioControl product, the warranty is void.
-
The warranty is void if the serial number is altered, defaced or removed, or if your product has been used improperly. Now that may sound like a big loophole, but here is what we mean by this:
Unwarranted abuse is:- (A) physical damage (don’t use your product to pound in fence posts);
- (B) improper connections (120 volts into the speaker terminals can fry the poor thing). This is the best product we know how to build, but for example, if you mount it to the front bumper of your car, drop it over Niagara Falls, or use it for anchoring your boat, something will go wrong.
Assuming you conform to 1 through 6, and it really isn’t all that hard to do,
we get the option of fixing your product, or replacing it with a new one, at
our discretion.
In the event that your product is out of warranty or not covered under our
warranty, you may request to have any damage repaired at our normal “Out of
Warranty” repair cost.
Legalese
The warranty above is the only warranty issued by AudioControl. This warranty
gives you specific legal rights, and you may also have rights that vary from
state to state.
Promises of how well your AudioControl product will work are not implied by
this warranty. Other than what we’ve said we’ll do in this warranty, we have
no obligation, express or implied. We make no warranty of merchantability or
fitness for any particular purpose. Also neither we nor anyone else who has
been involved in the development or manufacture of the unit will have any
liability of any incidental, consequential, special or punitive damages,
including but not limited to any lost profits or damage to other parts of your
system by hooking up to the unit (whether the claim is one for breach of
warranty, negligence of other tort, or any other kind of claim). Some states
do not allow limitations of consequential damages.
For more information about this fine product, and for additional details of
the limited warranty and repair services, please visit
www.audiocontrol.com
For technical questions, please visit www.audiocontrol.com/knowledge-
base/
AudioControl, Inc.
22410 70th Avenue West
Mountlake Terrace, WA 98043 USA
Phone: 425-775-8461
email: [email protected]
©2023 AudioControl. All rights reserved.
As technology advances, AudioControl reserves the right to continuously change our specifications, like our Pacific Northwest weather, although we are working on changing that as well.