TherapSID MK2 Vintage Synth Explorer User Manual

TherapSID MK2 Vintage Synth Explorer

Product Information

Specifications

• Power input: Centre positive DC voltage source of 15v, at least 200mA
• Audio inputs and outputs: 1/4 inch mono TS connectors MIDI input & output
• CV pitch input, Gate input: 1/8 inch TS mono connectors (active in monophonic mode)
• LFO override CV inputs: 3 inputs with 1/8 inch TS mono connectors

Product Usage Instructions

Presets

TherapSID comes with 99 preloaded presets that are customizable:

• Load: Change presets using the up/down buttons. Hold for accelerated scrolling.
• Save: Save the current sound to a preset slot by activating save mode and selecting the destination slot.
• Preset Reset: Quickly load preset 1 by pressing reset.
• Preset Randomizer: Hold the reset button for 2 seconds to randomize the preset.

Voice Section

TherapSID has 3 voices laid out on the control panel:

• Waveforms: Each voice has Square, Triangle, Sawtooth, and Noise waveforms. Press the corresponding button to enable/disable a waveform.
• Pulsewidth: Adjust the duty cycle of the square waveform using the pw knob.
• Tune: Transpose of the voice in semitone increments using the tuning knob.

Frequently Asked Questions (FAQ)

Q: Can I use TherapSID with other sound modules?

A: TherapSID is designed to work with its built-in sound generator chip and may not be compatible with other sound modules.

Q: How do I update the firmware of TherapSID?

A: Firmware updates for TherapSID can be downloaded from the official GitHub repository and installed following the instructions.

Thanks! Overview

Thank you for adopting TherapSID, the ultimate SID synth!

About the SID chip:

• The MOS Technology 6581/8580 SID (Sound Interface Device) is the built-in Programmable Sound Generator chip of Commodore’s CBM-II, Commodore 64, Commodore 128, and Commodore MAX Machine home computers.
• It was one of the first sound chips to be included in a home computer before the digital sound revolution.
• Read more: http://en.wikipedia.org/wiki/MOS_Technology_SID .
• I want to thank several people who have made TherapSID what it is. First and foremost, a special thanks goes out to Windfisch for completely overhauling the code and providing invaluable guidance and mentorship throughout the process.
• I would also like to thank Sequence7 and Oemsysadm for their valuable feedback, I also want to extend my thanks to Thomas for his exciting contributions to the project.
• Thanks to Themis for all the testing and concept contributions over the years and ongoing.
• The TherapSID code is now open-source and available on GitHub so please feel free to join the party .
• Please use GitHub if possible to submit feature requests and bug reports! Enjoy!

Connectivity & Power rear view

TherapSID features from right to left

• Power input: TherapSID requires a center positive DC voltage source of 15v at least 200mA
• 1/4” audio inputs and outputs for both chips (mono TS)
• MIDI input & output
• CV pitch input, Gate input (1/8” TS mono)
• (only active when in monophonic mode)
• 3 LFO override CV inputs (1/8” TS mono)
• The Audio ins enables you to run any audio signal through the SID filter path.

Presets

• TherapSID comes preloaded with a total of 99 assorted presets to get you started. It is important to note that these presets are fully customizable and can be modified to suit individual preferences.
• It is worth mentioning that the presets were developed specifically using the 6581 variant of the SID chip. Consequently, there is a possibility that the presets may sound slightly different when used with other SID variations.

Load

• To change the preset, press the up/down buttons. Additionally, holding down either button will result in accelerated scrolling in the corresponding direction.
• The preset number will be displayed on the device’s screen.

Save

• It is possible to save the current sound to any preset slot by following these steps:
• Activate the save mode by simultaneously pressing both preset up and down buttons. The destination slot number will flash on the display.
• Choose the desired destination slot by pressing the preset up or down button.
• Save the current sound to the selected slot by pressing both the preset up and down buttons.
• To cancel the save operation, press the reset button.

Preset Reset

• Press reset to quickly load preset 1 – a useful preset to use as a starting point.

Preset Randomiser

• To randomize the preset, simply hold down the reset button for 2 seconds.

Voice Section

TherapSID’s 3 voices are laid out across the top half of the control panel. The 3 voice strips are identical in functionality, explained from left to right:

Waveforms

• Each voice consists of 4 waveforms:
• Square, Triangle, Sawtooth, and Noise.
• Press the corresponding button to enable or disable a waveform (indicated by LED).
• Note: Multiple waveforms can be active at the same time.

Pulsewidth

• The pw knob adjusts the duty cycle of the square waveform.
• Note: this does not affect the other waveforms, only the square.

Tune

• The tuning knob transposes the voice in semitone increments. The tune ranges from -12 to +12 semitones (2 octaves), indicated by the 7-segment LED display.
• The twelve ‘o clock knob position is zero.

Fine

• The fine knob fine tunes the voice (+/-1 semitone range)
• Twelve ‘o clock knob position is center.

Master Volume

• Hold filter mode and adjust the scrub knob to set the master volume. Lowering the volume can reduce distortion when playing all voices at once.

Paraphonic Mode

• TherapSID has two voicing modes: unison and paraphonic. In unison mode, you can play a single note at a time. This will trigger the 3 voices at once.
• Paraphonic mode allows you to play up to three different notes simultaneously by splitting the 3 voices into separate notes.
• To activate paraphonic mode, hold a waveform button on voice 1 for two seconds. The LED display will show “PA” to indicate that paraphonic mode is active.
• Voices 2 and 3 will now mirror the parameters of voice 1. To switch back to monophonic mode, hold a waveform button on voice 1 again for two seconds. The LED display will show “OF” to indicate that monophonic mode is active.

Fat Modes

• TherapSID also supports a second SID chip, and there are several “Fat Modes” available that allow you to take advantage of both chips. To switch between the different Fat Modes, hold down the filter button and press the arp mode button. The corresponding
• Fat Mode number will be displayed on the screen. Note that some Fat Modes may exhibit different behaviors depending on whether or not the paraphonic mode is active.

Here are the available Fat Modes:

• Mirror Mode (F1): Both chips have the same data transmitted.
• Octave Mode (F2): Chip #1 is one octave above Chip #2.
• Slightly Detuned Mode (F3): The two chips are slightly out of phase, creating nice panorama effects.
• Heavily Detuned Mode (aka Super Fat Mode) (F4) : Six saw oscillators create an incredibly thick and fat sound.
• Polyphonic Modes (F5): When paraphonic mode is active, you can play up to six notes at once, spread across both chips. When paraphonic mode is deactivated, you can play two notes at once, each consisting of three voices in unison.
• Two-Voice/Three-Note Mode (F6, only available in paraphonic mode): This mode enables you to play up to three notes at once, each consisting of two voices (1 and 2).
• In this mode, you have access to the parameters of both voice 1 and voice 2 to craft your sound.

Auto Chord

To use the auto chord feature on the TherapSID, please follow these instructions:

1. Hold down a chord on your MIDI keyboard.
2. While still holding the chord, press and hold the arp mode and press the retrig button to engage the auto chord feature.

• To free up your hands from pressing buttons, we recommend using the sustain pedal.
• If you wish to disengage the auto chord, simply repeat the same button presses as before.
• Note that if you activate the auto chord without holding down any keys, the TherapSID will select a chord from its built-in selection.

Glide

• Adds glide aka portamento to the synth’s pitch.
• More glide=longer portamentos/slides.

Sync

• When set on voice1, Synchronizes the fundamental frequency of Oscillator 1 with the fundamental frequency of Oscillator 3, producing “Hard Sync” effects.
• Varying the frequency of Oscillator 1 concerning Oscillator 3 produces a wide range of complex harmonic structures from Voice 1 at the frequency of Oscillator 3.
• For sync to occur Oscillator 3 must be set to some frequency other than zero but preferably lower than the frequency of Oscillator No other parameters of Voice 3 have any effect on sync.

Ring Mod

• When set to voice 1 or 3, replace the Triangle waveform output of that voice with a “Ring Modulated” combination of Oscillators 1 and 3.
• When set to voice 2, replace the triangle waveform output of voice2 with a “Ring Modulated” combination of Oscillators 2 and 1.
• Varying the frequency of Oscillator 1 to Oscillator 3 produces a wide range of non-harmonic overtone structures for creating bell or gong sounds and for special effects.
• For ring modulation to be audible, the Triangle waveform of Oscillator 1 must be selected and Oscillator 3 must be set to some frequency other than zero. No other parameters of Voice 3 have any effect on ring modulation.

Volume Envelopes – ADSR

• The “attack” and “decay” of a sound have a great effect on the instrument’s sonic character. ADSR envelope is specified using four parameters:
• Attack time is the time taken for the initial run-up of level from nil to peak, beginning when the key is first pressed.
• The decay time is the time taken for the subsequent run down from the attack level to the designated sustain level.
• The sustain level is the level during the main sequence of the sound’s duration until the key is released.
• Release time is the time taken for the level to decay from the sustain level to zero after the key is released.

Filter

• The SID chips are equipped with a multimode resonant filter.
• The filter is the analog section of the circuit and its warm/dirty sound contributes to the authentic SID character.

Filter Modes

• Press the filter button to toggle through the 4 filter states: Off, Low Pass, Band Pass, High Pass, Low Pass+ High Pass (notch)

Cutoff

• The cut knob adjusts the filter cutoff frequency

Resonance

• The res knob adjusts the filter’s resonance
• Note: The resonance is more or less pronounced depending on the type of SID chip.

Filter Routing

• One can connect or disconnect any of the three voices to and from the filter. To do so, hold down the filter mode button, which will display the voices that are currently connected to the filter.
• When a voice is connected, the waveform LEDs will light up. To connect or disconnect a voice from the filter, press any of its waveform buttons.

Modulation (LFO)

• TherapSID has 3 LFOs to bring your synth to life!
• Note: the LFO values can also be transmitted as MIDI CCs to modulate other MIDI-capable instruments.

LFO Waveforms

• There are 5 LFO types to choose from:  Square, Triangle, Saw, Noise, and Env3 (ADSR envelope of voice 3).
• Move either of the 3 LFO’s depth or rate knobs to select that LFO.
• Press the LFO shape buttons to change the selected LFO’s shape. You can also assign no shape at all by pressing a readily lit shape. In this case, the LFO’s depth knob becomes a manual controller.

Assigning LFOs to knobs

• You can link any of the three available LFOs to the following knobs:
• Filter Cutoff, Filter Resonance, Tune1, Tune2, Tune3, Fine1, Fine2, Fine3, Width1, Width2, Width3, LFO Depth1, LFO Depth2, LFO Depth3, LFO Rate1, LFO Rate2, LFO Rate3, Arpeggiator Scrub, Arpeggiator Range, Arpeggiator Rate Simply manipulate the desired knob and then press the chain button of the LFO you wish to link to it. The chain LED will light up, indicating that the LFO is now linked to the selected knob.
• Should you need to unlink the LFO, simply press the link button again, and the chain LED will deactivate. It’s important to note that you can link a single LFO to multiple knobs!

Re-trigger & Loop

• the LFOs can be used as “one-shot” envelopes by deactivating the looping feature using the loop button.
• This is useful for achieving pitch decay on percussive sounds and other effects.
• Additionally, the LFOs can be re-triggered on every key press by toggling the retrig button.

CV Override

Each of the three LFOs can be overridden using the corresponding CV input jack. By plugging a 1/8″ mono jack into the desired CV input, you can take control of the LFO with an external source. The expected CV range is 0-5v DC.

Arpeggiator

• TherapSID MKII has a brand new arpeggiator that is easy to use but can become wild when modulated by LFO!
• When active, the arpeggiator re-triggers LFOs
• The arpeggiated notes are also transmitted via MIDI

Arp Modes

• The arpeggiator has 7 modes that you can access by pressing the mode button. The currently selected mode is displayed on the LED display.

Here’s a description of each mode:

• Up: The arpeggiator will play all held notes in a loop, starting from the lowest note and moving up. If the range knob is set to a value above zero, the sequence will add an octave to each loop.
• Down (d0): This mode is similar to the Up mode, but the arpeggiator plays the held notes in a loop starting from the highest note and moving down the scale.
• Up Down (Ud): This mode combines the Up and Down modes. The arpeggiator plays the held notes in a loop, starting from the lowest note and moving up the scale, then reverses direction and moves down the scale.
• Random (rd): In this mode, the arpeggiator selects notes from the held keys at random.
• Octave (OC): The arpeggiator repeats each note at all available octaves before advancing to the next note. The number of octaves played can be adjusted using the range knob.
• Trill Plus 1 semitone (P1): The arpeggiator plays each note from the lowest to the highest, followed by the note one semitone above it.
• Trill Plus 2 semitones (P2): This mode is similar to P1, but the arpeggiator plays each note followed by the note two semitones above it.

Scrub

• You can use the scrub knob to jog through the arpeggiator notes. This is particularly powerful when linked to an LFO.
• Note: The arpeggiator has to be in OFF mode for Scrubbing to work.

Rate & Range

• Use the rate knob to adjust the speed of the arpeggiator and the range knob to set the octave span (1-4).
• Note: the arpeggiator can sync to a MIDI clock.

MIDI

• TherapSID can transmit and receive MIDI. A little dot at the right of the first LED digit indicates incoming MIDI, a dot at the right of the second LED digit indicates outgoing MIDI

MIDI Master Channel Selection

• TherapSID can receive and send MIDI on the channels of your choice.
• You can individually change the master input and output channels at any time by following these steps:
• To select the MIDI input channel: Hold Arp Mode and press Preset Up
• Now the input channel is displayed on the LED display.
• Change the MIDI input channel (1-16) with the Preset Up/Down buttons When done, confirm with a final press of the Arp Mode button. The display goes blank and the channel is saved to EEPROM
• To select the MIDI output channel: Hold Arp Mode and press Preset Down Now the output channel is displayed on the LED display.
• Change the MIDI output channel (1-16) with the Preset Up/Down buttons When done, confirm with a final press of the Arp Mode button. The display goes blank and the channel is saved to EEPROM

Triggering Voices Separately

• Additionally, you can trigger the three voices individually on separate MIDI channels.
• To specify the MIDI channels for each voice, please use the settings tool.
• By default, the MIDI channels assigned to voices 1, 2, and 3 are 2, 3, and 4, respectively.
• Note: In paraphonic mode or when the fat mode is set to 5, all voices are allocated to the master channel. Consequently, it becomes impossible to trigger the individual voices in these cases.

MIDI Preset Management

You can transfer all presets to and from a computer via MIDI System Exclusive (SYSEX) transfers. This is handy for backing up or sharing your presets with fellow TherapSID owners.

To transmit (dump) SYSEX:

• Hold Preset Down during startup. The SYSEX is automatically sent out of the MIDI port.

To receive SYSEX:

• Hold Preset Up during startup. TherapSID will enter SYSEX receive mode, indicated Re on the LED display panel.
• You can now send the SYSEX you previously dumped to TherapSID.
• At the end of the transfer, the Eeprom will be updated. This takes around 13 seconds. The progress % is indicated as 0-99 on the LED Display.

ASID implementation

• Since firmware revision 2.3, TherapSID can not only play ASID tunes but also remix them in real-time using the knobs and buttons. A massive thanks to Thomas Jansson for making this possible.
• Check out this playlist on his YouTube channel for demos on the ASID mode. https://youtube.com/playlist?list=PLrcKmVvkKuG-YYqj_jRckgos8dd-gfNgg &si=mvx4IW8p1l3ySl1g
• DeepSID is a vast online library of ASID tunes that can now stream the tunes directly to TherapSID (or any SID instrument that supports the ASID protocol).
• Visit their website to start remixing! https://deepsid.chordian.net/
• When receiving the first ASID message, it will directly put the instrument in ASID mode (indicated by “AS”)

Visualization

• The incoming SID data is visualized in the following way.
• The relevant Voice LEDs light up to show what waveforms and sync/ring mod states are used
• The LFO LEDs are used to indicate filter status:
• LINK 1, 2, and 3 indicate that the voice is routed to the filter
• Waveforms indicate the cutoff frequency as a 5-stage amount
• RETRIG/LOOP indicates the resonance level as a 2-stage amount
• The Filter type LEDs show the currently active filter type

Supported files

• The ASID mode supports several types of SID-files.
• When using standard MIDI interfaces and one or two SID chips:
• Single-SID files at 50/60Hz (the most common format). The SID playback is duplicated on the second SID.
• When using Turbo MIDI (Elektron TM-1 interface and similar) also the following:
• Dual-SID files (“Stereo SIDs”)
• Multi-speed SID files (2x, 3x, 4x etc)
• Combinations of the above
• When using ARM2SID:
• SID+FM files (custom files made for the Sound Expander or FM-YAM, which uses the Yamaha OPL1 or OPL2 chips)
• When using a special version of the firmware, an ARM2SID and a specific pin patched in (Note: not documented in this manual) :
• Triple-SID files

Remixing

• In addition, there is the possibility to remix the SID files live.
• The NOISE waveform button mutes/unmutes the corresponding track
• RECT/TRI/SAW/SYNC/RING waveform buttons force that feature on/off (ignoring incoming changes from the SID file). Noise will always be let through.
• WIDTH forces the pulse width to that value (ignoring incoming)
• TUNE transposes the pitch +/- one octave. Noise will be left untransposed.
• FINE fine-tunes the pitch +/-55 cents
• LFO LINK buttons force filter routing of the corresponding track on/off (ignoring incoming changes)
• CUTOFF, RESO, ATTACK, DECAY, SUSTAIN, and RELEASE add/subtract offset to the incoming changes. Noon means no change.
• Note: there is also a way to let the cutoff instead be scaled by using another cutoff adjusting mode (ARP MODE, see below)
• FILTER TYPE button forces the type (ignoring incoming changes)
• RETRIG and LOOP mean SID1 and SID2 respectively. When held down, only that chip will be affected by the knob moves and button presses. This means that completely different parameters can be used on each chip, including mutes.
• ARP MODE will toggle the CUTOFF adjusting mode. “FO” (Filter Offset) means the offset is added/subtracted, while “FS” (Filter Scaling) means the offset is scaled (0 to 200%). Different songs might benefit from one or the other mode. This mode is global and is not affected by SID1/SID2 buttons.
• The dots on the red LED display indicate that something has been remixed. The left dot means SID1 and the right dot means SID2.
• Pressing LFO SQUARE will put the player in a “clean” mode (indicated by “AC”), not accepting any remixed parameters
• A brief press on RESET restores remix parameters to the original. This also works with the SID1/2 separation.
• Long press on RESET jumps out of ASID mode
• Holding ENV3 when pressing on a channel mute button will instead solo it. If holding ENV3 and pressing RETRIG or LOOP (i.e the SID1/SID2 selectors), that whole SID chip will be soloed.
• PRESET UP/DOWN will change the default chip for remixing – from affecting both to only one of them (useful for one-handed remixing of one chip, not needing to hold RETRIG/LOOP).
• This will be indicated by A1, A2 – as opposed to AS which means both.

In the SID+FM mode, the following buttons apply for remixing:

• Voice 1 SQR to NOISE, Voice 2 SQR to NOISE, and Voice 3 SQR to SAW work as indication LEDs and mute on/off buttons for the 9 (or 11) FM channels
• WIDTH1 to WIDTH3 add/subtracts to the Operator 1 level of the 9 FM channels
• ATTACK1 to ATTACK3 add/subtract to the Operator 2 level of the 9 FM channels
• RATE1 to DEPTH3, ARP SCRUB to ARP RANGE adds/subtracts to Feedback of the 9 FM channels

MIDI Controller Implementation

Note: the knobs and buttons (AND LFOs!) send their corresponding MIDI CCs out too, so you can double TherapSID as a powerful MIDI controller for other synths!

receive/send
Note On/Off CH2| 1-127| Trigger Voice1 only| receive/send
Note On/Off CH3| 1-127| Trigger Voice2 only| receive/send
Note On/Off CH4| 1-127| Trigger Voice3 only| receive/send
Control CC#6| 1-127| Voice1 Attack| receive/send
Control CC#7| 1-127| Voice1 Decay| receive/send
Control CC#8| 1-127| Voice1 Sustain| receive/send
Control CC#9| 1-127| Voice1 Release| receive/send
Control CC#14| 1-127| Voice2 Attack| receive/send
Control CC#15| 1-127| Voice2 Decay| receive/send
Control CC#16| 1-127| Voice2 Sustain| receive/send
Control CC#17| 1-127| Voice2 Release| receive/send
Control CC#22| 1-127| Voice3 Attack| receive/send
Control CC#23| 1-127| Voice3 Decay| receive/send
Control CC#24| 0-127| Voice3 Sustain| receive/send
Control CC#25| 0-127| Voice3 Release| receive/send
Control CC#32+59| 0-127| Filter Cutoff| receive/send
Control CC#33| 0-127| Filter Resonance| receive/send
Control CC#3| 0-127| Voice1 Tune| receive/send
Control CC#11| 0-127| Voice2 Tune| receive/send
Control CC#19| 0-127| Voice3 Tune| receive/send
Control CC#2| 1-127| Voice1 Pulse Width| receive/send
MIDI Message| Range| Result| Direction
---|---|---|---
Control CC#10| 1-127| Voice2 Pulse Width| receive/send
Control CC#18| 1-127| Voice3 Pulse Width| receive/send
Control CC#4| 1-127| Voice1 Fine| receive/send
Control CC#12| 1-127| Voice2 Fine| receive/send
Control CC#20| 1-127| Voice3 Fine| receive/send
Control CC#5| 1-127| Voice1 Glide| receive/send
Control CC#13| 1-127| Voice2 Glide| receive/send
Control CC#21| 1-127| Voice3 Glide| receive/send
Control CC#34| 1-127| Arp Scrub| receive/send
Control CC#35| 1-127| Arp Rate| receive/send
Control CC#36| 1-127| Arp Range| receive/send
Control CC#26| 1-127| Lfo1 Rate| receive/send
Control CC#27 & Mod Wheel| 0-127| Lfo1 Depth| receive/send
Control CC#28| 0-127| Lfo2 Rate| receive/send
Control CC#29| 0-127| Lfo2 Depth| receive/send
Control CC#30| 0-127| Lfo3 Rate| receive/send
Control CC#31| 0-127| Lfo3 Depth| receive/send
Control CC#49| 0=off    1=on| Voice1 Sync| receive/send
Control CC#50| 0=off    1=on| Voice1 Ring| receive/send
Control CC#51| 0=off    1=on| Voice2 Sync| receive/send
Control CC#52| 0=off    1=on| Voice2 Ring| receive/send
Control CC#53| 0=off    1=on| Voice3 Sync| receive/send
Control CC#54| 0=off    1=on| Voice3 Ring| receive/send
Control CC#37| 0=off    1=on| Voice1 Rect| receive/send
Control CC#38| 0=off    1=on| Voice1 Triangle| receive/send
MIDI Message| Range| Result| Direction
---|---|---|---
Control CC#39| 0=off    1=on| Voice1 Saw| receive/send
Control CC#40| 0=off    1=on| Voice1 Noise| receive/send
Control CC#41| 0=off    1=on| Voice2 Rect| receive/send
Control CC#42| 0=off    1=on| Voice2 Triangle| receive/send
Control CC#43| 0=off    1=on| Voice2 Saw| receive/send
Control CC#44| 0=off    1=on| Voice2 Noise| receive/send
Control CC#45| 0=off    1=on| Voice3 Rect| receive/send
Control CC#46| 0=off    1=on| Voice3 Triangle| receive/send
Control CC#47| 0=off    1=on| Voice3 Saw| receive/send
Control CC#48| 0=off    1=on| Voice3 Noise| receive/send
Control CC#55| 0-25=LP 26-50=BP

51-75=HP

76-100=LP+HP(not ch) 101-127=OFF

| Filter Mode| receive/send
56| 0-127| lfo1| send
57| 0-127| lfo2| send
58| 0-127| lfo3| send

Settings Tool

• The online tool provides a convenient way to set TherapSIDs parameters within one screen. You can easily adjust the parameters to your liking using the tool’s interface.
• To use the online tool, your web browser must have MIDI support enabled (like Chrome).
• No downloads or drivers are necessary, as the tool runs directly in your browser.
• The tool is available at the following web address: https://www.twistedelectrons.com/tool
• It is recommended to hard refresh your browser before using the tool to ensure that you are using the latest version. This can be done by pressing Ctrl + F5 (Windows) or Command + Shift + R (Mac).

1. Select MIDI input and output ports:
   • To use the online tool, you need to select the MIDI input and output ports that are connected to your TherapSID. You can do this by using the drop-down menus located at the top of the screen.
2. Download current settings:
   • After selecting the MIDI input and output ports, press the “Read” button to download the current settings from your TherapSID device. This will allow you to view the current settings and make changes if necessary.
3. Change parameters:
   • Once you have downloaded the settings, you can change any parameters that you want. The tool provides an intuitive interface for adjusting the settings.
4. Update the device settings:

• After making any desired changes, press the “Write” button to update the device with the new settings.
• This will ensure that the TherapSID is configured with your desired settings.

Settings Reset

• If you wish to reset the global settings, simply hold preset reset at startup.
• Below is a snapshot of the factory global settings for your reference:

Firmware updates

• TherapSID can receive firmware updates through MIDI system exclusive messages (sysex). You can check the latest firmware version on the TherapSID page online: http://twisted-electrons.com/therapsid/.
• The current firmware version is displayed on the 7-segment LED display for 1 second during startup.

To enter the update mode (also known as boot-loader mode):

• Unplug the power cord from the unit (or use the power button on MKIII).
• Press and hold down the filter type button (located at the bottom left of the control panel).
• Power the unit back on
• When you enter the boot-loader mode, all the LEDs on the control panel will light up. This indicates that the TherapSID is ready to receive the sysex data from your computer.

Windows

• If you’re using a Windows PC, we recommend using MIDI-OX to update your TherapSID’s firmware. MIDI-OX is a free and highly useful app.
• IMPORTANT: It is crucial to ensure that your SYSEX software is specifically configured with a 64-byte buffer setting. Any deviations from this setting may result in update failures.

Here are the steps to follow:

1. Launch MIDI-OX on your computer.
2. In the Sysex window, click on Command and select Window > Load File. Navigate to the location where you have stored the firmware update file.
3. Click on Command again and select Window > Send Sysex.
4. This will send the firmware update to your TherapSID. Please make sure the Therapsid is in boot-loader mode and connected to your computer via MIDI before sending the sysex file.

Mac

• IMPORTANT: It is crucial to ensure that your SYSEX software is specifically configured with a 64-byte buffer setting. Any deviations from this setting may result in update failures.
• If you’re using a Mac, we recommend using SysEx Librarian to update your TherapSID’s firmware. SysEx Librarian is a free and user-friendly app.

1. Launch SysEx Librarian on your Mac.
2. In the top drop-down menu, select your MIDI interface (if it’s not already selected).
3. Drag the MIDI SysEx file from the Finder into the frame of the SysEx Librarian
4. Select the file by clicking on it with your mouse.
5. Click the Play button to send the firmware update to your Therapsid.

SID Access and Configuration

• Ensure that TherapSID is powered OFF.
• Remove the 6 screws from underneath the unit using a 2mm Allen key.
• You can now remove the bottom part of the chassis to access the SID chip(s).
• IMPORTANT: Be careful not to cross-thread the screws upon reassembly! Use the Allen key to recenter the brass posts within the holes if necessary.
• If you are having difficulty removing or replacing the bottom chassis try releasing the 1/4” Jack nuts a little.
• When installing SID chips into your TherapSid, make sure to follow these guidelines:
• The C-shaped notch on the chip should be pointing to the left.
• The print on the SID chips should be oriented as shown in the photo above.
• Following these guidelines will ensure that the SID chips are correctly installed and will function properly in your TherapSid.
• Use the DIP switches to configure the chips as follows

8580/6582: 6581:

• 123 UP 123 DOWN
• 456 DOWN 789 UP
• PLEASE SET THE SWITCHES TO THE 2 ABOVE SETTINGS ONLY!

Removing chips

To remove a SID chip from your TherapSid, follow these steps:

• Gently lever the chip up on one side, lifting it to about a 30-degree angle.
• Slide a flat-blade screwdriver under the chip to help lift it straight from underneath.
• Be careful not to bend or damage the pins on the chip or the socket while removing it. With a little patience and gentle force, the chip should come out smoothly.

Special ARM2SID third chip

• The ARM2SID Sid emulation chip integrates a third SID chip allowing up to 9 voices! This upgrade is made possible thanks to the firmware contributions of Thomas Jansson.
• To benefit from this enhancement, a minor hardware modification and custom firmware are required.
• Please click the link provided below for the firmware and hardware modification guide. https://twisted-electrons.com/tool/therapSID/arm2sid.zip.

References

• Wikipedia, the free encyclopedia
• Commodore CBM-II - Wikipedia
• MAX Machine - Wikipedia
• Digital sound revolution - Wikipedia
• Programmable sound generator - Wikipedia
• TherapSID | Twisted-Electrons
• DeepSID | Chordian.net
• GitHub - twistedelectrons/TherapSID
• Tool | Twisted-Electrons

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