BASSBOSS SSP118-MK3 Single 18 Powered Subwoofer User Manual
- May 15, 2024
- BASSBOSS
Table of Contents
SSP118-MK3
Single 18”
Powered Subwoofer
User Manual
Overview
The SSP118-MK3 Single 18” Powered Subwoofer gives you low frequency output to
30 Hz, typical of an average Double 18”, from a single 18” box. Delivering
output to frequencies lower than many double 18” cabinets, each individual
SSP118-MK3 does so in about half the space and considerably less weight. This
is a very practical consideration from both a size and cost point of view.
If you’re a Mobile Professional who strives to provide superior sound quality,
the SSP118-MK3 allows you to deliver premium service using less equipment and
with less labor. With two SSP118-MK3 Subwoofers, you will have the output of
one of the worlds finest Double-18” subwoofers, the BASSBOSS SSP218, divided
into two smaller, more manageable pieces.
The cabinets are constructed from 18mm marine-grade Birch plywood. The cabinet
is extensively braced and construction features dado and rabbet joinery
throughout, so all seams are interlocked and the cabinet is ultra-rigid. The
cabinet is finished in an extremely rugged, black polyurea coating and the
driver is protected by a black, powder-coated, perforated steel grille.
The SSP118-MK3 features a 2500W amplifier with an auto-sensing, globally
compatible power supply that can run on mains supplies anywhere between 90 and
250 Volts. Full output power is available on anything over 110V. The
amplifier’s high peak-output voltage provides for intense high SPL hits while
its sustained output is unparalleled in its ability to deliver the liquid
lows. The amplifier is passively cooled via its external heat-sink and by
woofer-generated air-flow through the ports. When necessary, two blower-fans
will engage to provide additional forced-air cooling capacity in more extreme
conditions.
New to the MK3 are Neutrik powerCON True 1 TOP (Total Outdoor Protection)
waterproof mains connectors. Waterproof mains connectors, along with a totally
isolated input connection section and cones that are waterproofed, make the
MK3 series the powered loudspeakers that can be used outdoors without fear of
what the weather will bring. (Or used indoors without fear of what the
partiers bring.) Electrical power is converted into the much more desirable
acoustical power by a very robust, neodymium motor, 18-inch woofer with a
massive 4.5-inch (115mm) voice coil. Neodymium magnets are lighter, and their
higher intensity provides higher efficiency, so the result is a lighter and
louder cabinet than those with ferrite drivers.
The MK3 features an all-new DSP.
The comprehensive suite of processing includes high-pass and lowpass filters,
as well as a five-stage limiter system to prevent driver overload in as many
ways as possible, including thermal, excursion and clipping. The five levels
of protection actively prevent overheating of the voice coil, minimize long-
term thermal compression and limit excursion. Because they operate in 5
different modes, the limiters are sophisticated enough to have a largely
unnoticable effect on the transient response and allow the subwoofer to
deliver peak output safely. The new DSP features an Ethernet interface. This
can be used to control the cabinets from a computer or to load software or
firmware updates. Each cabinet includes a two-port switch so multiple cabinets
can be chained on the same data cable The ethernet connectivity in conjunction
with the DSP board allows signal to be sent via Milan AVB. Firmware updates
will provide access to this feature. Within the software, multiple cabinets
can be grouped together, allowing them to respond to commands simultaneously.
This permits the levels of multiple loudspeakers to be adjusted together and
yet independently from the levels of other groups of loudspeakers. In addition
to individual and grouped level controls, presets can be loaded and signal
levels and temperatures can be monitored.
The MK3 DSP features storage capacity for up to 100 presets, eight of which
can be accessed at the touch of a button with no need for a connected
computer. The eight directly accessible presets are compatible with all the
presets in the MK3 Top Boxes and are also compatible with previous generation
BASSBOSS tops and subs.
Quick Start Guide
- Ensure the cabinet is secure and stable, on level ground.
- Attach any poles/additional mid-high cabinets to the subwoofer.
- Connect signal via the XLR-F input.
- Connect the XLR-M connector to additional subs or tops.
- Connect the mains power and verify the “Ready” LED is lit.
BASSBOSS systems are easy to set up quickly. The best possible results are
achieved consistently because of the integrated nature of the designs. All
BASSBOSS loudspeakers are complete, integrated systems, featuring the cabinet,
transducer, amplifier and a comprehensive suite of processing. Setup is
particularly easy because the products integrate with each other.
Provided the cabinets are physically aligned, any BASSBOSS sub can be combined
with any BASSBOSS top and their outputs will be phase-coherent. This means no
cancellations and no gaps in the response at the crossover frequency,
regardless of which preset is selected.
The on-board BASSBOSS processing allows for the following:
Any BASSBOSS powered subwoofer can be combined with any other BASSBOSS Powered
subwoofer and their outputs will sum coherently. (i.e.: in phase with each
other.)
Any BASSBOSS powered subwoofer or combination of BASSBOSS powered subwoofers
can be combined with any BASSBOSS powered top and their outputs will sum
coherently through the crossover region.
HOWEVER only one model of top should be used at a time. An assortment of
different tops cannot be stacked together and still achieve coherence and
clarity.
The following tops should be used individually, i.e. should NOT be arrayed:
AT312 (Co-axial point-source Main)
DiaMon (Co-axial point-source satellite)
SV9 (2-way monitor with Satellite mode)
The following tops can be used in arrays:
MFLA (Medium Format Line Array, up to 20 cabinets can be arrayed)
AT212 (Horizontally arrayable when necessary)
DV12 (Arrayable in PAIRS ONLY with the upper box of the pair inverted.)
Outboard Processing Warning
Third-party outboard processing (Drive Racks, etc.) are not recommended and
are not necessary with BASSBOSS MK3 series powered loudspeakers. Outboard
processing will not improve, and will very likely degrade the sound quality,
reliability and output capacity. Using external processing inappropriately can
cause driver damage that is not covered by warranty.
The internal processing can accomplish everything an external processor could
accomplish without degrading the sound quality and without putting components
at risk. Before considering using an outboard processor, contact BASSBOSS
customer service with your use-case scenario for assistance in setting up the
internal processing to achieve your goals.
Setup Procedure
Once the the cabinet is in the desired location, signal cables should be
connected via the XLR-F input.
It’s recommended to run balanced signal cables to minimize the chance of noise
and ground-loop hum.
The incoming signal should be unprocessed because all the necessary processing
is done in the builtin DSP. The signal should be run directly from the outputs
of a mixer or controller.
The XLR-M connector provides a full-range, unprocessed, pass-through
connection to additional cabinets. This output can be connected to additional
subs or tops. Up to 12 cabinets can be connected on a single output from a
mixer or controller.
Connecting the mains power. The power connector is a Neutrik PowerCON TOP
waterproof type. The power connector inserts with the silver tab rotated
counter clockwise from vertical, at about the 10:00 position, and once
inserted, rotates clockwise to the 12:00 position to lock in place. Once
locked, this connector is waterproof.
This connector also serves as the power switch. To disconnect and remove the
connector, pull back on the silver tab to unlock it and rotate it counter
clockwise. Once rotated to the insertion angle, the connector can be removed.
When connecting and disconnecting, no force should need to be applied. If the
connector doesn’t insert and rotate smoothly, either it’s in the wrong
position or it’s damaged and should be replaced. Always use a grounded outlet.
The supplied power cord includes a standard grounding NEMA 5-15 (Edison)
120-Volt US wall plug. In unfamiliar locations it’s recommended to verify the
correct wiring of outlets before powering your system.
It’s highly recommended to connect all signal and power cords to the speakers
before plugging the power cords into mains outlets. When your speaker is
powered on, you’ll see all the indicator lights turn on and then show the
system’s current status.
Operation & Controls
There are 2 controls on the amplifier.
- Input
This knob adjusts the input level from -72dB to -0dB. To avoid distortion and clipping, make sure the input signal doesn’t exceed +22dB and the incoming signal doesn’t reach clipping before you achieve the desired sound level.
While the amplifier has built-in limiters and safety features to protect itself and the speaker, it can’t protect the speaker from distorted incoming signals. The amplifier will simply amplify the clipped signal, which can do the same damage as clipping an amplifier. Since it’s essentially impossible for these amplifiers to clip, signal-level clipping is the most common cause of damage to these speakers. If you hear distortion, lower the signal level right away! - Preset Select
Pressing the Preset Select button cycles through presets 1-8, and pressing it again after preset 8 returns to preset 1. Each preset includes all necessary low-pass and high-pass filters at the selected frequencies and all the necessary alignments to maintain phase coherence in the crossover range when used with other BASSBOSS powered speakers.
Presets help you fine-tune the balance between the subwoofers and top speakers. More details on the different combinations are on page 7.
Indicator LEDs
Indicator LEDs – Left side, bottom to top:
Ready: Indicates that power is on and the system is ready to play.
Signal: Indicates the presence of input signal.
-12dB: Indicates there is 12dB of headroom remaining before reaching maximum output.
-6dB: Indicates there is 6dB of headroom remaining before reaching maximum output.
Limiting: Indicates one of the channels is reducing the incoming signal level
to prevent overdrive.
Overheat: Indicates the amplifier is reducing output to prevent shut-down from
overheating.
Protect: Indicates the amplifier is shut down due to a condition that could
cause further damage.
The Protect LED also is engaged when the system has been muted via the
software.
Comm Link: Indicates communication is active on the LAN connection(s).
Indicator LEDs, Right Side, Bottom to top:
Presets 1-8 – The illuminated LED indicates the corresponding preset is
loaded.
How to Use the Presets
Setting the low-pass filter frequency on the subwoofer to match the top
cabinet’s high-pass filter frequency and balancing (matching) their sound
pressure levels will achieve the smoothest sound across the frequency range.
(Note: Matching sound pressure levels is not matching knob positions) There
are no incompatible combinations.
Selecting high numbered presets on subs in conjunction with low-numbered
presets on tops will result in increased system output in the overlap range,
which can be helpful in some situations, but can also result in a “boomy”
sound.
When the subwoofer levels are run higher than tops levels, (which is almost
always) the effective crossover moves higher in frequency. If you intend to
run your system “bass-heavy ” (ie with the subs turned up higher than the
tops) it’s recommended to run lower-numbered presets on the subs and higher-
numbered presets on the tops to avoid an excessively “boomy” sound.
Selecting low-numbered presets on subs with high-numbered presets on tops may
result in a lack of “punch” in certain combinations. This is most likely when
not enough sound level is available from the subwoofer(s).
When not enough output is available from the sub(s), using a preset
combination with overlap can help provide a little more bass level but it does
limit the maximum level of the tops due to the added demand for low-
frequencies from the tops.
It’s recommended that you try several, if not all, combinations when first
setting up to determine which ombination works best in each environment. You
will likely choose different combinations for wood floors, concrete floors and
outdoors.
Experiment with different combinations to dial in your preferred combination
in different environments.
Pre-Installed Onboard Presets
High-pass and low-pass filters with included phase compensation.
- Preset 1 – 30 Hz – 70 Hz
- Preset 2 – 30 Hz – 75 Hz
- Preset 3 – 30 Hz – 80 Hz
- Preset 4 – 30 Hz – 85 Hz
- Preset 5 – 30 Hz – 90 Hz
- Preset 6 – 30 Hz – 95 Hz
- Preset 7 – 40 Hz – 100 Hz (Vinyl/Good Neighbor Mode)•
- Preset 8 – Cardioid Mode (Use only when cabinet is facing away from audience)
*Preset 7 raises the high-pass filter to 40 Hz, reducing the level of the deepest bass notes. This provides an option to keep operators out of trouble with neighbors, venue owners or local authorities in the event of noise complaints.
Preset 8 is the Cardioid mode setting. More information on using Cardioid
Mode can be found on page 10.
Additional presets are accessible through software. See “How to Use the
Presets” section for more information.
New presets will be available for download at
bassboss.com/software as they are developed.
To be notified when new presets are released register your gear at:
www.bassboss.com/support
Instructions on linking to your computer for remote monitoring and control:
www.bassboss.com/software Information and
setup tips about how to get the best and most out of your system:
bassboss.com/edu
Power Distribution**
Connect no more than one 5000W or two 2500W subwoofer amplifiers to a single
20A circuit. If you need to share circuits don’t exceed two BASSBOSS single-
driver subwoofers or one Single-driver subwoofer along with one or two top
speakers on the same circuit.
Although amplifiers for tops and subs may be specified to have the same power
capacity, amplifiers used for tops applications tend to draw significantly
less current. Subwoofers draw far more current than tops due to the demands
for level and the duration of the notes.
The amplifiers can operate on mains supply from 100 to 250VAC. To connect to
voltages other than 120V, a different mains connector plug must be used.
Contact your salesperson for information about purchasing cables for alternate
voltages.
Pass-through Power connections can be used to power additional cabinets. With
optional True 1 TOP cables, power can be linked between subs and tops. Do not
connect equipment that will draw more than 15A on a single power outlet.
Contact your salesperson for information about linking power cables. Avoid
powering all subwoofers on the same circuit. Instead, use separate circuits
for each subwoofer and top speaker combo to help prevent overloading a single
circuit and tripping a breaker.
Troubleshooting
If, after following the previous instructions for setup, you have no output
from the loudspeaker:
Verify that the green Ready LED is lit. If NOT lit, check the following:
- Is the power cord plugged into a live outlet?
- Is the Neutrik powerCON connector rotated into the locked position?
If the green Ready LED is lit, check the following:
-
Is the red Protect LED illuminated? The unit may be in protect mode or set into mute via software.
-
Is the signal cable connected to the input?
-
Is the signal cable connected to an operating output at the other end?
-
Is there signal flowing to the input? Check the integrity of the cable against a different cable.
-
Is the volume knob turned all the way down or at a very low level?
-
Is the signal flowing to the input full-range?
Filters in the signal may remove the operating frequencies of the loudspeaker receiving them. -
If you’re connected via LAN, check the level and filter settings in the software.
Cardioid Mode
Preset 8: Cardioid Mode
To achieve cardioid operation, you need at least one subwoofer facing the
audience and one cabinet in cardioid mode placed facing away from the
audience. Ideally, you should have two cabinets facing the audience and one
facing away from the audience. The cabinets facing the audience should have
the same preset loaded in them. The cabinet facing away from the audience
should be set to the Cardioid preset – Preset 8. The Cardioid Mode cabinet
should be placed between the audience-facing cabinets for cancellation
directly behind the array.
The main subwoofer cabinets face the audience and use one of the first 7
presets, while the cardioid cabinet faces away from the audience with Preset 8
selected. When two cabinets are facing forward and one is facing backward in
cardioid mode, set the input levels the same for all cabinets, with the same
signal going to all. When one cabinet is facing forward and one is facing
backward in cardioid mode, set the cardioid cabinet’s level 6dB lower than the
forward-facing cabinet, with both cabinets receiving the same signal. If
there’s only one cabinet facing forward and another one facing backward in
cardioid mode, you can place the cardioid cabinet on top of the forward-facing
cabinet. If you place the cardioid cabinet next to the forward-facing cabinet,
position the forward-facing cabinets further away from the stage or the area
where you want to reduce sound levels. The most significant sound reduction
happens along an imaginary line drawn from the center of the forward-facing
cabinet’s woofer back through the center of the cardioid cabinet’s woofer.
How and When to Use Cardioid Mode
Cardioid mode doesn’t make the sound louder for the audience. Instead, it
reduces the bass level behind the subwoofer stacks. When you have two
subwoofers facing the audience and add a third one in cardioid mode, the sound
level in front of the two subwoofers won’t change much. However, the sound
level behind them will decrease.
In some situations a wall or structure may reflect the sound radiating from
the rear of the subwoofers back towards the audience. That reflected sound can
cause phase cancellations leading to a loss of impact and uneven frequency
response. Cardioid mode can help eliminate those cancellations before they
happen, leading to better sound quality and impact for the audience.
Specifications
Acoustical
Description: | Subwoofer, single 18” powered and processed |
---|---|
Frequency Response (±3 dB): | 30 – 100 Hz (Preset dependent) |
Maximum Measured Output: | 130 dB SPL, 1 meter, half-space (ground plane) |
Max SPL (Peak): | 133 dB |
Nominal Dispersion (Hº x Vº): | 360 x 360 – Cardioid mode available with |
multiple boxes
Electrical
Current Draw, Nominal: | 2500 Watt Class D Amplifier |
---|---|
Processing: | Integrated comprehensive DSP provides high pass, low pass, phase |
alignment and limiting
Electrical Connectors, Amp:| Neutrik powerCON True 1 TOP waterproof connectors
Electrical Connector, Mains:| Standard US 3-pin grounding 120V electrical
plug: NEMA 5-15
Voltage Operating Range:| 100-240V AC, 50-60Hz (Auto-sensing, auto switching
universal supply)
Current Draw, Nominal:| 4.6A @ 120 Volts, 2.3A @ 240 Volts (Average with music
content)
Signal Input Connector:| XLR-F
Signal Output Connector:| XLR-M (Direct pass-through, unprocessed)
LAN Connectors:| EtherCON RJ45 (x2) with 2-port Ethernet switch
Physical
Enclosure Type:| Direct radiating, vented enclosure, optimally tuned for low
frequency reponse, with high sensitivity and high power handling
---|---
Transducer:| 1 x 18” diameter (457 mm) neodymium motor woofer with 4.5 in.
(115mm) copper winding voice coil
Cabinet Construction:| CNC machined 18 mm Birch plywood with dado and Rabbet
joinery
Dimensions (HxWxD):| 22.5 in. x 30 in. x 24 in. (23.25 in. high with feet)
Net Weight:| 125 lbs. (82 kg)
Shipping Weight:| 140 lbs. (104 kg)
Exterior Finish:| Weatherproof bonded high-pressure polyurea
Grille:| Perforated, powder-coated steel
Pole Sockets:| 1 (35 mm) steel
Handles:| 4 Integrated handles
Feet:| 4 interlocking rubber feet
Suspension System:| 8 X M10 threaded flypoints
Optional
Transport Dollies:| Dolly cart with 4 locking casters and recesses to accept
interlocking cabinet feet
---|---
Cover:| Heavy-duty padded nylon transport cover for 1 cabinet
Online Information:| bassboss.com/ssp118
Our proactive philosophy causes specifications to be subject to change
whenever improvements are made.
Warranty
WARRANTY INFORMATION | Our fully-transferable warranty covers all BASSBOSS
products.
STANDARD CABINET WARRANTY
BASSBOSS loudspeaker cabinet integrity, including all joinery, fasteners,
handles and wood, is warranted against defects in materials and workmanship
for a period of six (6) years from the date of purchase. This warranty does
not cover items that are intended to wear and can be replaced if worn or
damaged. Examples of items not covered by this warranty are cabinet feet,
grilles and the finish or coating applied to the cabinet.
ENHANCED COMPONENT WARRANTY
BASSBOSS amplifiers and electronic components are covered against failures due
to defects in materials and/or workmanship for a period of three (3) years
from the date of purchase.
TRANSDUCER WARRANTY
Transducers are covered against failures due to defects in materials and/or
workmanship for two (2) years from the date of purchase.
OUR SUPPORT
Warranty support is a service, and part of that service includes helping you
prevent failures and minimize repair and shipping costs.
Please do not ship products without obtaining a return authorization number
(RMA) by contacting BASSBOSS at
bassboss.com/support. If you need to ship your
speaker for service, BASSBOSS technicians will provide assistance on shipping
and packaging requirements specific to your service needs.
WARRANTY LIMITATIONS
During the warranty period, if your loudspeaker malfunctions or fails due to
any defect in components or manufacturing, the failed parts will be repaired
or replaced. This warranty does not extend to damage resulting from improper
installation, misuse, neglect or abuse. Warranty coverage and eligibility will
be determined upon inspection by BASSBOSS personnel. This warranty does not
cover labor other than that authorized and performed by BASSBOSS personnel.
Service will be performed upon the return of the failed unit, together with
its original sales receipt or other proof of purchase, to BASSBOSS or an
Authorized Service Facility. Purchaser is responsible for all costs of
shipping and handling. Cosmetic damage is specifically excluded from this
warranty. This warranty is rendered void if service, repairs and/or
modifications are attempted or made by anyone not specifically authorized by
BASSBOSS to perform said services. Please contact BASSBOSS or your local
BASSBOSS dealer before attempting any repairs and before shipping parts in for
service. This warranty gives you specific legal rights, and you may also have
other rights, which vary from state to state.
Safety Information
Important information regarding safety and the use of your loudspeakers:
To prevent potentially dangerous exposure to high levels of acoustic pressure,
never stand in the immediate vicinity of loudspeakers driven at a high level
without hearing protection. Professional loudspeaker systems are capable of
causing sound pressure levels detrimental to human health. When a transducer
capable of producing high sound levels is being used, it is necessary to wear
ear plugs or protective earphones to prevent hearing damage.
Even seemingly non-critical sound levels (from approximately 95 dB SPL) can
cause hearing damage if people are exposed to it over a long period. Anyone
exposed to these levels should use appropriate hearing protection devices.
System and venue owners and operators are encouraged to make hearing
protection devices available to all customers and staff members.
In order to prevent accidents when setting up the loudspeakers or loudspeaker
stands, make sure they are standing on a firm surface. Ensure that all
additional hardware, fixings and fasteners used for installation or mobile
deployment are of an appropriate size and load safety factor.
Always use the included, factory installed, internally secured M10 fly points
when supporting the cabinets. Use appropriately load-rated hardware. Never
hang loudspeakers from handles. Never drill or screw into cabinets to attach
lifting points.
Pay attention to the manufacturers’ instructions and to the relevant safety
guidelines. Regularly check the loudspeaker housings and accessories for
visible signs of wear and tear, and replace them when necessary. Regularly
check all load bearing bolts in the mounting devices.
Caution: Loudspeakers produce a static magnetic field even if they are not
connected or are not in use. Therefore make sure when erecting and
transporting loudspeakers that they are nowhere near equipment and objects
which may be impaired or damaged by an external magnetic field.
A distance of 3 feet (1m) should be maintained between loudspeakers and
sensitive equipment such as CRT monitors or magnetic storage media.
Never attempt to carry out any operations, modifications or repairs that are
not expressly described in this manual. Contact your dealer or BASSBOSS
support if the product is not functioning properly.
For installation purposes BASSBOSS strongly recommends that this product be
installed by a qualified, professional installer who can ensure correct
installation and certify that it is installed in compliance with the
regulations in force.
The audio system must comply with current local standards and regulations
regarding electrical systems.
Important Notes
Shielded data cables must be used.
To minimize the occurrence of noise and interference, always use shielded
signal cables. Avoid routing signal or data cables close to equipment that
produces high-intensity electromagnetic fields such as transformers, power
cables and loudspeaker wires.
Do not coil excess power cable. Do not coil or wrap power cables and signal or
data cables together.
WARNING
This is a class A product. In a domestic environment, this product may cause
radio interferences, in which case the user may be required to take corrective
measures.
FCC Compliance Notice
Note: This equipment has been tested and found to comply with the limits for a
Class A digital device, pursuant to part 15 of the FCC Rules. These limits are
designed to provide reasonable protection against harmful interference when
the equipment is operated in a commercial environment.
This equipment generates, uses and can radiate radio frequency energy and, if
not installed and used in accordance with the instruction manual, may cause
harmful interference to radio communications.
Operation of this equipment in a residential area is likely to cause harmful
interference in which case the user will be required to correct the
interference at their own expense. Manufacturer
True Lee Loudspeakers | BASSBOSS 2028 E Ben White Blvd. #240-8220 Austin TX
78741
We declare, under our sole responsibility, that to the best of our knowledge
to which this declaration relates, our products are in conformity with the
applicable requirements. Product: SSP118-MK3 Subwoofer Intended use:
Professional Audio Loudspeaker
Need more assistance?
We’re here to help.
bassboss.com/support
bassboss.com
References
- BASSBOSS | Professional Loudspeakers Systems
- Education | BASSBOSS Loudspeaker Systems
- Software | BASSBOSS Loudspeaker Systems
- SSP118-MK3 Single 18" Subwoofer
- Software | BASSBOSS Loudspeaker Systems
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