MONITOR AUDIO Silver Series 7G HiFi Speakers Owner’s Manual

MONITOR AUDIO Silver Series 7G HiFi Speakers

Spikes and Feet

Select finishes are supplied with a foam gasket on the outrigger, please ensure this side is placed on the cabinet.For Wooden/Hard Floors

(Silver 200, 300 and 500 only)
The feet and ‘out-riggers’ are supplied assembled for use on non-carpeted, wooden/ hard floors or where spikes are inappropriate. All that is required is to fix them to the speaker base using the supplied bolts and hex keys.You can check that the speaker is level on all sides by using a spirit level (not supplied). If it’s slightly off-level, unscrew the foot at the lowest point and check again. Continue this process until the cabinet is fully level. Use the locking nuts on each foot to fix the feet in place and to stop any unwanted vibrations. For Carpeted Floors

(Silver 200, 300 and 500 only)
If the speaker is being installed on a carpeted floor, screw the spike into the foot and ‘out-rigger’ assembly. Fix them to the speaker base using the supplied bolts and hex keys. You can check that the speaker is level on all sides by using the spirit level. If it’s slightly off-level, unscrew the foot at the lowest point and check again. Continue this process until the cabinet is fully level. Use the locking nuts on each foot to fix the feet in place and to stop any unwanted vibrations. Please ensure there are no hidden wires under the carpet that could be damaged by the spikes.

Setting Up

Channel Positioning
When arranging a 2 channel system, the listening position and the loudspeakers should form an equilateral triangle. Ideally the speakers should be positioned approximately 6 – 10 feet (1.8 – 3m) apart and a minimum of 3 feet (91cm) from the side walls. The ideal distance from the rear wall varies depending on the speaker (see list below).

•  Silver 50
•  Silver 100 & 200
• 6 – 12 inches (15 – 30cm)
• 8 – 14 inches (20 – 36cm)
• Silver 300 & Silver 500
• 12 – 24 inches (30 – 61cm)

NOTE:
These are recommended distances for optimal performance. Actual results will vary dependant on room size and construction. Experimentation is strongly advised when setting up the speakers, as the environment and personal preference will differ with every installation. If there is insufficient bass for example, try moving your speakers closer to the rear wall. The opposite approach is recommended if there is excess bass. Also see the information on page 6 referring to Port Bungs. If stereo imaging is being lost, try ‘toeing’ them in slightly. The sound should appear to originate from the centre point between the speakers, not the actual speakers themselves.

AV Positioning
Please refer to the illustrations below for the ideal angles and positions of each speaker in your surround system. The speakers should be distanced from the wall according to the requirements of the speaker, which are listed in the 2-Channel Positioning section (page 2). However due to AV receiver crossover filter settings, they may be positioned closer to the wall. Experimentation is advised.
If the sound is too bass heavy or there is bass boom from the room when playing music (without a subwoofer), try moving the loudspeakers slightly further away from the wall(s). If this is not possible, then try the supplied port bungs. In a system with a subwoofer try adjusting the crossover frequency settings for the speakers and/or sub or changing the subwoofer’s position.

The Silver C250 centre channel speaker should be positioned so that it is pointing at the viewing position and at approximate ear height.
NOTE: The images below are for illustrative purposes only. If using the Silver FX please refer to the next section for further information.

•  Side surround speakers
•  Rear surround speakers

surround system will make use of side (position A) and rear speakers (position B) to create a full 360° soundstage, if setting up a 5.1 system you can place your surrounds in position (A).

Di-Pole/ Bi-Pole switch:
When part of 5.1 systems set the switch to Bi-Pole. Although there is nothing wrong with experimenting and trying the switch in the Di-Pole mode.

NOTE: Before adjusting any switches, please ensure that the amplifier is at the very least turned off. This will help to protect the amplifier.

Atmos
In-CeilingWhen arranging the overhead channels in an Atmos system we would recommend using our three-way, in-ceiling speakers. These employ a unique pivoting midrange/ tweeter module which offers a wider dispersion characteristic, and are ideal for Atmos duties. More information can be found on our website: monitoraudio.com Please see below for ideal positioning of 2 or 4 Atmos speaker setups. Typically these would be in line with the front left and right speakers.

Silver AMS Dolby Atmos® Enabled Speakers
Our new Silver AMS speakers offer a dedicated solution and alternative to in- ceiling Atmos installations. They can be positioned directly on top of the front and/or rear speakers in a 2 or 4 Atmos speaker setup. Additionally and alternatively, the Silver AMS can also be wall mounted for use as surround or height speakers.

Fixing Silver FX & Silver AMS to a Wall

CAUTION:
Always determine where the Silver FX or Silver AMS will be fixed and the structure of the wall. For safety reasons, if unsure of your ability to provide a secure and safe fixing, do not attempt to fix these speakers to a wall. Instead, please obtain the services of a competent and qualified tradesperson.
CAUTION:
Ensure that water pipes or electricity cables do not run behind where the speakers are going to be secured. Work from secure steps and avoid trailing wires.
NOTE:
We do not supply wall fixing screws and plugs with the Silver FX or Silver AMS. Please only use suitable fixings for the type of wall construction the speakers will be fixed to. The Silver FX and Silver AMS comes with keyhole inserts. To fix the speakers to the wall, we would recommend using the wall fixing template enclosed within the packaging carton.

Wiring
Single Wiring Single wiring is achieved via a single set of cables to the terminals on the back of the loudspeaker. Internally the loudspeaker crossover guides the frequencies to the appropriate driver/tweeter. Low frequencies to the bass drivers, mid frequencies to the mid/bass drivers and high frequencies to the tweeter. It is perfectly acceptable to connect to the top, bottom terminals or even diagonally (experimentation is advisable to achieve the preferred results).

Bi-Wiring
Bi-wiring is accomplished by connecting separate pairs of speaker cables to the terminals on the loudspeaker from a single pair of connections on the amplifier. In the case of the Silver Series, the bottom terminals connect to the bass driver(s) and the top terminals connect to the tweeter in 2 way loudspeakers, or the mid and tweeter in 2.5 and 3 way loudspeakers.

Bi-Amping
Bi-amping is the same as bi-wiring except you are introducing a second amplifier into the equation. In order to bi-amp you must connect a set of speaker cables to the top terminals on the loudspeaker from one amplifier and another set of speaker cables to the bottom terminals from the second amplifier.

The Effects of Bi-Wiring and Bi-Amping

Fundamentally a loudspeaker crossover varies the impedance seen by the speaker and by the power amplifier. The situation is such that when the full range musical signal is applied to the terminals of a full-range speaker system, the bass driver(s) will only receive low frequency signals, the mid driver receives the mid band frequency signals and the tweeter only gets sent high frequency signals. This means that if separate speaker cables are connected to the low and high frequency terminals, not only have the drive units had the frequency’s directed and divided for them, but the two separate speaker cables will now also carry different signals, the bass cable mostly the lows, and the tweeter cable mostly the highs. Once the high and low frequencies have been separated in this fashion, the strong current pulses and surges demanded by bass drivers when reproducing bass or drums, will not interact with the delicate sounds of a flute or cymbal.

In a single wired system, unwanted mechanical and electrical resonances manifest as distortion at both sets of speaker terminals. Due to the impedance of the speaker cables, these distortions will not be entirely cancelled by the amplifier. Instead, they modulate between the two crossovers, and degrade sound quality. When bi-wiring, this interaction is minimised as signal distortion is ‘seen’ at the amplifier’s output where it can be more effectively cancelled. Bi-wiring/ bi-amping therefore presents a ‘cleaner’ signal at both the low frequency and high frequency speaker terminals, and because the high and low frequencies have already been separated, each has a minimal effect on the other – in essence the bass does not overpower delicate treble. In terms of the audible benefit, bi-wiring/ bi-amping, provides more clarity and detail to the midrange and high frequencies. Often the bass will become faster and tighter. Focus and staging will improve as well. In all, this is a very effective and desirable improvement and is highly recommended by Monitor Audio.
Port bungs
WARNING:
Care must be taken not to insert the port bungs too far into the port, as this may result in the foam bung being lost inside the cabinet.If the loudspeaker is to be installed in a small room, typically 9 sqM (80 sqFT), or a room known to reproduce accentuated bass response, it may be desirable to fit a port bung in the affected speaker. However, experimentation is recommended with positioning of the loudspeaker in the room prior to fitting. To optimise performance from the loudspeaker it is important to ensure the loudspeaker is not positioned too close to a wall or near the corners of a room.
If the positioning of the loudspeaker is predetermined by room aesthetics or layout, you find you have accentuated bass or in the case speakers are to be sited in close proximity (less than the minimum suggested distances of page 2) to a rear wall (such as on a bookshelf, positioned in a cabinet or on a stand close to a wall), we recommend fitting the supplied port bungs to the ports. With speakers that have 2 ports, such as the Silver 200, only one port bung should still be used per speaker.

This will reduce the bass ‘boom’ sometimes termed as overhang, and assist the loudspeakers to reproduce their best performance under these environmental conditions. ‘Boom’ is generally caused when bass energy from the loudspeaker ‘excites’ room modes and causes an accentuation at a particular frequency, or number of frequencies.
When fitting port bungs the overall bass extension will not be reduced, however bass energy/ output around the port tuning frequency will be reduced. This has the effect of reducing bass ‘boom’ while increasing bass clarity and apparent agility. In all circumstances experimentation is highly recommended.

Running-In Your Speakers
Run your speakers in by playing normal music at low-mid listening levels for approximately 50-70 hours play time. You may find the sound will continue to improve even after the 70 hour mark.
This can be done naturally over time: like a fine wine the performance will improve with age. Alternatively, if you wish to run the speakers continuously on loop you can decrease the audible volume/presence by placing the speakers face-to-face so that the drivers/tweeters are directly aligned and as close as possible. Then connect the amplifier to your speakers so that one is as normal (in phase): positive to positive and negative to negative (red to red and black to black), and the other speaker out of phase: positive to negative and negative to positive inputs on the speaker.

Retention Bolt Adjustment

The new Silver Series has a bolt-through driver fixing to reduce cabinet colouration. Each bolt acts as a rigid brace, but also removes the need for conventional driver fixings as well, effectively decoupling the driver and front baffle to eliminate a further source of resonance.
NOTE:
Should this bolt become loose over time, or has worked loose during transit, then please use the supplied hex key to tighten the bolt back up. This only needs to be a quarter turn after the strain has been taken by the bolt.

Warranty
Both the craftsmanship and the performance of this product is covered by the manufacturer’s warranty against manufacturing defects provided that the product was supplied by an authorised Monitor Audio retailer under the consumer sale agreement. For the period of cover please refer to the product page on our website: monitoraudio.com for the product you have purchased. When purchasing Monitor Audio products, please keep your receipt of purchase safe, as this validates your warranty.

Specifications

Unboxing

Fixing to a wall

Positioning speakers for surround sound

Learn more about speaker placement at monitoraudio.com/support/faq

Positioning Silver AMS 7G for Dolby Atmos

Important Safety Instructions

1.  Please keep these instructions.
2.  Heed all warnings.
3.  Follow all instructions.
4.  Do not use this apparatus with water.
5.  Clean only with a dry cloth. Great care and attention has gone into the materials chosen to produce your Monitor Audio loudspeakers. A gentle wipe with a dry, clean cloth is all that is required to remove any dust. Treat them as you would a fine piece of furniture because that is how they have been designed. To clean the high gloss finishes use our “Lacquer Polish” that has been developed alongside Auto Glym. It can only be purchased from the online shop at www.monitoraudio. com (UK customers only).
6.  Do not install near any heat source, such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.
7.  Only use attachments/ accessories specified by Monitor Audio.
8.  Use only with the cart, stand, tripod, bracket, or table specified by monitor Audio or sold with the apparatus. When a cart is used, use caution when moving the cart/ apparatus combination to avoid injury from tip-over.
9.  Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen onto the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally or has been dropped.
10. This apparatus shall not be exposed to dripping or splashing water and that no object filled with liquids such as vases shall be placed on the apparatus.
11.  This exclamation point within an equilateral triangle is intended to alert the user to the presence of important maintenance (servicing) instructions in the literature accompanying the appliance.
12. . No naked flame sources, such as lighted candles, should be placed on the apparatus.
13. . Monitor Audio would discourage using its products in high humidity, extreme hot or cold or outdoor environments unless the product specifically advises suitability for such environments, for clarification of suitable products within the Monitor Audio range please contact a Monitor Audio representative

Re-cycling

Correct Disposal of Waste Electrical and Electronic Equipment (WEEE) by User in Private Households in the EU. This symbol on the product or accessories indicates that they must not be disposed of with your household wastes throughout the EU. To prevent possible harm to the environment or human health from uncontrolled waste disposal, recycle it responsibly to promote the sustainable reuse of material resources. Instead it is your responsibility to dispose of your waste equipment by handing it over to a designated WEEE collection point for recycling. The separate collection and recycling of your waste equipment will help conserve natural resources and ensure that it is recycled in a manner that protects human health and the environment. For more specific information about where you can take your equipment for recycling please contact your local city/council office, your local waste disposal service or the outlet where you purchased your Monitor Audio product.

RoHS Declaration of Conformity

Directive 2011 /65/EU of the European Parliament and of the Council on the reduction of the use of certain hazardous substances in electrical and electronic equipment, June 2011 .

Background
The RoHS directive restricts the use of Lead (Pb), Cadmium (Cd), Mercury (Hg), hexavalent Chromium (CrVI), polybrominated biphenyl (PBB) compounds, and polybrominated diphenyl ether (PBDE) compounds in electrical and electronic equipment sold in the European Union.

Guarantee and Service
To help us find your warranty details within our customer database, should the need arise, please take a few minutes to register your product(s) online at: monitoraudio.com. This equipment has been fully tested prior to dispatch from the factory. Both the craftsmanship and the performance of this product is guaranteed against manufacturing defects for the period of five years from thedate of purchase (see conditions below), provided that the product was supplied by an authorised Monitor Audio retailer under the consumer sale agreement. (The words ‘consumer sale’ shall be construed in accordance with section 15 of the supply of goods act 1973). Monitor Audio accepts no responsibility for defects arising from accident, misuse, abuse, wear and tear, modification or operation outside of that specified within this instruction manual. Neither will responsibility be accepted for damageor loss occurring during transit to or from the parties claiming under this guarantee. This guarantee covers both labour and parts. The liability of Monitor Audio is limited to the cost of repair or replacement of the defective parts (at the discretion of Monitor Audio) and under no circumstances extends to consequential losses or damage.

Claims under this Guarantee
The equipment should be returned in its original packaging to the original supplier where possible, or to any other authorised Monitor Audio dealer. If it is not possible to return the equipment by hand, then it should be sent carriage prepaid via a reputable carrier. If the original packing is not available replacement packaging can be purchased from Monitor Audio.This guarantee does not affect the statutory rights of the consumer under UK law.

Data Protection
We at Monitor Audio are committed to respecting the wishes and privacyof our customers. Any information you provide will be held in the strictest confidence and only used within the Monitor Audio organisation for the provision of services such as warranty claims or spare parts.We may wish to contact you in the future to ensure you are happy with the products and standards of service we provide and to keep you up-to-date with the latest products and promotions we have to offer. Should you wish not to be contacted by us either by post, e-mail or phone, please tick the box on the warranty form on the web site. Alternatively you can request not to be contacted in future by writing to Customer Service, at the address above.

References

• Monitor Audio | Hi-Fi, Cinema & Architectural Speakers
• Support | Help | Monitor Audio
• FAQs | Support | Monitor Audio
• Monitor Audio | Hi-Fi, Cinema & Architectural Speakers

Read User Manual Online (PDF format)

Read User Manual Online (PDF format)  >>

Download This Manual (PDF format)

Download this manual  >>