Laney BCC-IRT30-112 Tube Guitar Combo 12 Inch HH Speaker User Manual
- June 16, 2024
- Laney
Table of Contents
**Laney BCC-IRT30-112 Tube Guitar Combo 12 Inch HH Speaker User Manual
**
INTRODUCTION
Handcrafted in the UK, our Black Country Customs IRT30-112 is a 30-Watt, super flexible, modern sounding 1 x 12” combo. Delivering lots of smooth, high gain guitar tones and packed full of top end features, the IRT30-112 is an extremely versatile, aggressive sounding unit delivering plenty of low-end growl and punch. A tone Forged in Iron!
Featuring a full 3-channel pre-amp with clean, rhythm and lead channels, plus
a
footswitch able front end pre-boost feature. The IRT30-112 also features the
ability to
PULL/SHIFT the EQ controls allowing the player to get the exact EQ they are
looking for. The BCC-IRT30-112 features a very useful vary-watts control,
which allows you to get the tone you are after at any wattage level without
compromising yzingIRONHEART tone.
New enhanced boost circuitry on the UK built BCC-IRONHEARTS allows you to drive the amp hard without any of the muddiness and uncontrollable low end associated with lesser amps
The BCC-IRT30-112 is fitted with an 8/16 Ohm extension speaker socket allowing you to match it with whatever extension cabinet you choose. Along with a truly awesome sounding cabinet emulated DI out that allows you to connect you BCC- IRT30-112 directly to the PA – removing the need to mic your cabinet and giving the engineer a great consistent sound every time. The source of the DI signal can be switched allowing you to can get a great recording sound using your favorite IR within your DAW. Combine these features with an effects loop with level switching plus an AUX in and you have a great sounding, super flexible high gain, all valve tone machine. The BCC-IRT30-112 can satisfy even the most demanding of tone conscious players.
Lovingly handcrafted in our UK workshop, our IRONHEARTs are Forged in Iron!
FEATURES
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High Power All tube heads, featuring four ECC83 preamp tubes and two
6L6 Power tubes -
Full 30 Watts RMS
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3 Independent Channels
- oCH1 – Clean
- oCH2 – Rhythm, with Gain, Volume and passive 3 band Tone stack
- oCH3 – Lead, with Gain, Volume and passive 3 band Tone stack
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Switchable Pre-boost with level control
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Digital Spring line reverb
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Dynamics Control for Low end control
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Master Tone Control
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Watts control for accurate power reduction and control
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D.I. output with Level control and source select and ground link switch
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Loudspeaker out (8-16Ω)
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Effects loop with switchable bypass, 0dbu or -10dbu level settings
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Onboard HH Acoustics 12” H1280 8Ω loudspeaker
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Robust 4W FS4 footswitch included
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Aux In
CONTROLS
FRONT PANEL
INPUT SOCKET
Plug in the input jack from your guitar here, suits any standard 6.3mm mono
jack
PRE-BOOST CONTROL
The switchable and variable PRE-BOOST control is an additional gain setting to
increase the input signal to the preamp tubes, just like placing a boost pedal
in the signal path. This drives the preamp tubes harder, resulting in more
distortion and works on both channels. It’s especially pleasing when used to
push the clean channel into slight breakup
LEAD GAIN
Controls the level of preamp gain on the Lead channel. Turning this control
clockwise will add more distortion to your guitar signal, ranging from light
overdrive, to full on metal. Use this in conjunction with LEAD VOLUME (6) to
achieve the correct volume and distortion level you require.
LEAD EQ CONTROLS – CONTROLS PUSHED
A traditional three band set of variable passive tone controls providing
control in the BASS, MIDDLE and TREBLE frequency bands. Due to their unique
interactive nature, the controls provide the player a more natural set of
tools to shape their ideal sound. As a good starting point, set the controls
to midway (0).
LEAD EQ CONTROLS – CONTROLS PULLED
Pulling on each of the EQ control knobs will shift the response of each
control as follows:
- BASS – Deep – This extends the low-end frequency response, resulting in a fuller, heavier sound for lower notes.
- MIDDLE – Shift – This lowers the frequency range of the MIDDLE control to give a tighter sound.
- TREBLE – Shift – This broadens the TREBLE control frequency response, to give a rounder sound to higher notes, especially when used with thin sounding pickups.
LED VOLUME
Controls the Lead channel volume. Experiment with different combinations of
the GAIN and VOLUME controls to achieve different sounds. Reducing the GAIN
while increasing the VOLUME will result in a warm, open, overdriven sound as
the power amp is driven harder, while reducing the VOLUME and increasing the
GAIN will give a tighter, more modern sound with more distortion. Once set,
try using your guitar’s volume controls to interactively adjust tone and
distortion levels
CHANNEL SWITCH
Switches between the LEAD and CLEAN/RHYTHM channels with status LED’s to see
the current state at a glance.
CLEAN/RHYTHM SWITCH & CLEAN VOLUME
This switch activates the CLEAN mode on the RHYTHM channel. When operated, the
CLEAN VOLUME control becomes active, while RHYTHM GAIN (9) and RHYTHM VOLUME
(12) are removed from the signal path. When using CLEAN mode, the preamp gain
is lowered, resulting in a cleaner tone. In CLEAN mode, the green LED to the
right of the CLEAN VOLUME control illuminates
In RHYTHM mode the CLEAN VOLUME control is disabled with the RHYTHM GAIN (9)
and RHYTHM VOLUME (12) taking control of the channel. The green LED to the
right of the CLEAN VOLUME control turns off
RHYTHM GAIN
See LEAD GAIN (3)
RHYTHM EQ CONTROLS – CONTROLS PUSHED
See LEAD EQ CONTROLS (4)
RHYTHM EQ CONTROLS – CONTROLS PULLED
See LEAD EQ CONTROLS (5)
RHYTHM VOLUME
See Lead Volume (6)
DYNAMICS
This allows control over the response of the amplifier at lower frequencies.
Turning this control clockwise gives a looser low end, while lower settings
provide a tighter response with the optimal setting dependent on the speaker
cabinet used
TONE
The TONE control works in a similar fashion to the Tone control you probably
have on your guitar except that it uniquely works at the other end of the
amplification chain. This has the ability to not only control the overall top
end response, but also reduce upper ha monic on the output stage and
preamplifier overdrive sounds. This will give you bright cutting sounds at
high settings and smooth rounded sounds at lower settings. Midway (0) is a
good starting point. The sonic outcome when using the TONE and DYNAMICS
controls depend greatly on the speaker cabinet connected to the amplifier
REVERB
Controls the level of the built in Laney-designed digital reverb.
WATTS
The WATTS acts like an overall Volume control for the amplifier, allowing the
user to retain similar tonal qualities, unique to a valve amplifier, but at
reduced output levels, ideal in a practice environment. Full output power is
achieved with the WATTS control fully clockwise and will run the power tubes
at maximum level. Reduced overall output volume is achieved by turning the
WATTS control anticlockwise
STANDBY SWITCH and STATUS LAMP
Internally disconnects the main HT voltage from the tubes but keeps the tubes
warm so that they are ready to play instantly. Switch for short breaks when
you don’t want to wait for the t bes to warm up again. With the switch in the
1 (up) position, the amp is in play mode, while 0 (down) allows the amp to
warm up. The STANDBY LAMP will illuminate when the amplifier is in play mode.
POWER SWITCH and LAMP
Main power switch for the unit. Tube amplifiers take between 30 seconds to 2
minutes to warm up and be ready to play after switching on, this is normal.
Use in conjunction with the standby switch to prolong tube life. To turn on,
flip the switch to 1 (up), the POWER lamp will illuminate.
REAR PANEL
MAINS INLET and FUSE
Make sure the voltage indicated on the rear panel is correct for your country!
This drawer contains the main safety fuse for the unit. The fuse protects the
amplifier from damage in the event of fault by disconnecting the mains power
supply. USE ONLY THE CORRECT SIZE AND RATING SPECIFIED ON THE REAR PANEL, also
detailed in the Specifications table of th s manual. If a fuse blows or fails
and a replacement of the same size and rating is installed which in turn
blows, the amplifier has suffered a malfunction and needs immediate service
from a qualified technician. DO NOT TRY A FUSE OF A HIGHER RATING – Using a
fuse that is too large in current rating may cause serious, irreparable damage
to the amplifier and presents a serious fire hazard. There is a spare fuse
located in the fuse drawer of the mains power inlet in the event of a failure.
This unit must be earthed under all circumstances!
HT FUSE
This fuse disconnects the high voltage DC power to the tubes within the
amplifier in the event of a fault. USE ONLY THE CORRECT SIZE AND RATING FUSE
AS SPECIFIED ON THE PANEL. If a fuse blows or fails and replacement of the
same size and rating is installed which in turn blows, the amplifier has
suffered a malfunction. At this point check the output tubes and replace
faulty ones if required. Should the tubes not be the problem, refer the
amplifier to a qualified service technician. DO NOT TRY A FUSE OF HIGHER
RATING – Using a fuse that is too large in current rating may cause serious,
irreparable damage to the amplifier. Fuses are designed to protect, do not
take chances.
D.I.
A balanced XLR output (with improved noise performance) for connection to an
external device featuring SOURCE selection, LEVEL switch and GROUND LIFT.
a. SOURCE switch
- INPUT – A buffered signal picked up from the input of the amplifier. The signal doesn’t include speaker emulation.
- AMP – In this mode, the signal is sourced from the output of the amplifier and
includes additional 4*12 speaker emulation
b. LEVEL switch
- 30dB – PA/Desk level
- 4dB – Line level – for driving an active cabinet directly
c. GROUND LIFT
In the unlikely event of ground hum when connecting to other equipment, simple
select the D.I. GROUND LIFT.
AUXILIARY INPUT
This input allows the connection of backing tracks etc. to be mixed in post
the FX loop.
FX LOOP
a. FX RETURN
A 1/4″ mono jack socket for the connection of the output of an external FX
unit. This can also be used as a slave in for the power amp. As the FX Loop is
an insert type, the preamp signal will be muted
The FX LOOP SWITCH selects the FX Loop mode of operation:
- Bypass – Removes the FX Loop from the signal path.
- 0dBu – For connection of FX units with a 0dBu nominal output level.
- 10dBu – For connection of FX units with a -10dBu nominal output level. As this is intended for devices with a lower output level, this switch increases the gain of the FX Loop by 10dB.
b. FX SEND
A 1/4″ mono jack socket for connection to the input of an external FX unit.
This can also be used as a line out for connection to another power amp slave
input or for recording.
FOOTSWITCH REMOTE
Connect the included FS4 FOOTSWITCH using the supplied 5 pin DIN cable. This
will provide the user with remote operation of the following functions:
CHANNEL, CLEAN, REVERB, AND BOOST.
SPEAKER OUTPUTS
The BCC-IRT30-112 is equipped with a 12″ HH Acoustics H1280 8Ω loudspeaker
which should always be connected to the 8Ω socket, with the impedance selector
switch set to 8Ω, when used without an extension cabinet. When using an
extension cabinet (the GS112 E / GS212FE / GS412IA or GS412IS are
recommended), or any other 8Ω cabinet in conjunction with the internal
speaker, use the 8-16Ω socket with the impedance selector switch set to 4Ω.
Mismatching your speaker impedance will reduce the perform acne of your
amplifier, and in extreme cases may damage the unit Always operate this
amplifier with a load connected. Failure to do so could result in serious
irreparable damage to the unit!
SAFETY WARNINGS
Take note of the safety information on the rear panel.
HOW TO CONNECT BCC-IRT30-112
ONBOARD LOUDSPEAKER WITH FS4 FOOTSWITCH REMOTE
Plug the speaker jack into the 8Ω socket and set the Impedance selector to 8Ω.
The
included FS4 footswitch is connected to provide remote switching of the BOOST,
CLEAN, CHANNEL and REVERB controls.
ONBOARD LOUDSPEAKER, EXTENSION CABINET WITH FX LOOP AND AUXILARY INPUT When
using an additions extension cabinet set the Impedance selector to 40 as
shown. Connect your effects pedalboard to the FX loop with the FX loop FX Loop
level set to
USING THE DI. OUT
The high quality, IR loaded, speaker emulated D.I. output can be connected to
any balanced/unbalanced line level input device such as a PA or audio
interface to DAW. Toggle off the cabinet emulation should you want to use your
own in the DAW. In the examples below the SPEAKER outputs must be connected to
a suitable cabinet or speaker load box. If not, serious damage to the
amplifier will occur!
EXAMPLE SETTINGS
The best way to get started with your BCC-IRT30-112 is to experiment with the controls to find your favorite sounds. However, for a head start, here are a few example tone settings to try out:
CLEAN
ROCK
METAL
DETUNED METAL
BLUES
JAZZ
BLOCK DIAGRAM
SPECIFICATIONS
| MODEL | BCC-IRT30-112 |
|---|---|
| SUPPLY VOLTAGE MAINS FUSE(FACTORY PRESET) | ~100V, ~120V, ~220V, ~240V |
50/60Hz~100V/~120V: T1.6A L 250V~220V/~230V/250V: T630mA L 250V
HT FUSE| T315mA L
POWER CONSUMPTION| 100 Watts
OUTPUT POWER RATING| 30 Watts
LOUDSPEAKER| 12” H1280 8Ω
LOUDSPEAKER OUTPUTS (SPEAKER IMPEDANCE)| INTERNAL: 8Ω EXTENSION: 8-16Ω
VALVES| 4 x 12AX7/ECC83 preamp tubes and 2 x 6L6 output tubes
INPUT IMPEDANCE| 1MΩ
INPUTS| 6.3mm (1/4″) Mono Instrument Input Jack3.5mm stereo AUX IN jack
**** CONTROLS| Variable PRE-BOOST Control with LED indicator – Toggle and
foot switchable Channel selection – LEAD / CLEAN/RHYTHM with LED indicator –
Toggle and foot switchableCLEAN/RHYTHM selection with LED indicator – Toggle
and foot switchable Two Channels both with GAIN, switchable 3 Band EQ and
VOLUMEDYNAMICS, TONE, REVERB and WATTS control
**** OUTPUTS| 6.3mm FX Send jack, 6.3mm FX Return jackBalanced Male XLR D.I.
out with LEVEL Selection, SOURCE Selection and GROUND LINK 2 x 6.3mm (1/4″)
Mono Speaker Output jack
FOOTSWITCH (INCLUDED)| 1x 5 pin DIN terminated FS4 footswitch for control of
BOOST, CLEAN, CHANNEL and REVERB
UNIT DIMENSIONS (HWD)| 470 x 578 x 288mm, (18.5″ x 22.7″ x 11.3″)
UNIT WEIGHT| 20.5Kg, (45.2 lbs.)
CARTON DIMENSIONS (HWD)| 580 x 680 x 390mm, (22.8″ x 26.8″ x 15.3″)
PACKED WEIGHT| 25.6Kg, (56.4 lbs.)
EAN CODE (SINGLE)| 5060109458756
DIMENSIONS (in mm)
SAFETY AND WARNINGS
In order to take full advantage of your new product and enjoy long and trouble-free performance, please read this owner’s manual carefully, and keep it in a safe place for future reference
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Unpacking: On unpacking your product please check carefully for any signs of damage that may have occurred whilst in transit from the Laney factory to your dealer. In the unlikely event that there has been damage, please re-pack your unit in its original carton and consult your dealer. We strongly advise you to keep your original transit carton, since in the unlikely event that your unit should develop a fault, you will be able to return it to you dealer for rectification securely packed.
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Amplifier Connection: In order to avoid damage. Generally it is advisable to establish and follow a pattern for turning on and off your system. With all system parts connected, turn on source equipment, mixers, effects processors etc, BEFORE turning on your amplifier. Many products have large transient surges at turn on and off which can cause damage to your speakers. By turning on your amplifier LAST and making sure its level control is set to a minimum, any transients from other equipment should not reach your loud speakers. Wait till all system parts have stabilised, usually a couple of seconds. Similarly when turning off your system always turn down the level controls on your amplifier and then turn off its power before turning off other equipment.
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Cables: Never use shielded or microphone cable for any speaker connections as this will not be substantial enough to handle the amplifier load and could cause damage to your complete system. Use good quality shielded cables everywhere else.
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Servicing: The user should not attempt to service these products. Refer all servicing to qualified service personnel.
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Heed all warnings.
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Follow all instructions.
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Do not use this apparatus near water.
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Clean only with a dry cloth.
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Do not block any of the ventilation openings. Install in accordance with manufacturer’s instructions.
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Do not install near any heat sources such as radiators, heat registers, stoves or other apparatus (including amplifiers) that produce heat.
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An apparatus with Class I construction shall be connected to a mains socket outlet with a protective connection. Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or third prong is provided for your safety. If the provided plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.
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Protect the power cord from being walked on or pinched, particularly at plugs, convenience receptacles, and the point they exit from the apparatus.
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Only use attachments/accessories provided by the manufacturer.
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Use only with a cart, stand, tripod, bracket, or table specified by themnufacturer, or sold with the apparatus. When a cart is used, use caution when moving the cart/apparatus combination to avoid injury from tip-over.
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The mains plug or appliance coupler is used as the disconnect device and shall remain readily operable. The user should allow easy access to any mains plug, mains coupler and mains switch used in conjunction with this unit thus making it readily operable. Unplug this apparatus during lightning storms or when unused for long periods of time.
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Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as when power-supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
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Never break off the ground pin. Connect only to a power supply of the type marked on the unit adjacent to the power supply cord.
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If this product is to be mounted in an equipment rack, rear support should be provided.
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Note for UK only: If the colors of the wires in the mains lead of this unit do not correspond with the terminals in your plug‚ proceed as follows:
- The wire that is cultured green and yellow must be connected to the terminal that is marked by the letter E‚ the earth symbol‚ cultured green or cultured green and yellow.
- The wire that is cultured blue must be connected to the terminal that is marked with the letter N or the color black.
- The wire that is cultured brown must be connected to the terminal that is marked with the letter L or the color red
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This electrical apparatus should not be exposed to dripping or splashing and care should be taken not to place objects containing liquids, such as vases, upon the apparatus.
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Exposure to extremely high noise levels may cause a permanent hearing loss. Individuals vary considerably in susceptibility to noise-induced hearing loss, but nearly everyone will lose some hearing if exposed to sufficiently intense noise for a sufficient time. The U.S. Government’s Occupational Safety and Health Administration (OSHA) has specified the following permissible noise level exposures: According to OSHA, any exposure in excess of the above permissible limits could result in some hearing loss. Earplugs or protectors to the ear canals or over the ears must be worn when operating this amplification system in order to prevent a permanent hearing loss, if exposure is in excess of the limits as set forth above. To ensure against potentially dangerous exposure to high sound pressure levels, it is recommended that all persons exposed to equipment capable of producing high sound pressure levels such as this amplification system be protected by hearing protectors while this unit is in operation.
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If your appliance features a tilting mechanism or a kickback style cabinet, please use this design feature with caution. Due to the ease with which the amplifier can be moved between straight and tilted back positions, only use the amplifier on a level, stable surface. DO NOT operate the amplifier on a desk, table, shelf or otherwise unsuitable nonstable platform.
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Symbols & nomenclature used on the product and in the product manuals, intended to alert the operator to areas where extra caution may be necessary, are as follows
Intended to alert the user to the presence of uninsulated ‘Dangerous Voltage’ within the products enclosure that may be sufficient to constitute a risk of electrical shock to persons
Intended to alert the user of the presence of important operating and maintenance (Servicing) instructions in the literature accompanying the product
CAUTION : Risk of electrical shock – DO NOT OPEN. To reduce the risk of electrical shock, do not remove the cover. No user serviceable parts inside. Refer servicing to qualified personnel.
WARNING To prevent electrical shock or fire hazard, do not expose this appliance to rain or moisture. Before using this appliance please read the operating instructions for further warnings
This device complies with Part 15 of the FCC rules Operation is subject to the following two conditions:
- This device may not cause harmful interference
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- This device must accept any interference received, that may cause undesired operation.
Warning: Changes or modification to the equipment not approved by Laney can
void the user’s authority to use the equipment
Note : This equipment has been tested and found to comply with the limits
for Class B digital device, pursuant to Part 15 of the FCC Rules. These limits
are designed to provide reasonable protection against harmful interference in
a residentiainstallation. This equipment generates, uses and can radiate radio
frequency energy and if not installed and used in accordance with the
instructions, may cause harmfuinterference to radio communications. However,
there is no guarantee thnterference will not occur in a particular
installation. If this equip mint does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and
on, the user is encouraged to try and correct the interference by one or more
of the lowing measures. Reorient or relocate the receiving antenna. Increase
the separation between the equipment and receiver. Connect the equipment into
an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This product conforms to the requirements of the following European
Regulations, Directives & Rules: CE Mark (93/68/EEC), Low Voltage
(2014/35/EU), EMC (2014/30/EU), RoHS (2011/65/EU), ErP (2009/125/EU
SIMPLIFIED EU DECLARATION OF CONFORMITY Hereby, Laney Electronics Ltd.
declares that the radio equipment is in compliance with Directives 2014/53/EU,
2011/65/EU, 2009/125/EU. Full text of the EU declaration of conformity is
available at the following internet address:
http://support.laney.co.uk/approvals
The object of the declaration described above is in conformity with the relevant statutory requirement Electrical Equipment (Safety) Regulations 2016,lectromagnetic Compatibility Regulations 2016, The Restriction of the use of Certain Hazardous Substances in Electrical and Electronic Equipment Regulations 2012, The Eco-design for Energy-Related Products and Energy Information, (Amendment) (EU Exit) Regulations 2012
In order to reduce environmental damage, at the end of its useful life, this product must not be disposed of along with normal household waste to landfill sites. It must be taken to an approved recycling center according to the recommendations of the WEEE (Waste Electrical and Electronic Equipment) directive applicable in your country
STEELPARK ROAD, COOMBSWOOD BUSINESS PARK WEST, HALESOWEN, B62 8HD. UK
FOR THE LATEST INFORMATION PLEASE VISIT WWW.LANEY.CO.UK
IN THE INTEREST OF CONTINUED DEVELOPMENT, LANEY RESERVES THE RIGHT TO AMEND
PRODUCT
SPECIFICATION WITHOUT PRIOR NOTIFICATION.
References
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