Steven Slate Drums Trigger 2 Platinum User Manual
- June 9, 2024
- Steven Slate Drums
Table of Contents
Trigger 2 Platinum
STEVEN SLATE – TRIGGER 2
2
STEVEN
SLATE
TRIGGER
2 Version:
1.0.2
Plug–in
Formats:
—
Mac
OS
X
—
AAX2
64–bit,
AAX
32–bit,
RTAS,
AU
64/32–bit,
VST
64/32–bit
Windows
—
AAX2
64–bit,
AAX
32–bit,
RTAS,
VST
64/32–bit
Sergey
Danilov
:
Algorithms,
Programming,
Plug–in
Design Alex
Semichev
: GUI,
Instruments
Programming,
Plug–in
Design
Steven
Slate
: Project
Management Ashley
Smith
: Beta
Management
and
Manual
STEVEN SLATE – TRIGGER 2
3
System Requirements
Mac
This
plug–in
requires
an
Intel–based
Mac
running
OSX
10.6
(Snow
Leopard)
or
later.
It
is
recommended
to
use
mulVcore
CPU
with
a
clock
speed
in
excess
of
1.7
GHz,
2
GB
RAM
or
above,
and
a
display
resoluVon
of
1024
x
768
or
above.
Windows
This
pluge in
may
be
operated
on
Windows
7
or
above
as
a
32
and
64
bit
plug-in.
It
is
recommended
to
use
mulVcore
CPU
with
a
clock
speed
in
excess
of
1.7
GHz,
2
GB
RAM
or
above,
and
display
resoluVon
of
1024
x
768
or
above.
iLok
This
plug–in
works
with
first–generaVon
iLok’s
and
with
second–generaVon
iLok’s
(iLok2).
iLok
is
a
product
of
Pace
and
may
be
purchased
directly
from
hcps://www.ilok.com
or
from
any
music
retailer.
SUPPORTED PLUG-IN FORMATS
Mac
· Audio
Units
32/64–bit · VST
32/64–bit · RTAS
32–bit · AAX
32/64–bit
Windows
· VST
32/64–bit · RTAS
32–bit · AAX
32/64–bit
STEVEN SLATE – TRIGGER 2
4
Installation
For new TRIGGER 2 users:
Please
download
and
install
the
new
iLok
License
Manager
from
hcps://www.ilok.com/ ilm.html.
This
will
allow
you
to
register
your
plug–in
onto
your
iLok
Dongle.
In
order
to
download
your
iLok
license
to
you
iLok
Dongle,
please
go
through
the
following
steps:
—
1. Launch
the
iLok
License
Manager
and
sign
in
to
your
account.
2. Click
the
Code.”
bucon
in
the
upper
right
corner
of
the
window
labeled
“Redeem
An
AcVvaVon
3. Enter
your
AcVvaVon
Code
and
click
“Next.”
4. Select
your
iLok
Dongle
from
the
“AcVvaVon
LocaVon”
dialog
and
click
“AcVvate.”
-
You’ll
receive
a
confirmaVon
when
the
license
is
moved
to
your
iLok
Dongle. -
Please
now
move
to
the
Installa7on
Steps
on
page
6…
For users updating from TRIGGER 1:
Important Note
TRIGGER
2
is
not
a
subsVtuVon
of
the
previous
“TRIGGER
1”.
TRIGGER
2
is
a
completely
new,
separate
plug–in,
with
a
new
name,
etc…
So,
you
can
use
both
TRIGGER
1
and/or
TRIGGER
2
alongside
one
another.
This
means,
your
projects
with
TRIGGER
1
will
sVll
work,
as
long
as
you
do
not
change
its
library
loca7on.
A
new
iLok
license
is
not
required
for
TRIGGER
2,
but
you
will
need
to
update
to
iLok
License
Manager
to
install
the
latest
required
PACE
drivers.
TRIGGER
2
and
the
repacked
library
data
is
authorized
via
your
original
iLok
license
for
either
TRIGGER
EX
or
PlaVnum.
TRIGGER
1
library
data
has
had
to
be
repacked
due
to
new
protecVon
implementaVons.
The
original
“stock
data”
(i.e.
data
in
Deluxe,
Kicks,
Snares,
and
Toms
folders)
from
TRIGGER
1
will
not
work
in
TRIGGER
2.
Should
you
try
to
load
TRIGGER
1
data
into
a
slot
you
will
see
an
error
loading
message.
If
you
choose,
you
may
create
a
separate
folder
just
for
TRIGGER
2
use,
and
use
that
for
the
base
directory
path.
If
you
have
“Expansion
Packs”,
simply
copy
the
data
folders
over
to
this
new
folder,
and
the
respecVve
.tlc
licenses
also,
for
authorizaVon.
STEVEN SLATE – TRIGGER 2
5
For all users: Important Note All
user
created
.prs
Presets,
user
created
.tci’s,
and
all
our
“Expansion
Packs”
(i.e.
to
date…
Deluxe,
CLA,
Terry
Date)
will
conVnue
to
work
in
both
TRIGGER
1
and
TRIGGER
2.
Installation Steps 1. Download
and
extract
(with
7Zip
for
Windows,
the
default
Archive
UVlity
for
Mac
OSX)
the
repacked
TRIGGER
2
Library
Content:
—
Trigger
2
Deluxe
|
Trigger
2
Kicks
|
Trigger
2
Snares
|
Trigger
2
Toms
|
Trigger
2
Presets
2. Place
these
folders
into
your
Trigger
Instruments
folder.
- New
users,
please
create
a
new
folder
where
you
choose
to
store
sample
data,
and
place
these
extracted
folders
inside.
3. Download,
extract
and
run
the
TRIGGER
2
installer. -
Note,
for
Windows
users,
you
will
need
to
set
the
VST
plug–in
directory
path
for
installaVon.
Once
set,
this
will
be
remembered
for
future
installs.
4. Open
your
DAW,
create
a
new
session
with
1
audio
track,
and
insert
TRIGGER
2.
- You
will
find
TRIGGER
2
under
a
new
sub–heading,
“Steven
Slate”. -
In
Pro
Tools,
the
plug–in
will
be
under
“Dynamics”
by
Category
and
“Steven
Slate”
by
Manufacturer.
You
can
change
list
view
in
Pro
Tools’
Preferences
Display
tab.
5. Go
to
the
“Sepngs”
page.
6. Look
at
the
top
of
the
page.
Next
to
“Plugin”
you
should
see
either
EX
or
PlaVnum
wricen.
- If
you
do
not
see
either
of
these,
please
contact
us
for
review
at
the
Support
HelpDesk.
7. Click
the
Select
Base
directory
bucon
and
choose
your
Trigger
Instruments
folder
- If
you
have
any
Expansion
Packs,
click
the
Select
License
bucon
and
choose
your
.tlc
license
file,
one
at
a
Vme.
STEVEN SLATE – TRIGGER 2
6
Browser
TRIGGER
2
employs
a
newly
designed
Browser
for
easy
navigaVon
of
samples
within
your
Trigger
Instruments
folder,
by
tree
view
lisVng.
Important Note
The
Browser
will
show
files
contained
in
your
set
base
directory
path
“only”.
Unlike
in
TRIGGER
1
where
you
can
navigate
to
other
folders,
to
do
so
in
TRIGGER
2,
you
will
need
to
change
the
base
directory
back
and
forth
(to/from
the
Trigger
Instruments
folder).
To
opVmize
our
file
system
for
the
new
plug–in,
this
was
required.
Sample Identification
=
Instrument
—
i.e.
a
.tci
file
=
Preset
—
i.e.
a
.prs
file
Sample Loading
· To
load
an
“Instrument”,
you
may
double
click
(with
Sepng
opVon
on)
or
drag/drop
to
one
of
the
8
slots
below.
· To
load
a
“Preset”,
double
click
and
the
slots
will
be
populated
with
the
Instrument
samples.
Browser Audition Button
Turning
Browser
AudiVon
`On’
will
enable
audiVoning
of
samples
with
a
“single
click”. Refresh Button
SelecVng
the
Refresh
bucon
will
refresh
the
Browser
lisVng.
Click
this,
if
for
example
you
add
a
new
folder
or
file
to
your
set
base
directory
and
wish
to
see
it
available
for
selecVon.
Automatic Searching
TRIGGER
2
employs
a
new
automaVc
search
feature
to
find
and
locate
missing
samples
within
your
Trigger
Instruments
folder
(base
directory).
If
any
noted
data
is
missing,
please
ensure
it
is
in
the
correct
path
and
Trigger
2
will
find
it.
A
red
italic
message
will
be
shown
in
the
slot
denoVng
the
missing
sample
name.
STEVEN SLATE – TRIGGER 2
7
Triggering
Operational Key Commands Reset
Parameter
to
Default
· Double
Click,
or
ALT+Click
(Mac
and
PC) Fine
Control
· Hold
the
CTRL
key
(PC)
or
CMD
key
(Mac)
and
adjust Clear
Slot
(Single)
· Right
Click
for
Pop–Up,
CTRL+Click
(PC)
or
CMD+Click
(Mac).
This
can
be
done
in
the
Browser
area
also!
Clear
Slots
(All) · ALT+Click
(Mac
and
PC)
Text
Entry · Double
click
on
value
display,
enter
value
and
press
Enter.
——–
Input Section
Shows
volume
control
and
input
metering.
Input
metering
will
show
blue
for
normal
use,
and
blue
(leu
—
for
original
source
audio)
and
red
(right
—
for
audio
suppressed)
when
leakage
suppression
is
uVlized.
Output Section
Shows
master
output
volume
control,
and
Mix
control
to
blend
original
source
and
triggered
sample
audio.
STEVEN SLATE – TRIGGER 2
8
Detail
Sets
the
level
(threshold)
below
which
the
plug–in
will
not
trigger
from
the
incoming
signal. * Try
to
avoid
sepng
Detail
to
high
levels,
or
to
zero.
Set
it
according
to
the
original
source
audio
leakages,
and
other
noise
level.
Sensitivity
Sets
the
engines
sensiVvity
level,
and
has
been
vastly
improved
from
TRIGGER
With
a
much
wider
range,
it
now
works
smarter!
Kicks,
Snares
and
Toms
can
be
triggered
with
a
default
sepng
(50).
Set
higher
(90–95),
you
can
trigger
low
volume
details,
for
example:
“ghost
notes”.
- OpVmal
SensiVvity
values
will
let
you
trigger
ghost
notes
and
sVll
not
trigger
bleed;
even
if
the
bleed
level
is
louder!
The
SensiVvity
parameter
works
in
conjuncVon
with
both
Detail’ and
ReTrigger’.
Specifically
in
conjuncVon
with
`Detail’,
it
will
enable
you
to
precisely
set
the
opVmal
value
for
TRIGGER
2
to
not
trigger
bleed.
If
you
push
too
far
however,
bleed
will
naturally
trigger,
so
adjust
accordingly.
ReTrigger
Sets
the
ReTrigger
Vme
(minimal
interval
between
hits).
Depending
on
the
ReTrigger
value,
you
can
see
the
red
colored
part
of
the
waveform
in
the
Wave
Display.
This
red
part
of
the
wave,
which
appears
just
auer
the
detected
hit,
is
a
visual
representaVon
of
the
ReTrigger
interval.
It
shows
how
long
TRIGGER
2
remains
“blind”,
and
will
not
analyze
incoming
sound
data
for
a
new
hit
occurrence.
STEVEN SLATE – TRIGGER 2
9
Filters Low–Cut
Acenuates
all
frequencies
below
the
set
cut–off
point,
leaving
those
above
unaffected. High–Cut
(New
to
TRIGGER
2)
Acenuates
all
frequencies
above
the
set
cut–off
point,
leaving
those
below
unaffected.
Both
filters
can
be
uVlized
to
remove
unwanted
frequency
content
from
the
triggering
circuit
for
original
source
material.
TRIGGER
2
will
perform
its
detecVon
based
on
the
frequencies
received
from
the
filter
secVon
(such
like
a
side
chain
filter
of
a
compressor).
Adjust
these
for
improved
triggering
quality.
STEVEN SLATE – TRIGGER 2
10
Usage/Setup
· Set
the
input
volume
first,
and
raise
the
level
unVl
most
hits
are
peaking
near
the
top
of
the
display.
This
will
ensure
maximum
range
for
dynamic
velocity
triggering
of
our
samples.
· Set
the
Detail’ to the edge of the bleed waveforms · Set the
ReTrigger’
value
· Then,
set
the
`SensiVvity’
Suppression
TRIGGER
2
has
the
unique
funcVonality
to
be
set
in
a
way
that
it
can
automaVcally
be
instructed
to
NOT
trigger
certain
leakages
on
a
drum
track
using
it’s
Leakage
Suppression
mode.
Using
Leakage
Suppression
technology,
you
can
trigger
a
drum
track
with
100%
accuracy,
even
if
it
has
a
lot
of
bleed
from
other
drum
tracks.
To
use
the
Leakage
Suppression,
first
create
a
stereo
group
or
aux
track
in
your
workstaVon
and
instanVate
TRIGGER
2
on
the
first
insert.
Using
aux
sends,
route
the
drum
track
that
you
wish
to
replace/augment
to
the
LEFT
channel
of
this
new
group
track
(in
some
workstaVons
this
can
be
done
via
panning
the
original
track.
Consult
your
host’s
user
manual
for
further
instrucVon).
Before
we
go
further,
let’s
assume
that
we
are
triggering
from
a
snare
drum
and
it
has
both
bass
drum
and
hi
hat
leakage.
Assuming
you
have
individual
bass
drum
and
hi
hat
tracks,
use
the
aux
sends
on
these
tracks
and
send
them
to
the
RIGHT
side
of
the
TRIGGER
2
stereo
group
channel.
So
now
we
have
the
snare
drum
track
being
sent
to
the
LEFT
side
of
the
TRIGGER
2
group,
and
both
the
bass
drum
and
hi
hat
tracks
being
sent
to
the
RIGHT
side
of
the
TRIGGER
2
group.
Now
find
a
secVon
of
the
mix
where
there
is
a
lot
of
bass
drum
and
hi
hat
leakage
on
the
snare
drum
track.
Adjust
the
Suppression
control
in
the
upper
leu
porVon
of
the
display
unVl
TRIGGER
2
starts
to
ONLY
trigger
the
snare
drum
hits,
while
suppressing
bleed
from
other
drums.
It
should
look
like
this:
STEVEN SLATE – TRIGGER 2
11
Blue
is
the
original
track.
Red
is
the
leakage
suppressed
on
the
original
track.
Note:
Red
waveform
peaks
should
be
a
bit
higher
than
the
leakage
peaks.
If
the
red
waveform
peaks
are
too
high,
you
need
to
decrease
the
Suppression
value.
If
you
are
using
several
tracks
for
Leakage
Suppression
(lets
say
that
it’s
a
kick
drum
and
toms)
and
the
red
peaks
of
kick
drum
track
are
good
(a
bit
higher
than
the
kick
drum
leakage
peaks),
but
red
peaks
of
the
toms
track
are
much
higher
than
the
toms
leakage
peaks,
you
need
to
decrease
the
volume
of
the
toms
track
which
you’re
rouVng
into
TRIGGER
2’s
right
channel.
When
you
use
the
Leakage
Suppression
you
can
set
the
Detail
control
to
very
low
values.
However,
do
not
set
it
to
0.00,
because
TRIGGER
2
can
start
triggering
noise
from
the
original
audio.
Set
the
Detail
depending
on
the
tracking
noise
level
when
you
are
using
Leakage
Suppression.
- Here’s
a
Vp…
If
you
nudge
your
tracks
with
the
bleed
for
suppression,
the
detecVon
will
follow
the
bleeds
earlier
or
later.
So,
you
can
fine
tune
suppression
tracking
to
get
it
precise.
Articulation Selector
In
the
`View
Mixer’
page,
just
above
the
slot
for
a
channel,
you
will
see
a
boxed
area
to
select
the
arVculaVon
for
the
loaded
sample.
Click
to
access
the
list
menu,
and
select
the
arVculaVon.
STEVEN SLATE – TRIGGER 2
12
Triggering Continued…
Gate
Important Note Gate’ is only acVvated with a TRIGGER PlaVnum license (with an EX license, Gate will be greyed out). ——–
Gate’
is
an
awesome
new
feature
of
TRIGGER
2.
The
Gate
algorithm
is
the
first
in
its
class
as
“transient
driven”,
for
drum
triggering. Turning
`Gate’
On,
you
will
see
in
the
Wave
Display
area,
the
waveform
tail
(based
on
Gate
sepngs)
is
now
shown
removed/no
longer
detected
(in
dark
blue).
The
audio
passing
is
shown
in
light
blue.
Because
the
Gate
is
transient
driven
and
not
threshold
based
like
those
common
for
plug–ins
of
this
nature,
you
will
need
to
adjust
how
the
gate
will
react
by
first
sepng
up
Detail’,
ReTrigger’,
and
`SensiVvity’,
as
documented
in
the
“Usage/Setup”
secVon.
Those
three
main
STEVEN SLATE – TRIGGER 2
13
parameter
sepngs
are
shared
for
`Gate’
and
detecVon,
for
triggering
sample
replacement/ enhancement.
Once
you
set
the
detecVon
for
triggering,
you
can
simply
use
`Gate’
and
its
controls
to
shape
the
incoming/original
source
audio.
- The
Gate
only
applies
to/processes
the
original
source
material
and
not
TRIGGER
2
samples.
To
hear
it
in
acVon,
you
will
need
to
turn
down
the
Mix
control
(less
than
100%).
Gate Controls ALack Sets
the
iniVal
Vme
it
will
take
for
the
gate
to
open. Hold Sets
the
Vme
the
gate
is
leu
open
before
Release. Release Sets
the
Vme
taken
to
close
the
gate. Save Preset
Click
to
save
a
.prs
Preset
file. Flip All Phases
This
will
flip
all
phases
for
the
8
slots…
Useful
if
you
mix
both
original
source
audio
and
TRIGGER
2
samples
and
feel
the
need
to
for
coherency.
MIDI Capture
Since
the
1.65
update,
TRIGGER
has
had
a
MIDI
Capture
feature,
which
may
be
used
to
capture
a
MIDI
track
from
an
audio
signal.
- The
MIDI
track
created
using
this
feature
will
be
much
more
accurate
than
a
MIDI
track
created
using
MIDI
out.
If
you
wish
to
capture
a
MIDI
track
from
an
audio
track
(let’s
say
it’s
a
snare
drum
track),
then
firstly
you
need
to
adjust
the
triggering
sepngs
for
opVmizaVon
as
discussed
in
the
“Usage/
STEVEN SLATE – TRIGGER 2
14
Setup”
secVon.
Then,
you
need
to
clear
the
MIDI
buffer
by
pressing
“CLEAR
BUFFER”
bucon,
and
then
you
can
start
to
capture
a
MIDI
track.
- The
MIDI
Capture
process
works
only
in
real–Vme
mode.
This
means
that
if
you
want
to
capture
MIDI
from
the
whole
snare
track,
you
have
to:
—
· Adjust
triggering
sepngs
· Clear
MIDI
buffer
· Place
a
cursor
at
the
beginning
of
the
snare
drum
track
· Press
Play
in
your
host
applicaVon
· Wait
unVl
TRIGGER
2
will
trigger
the
whole
snare
drum
track
· Press
Stop
in
your
host
applicaVon
· Drag
and
drop
the
captured
MIDI
track
into
your
host
applicaVon
from
the
“DRAG
ON
TRACK”
bucon.
Important Note
TRIGGER
2
will
create
a
temporary
MIDI
file
with
captured
data
from
bar
When
you
“DRAG
ON
TRACK”
MIDI
data
from
the
plug–in
window
to
your
DAW
it
will
place
a
snippet
of
this
whole
file
as
captured
from
the
play
head
posiVon.
Remember
this
when
aligning
your
midi
data.
- Cockos’
Reaper
(and
possible
other
DAW’s)
will
however
display
the
whole
file
from
bar
1
when
dragged
from
TRIGGER
- Important Note
Every
Vme
you
trigger
any
audio
using
TRIGGER
2,
the
MIDI
Capture
bucon
will
turn
to
orange
color.
This
means
that
TRIGGER
2
is
gepng
audio
signal
and
converVng
it
to
MIDI.
If
you
do
not
use
the
MIDI
Capture
feature
then
just
don’t
pay
acenVon
to
these
bucons.
If
you
going
to
use
MIDI
Capture
feature
then
use
step
by
step
instrucVon,
which
you
can
find
a
few
lines
above.
View Mixer
Shows
Volume,
Pan,
Tune,
Solo,
Mute,
and
Phase
flip
parameter
controls
for
per
slot
adjustments,
and
the
ArVculaVon
Selector.
STEVEN SLATE – TRIGGER 2
15
View Curves
ALack
Sets
the
iniVal
Vme
it
will
take
the
envelope
of
the
selected
Instrument
to
reach
its
maximum
level
auer
it
has
been
triggered.
Larger
values
will
smooth
out
the
acack
phase
that
corresponds
to
increasing
audio
levels.
Sustain
The
fixed
Vme
that
the
envelope
of
the
selected
Instrument
will
stay
at
its
maximum
level
auer
it
has
completed
the
Acack
phase,
and
before
it
enters
the
Release
phase.
Release
The
Vme
it
will
take
the
envelope
of
the
selected
Instrument
to
fall
from
its
Sustain
level
back
to
zero.
Dynamics
The
Dynamics
control
is
used
to
increase
or
decrease
the
dynamic
range
of
the
Instrument.
Lower
values
will
make
the
souer
velocity
layers
sound
louder
(decrease
the
dynamic
range).
Upper
values
will
make
the
souer
velocity
layers
sound
souer
(increase
the
dynamic
range).
Velocity
The
Velocity
control
is
used
to
adjust
the
response
of
the
Instrument.
The
`50′
value
of
the
Velocity
Curve
sets
a
linear
response
for
the
selected
Instrument.
STEVEN SLATE – TRIGGER 2
16
-
Values
more
than
50
set
a
posiVve
non–linear
response
(which
means
if
you
trigger
a
sou
hit
on
your
drum
track,
it
will
be
replaced
by
a
hard
hit
from
TRIGGER
2,
or
if
you
trigger
the
64
velocity,
TRIGGER
2
will
transform
it
to,
for
instance,
80). -
Values
less
than
50
set
a
negaVve
non–linear
response
(which
means
if
you
trigger
a
hard
hit
on
your
drum
track,
it
will
be
replaced
by
a
sou
hit
from
TRIGGER
2,
or
if
you
trigger
the
64
velocity,
TRIGGER
2
will
transform
it
to,
for
instance,
40).
So,
using
the
Velocity
control,
you
can
adjust
the
response
of
TRIGGER
2
Instruments
in
any
way
you
want.
In
other
words,
use
this
funcVon
to
set
how
light
or
aggressive
you
want
your
triggered
drum
tracks
to
sound
in
the
mix.
Range
The
Range
controls
allow
the
user
to
limit
velociVes
on
an
Instrument
channel.
Using
the
controls
you
can
make
TRIGGER
2
play,
for
instance,
only
Hard
hits
for
Instrument
channel
(slot)
one,
and
Sou
or
Medium
hits
on
Instrument
channel
(slot)
two.
Curve
Link
The
Curve
Link
secVon
offers
feature
to
selecVvely
link
either
Acack,
Sustain,
Release,
Dynamics,
Velocity,
or
Range
Min/Max
controls
for
all
Instrument
channels
(slots)
control
simultaneously.
I.e.
with
Acack
On,
you
may
control
all
Acack
parameters
for
the
8
channels
via
a
single
control.
- With
link
engaged,
the
OperaVonal
Key
Commands
for
Parameter
Reset
and
Fine
Control
are
engaged/available.
STEVEN SLATE – TRIGGER 2
17
Settings
Respect OS Display Scaling Setting
Sepng
this
opVon
`YES’
will
enable
support
for
DAWs
supporVng
ReVna
Displays,
and
will
work
correctly
in
conjuncVon
with
Windows’
(PC)
window
scaling
display
preference
opVon
(to
rescale
the
plug–in
GUI
at
different
set
resoluVons).
Enable Instrument Loading With Double Click
Turning
this
opVon
on,
you
will
be
able
to
double
click
“Instruments”
in
the
Browser
area
to
load
them
to
the
selected
slot.
A
blinking
light
above
the
slot
will
indicate
this
the
selected
slot
for
loading
to.
Latency
- Values
below
are
respecVve
of
a
44.1k
sample
rate…
Live
—
introduces
176
samples
delay.
Low
—
introduces
511
samples
delay.
Normal
—
is
the
“opVmal
sepng”,
and
introduces
1023
samples
delay. - Latency
is
calculated
by
the
sepng
Vme
in
milliseconds
Vmes
the
sample
rate.
Live
(4ms),
Low
(11.6ms),
Normal
(23.2ms).
Important Note
Should
you
change
latency
sepng
in
TRIGGER
2,
you
will
need
to
reload
the
plug–in
for
latency
value
to
be
correctly
passed
to
your
host,
for
delay
compensaVon.
Please
save
a
preset
for
recall.
MIDI Input
Using
MIDI
Input,
you
can
play
TRIGGER
2’s
internal
sounds
from
a
MIDI
track,
or
external
device,
such
as
MIDI
keyboard.
To
set
up
MIDI
input,
you
need
to
turn
it
“On”
via
the
check
box,
choose
the
MIDI
Input
channel
and
note
in
the
Sepngs
page.
As
soon
as
this
is
done,
you
can
play
TRIGGER
2’s
internal
sounds
by
rouVng
a
MIDI
track
or
MIDI
device
to
the
track
with
TRIGGER
2
inserted.
STEVEN SLATE – TRIGGER 2
18
MIDI Output
Using
TRIGGER
2’s
MIDI
output
you
can
transform
an
original
audio
into
a
MIDI
track,
or
you
can
send
MIDI
directly
to
any
virtual
instrument.
To
set
up
MIDI
output,
you
need
to
turn
it
“On”,
choose
the
MIDI
Out
channel
and
note
in
the
Sepngs
page.
Then,
you
need
to
route
MIDI
from
the
track
with
TRIGGER
2
inserted
to
a
MIDI
track
in
your
audio
host
applicaVon.
- Please
read
your
audio
applicaVon’s
user
manual
for
further
instrucVons.
Important Note
MIDI
implementaVon
is
host
dependent
and
MIDI’s
behavior
depends
on
the
host
type,
hardware
buffer
size
and
other
factors.
In
some
situaVons
you
might
have
plus
or
minus
50–100
ms
Vming
errors
using
MIDI
in
hosts
which
don’t
directly
support
MIDI
output
from
plug–ins.
Due
to
the
fact
that
MIDI
output
from
FX
plug–ins
is
not
directly
supported
on
most
audio
host
applicaVons,
TRIGGER
2’s
MIDI
output
may
be
less
accurate
than
its
audio
mode.
If
you
need
100%
accurate
triggering,
use
TRIGGER
2’s
internal
sounds
or
custom
built
instruments
to
trigger
your
drum
tracks,
or
use
the
MIDI
Capture
feature
for
precise
tracking
of
your
audio.
STEVEN SLATE – TRIGGER 2
19
3rd Party iLok License Transfer Fee
When
reselling
any
Slate
souware
product,
there
will
be
a
$10
License
Transfer
Fee
in
order
for
us
to
process
the
new
customer
into
our
user
database.
It
is
the
responsibility
of
the
seller
to
inform
the
buyer
of
this
fee
at
the
Vme
of
sale.
References
Read User Manual Online (PDF format)
Read User Manual Online (PDF format) >>